Happy New Year to all our followers and subscribers. We have enjoyed finding new artists and music this year and we look forward to listening to the tunes 2020 has to bring. Thank you to all who have donated to the blog keeping us caffeinated all year round and the PR Companies, Tour Managers, Managers and artists who have worked with us all year. We have created a playlist on Spotify with all the artists we have featured this year so you can have a listen while you toast in the new year.
Co. Down singer songwriter Sam Wickens has released the first single ‘Falling’ from his breathtaking debut album set for release in May/June 2019. Having wowed legendary producer Tony Visconti with his Jeff Buckley-esque voice and mesmerising performances, he was picked up in 2018 to appear on Sky Arts Unsigned Heroes, being mentored by Stuart Copeland, Nitin Sawhney and Imelda May.
‘Falling’ is a deeply moving melodic track that pulses and buries itself into your head as Wickens’ passionate vocals create that spine chilling ”stop in time” feeling. A throbbing beat cuts deep into the flickering soundscape as Wickens takes a simple approach allowing his emotion-filled crisp and mesmerising vocals wrap you in a soft snuggle, shielding you from the biting backdrop. The track builds gradually as twinkling guitars lament through the gripping beat and brooding backing vocals. The song reaches its cinematic, wholly absorbing crescendo as Wickens pines and broods over a haunting atmosphere. It’s a well crafted, immersing track that chills and soothes all at once. Wickens’ vocals are outstanding and every note he sings holds its own depth. His voice is filled with passion and oodles of emotion – he’s is quite the outstanding singer.
On his new release Wickens says “I wanted to create a family of songs, I needed an open space to be able to get different aspects of my mind out! I wanted to make something new, something not everyone will like, but they all will respect. Music is my way of communicating with people and the world. – ‘Falling’ is honesty, when you don’t want to be honest or simply you can’t.”
Portsmouth’s Fast Trains has released his new single ‘Measure by Measure’. Fast Trains is the new music project from songwriter Tom Wells, formerly the bass player in indie psych band, Kassassin Street. ‘Measure by Measure’ is a delightful melodic number that floats gloriously along warm sweet toned guitar twinkles. A rich rhythm and glistening soundscapes add a freeing 60’s vibe to the track. Lushly crafted this sweet gem dances playfully between a joyful shimmy and swoony glide. With a dreamy melody caressed by velvety smooth vocals this sun kissed tune is a feel good track to brighten every day and with such mesmerising visuals provided by Sam Brandon ‘Measure by Measure’ is a charming and refreshing track from Fast Trains.
Happy Christmas! We would like to thank you all for your support, follows and likes this year. Thank the amazing artists we found and have featured on our blog and the dedicated and lovely PR Companies who we have had the pleasure of working with to promote the rich variety of music that surrounded us this year, as we look forward to finding and featuring more exciting music in 2019 we would like to wish you all a wonderful holiday season and a Happy New Year!
You can have a listen with warm-hearted nostalgia to the artists we featured this year by following our 2018 playlist on Spotify here
Alternative artist Mog Stanley has released his long awaited album titled, ‘Twisted Pop Music’. Mog Stanley has been writing music for many years, with his earliest release dating back to 2011. Throughout his career he has given captivating live performances in music festivals across the globe, such as Riba Rocks in Catalunya and Zine Blues Festival in France. Not only this, he has also played support slots for the likes of Danny & the Champion of the World, Guy Davis and Evan Dando.
