KLDD Live at The Workman’s Cellar With Support From TroyOkay and Kathryn Stewart

On Sunday night Dublin-based band KLDD played their headline show in The Workman’s Cellar with support from TroyOkay and Kathryn Stewart. This band set the bar high with their musically lush tunes and compelling stage presence. They tore the roof off the venue and marked themselves as a band to keep an eye on.

Kathryn Stewart and band set the night of fantastic tunes in motion with a sleek set of soul, R&B-infused originals and covers. From a velvety rendition of Tyrone by Erykah Badu to some classy and emotive originals such as the sombre ‘Weather’, Stewart’s compelling vocal ability was on full display. Her rich depths added power to the choruses while her soft coo’s oozed soulful tones within the verses. Enhanced by the magnificent Grace Jacobs on backing vocals and a tight and polished sound by her band the set exuded an effortless chicness throughout. With an enjoyable set featuring a sing-along rendition of Fleetwood Mac’s ‘Dreams’ Stewart put on a compelling performance and had the audience eating out of the palm of her hand. 

After a witty and brave impromptu introduction from Conor Eiffe, indie artist TroyOkay followed. His dreamy guitar-driven indie sound wafted throughout the venue as bopping heads in the crowd became immersed in his sunkissed riffs and buoyant rhythms. His vocals have a nonchalant grunge element that exudes tones of aggression and frustration over the sometimes heavy instrumentation providing an intriguing edge to his tracks. With his first-rate band in tow showcasing catchy riffs, ebullient rhythms and a jazzy injection on keys it was a satisfying and tight set from start to finish. There is no pompousness or fluff with TroyOkay’s performance just good honest indie rock tunes riddled with dark undertones and moody vocal outbursts. Very enjoyable.

KLDD wasted no time and got straight into their well-executed dynamic set. The room immediately erupted as the crowd fell under KLDD’s spell. For a young band, their sound is tight, unblemished and full of indie rock goodness. With the efficiency of a well-oiled machine, they went through their original tunes with a suave and chilled bravado that had the audience captivated. The crowd danced, punched the air and even attempted air guitar throughout the frenzied set while the four-piece remained composed on stage ready to execute slick guitar refrains and thrilling bass rumbles with a cool demeanour. Each member of the band Kilian Callegari on bass, Liam Bennati on drums, David Bradford on lead and Davy O’Toole on vocals and rhythm exuded effortless charm and their precise, polished tunes filled the venue with musical ecstasy. The crowd sang every word, cheered and danced without fail, not even a temperamental mic could sour the atmosphere. O’Toole, like a pro, laughed off its resistance to stay at the correct height and stood on his tippy toes to finish ‘Tastes Like Tragedy’ while the crowd shouted the lyrics back to him. 

Impressively composed and musically rich, KLDD’s songs sound mature and refined beyond their years. This band have some bangers in their repertoire and they put on an impressive show from start to finish. Judging from the unreleased tracks, the soaring melodies and the energy in the room KLDD are a band to get excited about.


Author: Danu

Amoodi ‘Give You My Love’

Amoodi has released his debut single ‘Give You My Love’.Amoodi is the new solo project by Irish singer, songwriter and producer Michael Hopkins. Hopkins has spent 20 years writing music and playing in bands including Planet Parade, Too Fools and Tropolis. More recently he has been focusing on writing and producing for fellow Irish singer and actor Slaney. He has spent the last few years hibernating in his home studio working long hours everyday to improve his songwriting and production skills. He has built up a massive collection of work that is now ready to be released.

‘Give You My Love’ is a glorious sultry tune. Hopkins blends bubbling rhythms with dreamy melodies and lush soft vocals to create an easy-listening musical delight. Vapourous electronics wisp atop layered rhythms, R&B tones and indie flirtations while cooing backing vocals chime throughout. ‘Give You My Love’ is a joy to listen to and an exciting glimpse into the musical world of Hopkins. Looking forward to hearing more from this artist.

