The Vanns have released their new single ‘Mother’ taken from their long-awaited debut album.Developing a strong live show and presence off the back of high-profile support slots with artists including Catfish and The Bottlemen and Ocean Alley, as well as selling out their recent run of shows of their own on the east coast, The Vanns have been at work on their craft since their inception in 2013.
‘Mother’ is a laid back groove rooted indie rock track as The Vanns stroll through this exhilarating number with a suaveness and prowess that is admirable. Jangly guitars saunter through the verses, relaxed and sun kissed before blistering and scorching into the epic chorus. With an elastic hip moving bass and punchy drum backdrop the band build and layer this track superbly to create the most thrilling and exciting track. With raspy vocals cooing through the verses and expressive chorus it’s an instantly likeable rock n’ roll tune that packs a serious punch. Refined, swagger dipped and laced in oodles of passion and fantastic instrumentation ‘Mother’ gives us another reason to keep an eye on The Vanns. There are big things ahead for this band.
Scally has released the video for his new single ‘Guilty’. The track is a luring brazing number smoldering on a hotbed of blistering instrumentation and rooted rhythmic grooves. The elastic bass weaves and tantalizes with relentless stamina while the shrilling guitars soar and sting through the turbulent wall of sound. It’s a hefty brawny track however Scally teases and entices the verses holding the blustery rock for the massive chorus. It’s a brassy brutish blast of Scally’s musicianship with refined intricacies embedded throughout. With a kick ass guitar solo and swagger dripping vocals ‘Guilty’ is another smasher from Scally.
The video for ‘Guilty’ was filmed in the beautiful city of Amsterdam by Conor English and sees Ethan Scally prancing about the city getting up to all sorts. From alcohol soaked antics to running around in flamboyant attire it’s a sin filled video perfectly placed for the track.
Dublin rock duo New Valley Wolves have released their new single ‘All You Do Is Talk’. Comprised of Jonny Lucey ( vocals/guitar) and Baz Joyce ( drums) New Valley Wolves have toured extensively around Ireland, UK, Netherlands and Canada since releasing their critically acclaimed debut album ‘Refusal is our Weapon’ in 2015. They have become festival favorite’s for their raucous and high energy live shows. In April 2018 ‘Cut-Throat’, the first single from their ‘Gospel’ EP went straight to #1 in the Irish Rock charts. New Valley Wolves have also toured with ex-Queens of the Stone Age and Kyuss bassist Nick Oliveri as well as rock legends Black Stone Cherry.
‘All You Do Is Talk’ builds on New Valley Wolves’ fiery, enraged sound as they batter the track in their signature lancing guitar riffs and savage drums. This band has a knack for creating a hell raising, blood curdling tune. ‘All You Do Is Talk’ ferments beneath a gritty slick riff while a pounding rhythm creates the perfect backdrop for summoning your inner demons. It’s a catchy, dark track with intricate guitar elements weaving between the acute riffs while Baz Joyce’s’ drumming pummels through your skull with relentless groove infested stamina. Jonny Lucey’s authoritative vocals howl through the stomping beat, wild and mercilessly while the crashing and powerful wall of sound created by this duo compels you to mosh and go absolutely crazy. These guys have crafted one raw mean machine of chaos in ‘All You Do Is Talk’.
To celebrate the new release New Valley Wolves will be playing a run of shows you can catch the band live at:
Birmingham band TREMENDOUS have released their new single ‘Bag Of Nails’ taken off their debut album ‘Relentless’ due for release in September. This fiery power ballad flows with the blistering might and passion that TREMENDOUS are becoming known for. With a lamenting bittersweet melody on guitar piercing and stinging behind a punchy drum and crashing wall of sound this track is fist pump ready and is a brawny tear jerker. The raspy vocals caress the whiskey soaked melody with warm tenderness as the verse jangles along with a melancholic tone. The chorus explodes with all out ballsy rock power and adrenaline while maintaining that exasperated passion. The classic rock slinky guitar lifts the track into epic status as TREMENDOUS display their emotional side through this shredding number.