‘Twisted Pop Music’ is a juicy collection of tracks that ooze Mog Stanley’s pure organic and rich musicianship. He drizzles a healthy dose of everything on this delicious album from steamy bluesy tones, rock n’ roll swagger swirling between psychedelic spirals and some luscious pop sprinkles for good measure. ‘Double Drop’ kicks the album off with a vaporous guitar melody whining with its blues infested tones through a meaty beat while Stanley’s lo fi vocals coo in the background. The chilling atmosphere thrillingly rebounds off the refined instrumentation to make for a satisfying rich sound. It’s one heck of an introduction into the album. Each track is a fresh new slice of what Stanley can do ‘Kevin’ fleshes out the panache driven shivering-ly suave rock n’ roll flavour as Stanley wails and murmurs through shredding guitars and punchy drums while ‘Birthday Card’,‘Your House Doesn’t Have any Windows’ creep through with chilling vocals, eerie guitar and spooky soundscapes and ‘Scribblings of a MadMan’ struts through with a haunting funky vibe. ‘Japanese Toilet’ sounds like a rough demo as his vocals seem further away than the glistening warm guitar, however it adds character to the album. A lot of the tracks are short and sweet ‘56 BluesStyle Blues’ comes in at a short fifty eight seconds while .’I Want Something that You’ve Got’, ‘MadMan’ and ‘3:1 Alienation Blues’ spread their tasty ear drooling concoction to a little over one minute and a half. There are glorious powerful melodies throughout the album ‘Find a Happy Place then Leave’ and ‘Wait’ pack delicious melty melodies into your ears effortlessly as jangly guitars and a sprightly beat create the perfect sun kissed dreamy atmosphere to lose yourself in. ‘Hoosegow’ throws some western -esque vibes into the mix before building into a syrupy pop number. The tender ballad comes in the form of ‘Straight Down the Middle’ with soft acoustic guitars and lush vocals over a melancholic melody. Each track takes on a different character and dimension without sounding scattered or detached. They blend perfectly to make the album wholly enthralling and unique. There is an 80’s pop vibe surrounding ‘Parasite Idea Zone Corp’ – it has a Pet Shop Boys feel while still maintaining its own dark disco flecked identity. Stanley brings the album to a close with the warm foot tapping ‘Don’t Believe a Word they Say’ and the acid soaked frazzlement that is ‘Dentist Waiting Room Blues’. This track shimmies out the album dripping in swagger as shredding guitars weave their sultry way between a vibrant beat that is sure to have you up and dancing. It’s 60’s esque with psychedelic tones swirled into obscure vocal whispers- leaving you in a mesmerised daze of Mog Stanley’s creation.
‘Twisted Pop Music’ is exactly what it implies – a trippy, twisted delicious concoction of sweet moments, dizzying delusions and dance-able gems.
London indie garage rock three piece Bad Sidekick are comprised of Yorkshire singer Cooper Rose and London Brothers Joe(guitar) and John (drums) Blount. The band have released their new self titled EP. This potent assortment of gritty boisterous tunes is brimming with sublime piercing guitar moments and skull bashing battery between sultry grooving moments to create a unique and intense listening experience.From the gritty riff of ‘Run Boy’ it’s instantly apparent this is a band that pack a raw punch with instrumentation that slices and dices as shredding guitars jab and lacerate through pummeling drums and rooted bass while Cooper Rose’s vocals emit ‘don’t mess with me ferocity’ – it’s absolutely thrilling, bad ass and gritty as hell.These guys are no nonsense assassins and their tunes take no prisoners. However, ‘I Ain’t Sick’ brings a slinky swagger hued element to their hefty assault with steamy guitar whines, foot tapping percussion and stomping drums. ‘Lost Cause’ mellows out their sound a little as we glimpse a softer emotional side to Rose’s vocals while a rhythmic rumble fluctuates around strong guitar strides. It’s a refreshing breather from the sticky mosh pit of its predecessors and showcases a more refined and sophisticated sound. The track builds to a fiery crescendo but the atmosphere remains chilled and breezy. Bad Sidekick showcase their nimble and proficient musicianship throughout the EP. ‘Romeo’ and ‘Think About It‘ are layered with thrilling perfectly placed distortion over the brawny backdrop however Rose’s vocals add a dash of spice and lushness that is unique and instantly refreshing yet charming and compelling all at once . In the chaotic slick tracks she is the cooling gel and the raging fire without becoming overpowering. In the slower songs like the closing track ‘If I Were The Devil’ she displays a soulful bluesy tone to her vocals that command and enthrall the listener.
Bad Sidekick have a diverse sound and this collection of tracks proves there is something more to this band than meets the eye. From a first listen it’s all fire and brimstone, raw, edgy, garage rock but dig a little deeper and their is some sultry emotional and multifaceted tones coiled up among the bellowing slick tunes.
Bio: Hailing from Nottingham, The Mocking Jays are a five-piece pop-rock band that have effortlessly created a deft balance of pop sensibility and rock and roll swagger that, since forming in 2014, has allowed them to rapidly make a name for themselves, both within their native East Midlands, and across the UK. Though crucial early support from the likes of 6Music and BBC Introducing, as well as festival appearances at the likes of Y-Not, have done nothing to hamper the band’s reputation, it’s largely down to the inherent appeal of their own brand of idiosyncratic indie-pop.
