Tag Archives: Album Review

Album Review, Alt- Pop, Indie, Indie Pop, Indie Psychedelic, indie rock, New Music, psychedelic

Hola Chica ‘Marbella’ Album

Barcelona indie pop band Hola Chica have returned with their latest album, ‘Marbella’. The five piece have been on tour since the release of their first album ‘Magnetism’ in 2016. Playing at Taubertal Festival and BIME Festival, as well as all over Spain they have been creating an energetic and psychedelic live show that is communicated through their latest release.

 ‘Marbella’ is a wonderfully colourful display of Hola Chica’s indie psychedelic pop as the band ease you into their smooth sound with intricate musicianship which leads effortlessly into their massive bag of sonic tricks. The band conjure disco funk and snappy beats to create a clean polished sound. With beautifully manicured synths weaving between floaty melodies and zesty radiant guitars, tracks like ‘Asleep’,Off My Mind’ and ‘Feels Like’ rush with a danceable groove that is infectious while velvety vocals coo through prismatic soundscapes and dreamy melodies.

‘Free Your Soul’ wraps layers of shimmering synths over catchy pop melodies while scorching guitars and humid beats intoxicate and smother the buoyant and vibrant background.The band glitter the album in 70’s disco elements and 80’s pop sheens as they inject a hazy shade of hippie splendour and trip hop hues through ‘Same Old Thing’ and ‘Falling Apart’. Hola Chica have managed to create a psych album that is so drifty and light however, they use dazzling soundscapes and adrenaline rushing instrumentation to keep the album rushing along. 

‘Never Gonna See You Again’ slows the pace a little as brooding melodies float over a subtle bubbling soundscape and chiming light atmosphere. The lamenting guitars pine over the dreamy backdrop with a piercing sting while the keys twinkle through a steady beat creating a rich and wistful number brimming with emotive qualities.The detailed production and rich instrumentation throughout the album adds a dash of sunshine in each track. From the soft rock groove and elastic bass line of ‘Make It’, the glistening epic guitar in ‘Your Time’ to the glimmering suave charm of final track ‘Fade Away’, Hola Chica make sure you are bouncing and swirling in their trippy soothing sounds and lush instrumentation all the way through.

‘Marbella’ is a luminous album laced in fresh, sun kissed vibes, good times and utterly mesmerising instrumentation as Hola Chica blend, refine and brew their fruity, floaty psychedelic pop with a dash of indie and a hint of funk to create a euphoric and vibrant listening experience. 

Stream ‘Marbella’ below 


Author : Danu

Album Review, Alt Rock, electro - rock, Electronic, Indie, indie rock, New Music, Synth Rock

Columbia Mills ‘CCTV’ Album

Columbia Mills have released their highly anticipated sophomore album ‘CCTV’. 2019 saw the band release two singles from the album; ‘Strange Game’ and ‘Who Am I Supposed To Talk To Now?’ which garnered huge radio support here at Indie Buddie and in the UK including John Kennedy Radio X, RTE Radio 1, Ed Smith (Today FM) choosing the band as his Play Irish Artist of the week and ‘Recent and Decent’ on Today FM, Dan Hegartys (2FM) Track of The Week, and heavy rotation on Paul Mc Loones Today FM show, as well as heavy airplay across all national and regional radio stations. 2020 has already seen the release of ‘UNDERSTAND’ (31/01/20), the third single from ‘CCTV’ which also received huge radio support. 

With passion exuding from each melty, infectious melody, rich rhythmic progression and superb guitar lament ‘CCTV’ is quite the first rate body of work from Columbia Mills. These guys don’t pull punches, they give this album their all, entwining electronic elements into their alternative indie rock to create an album that holds you in animated suspense while the spinning sublime instrumentation, intricate layering and wonderful pacing intoxicate and invade your mind.

From the start this album is a whirlwind. The gripping heartfelt ‘Car Crash TV’ begins our breathtaking journey into the album. To be honest, I was totally consumed within this track’s melancholic tone, soft instrumental build and utterly beautiful, raw presentation. The twinkling ethereal guitars encase Fiachra Treacy’s warm emotive vocals in a wispy delicate coating as the track progresses to its more distorted electronic half. Like a masterful puppeteer Treacy’s vocals control the tone and ambiance of the tracks within this album. He has the power to pull tears from your eyes as he digs beneath the surface and unravels the listeners joy, pain and thrills and it is from here the tracks flourish from.