About the track, Hopkins says: ” I’ve written so much music over the years that I haven’t released and thought it would be such a shame to just leave all these songs on a dusty hardrive forever, so I decided to set up Amoodi and finally get them out to the world. Revisiting these songs has inspired me to rewrite and produce them to a whole new level I never thought possible at the time”

Stream ‘Give You My Love’ below 


Author: Danu

RUE ‘Call on Me’

Upcoming indie/pop singer-songwriter RUE has released her new single ‘Call on Me’. This shimmering pop tune displays the invigorating sound of RUE. The track is an absolute gem to listen to as RUE mixes subtle contrasting elements of electronic beats, swirling synths and dark undertones to create a dynamic wall of sound. RUE’s smooth vocals coo a sweet melody as the song bubbles and builds in the background. With clap-along rhythms, spacious electronics and irresistible pop hooks ‘Call on Me’ is a compelling tune from start to finish. Keep an eye on this exciting artist.

Stream ‘Call on Me’ below 


Author: Danu

Nially ‘Something So Real’

Hailing from Co. Kerry, 22-Year Old Singer/Songwriter Nially has released his new single ‘Something So Real’.From the age of 16 Nially has gigged extensively across Kerry, Cork and as far afield as Augsburg, Germany. His debut single, ‘I Want It All’ released in January 2021, amassed over 10,000 streams in it’s first 4 weeks and received support across a number of radio stations in Ireland such as Spin South West, Radio Kerry, Red FM, Dublin City FM and FM104 and also reaching listeners across Europe, the UK and the US.

Filled with heartfelt songwriting and cinematic soundscapes, ‘Something So Real’ is a compelling tune from Nially. Nially pours his heart and soul into this emotional number and the result is an emotive tune that showcases the artist’s passionate vocals, poetic lyrics and immaculate production skills. Beginning with a soft piano-led arrangement the song builds into a sway-along power ballad that boasts steady beats, expressive guitars and soaring soundscapes. Nially has created one hair-rasing tune. ‘Something So Real’ is a sublime display of rich musicianship. Keep an eye on Nially. 

Stream ‘Something So Real’ below 


Author: Danu

Joel Camille ‘Folk Against the Machine IV: Holy River’ Album

The culmination of six months of dedicated work, Joel Camille has released a brand new album ‘Folk Against the Machine IV: Holy River’ featuring brand new songs, along with songs that he has played live over the last decade. A performer and songwriter with over 25 years of experience, Queensland-based Joel Camille made his name playing anything and everything on a six-string Dreadnought acoustic. Picking up the Harmonica in 2011 cemented Camille’s style in a rootsy mix of influences that Camille styles as Folk Against the Machine, also the name of his debut album.

‘Folk Against the Machine IV: Holy River’ is a wholesome and moving collection of folk-infused tunes that showcases the emotive songwriting of Joel Camille. This guitar-focused album takes a minimalist approach instrumentally as Camille focuses on melody and intricate guitar manoeuvres to create a warm atmosphere within the album. With buoyant passionate ditties like ‘Plans of Oblivion’ and lamenting harmonica pines on tracks like ‘The Beauty That He Gave’, the album oozes soft supple soundscapes and delicate melodies making for a satisfying listening experience. 

‘Folk Against the Machine IV: Holy River’ is fused together as a cohesive album with the river motif. The river motif represents love, sorrow, spirituality and power. “During the writing and recording process, my community was devastated by a dramatic flood event,” explains Camille who feels that joy and horror mingle together on the album as a reflection of this tragic event. Camille hopes that this album conveys the message of extending familial relationships out towards communities, to repair, maintain, and create relationships.

Stream ‘Folk Against the Machine IV: Holy River’ below 


Author: Danu

TV People ‘Circle’

Dublin’s postmodern, post-punk indie outfit TV People have released their new single ‘Circle’.‘Circle’ was recorded and mixed at Battery Studios London by Grammy award-winning Caesar Edmunds (QOTSA, ST Vincent, Foals) and assistant engineer Joshua Rumble. The track was mastered by Christian Wright (Radiohead, FONTAINES D.C) at Abbey Road Studios. Since forming in 2019, the band have honed their craft across the live scene, playing in some of Ireland and the U.K’s most iconic venues.