Track: Edge of Your Knife
Why We Like It: This bubbly indie pop gem bounces along with an infectious beat upon a honey drizzled melody and sassy slick instrumental backdrop. Elastic bass lines and rich rhythm create a danceable groove foundation for this fun ditty to explode off. It’s upbeat with swagger soaked guitars rebounding and slickly weaving off the sublime percussion to make for a wholly satisfying and engaging listen. These guys throw on a healthy dose of panache and sleekness to charm their way onto your playlists.
Bio: Henry’s debut EP, ‘Guest at Home’, which was released in 2016 garnered critical acclaim. His breakout single “Alright,” has reached over 100,000 plays on Spotify, and he shows no sign of slowing down. Teaming up on the new record with legendary producer, Rob Schnapf, who has worked with Elliot Smith, Kurt Vile, Beck and The Vines to name a few, Henry is about to share his new album ‘Marlin Fisher’ which is set for release 31st August. Henry acted as a multi-instrumentalist again, playing drums, guitar, bass and keys on the record. The songs have been brought to life for the stage with his 4-piece band, consisting of Eddie Curzon (guitar), Zach Scott (bass) and Anders Cochran (drums).
Track: Bag of Chips
Why We Like It: It’s a woozy dreamy number with a luscious pop-ish melody filled with hints of psychedelia. The sweet gently stomping beat adds a strong foundation for the distorted guitar to lament over while Henry’s velvety vocals soothe and coo throughout. It’s a dreamy sun kissed laid back track that still packs in some vibrant vivid instrumentation to make for a wholly satisfying listen. This blissful lazy day tune is such a bitter sweet joy to listen to as it delicately caresses your ears for a perfect mellowed out deeply enriching experience. It always feels like Henry gets you.
Bio: KAVES are a Norwich based alternative rock band who have just released a new single titled ‘TBT’. The band have been together just over 1 year, but have had their new singer Caitlin since May, and this is the first single with her.
Track: TBT
Why We Like It: It’s a punchy blast of gritty alternative rock that rides in on a mighty rumbling wave of powerful drums and slick rooted bass lines. The guitar jaggedly pierces through the catchy melody with a strong ferocity as meaty riffs drive the track pushing it to its manic adrenaline rushing crescendo. It’s a slick lean and mean track from this young band.
Bio: BAILEY is the moniker of singer-songwriter & multi-instrumentalist Joe Bailey. His first introduction to the world was with his sparkling debut single “The Future”. The song received a lot of good press and ongoing support from BBC Introducing Cambridgeshire along with many other radio stations.
Track: Change
Why We Like It: It’s a catchy peppy pop track that bounces along with summer vibes and gospel- esque hints. The anthemic chorus teamed with cheery vocals and warm acoustic guitar jingles between a sprightly beat fills this little charmer with good vibes and wholesome tones. It’s one of those pick me up little ditties that you will be humming all day.
You can follow BAILEY on Facebook here https://www.facebook.com/baileymusiconline/
Stream ‘Change’ below
Dylan Murphy
Genre: Folk, Blues, Acoustic
Bio: The Limerick-born, Galway-based, songwriter has made a name for himself performing his self-penned songs. He first started writing songs between busking sessions on a San Diego boardwalk. Since then, he has honed his performance skills, playing wherever he happens to end up, ranging from rooftop fiestas while living in Andalucia to bars in Northern Vietnam to music festivals located not too far from the arctic circle.Though he has lived all over Ireland, Dylan’s musical home is Galway, where he has been heavily involved in the music scene as member of Citog Records for the better part of the last decade. He has performed onstage with artists such as Steven Sharpe, Emma Langford, Tracy Bruen and My Fellow Sponges and has supported artists such as Ben Caplan and Jake Clemons.
Track: ‘Anxious Times’
Why We Like It: It’s a snappy folk flavoured track seeped it gritty grunge hued tones. With a rampant guitar stomp driving it into an adrenaline inducing frenzy while punchy drums set the foot tapping backdrop. This catchy number is filled with a raw energy that is infectious. Raspy vocals and brisk melody add a rough and ready texture to this lively tune leaving you craving to hear more.
Bio: Kahuna are an explosive ska punk five piece formed in 2016 in Newcastle Upon Tyne. The band provide a fresh take on the familiar ska punk sound, combining upbeat infectious ska rhythms with playful, catchy melodies and an unrelenting DIY punk rock ethos. Since their live debut in 2017 they’ve built up a dedicated and enthusiastic following as well as a reputation for raucous, energetic live sets having played venues across the UK including headline sets at The Cluny and Head Of Steam Newcastle.