The band use synths and dizzying electronics to build the songs and ferment them into either a dazing dark crescendo like in ‘Car Crash TV’ or spiral into an intoxicating, dance-evoking whirl as in the infectious pulses of ‘Understand’. The synth elements within each track either flicker with tantalizing illumination providing sweet flirtatious moments between the rich indie backdrop or drape the songs in crashing twisting and asphyxiating soundscapes. 

‘Isolate’, ‘Who Am I Supposed To Talk To Now?’ and ‘The Greatest Love’ are a mesmerising display of artistic flair and proficient musicianship, evoking complex themes and emotions of lonliness, guilt and depression.

The band flood their tracks with emotive instrumentation as they surge smoky downcast atmospheres with lamenting pines or western- esque warm tones on guitar. The guitars soar and ooze rich textures and almost convey the characters within the tracks while braided beneath are rooted bass lines and pulsing drums. ‘You’re Not The Answer’, ‘Strange Game’, ‘Heart And Soul’ and ‘Trees’ convey this perfectly as Columbia Mills immerse striking earnest lyrics in time stopping soundscapes.

The lyrical content in this album is profoundly poetic. Lines like “You said watching you control yourself, Is like watching blood dry”, “Crawled through the shit of old romance” and “Or is it in the vacuum of the struggle Where our love always thrives”  shroud the album in dark times and griited struggles. Columbia Mills present these honest and gripping themes with outstanding elegance and grace. At times Treacy’s vocals are icy and almost matter of fact in his portrayal of these lyrics however he still manages to depict heart breaking emotion through his delivery.

Columbia Mills bring the album to a sublime end with ‘Mirror On The Front Seat’. The track blossoms superbly with glistening guitars and a brooding indie rock ballad -esque soundscape. It is beautifully crafted, lush in its intricacies yet simple in its approach. There is a warm country element to this track that evokes images of a dry desert night while the glistening airy guitar paints the sky an indigo hue. The loneliness and isolation is briefly lightened with warm instrumental builds while a sustained fuzz and steady beat trap tension beneath the emotive velvety vocals. Once again the band build the track allowing it to unravel for the dynamic thumping crescendo. It’s a spine tingling and utterly superb finale. 

There are so many textures, sounds and wonderful elements within ‘CCTV’. Columbia Mills are only on their second album and their maturity and ability to grasp your very soul with their tunes is so precise and powerful it is mesmerising. ‘CCTV’ is a moving, intoxicating album with solid musicianship. The listener beholds musical majesty, depth and a mystical quality which bewitches with every track. The bands layering and building of the songs is first rate and clean while the indie rock, electronic hybrid sound is seamless and exquisite. This is a band you need to know, they have achieved so much with ‘CCTV’. It is exciting to imagine what Columbia Mills will release next

Stream ‘CCTV’ below 


Author : Danu

Album Review, Alt Rock, electro - rock, electro- pop, Electro- Punk, Electronic, Indie, New Music

Bone Cult ‘Death Electronica’ Album

Bone Cult have released their new album ‘Death Electronica’. Starting out as a stripped back guitar and drums outfit, the duo evolved by embracing technology to create new unheard sounds. The band’s popularity has soared internationally following their inclusion as characters in the online videogame ‘Avakin Life’

‘Death Electronica’ is a corrosive collection of tracks as Bone Cult present their powerful and unique sound through this innovative and triumphant album. The duo use driving, animated and sticky beats to create a hyper backbone for their tracks. The fuzzing acid saturated synths swirl through rushing electronics as the band create a dizzying mania reminiscent of The Prodigy through ‘Realise’, ‘Fragments’ and ‘Miracle’ .The heavy thick soundscapes consume the tracks in dark flashing scintillation as the duo create the thrilling atmosphere of a frenzied rave. The instrumentation and static electronic backdrop asphyxiates the frenetic rock elements while the smooth vocals coo underneath. Each track surges with the duo’s hybrid crashing wall of sound as they create songs for the blood thirsty mosh pit as well as coating on a healthy dose of dubstep dance elements.