Filled with expressive soundscapes and immersive tones ‘Circle’ is a striking new single from TV People. Within the track, there are many contrasting elements at play that contort and blend throughout. A fine example of this is the ethereal guitar flurries and haunting vocals that interplay with dark bass rumbles and pounding drum progressions – the result is a compelling and evocative atmosphere for the listener’s imagination to indulge in.  ‘Circle’ is an exciting musical marvel, a thrilling listening experience, and an excellent example of TV People’s ever-evolving sound.

Of their new single, singer Paul Donohoe says, “We wrote ‘Circle’ as a tribute to our loved ones and friends and to the countless times that we have relied on each other in times of difficulty. It explores the feeling of being lost within yourself and how you can find identity and meaning in the shared experiences and compassion of those around you.”

Stream ‘Circle’ below 


Author: Danu

Neil Dexter ‘I’ll Be Ready’

Neil Dexter has released his new single,’I’ll Be Ready’, the final single from his forthcoming debut album due October 14th 2022. Along with the album announcement and single release, Dexter shares details for his debut headline show in Dublin’s Workman’s Cellar on October 20th. Tickets are available through Singular Artists.

‘I’ll Be Ready‘ is a rich and compelling tune from start to finish. The track is a fine display of musicianship as Dexter deftly blends contrasting elements together to create a mesmerising listening experience. Dark propulsive beats create a push-pull effect that draws the listener into the track’s immersive soundscapes while flashing synths, dynamic bass and indie rock guitar moments inject a gritty/edgy element to the track.

‘I’ll Be Ready’ is truly a magnificent piece of music. It’s lushly textured and meticulously layered to create a constantly evolving soundscape that is an exciting rush to the senses. A fine example of this is Dexter’s sweet vocals coupled with the track’s pop-speckled melody that subtly contrasts the fuzzing soundscapes and bubbling rhythms allowing the song to take on a dreamy almost psychedelic state before it progresses to its intoxicating crescendo – simply divine. ‘I’ll Be Ready’ is a wonderful example of Neil Dexter’s exquisite musicianship. 

Dexter describes ‘I’ll Be Ready’ as a “Frankenstein composition comprised of three different ideas saved in one project file” that he’d been working on in his Dublin-based home studio. Expanding upon the demo with David A. Tapley (Tandem Felix) and recording engineer Stephen Dunne, Dexter notes that their guidance allowed him to approach the arrangement without artistic boundaries; layering textures and taking the song in different directions. Lyrically, ‘I’ll Be Ready’ confronts feelings of apprehension. Neil says, “I wrote the song when I was in my mid-to-late 20s, it’s about jumping into the next stage of your life and the fear of not knowing whether or not you’re ready to take those steps. In those moments, you try to reassure yourself by saying, ‘Ok, I’m ready. I’ll be able to do this,’ whilst simultaneously having a sense of uncertainty. I think at one point or another, everyone goes through this feeling of overcoming self-doubt.”

Stream ‘I’ll Be Ready’ below 


Author: Danu

A Chat With: Bradley Marshall

22-year-old Irish artist-songwriter, Bradley Marshall has just released his brand new single ‘Better Left Unsaid’. I caught up with the singer-songwriter to talk about the single, his upcoming headline show in The Workman’s Cellar and working with Danny O’Donoghue (The Script), Ryan Hennessy and Jimmy Rainsford (Picture This), Jimbo Barry and David Lucius King on the song. 

“Yeah, it’s quite surreal to be honest, working with people that I’ve looked up to for the last few years and writing with them was a really great experience because you get to understand how they work and you learn a lot from it. So it was really cool.”

“It was kind of me bringing some ideas to them and then they had ideas for me and so we just mixed them together. But, I’m confident in my ideas and what I had. It was daunting at first, but when they said that they liked the ideas and stuff then it was really cool.”

“Luckily enough when I was in London with the guys, we were there for two days and we got three or four songs done which was really cool, which doesn’t really happen a lot but I’m happy that it did work out that way.”

“Sometimes I think when I go into a studio ‘will something come out of today?’ but if something doesn’t come out of studio session, then that’s okay. You just do it again and again and again and something will finally come.”