Our Worth A Listen Track This Week Comes From Primyl Vinyl
Fresh off the back of BBC Radio 6 and BBC introducing support and sold out shows in South Cumbria and Yorkshire, Primyl Vinyl have released their second single, ‘Halftime Entertainment’. This kinetic infectious track is a smooth silky number driven on high powered rock with silky indie elements. With a vibrant ear-worm melody pushed through a crashing backdrop of jagged guitars and punchy drums this track demands attention from the get go. The stinging riff teamed with a slashing solo showcase the bands ability to create epic moments within their tracks that will have a live crowd eating out of the palm of their hands. It is sing along ready with a shredding bass line teamed with passionate raspy vocals, this powerful number is a magnificent second track from Primyl Vinyl. Keep an eye on these guys.
Our Worth A Listen Track This Week Comes From Fangclub
Fangclub have released their new track ‘Hesitations’. The three-piece who are currently working on their second album present a tasty savage appetizer. With dark soundscapes creeping like a misty fog on a eerie cold night this intense number confirms Fangclubs firm grasp on our ears. It’s catchy and explosive with their trademark anthemic chorus that erupts with crashing guitars, pulverising drums and inflamed bass. The verses simmer as the guitars smoulder and curdle beneath the rumbling bass while the drum relentlessly pounds throughout. Steven King’s vocals haunt and whisper building the intensity before becoming more dynamic for the raging chorus. With the sublime addition of a hypnotic chant by the Rush Youth Choir contrasting the blood curdling wall of sound, Fangclub have beautifully fermented and crafted this track to create their most thrilling and exhilarating material yet. If ‘Hesitations’ is anything to go by there is exciting things to come from this trio.
Four piece rock band The Rah’s have recently released their new single ‘Land of the Dreamers’. This biting track presents The Rah’s precise anthemic sound in all its fiery and powerful splendor. The shredding guitars sharply pierce through the punchy drum foundation with slick refinement and majesty while the sublime rooted bass line punctures through your brain with its infectious darkly coated groove. This track lures and entices through the verses before exploding into a crowd friendly boisterous chorus. With slinky, raw guitar licks and sweltering whines seeping swagger and finesse into the track – this high energy, adrenaline pumping number is instantly like-able.
The band have started on their eagerly anticipated EP and details will follow soon via The Rah’s social media
Dublin’s grunge disco band Munky have released their debut EP ‘Un, Deux, Trois, Cat’. This poignant precise collection of tracks displays Munky in their grunge drenched, attitude slapped habitat. The tracks flesh out the bands groove infested backbone however, the lyrical content sees our cheeky chappies take a social stance on real hard hitting topics such a victim blaming. These mature themes are devoured in blistering instrumentation and slick refined musicianship.
The razor sharp funky sting of ‘Zordon’ kicks off the EP with sweltering guitar whines and jagged riffs. Zachary Stephenson’s vocals prance and pine through the catchy melody with intriguing whoops and wails while the slick bass groove buoyantly hops and springs between the rich drums and intricate guitars. Thrilling psychedelia dissolves the gritty backdrop in a dizzying acid of fizz while this splintery dark number introduces the band with grandeur, exposing their debut EP in all its exhilarating glory. Just when you think Munky can’t surprise you any more than they already have, Stephenson’s splintery tongue fluidly rolls out a rap lyric for the acute ’Cuck Rock’. With a funky elastic and somewhat elegant display on bass and guitar the track smoothly flurries behind his narration.The instrumentation is tight and pretty slick as the slinky guitar weaves superbly between the elastic rhythm before the track explodes into a bloodthirsty assault of aggro that is destined to be epic live. Bassist Niall Donnelly brings the track to an end as he takes his “moment to shine”. ’Cuck Rock’ leads magnificently into the effervescent ‘You’ve Got Male’.