There is such adrenaline in this album it could give you a heart attack. With all the intense ominous soundscapes Bone Cult manage to pull out some really catchy bangers. ‘Cruel’ has a grungy moody vibe with a pop-ish melody that will stick in your head for days. It’s utterly exhilarating. The album is the perfect concoction, the band swirls wispy new wave lightness into a thick, dark atmosphere with heavy surges of adrenaline to create a sound that has something for everyone. There are pop elements with smooth light twinkles of electronics smeared into thicker more perilous stains of electro- rock while metal slaps and punk whacks adorn the backdrop between the dance influences and to top it all off the band pepper some grunge and alternative rock over this fermenting brew. With the deranged, head-spinning synth of ‘Something Vile’ ,bright ethereal release of ‘ Fever to Stay’ teamed with swirling electronics of ‘Miracle’ and the grating harsh guitars lines that stain the albums underbelly,-  ‘Death Electronica’ sees Bone Cult utilise every weapon in their arsenal to create their sonic assault.

‘Death Electronica’ is lean, mean and frothing from the mouth with a vast array of genres. Bone Cult’s fuzzy bulky sound is not for the faint hearted. The album takes the duo’s vast, refined and in ways quite majestic sound and beats you over the head with it. A superb listen.

 Stream ‘Death Electronica’ below 


Author : Danu

Album Review, Alt Rock, Indie, indie rock, New Music

Long and Greasy ‘The Rock/Pop Show’ Album

Alternative rock quartet Long and Greasy have recently released their new album ‘The Rock/Pop Show’. Formed in school during a music module, the band instantly clicked on their musical influences and began jamming and writing. Made up of members Naoise May, Elias Dempsey (guitars and vocals), Tim Sweeney (bass) and Paul Gleeson (drums), the band have a blistering, exciting and unique sound.

Drenched in slinky guitar lines, meaty rhythms and dripping in panache ‘The Rock/Pop Show’ is an unbridled collection of Long and Greasy’s infectious sound. The band shake things up a lot in the album, weaving between genres, making for a refreshing listening experience. ‘Missing Out’, Hide Your Grin’ and ‘Doubt’ are the indie rock punk flavoured back bone of the album. Jaunty guitars, vibrant drum and sublime rumbles on bass embroider the track in a dark groove rooted wall of sound while quirky vocals and smooth catchy melodies inject vibrant energy into the tracks. As well as their knack with pop melodies and catchy sing along refrains the band showcase some beautiful guitar flourishes in ‘Na Na Nah’, Lads’ and ‘Couch to Couch’. ‘Worse Off’ is the sultry gem within the album with sleek smoky guitars and dark undertones while ‘Skidmarks’ exudes a cheeky country and “Sweet Home Alabama” vibe.

The album flows with an effortless charm and bubbling texture that keeps the listener engaged. Long and Greasy manage to make every track fun and jubilant while packing in some refined instrumentation and swagger. These guys aren’t all fun and games though. The brooding guitar twinkling in ‘Climbing’ takes the mood down with the aid of whispered vocals before the band build into their psychedelic-hued chorus. This brooding number cools the EP, introducing the lofty ethereal side to the bands sound with lush harmonies and moody melodies. However the band leave the best for last with ‘Long and Greasy’. This rampant instrumental number steamrolls in on fiery riffs ricocheting off the crashing wall of sound as the drum pulverizes throughout. It’s a sticky mosh ready track which bleeds out into psychedelic lush textures and swirling dizzying soundscapes before returning to its frantic mania – its a well crafted, diverse and ever changing number and an intelligent finale for an album.

‘The Rock/Pop Show’ is an invigorating, wonderful collection of exciting tunes. Long and Greasy display a fun, refined and blistering sound with rich intricacies and sublime groovy moments. 

Stream ‘The Rock/Pop Show’ below 


Author : Danu

Album Release, Album Review, Indie, New Music

David Keenan ‘A Beginner’s Guide To Bravery’ Album

David Keenan is set to release his debut album ‘A Beginner’s Guide To Bravery’ tomorrow, Friday 10th January. Keenan has self-released several EPs and singles, opened for Hozier all over the UK and Europe and had a week-long residency at The Irish Arts Center in New York. ‘A Beginner’s Guide To Bravery’ was recorded in a week of live-in-room spontaneity at the Hellfire Studios in the Dublin Mountains overlooking the city. Known for his intensity, lyrically rich and powerful tracks Keenan delivers a debut album like no other. 