‘Better Left Unsaid’ is a wonderfully tender tune that discusses coming to terms with the fact that some relationships are just not meant to be. Marshall told me how the idea for the song formed and the personal concept of the song.

“In relationships sometimes things aren’t just meant to be and that’s okay, and sometimes things are just better left unsaid. That’s why it’s called Better Left Unsaid, yeah, that was the reason behind the song.”

“It was on my behalf an experience, but it was also an idea that the lads had as well. So when they actually had the idea I was like, that’s really cool because I’ve actually experienced something like this.”

Emotional cinematic tunes seem to be Marshall’s forte. ‘Better Left Unsaid’ follows the heart-gripping power ballad aesthetic of his first single ‘Make Believe’ – the song exudes lush soundscapes and an elegant soaring piano melody before the anthemic chorus kicks in. 

“Personally, I don’t love too much crazy production because I think the piano and vocals are really most important to me. You can add some drums and some strings just to make it really heartfelt and emotional that’s really all that I need in a song. So when I’m writing, I imagine the production and I say to the lads what I would like in it. Jimmy Rainsford produces most of the stuff that I do right now, and he’s just incredible. So, I let him just do what he does and I’m always happy with it.”

Marshall released a stripped-back performance of the song which was captured on video by Jimmy Rainsford during a recent London trip and recorded in Hoxa Studios. Stripped-back versions of Marshall’s songs are so impactful. Marshall told me he feels at his best performing live.

“Yeah, I’ve done a few gigs, the last couple of months and it’s just been my pianists, Jake Richardson and me and I feel that’s where I thrive”

The track is awash with relatable content and eloquent lyrics. Lines such as “few more years of being broken trying to right my wrongs and when I find a brand new person I’ll still write you breakup songs” are honest and impactful. We discussed how daunting it is for artists to pour their heart and feelings into lyrics for other people to hear and interpret.

“Yeah it really is because you’re putting all your personal experiences that you haven’t really talked about to anybody into a song, and everybody listens. So everybody knows what you’ve gone through and stuff like that. So it’s a little bit daunting, but that’s the reason why I do it because I know that through my experiences other people will also have experiences like that, and that’s why I write music. I want people to relate to it”

“It’s absolutely therapeutic for me. Definitely. I’m not the best at talking about things. So writing was always my way of just getting things down. It’s literally like talking to somebody when you’re writing a song because you’re putting it out there even though it’s not out yet. When you’re writing on paper it’s still like you’re putting it out to somebody. So yeah, it’s definitely therapeutic for me.”

The last time we spoke Marshall told me he was building up his tunes and I wondered if we can look forward to an EP soon.

“Yeah definitely. I do have a next single lined up. I will probably do singles until the end of the year, maybe two or three more and then next year, we’ll think about something like that [an EP]. Last time we talked, I didn’t have many, but now I have a lot of songs lined up so they’re all ready to go out and it’s just about patience and time. “

Bradley Marshall is a talented artist who is growing and developing his sound wonderfully. He is an artist to keep an eye on and his velvety voice is sure to charm all who hear it. Luckily for fans, Marshall has some live shows coming up. 

“I actually just announced my debut headline show in Workman’s Cellar on December 16th. So really happy about that and then I’m also playing a festival next month Kildare so yeah, just a few things lined up”

Stream ‘Better Left Unsaid’ below


Author: Danu

modernlove. ‘Oh My Mind’ EP

Following a wave of highly-praised singles over the last few months, including ‘Don’t Wanna’, ‘Us’, ‘Follow You’, ‘Islands’ and ‘Familiar’, Irish indie-pop-rockers modernlove. have now released their eagerly-awaited new EP ‘Oh My Mind’ through Akira Records (Phoria, Henry Green, Mt. Wolf, Rosie Carney, Shura). modernlove. will also be embarking on their first UK and Ireland tour in November later this year. Demand for these shows has been so overwhelming, the band have added a new date at London’s Camden Assembly on the 8th November, with their Manchester performance which was upgraded to YES! (Basement) has now sold out.