Track: Throw
Why We Like It: It’s a vibrant infectious track filled with luscious tropical rhythms zealous tasty guitar jingles and lively catchy melodies that melt upon the vivid backdrop like butter on toast. This track is bursting with colour and dynamism to make for a joyful spiritual listening experience.
Bio: Luke Top (of Fool’s Gold) is an LA-based psychedelic/pop artist who just announced his new EP, ‘The Dumb-Show’ out 19 October via Grand Gallop and Org Music.
Track: I’ve Been Workin’
Why We Like It: This dreamy delight is frothing and bubbling with luscious playful rhythms over a beautiful sun kissed irresistible melody. His velvety vocals caress the melody with the sweetest tone to create a hazy euphoric atmosphere that soothes as well as tantalizes the senses. Jangly guitars fill the track with a delicious dash of zest while the shaky rhythm brings forward a surge of tropical bliss. Instantly likeable and charming with the perfect amount of sun-soaked paradise to make for a captivating, wholly enjoyable Beach Boys- esque vibe. Just sublime.
Bio: Dead Naked Hippies thrashed into life in late 2016. The trio, bolstered by let-loose front woman Lucy Jowett alongside band mates Joe Clarke (guitar) and Jacob Marston (drums), have cemented their take-your-head-off wall of sound, dancing around trashy alt rock & punchy post-punk. Since their inception, they have received love from BBC Introducing. The band have shared stages with the likes of Dream Wife & Le Butcherettes and in 2017 played to a sold out crowd at Live at Leeds, which lead to a slot on the Festival Republic stage at Leeds Festival 2017.
Track: Guillotine
Why We Like It: It’s a blistering ear bleeding blast of punk rock that begins chilled calm and luring as a low-key guitar and drum groove teamed with cooing vocals introduce the track soft and lulling before its slaps you in the face with its fiery chorus. Dead Naked Hippies blend the luscious sweet and lacerating sour seamlessly. The scorching distorted guitar crash and shred through the chorus and punchy drum pummels and batters creating a pulverising backdrop for Jowett’s dynamic powerful vocals. Its sharp. shredding, and soothing chill all at once- a sublime combination.
Bio: GORILLABRAIN is a London based solo artist who has released his debut single ‘Fire (Watch Me Breathe)’
Track: Fire (Watch Me Breathe)
Why We Like It: It’s a dark spine chilling number encapsulated in swirling thick murky electronics whacking and slapping off a sticky gooey beat and whispered vocals. The stinging guitar injections slip in a glimmer of steaming vibrancy between this dark abyss of mystery. The track builds becoming more intense with an INXS feel to it as it seeps a slithering hint of swagger and sweltering stuffy heat into its rhythmic section while the vocals remain entrancing, seductive and creepy. It’s a unique track that is absolutely thrilling and mesmerising to listen to. Evoking goosebumps and chills while also captivating you and luring you into the danceable hypnotic soundscapes.
Bio: Twenty-three year-old Toronto born, Los Angeles based artist Jessie Munro has been mesmerizing audiences worldwide, with her stunning soulful vocals and sleek, modern-electro R&B/pop. Finding her start in classical music and musical theatre, Munro went on to attend the prestigious Berklee College of Music, propelling her songwriting abilities and giving her the musical maturity which is evident throughout her music. The soulful songstress is now preparing to release her Debut EP ‘On My Own’, a six-track release which tackles the stages of post break-up.
Track: ‘Under Fire’
Why We Like It: This richly melodic track pushes through on a driving peppy bassline which hops along snappy drums creating a finger clicking infectious groove. Munro’s vocal’s sweetly glide upon the smooth creamy melody with passion and soulful tones that hover and slide between luscious coos and rich depths. This sprightly track floods with vibrancy as zesty guitar strides weave between the vivid rhythm creating a refreshing sting and lamenting lull as the dreamy vocal’s soothe and ease with a blissful bounce and joyful quality. It’s a catchy irresistible gem.
Bio: UK post punk icons Gang of Four have posted a new video for their latest single ‘Lucky’, taken off ahead of a new Gang of Four EP titled ‘Complicit’ which was co-produced by the band’s Andy Gill, alongside Ben Hillier (Blur, Depeche Mode) and Ross Orton (M.I.A., Arctic Monkeys). The EP, from a band recently quoted as a touchstone for musicians as diverse as St Vincent, Frank Ocean, James Murphy and Pharrell Williams.