‘A Beginner’s Guide To Bravery’ dives deep into conflicting emotions with relentless stamina while it’s tender moments and witty quips soothe and brings joy in the most unusual ways. Keenan’s sublime melodies and intriguing instrumental arrangements allow all to enjoy his rich musicianship. ‘James Dean’ kick starts the experience. The Sean-nós style vocals maintains Keenan’s unique appeal as he ornaments his melodies and holds his own with little accompaniment. ‘Unholy Ghosts’ is a refreshing vibrant ditty filled with lively instrumentation as the animated sway and catchy chorus boasts traditional Irish charm with a contemporary twist. ‘Alter Wine’ is the pinnacle moment of the album. Intense, fermenting and luring with a hint of innocence throughout – it’s exceptionally crafted and masterfully written. That sublime string melody both builds tension and laments with a sweet weeping quality through the sticky beat, delicate keys and pining guitar. The vocals articulate disdain, lust, passion and anger all while delivering the most striking and epic expression in the album with confidence and poetic depth. ‘Love In A Snug’ has the task of following its powerful emotive predecessor. Taking this duty in its stride the song tenderly broods to start with simple accompaniment before building superbly into a sing-along anthem. 

The characters within his tracks have been everyone at one time or another as Keenan narrates his stories with flawless commitment. The piano accompanied ‘Tin Pan Alley’ portrays this superbly. The piano twinkles and elegantly laments with warmer tones flickering throughout. Each track is just as lulling as it is powerful, the soft brooding intros lead the way to compelling choruses.Every track on the album takes its time, some gliding past the 6 minute mark. Keenan allows them to flourish as they wish. ‘Eastern Nights’ stripped back presentation is a time stopping moment within the album as the guitar backing delicately glimmers behind Keenan’s striking vocals. ’Origin Of The World’ is a slow burner with a sparse almost haunting backdrop as it builds to its vibrant crescendo. The enigmatic thud of ‘Good Old Days’ swirls with themes of reality and poverty. Mourning strings layer the track in a nostalgic tone as Keenan’s poetic view looks at the past with a modern perspective . 

Keenan fleshes out his emotive songwriting with ‘The Healing’ – a sprightly number which is twisted within its seams as Keenan weaves compelling arrangements with dramatic strings. It’s a joy to listen to. The potent ‘Subliminal Dublinia’ brings the album to a close. Starting at a strolling pace the track flickers with warm guitar as strings and piano are added into the mix. Keenan’s expressive vocal delivery is powerful within this track with the resounding line “occupy the city with original ideas” echoing the tracks end leaving a thought provoking impression. 

‘A Beginner’s Guide To Bravery’ is a powerful thought provoking album. Keenan looks at the world through the eyes of his characters creating songs of nostalgia with honest moments and emotive chills as he builds and crafts his music with a maturity and majestic quality that is to be admired. 

‘A Beginner’s Guide To Bravery’ is out tomorrow Friday 10th January

Watch the video for ‘Altar Wine’ below


Author : Danu

Album Review, Classic Rock, New Music, Rock, Rock and Roll

Chiefgroover & Co ‘Sunset’ Album

Classic rock outfit Chiefgroover & Co have released their debut album ‘Sunset’. This is their 2nd release of the year, preceded by the single ‘Shooting Star’, released in June. Written between 2012-2019, ‘Each song tells a story, from a poignant chapter in Chiefgroover’s life.

‘Sunset’ is a powerful classic rock album laced with passion, air guitar worthy moments and raw shredding musicianship. It’s easy to get carried away with this collection of tracks. The first half of the album from ‘Free’, ‘Oh Wild One’ right through to ‘Her Master Plan’ showcases the emotive melodies and wonderful songwriting of Chiefgroover & Co. With punchy drums, slick guitars and that straight up raw rock ‘n’ roll wall of sound it’s a feel good collection of tracks sure to give you a spring in your step and make you ready for whatever the day will bring. ‘Where Are You Now’ takes the brooding ballad stance on the album. With delicate vocals, twinkling guitar and steady beat the track lulls it’s lamenting way into your mind with a soothing sombre yet comforting tone. ‘Sunshine’ is exactly as it’s title says , sunny and filled with a vibrant fun atmosphere. Blistering guitar injections split the sweltering rock soundscape with finesse and sharp stings while the warm sing-along melody keeps the track replaying in your head. ‘The Survivor’ is a more gritty track on the album. With an 80’s power anthem vibe Chiefgroover & Co create a wild and demanding tune brimming with harsh jagged riffs and raw Def Leppard -esque influence. The vocals throughout the album are powerful, emotive and filled with intense earnestness while creating velvety tones and raspy hues. The tender ‘Anna’s Song’ and steamy instrumental ‘How Life Goes In’ bring the album to a close. Both tracks surge with Chiefgroover & Co’s passionate musicianship and intricate guitar work, especially in ‘How Life Goes In’. Amidst lamenting vaporous guitar pines and shrills it’s a dramatic and breathtaking close to the album.