‘Oh My Mind’ is a fizzing collection of fantastic indie pop songs full of earnest lyrics, heartfelt melodies and invigorating sonic embellishments. This band craft their songs meticulously and the result is exhilarating musicianship. From the effervescent electronics on ‘Island’, elastic bass grooves in ‘Don’t Wanna’, brooding atmospheres in ‘Familiar’ and rush of instrumentation in ‘Us’, each song possesses glorious musical moments that are a joy to listen to again and again.

However, it is ‘Take My Hand’ and title track ‘Oh My Mind’ that steal the show. Boasting fluttering rhythms, shimmering synths and sun-kissed guitar elements these two tracks highlight just how good modernlove. are as artists. The expressive instrumentation and deft production is a delight to listener’s ears and offer a spine-tingling listening experience to indulge in.

Not only do modernlove. deliver on lush dynamic pop backdrops and intoxicating melodies their lyrics are deep and speak of heavy themes; mental health, loneliness and yearning. Well phrased and evocative songwriting is delivered by Barry Lally’s emotive vocal delivery. He pours tenderness and passion over the poetic lyrics and truly brings the subject matter to life.

“She left his room when he lost his balance and She didn’t move back in again when he found it” – Island, “Babe something feels strange drank wine but then you spilt your cup, had a good time but never carpet is stained, it has to be torn up” -’Us’.

Throughout ‘Oh My Mind’ modernlove.’s honesty, vulnerability and deft musical prowess leaves much to be admired. This heartfelt body of work that is filled with spectacular musicianship, keeps modernlove. on the ones to watch list. 

Speaking about the new single, they said, “Oh my mind explores the modern day neuroses of young people and the mental health challenges brought upon them by pop culture, the internet and most recently, the coronavirus lockdowns. I think we all went a little mad over lockdown and most of this EP was written in that state of social isolation. Without distraction or release from cycles of negative thought you can begin to spiral to the point of derealisation and being in a constant state of panic. But then we kinda juxtaposed that by a brighter and more playful sonic composition. I think as young people, we tend to joke about our mental health as a way of relating to one another and not feeling so alone in all of it. So it felt natural to write a poppy, upbeat song about such dark themes rather than treating them with a forced solemnity and formality.”

modernlove. will be embarking on their first UK and Ireland tour in November later this year. See the dates below 

UK

  • 2 – Birmingham – Hare & Hounds
  • 3 – Manchester – YES! (Basement) ***UPGRADED VENUE / SOLD OUT ***
  • 4 – Glasgow – The Garage (Attic Bar)
  • 8 – London – Camden Assembly ***NEW DATE***
  • 9 – Bristol – The Louisiana – SOLD OUT
  • 10 – London – Camden Assembly – SOLD OUT
  • 11 – Leeds – Hyde Park Book Club

IRELAND

  • 12 – Belfast, The Deer’s Head
  • 13 – Derry, Sandino’s
  • 17 – Listowel, Mike The Pies
  • 18 – Limerick, Kasbah Social Club
  • 19 – Cork, Winthrop Avenue
  • 24 – Galway, Roisin Dubh
  • 25 – Dublin, Button Factory

 Stream ‘Oh My Mind’ below 

https://open.spotify.com/album/1lQ44YDcd9JrYFKWgfrwAG?si=ataKIcn_TJSuoCzc-4ZyDA


Author: Danu

JNR ‘Fallin’

Renowned session musician Jake Richardson, who has worked with Dermot Kennedy, Lyra, Mark Feehily, Robert Grace, Ryan Mack, and Tim Chadwick, has released his original Project “JNR” with his new single ‘Fallin’.

‘Fallin’ is a slick alternative pop tune that glissades along infectious grooves and wonderous melodies. The track is a fine display of Richardson’s fresh, immersive sound and is a joy to listen to. Smooth vocals coo between warm guitar lines, a buoyant bass and punctuated beats to create a laid-back, easy listening experience for listeners to indulge in. Boasting soft R&B tones and groovy jazz embellishments ‘Fallin’ is a musical gem that showcases Richardson’s exciting musicianship in all its glory.

Richardson states the track is “…about investing too much of yourself in someone too early when you’re not sure if the feeling is mutual”

Stream ‘Fallin’ below 


Author: Danu

Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.

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