Track: Lucky
Speaking about the track Gang of Four’s Andy Gill says; “It’s about how luck defines more than we imagine. You might think of the words from Macbeth concerning life being an hour upon the stage where the walking shadow struts and frets but can change nothing. A parallel idea is that luck may have as much impact on the course of a life than anything an individual does. As in Sartre’s ‘les jeux sont faits’, action, truth, morality will always play second fiddle to luck.”
Why We Like It: It’s a slick fuzzed strut of infectious musicianship. A striding sharp guitar shreds through a foot stomping beat and dizzying electronics creating an enthralling panache driven listen. The swagger filled vocals cruise in effortless and cool with a mesmerising charm while the swirling soundscapes dazzle and erupt in the background. The infectious groove and danceable hypnotic backing is filled with mysterious yet mesmerising qualities that will have you strutting your stuff on the dance floor in no time
Bio: Leeds band The Harriets are Daniel-Parker Smith (guitar and other instruments, baritone vocals, jawline) and Ben Schrodel (bass and other instruments, tenor vocals, Roman nose). The band formed in early 2016 and since then quickly got the attention of UK based radio and festival organisers. “Television” was recently played on BBC Radio Leeds as part of a 6 week consecutive run of their songs
Track: Television
Why We Like It: It’s a retro peppy number that strides on jangly guitar shimmying around a punchy drum beat and groove fuelled bass and just all-round infectiousness. The catchy chorus teamed with dynamic expressive vocals and lush backing coos makes for a unique refreshing listen. Its drenched in laid back swagger and a hint of nonchalance. It’s difficult not to dance to this jittery number as shaky percussion and vibrant sing along ready feature make this track just a fun gem to listen and dance to.
Four piece Indie rock band TheDoubtfulBottle has released their newest single ‘EYE’. TheDoubtfulBottle showcase a wide range of innovation when concerning both composition and songwriting in their hard hitting song ‘EYE’. Paired with the notorious and long established producer Jake Rousham who has worked with the likes of The Who this release is captivating to say the least. The inspiration for the piece remains as innovative as the actual composition and arrangement of the music. Drawing on an Orwellian theme of the public being kept under constant surveillance the ‘EYE’ strives to portray the damage that can be done and the mass dissatisfaction at being so heavily watched. The band have featured on both the widely popular ‘Alternative Addiction’ website and Soundfiction with a growing online presence and a whole host of live shows to attend and even festival performances.
‘EYE’ is a woozy surf tinged number driven by a strident gritty riff and driving rumbly bass. It’s a fresh slice of indie rock with intricate motifs weaving together before dissolving into a vaporous drift of dreamy psychedelic indie rock just when the meaty heaviness is about to take hold. It’s truly captivating and satisfying as a pop drizzled melody binds this luscious labyrinth of complexity together. The rooted rhythm keeps the track thumping along while the reamping guitars keep the snappy number chugging through your brain until you are dancing and bopping along. Its catchy and richly layered with the lush backing vocals and abstract sounds flickering throughout making for a wholly unique and tantalizing listen.
If you have a hankering for meaty, lusty rock dripping in more swagger than any one person can handle than, the Workman’s Club Dublin was the place to be last Saturday night. Dublin duo New Valley Wolves were launching their new EP ‘GOSPEL’ with support from Sub Motion and Scally.
Scally & The Dirty Rats set the night in motion with a little less on-stage antics compared to when we saw them last year. Scally is still suave on stage- jumping about as we watch him explode with an insane amount of energy while belting out tracks brimming with sock-it-to-me passion. They whack out ballsy, raw rock and roll with a relentless stamina that is one to be admired. Scally’s band – The Dirty Rats bring something magnificent to the table. Ben Mulligan on guitar continually hits the mark with slithery licks, thrilling spine-chilling shrills and such finesse that allows the nimble Eddie Reynolds on bass to bounce and rebound some funky groove filled rhythms off. “This next song is about laying around on a f**king Sunday morning and you f**king don’t know whether to ring a f**king takeaway or pull the f**king balls off yourself” Scally colourfully introduces the infectious, snappy ‘Filthy Animal’. With an attitude that screams egoistic rock and roll swagger Scally definitely grabs attention for sure, and the tunes back his persona up. They are catchy as hell and capture the beauty, brawn and panache that is punk rock in all its glory. The as of yet not quite named ‘Help’ “Well it was called help last night I can’t decide on the name” and new single ‘Get Ready For War’ demonstrate this perfectly with intricate licks, flicks and sing along ready chorus’. Scally raps and belts with enough chest-thumping pride and fiery attitude to keep you pumped and ready to join him in his Kiedis- esque dancing and limb flailing. They deal with technical difficulties like pros, and in true Kiedis manner the shirt comes off for the brazen ‘Lets Fuck’. It’s a fiery kinetic set with the blistering lead guitar leaving scorching burn marks through infectious bass grooves while Colin O’Brien literally breaks the drums with his pounding elastic beats, and to bring it all together is a charismatic, fearless frontman. The definition of swagger.