‘Sunset’ is a heartfelt weighty collection of tracks as Chiefgroover & Co weave wonderful instrumental intricacies into the tunes to create an 80’s rock-infused album with wholesome passion and rich musicianship.

Stream ‘Sunset’ album below 


Author : Danu

Album Review, Alt Rock, Indie, indie rock, New Music

THVS ‘Fevers’ Album

THVS formed in 2014 with Michael, Matt and Dave making up the elements of guitar/vocals, drums and bass. The power trio have earned a reputation through their energetic, sweaty and cathartic live shows. The band have now released their new album ‘Fevers’.

‘Fevers’ is a rampant blast of THVS’ heavy pop as they create a collection of brisk raging tracks that are not for the faint-hearted. The rough ear piercing sound kicks off with the first track ‘Rax’ and steamrolls right through to final track ‘Brando’. With pulverising drums screeching guitars and metal influences throughout ‘Rivals’, ‘Brides’ and ‘Circles’ the band create a bloodthirsty album that is relentless in its approach. There is no breath or relief from the onslaught as the rough jagged riffs batter and bruise between a crashing wall of sound while the screaming vocals howl and spit with aggression throughout. The band veer from manic to lunacy as the second half of the album comes into fruition. They summon all out anarchy as the tracks intensify. Slicing sharp guitar solo’s create refined piercing relief in tracks like ‘Wounds’ before the band demolish your ears with their vociferous alternative rock. Lyrically the album deals with numerous heavy themes of loss, regret and self doubt. However they also deal with thought provoking themes as well such as achievement, the connection between people and detachment to the world around you. The band portray this though their shattering wall of sound and heavy pop rock superbly. ‘Distances’ and ‘Brando’ bring the album to its mutilated peak. With heavy riffs, dark foreboding bass and utterly annihilating drums the band end the album with the most spine chilling slaughter. 

‘Fevers’ is a raw pure concoction of THVS’ unapologetic sound set to  ravage your brain from the inside out. However, with all the frenzied ear bleeding soundscapes the band manage to blend in some really refined and cultivated moments throughout. The album possesses sublime ominous bass grooves and wonderfully precise, shrilling guitar solo’s while the relentless rhythm batters their ferocity into the depths of your soul. The darker chilling moments within the album are beautifully fermented and fester deep within each track’s core to create a deep and volatile album sure to leave your ears ringing for days. 

Stream ‘Fevers’ below 


Author : Danu

Album Release, Album Review, Folk, Indie Folk, New Music

Zebra Trees Self- Titled Album

Country Rock band Zebra Trees have released their self-titled debut album. This follows on from their first single ‘Happy Birthday’, released in February. Zebra Trees consists of songwriter/multi-instrumentalist Jim McFarnell and vocalist Andrea French.

Zebra Trees present their wholesome country rock with sweet pop elements and warm instrumental lilts through their self titled album. From the cosy bright jingle of ‘Wild In The Country’, the balmy ‘Wanted Poster’ and uplifting ‘ Just To Let You Know’  through to the more ballad- eque tracks like ‘Nightmare’ and ‘The Busker’ we see the vibrant and well crafted musicianship of Zebra Trees. The band flesh out their sublime storytelling through lush catchy melodies and rich instrumentation. French’s vocals exude emotion and passion throughout with lush harmonies creating a beautiful texture within the album. There are wonderful guitar moments throughout from sweet jingles to infectious slinky guitar licks and sweltering western twangs. The band use the guitars to add rich and vibrant embellishments in the songs. The buoyant and infectious foot-tapping beat in tracks like The Corrs – esque ‘Summer Angel’ create a pure and radiant atmosphere and gives something to bounce and dance along to while the beautiful vocals melt upon the delightful melody. Warm, cosy and heartfelt tones are abundant as Zebra Trees blend folk and country with a peppering of rock to add an edge. ‘Broken’ and ‘Good Times Past And Gone’ bring the album to an end with the latter fully embracing the country elements of the bands style with strong guitar twangs and powerful vocals. 