Track after track these guys create one hell raising EP filled with sizzling grooves, biting guitars, psych, raw grunge and battering rock with just the right dosage of flamboyance and panache drizzled on top. However it’s that sweet hair raising intro to ‘Ms. Communication’ that shows just how far these guys have come. I’ve heard this track live before and in a more raw format but the meticulous attention to detail and subtle changes the band have made to polish this gem up has to be a pinnacle moment within the EP. The soft female backing vocals blending and beautifully harmonising with Stephenson’s emotional, suffering vocals is immaculate. His vocals have improved and this track shows this perfectly. The passionate turmoil is bubbled and boiled in a fiery brew of funk with a bluesy aftertaste. This concoction creates a bracing sense of urgency and agony. The dark verse kicks off the track swallowed up in a funky slick bass line and eerie guitar twinkles which builds the cold icy tension. The track becomes more dynamic and mosh ready before an epic catchy chorus and crescendo-blast which screams attitude and rebellion. The sweet lamenting and lonely guitar melodies are perfectly placed throughout the song and that shredding solo is the final dramatic kick in the ass. This gripping track exudes class, finesse and the true skill of Munky. Finally the striking well placed ‘One in Five’ brings the EP to a powerful end. This barbed fiery track is about victim blaming culture and Munky provide a passionate heartbreaking narrative over a swirling backdrop of rumbling, agitated rhythms and sharp guitar pines. The guitar weeps, stings and shrills through Stephenson’s distressed vocals while the drums bubble and boil over to the mighty expressive crescendo. It’s a track that grabs your attention and is superbly written.
Munky pulled out all the stops with ‘Un, Deux, Trois, Cat’. It’s an impressive EP, containing cheeky funk, smothered in an honest and mature shell that showcases the majestic and proficient side to Munky’s musicianship.
Our Worth A Listen Track This Week Comes From The Black Keys
The Black Keys are back with their new single ‘Lo/Hi’. This bluesy garage rock number continues the duo’s infectious thumping sound in all its glory. Dripping in swagger and strut ready quality the track kicks off with a joyous wail from Dan Auerbach as he slices through with slick fuzz filled guitar lines while Patrick Carney sets that oh so groovy stomping foundation. The verses sizzle and bubble fermenting through the grit smacked guitar and shimmy ready beat while the chorus explodes with The Black Keys blistering anthemic might. Auerbach’s vocals coo and glide effortlessly over the infectious chilled melody while the soulful female backing vocals add a dash of spice and richness to the track. Pounding drums slap, whack and stride through the thrilling guitar whines and scorching solo. Brimming with glossy panache and sweltering musicianship and a trippy 60’s vibe, it’s a fantastic return. The drought is finally over.
Photo credit : Janson Bulpin, his instagram is beyondthenoise
Dublin’s grunge disco band Munky have released their new single ‘One in Five’ today. The track which was recorded and produced by Dan Doherty in Darklands Studios “is about victim blaming culture, and how ridiculous it is” and 100% of the proceeds of this song, songwriting royalties, sales, live performance royalties etc will be going to the DRCC (Dublin Rape Crisis Centre).
The new single is taken off the bands debut EP ‘Un, Deux, Trois, Cat’ which is being launched with a headline show in the Grand Social, Dublin on the 12th of April.
‘One in Five’ is a shrilling number. Acute and harsh with pain stricken vocals, punchy drums and stinging raw guitars – this dark track coils, ferments and spirals down into the depths of turmoil and distress. Zachary Stephenson’s vocals whirlwind from a disgusted factual tone to a heart wrenching exclaim of distress as he emotionally depicts the turmoil within the narration. The sweet guitars lament, pine and ache behind Stephenson’s agonizing vocals with a delicate air of innocence as the pounding aggressive rhythm bubbles and batters. It’s a heartbreaking, gripping track from Munky and one I highly applaud. The emotion displayed through refined, crisp and raw musicianship is compelling and deeply moving.
Stream ‘One in Five’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