Sub Motion follow with an empowering set of catchy tunes and a sublime boisterous wall of sound. The punchy rhythm creates an easy foundation to get those body’s dancing and grooving while scuzzy guitars resonate through Rebecca Geary’s powerful vocals. Geary is larger that life and takes on her front-woman role with a fierceness that is masterful. In fact, it was a stage brimming with charm and charisma as each member exuded their own brand of swagger. Though each track is riotous there is no shortage of fun on stage. These guys enjoy what they are doing, and boy does it show. The band are on top form all smiles and cheery. Banter is at a minimal as they waste no time whacking out their infectious tunes ‘Gun In Your Pocket’ in particular is one catchy song- you will have to prise that one out of your brain. It’s rumbling strident bassline runs along building in intensity before the track explodes with shrilling crashing guitars and mighty drums. When these guys are sleek and sultry it’s sublime ‘Headlights’ in particular comes across magnificently live. There is not doubt these guys are ones not to be missed live.
New Valley Wolves walk onstage and launch into a killer introduction to ‘Eyes on Me’. There is an air of professionalism with this duo that leaves you in awe. Singer/ guitarist Jonny Lucey’s gut-level riffs, and drummer Baz Joyce’s thunder-struck beats are incredible. Their bluesy tinged tunes are ball crushing and powerful and have the crowd moshing and dancing in no time. ‘Shake your bones’, ‘Silver Tongue’ and ‘Fire In The Blood’ are all well received as they keep the energy travelling at neck snapping speeds blasting out the monstrous tracks in their repertoire. There is no messing around, the tunes are heavy, crisp and robust. The lights go out between tracks – at times dimmed leaving just the duo’s silhouettes visible creating suspense for what’s to come. Their rip-roaring new single ‘Cut-Throat’ keeps up the constant barrage of top-quality riffs and with that sing along chorus has the crowd chanting along mindlessly. Lucy is fierce. He fist pumps the air with a stare that would curdle milk while savagely shredding through his gritty guitar riffs. Joyce pummels and batters the drums with bloodthirsty stamina which pounds through your entire body. Each track layers on another thick dollop of cool gritty intensity building the rooms energy to frenzied levels. The two spend most of their set going hell for leather and the rugged steamroller ‘Animal’ follows this vigorous trend, as members of the crowd howl and whoop. The never played live before ‘Aloe Vera’ avalanches through with a shivering chorus while Joyce pelts out a mesmerising display of pulverizing perfection before the lean mean roar of ‘Trouble’ closes their set.
On Saturday night New Valley Wolves sounded brawny, focused and all powerful. Their raw grandeur filled with death ray fuzz and might leaves you reeling and craving for more. There is no stopping these guys. There are only two of them, but boy they sound like an army.
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
demonstrate this perfectly with intricate licks, flicks and sing along ready chorus’. Scally raps and belts with enough chest-thumping pride and fiery attitude to keep you pumped and ready to join him in his Kiedis- esque dancing and limb flailing. They deal with technical difficulties like pros, and in true Kiedis manner the shirt comes off for the brazen ‘Lets Fuck’. It’s a fiery kinetic set with the blistering lead guitar leaving scorching burn marks through infectious bass grooves while Colin O’Brien literally breaks the drums with his pounding elastic beats, and to bring it all together is a charismatic, fearless frontman. The definition of swagger.
The band are on top form all smiles and cheery. Banter is at a minimal as they waste no time whacking out their infectious tunes ‘Gun In Your Pocket’ in particular is one catchy song- you will have to prise that one out of your brain. It’s rumbling strident bassline runs along building in intensity before the track explodes with shrilling crashing guitars and mighty drums. When these guys are sleek and sultry it’s sublime ‘Headlights’ in particular comes across magnificently live. There is not doubt these guys are ones not to be missed live.