If country folk rock is your thing then Zebra Trees have everything you would want with peppy catchy melodies, loving, yearning tones and a strong southern edge, it’s a humdinger sure to have your feet tapping. 

Stream Zebra Trees album below 


Author : Danu

Album Review, Hypnotic, Indie, Indie Psychedelic, indie rock, New Music, Psych-Pop, psychedelic

Father! ‘Queen of Spain’ Album

Dublin based Jangle Pop outfit Father! have released their sophomore album ‘Queen of Spain’ which is mixed and mastered by Mark Chester of Autre Monde, Ginnels, No Monster Club.

‘Queen of Spain’ is a woozy psychedelic trip as Father! entice and lead you down a jangly lo-fi path into their dream pop labyrinth. ‘to Stockholm’, ‘Carcassonne’ and ‘Liebe’ frazzle with distortion and tightly woven soundscapes while the sweet jingle on guitar breaks through the deft backdrop with a hazy bright melody as the lo fi vocals murmur throughout. The tracks lead you deep into Father!’s heavy psychedelic sound before the light  ‘Left You This Morning’, ‘Feeling So’ and ‘Desire Lines’ provides some relief. With chiming guitars, indie dream pop melodies and retro soundscapes the tracks create a daydream world to chill and mellow out in. The band showcase their fine ability to blend and ferment their sound to create something truly mesmerising and hypnotic. ‘Queen Of Spain’ and ‘Devotion #2’ bring the album to a close. With enthralling intricacies weaved through the instrumentation Father! create tunes exuding character and vitality while maintaining a breezy laid back tone. Each track is meticulously layered and crafted to create a streamline effect while showing flashing glimmerings of dazzling scintillation through their psychedelic tones and wobbly mirroring instrumentation. 

Father! have taken all the vibrant and dark intricacies from their ‘Beach Cloud Daze’ release in 2018 and refined it into a pure concoction of new wave indie before saturating their sound with heavier psychedelia. Each track is doused in luscious pop elements and indie tones making ‘Queen of Spain’ a vivid trip filled with lucid rich musicianship. ‘Queen of Spain’ is an enjoyable, interesting and fascinating sophomore album from Father!

Stream ‘Queen of Spain’ below 


Author : Danu

Album Review, Blues Rock, Indie, indie rock, New Music

Jointpop ‘FROM Trinidad …With Love’ Album

Jointpop have released their new album ‘FROM Trinidad …with Love’. Jointpop is a Rock ‘n’ Roll band from Trinidad and Tobago led by Gary Hector. They have had continued support from Tom Robinson (BBC Introducing) and Jim Gellatly (XFM Scotland/ Amazing Radio).

‘FROM Trinidad …with Love’ is a vibrant fun album brimming with Jointpop’s rich and energetic musicianship. ‘The World’s Most Interesting Man’ opens the album with a dramatic showman persona. Bopping percussion keeps the track buoyant and light while the epic guitar blasts and jaunty soundscape keep this charming track running in your head all day. The band venture from gritty powerful rock ‘n’ roll in ‘Amplify’, ‘Give Me Life ( Give Me Love )’ and ‘Rear – View Mirror Love’ to a groove jam in ‘Beauty On A Budget’. There is a bluesy vibe to ‘The Misunderstood’ and sway-able shimmy in ‘Berlin Belle’ all while maintaining a reggae undertone throughout. The jazzy keys, punchy drums and shredding guitars lace each track in swagger and strut quality. The band showcase their ballad – esque side with the warm ‘The Blessed Ones’ as golden guitar laments against a steady beat backdrop.The melodies throughout slide effortlessly into your ears until you are singing uncontrollably along while the raspy vocals coo and swagger adding character and charm. There are wonderful guitar moments in each track. Especially in the jazz flavoured ‘Vienna Moon’ as the guitar weaves steamy melodies through the jazzy keys and steady beat. The track has an epic classic-rock anthemic chorus while the verses have a lounge bar chilled groovy vibe. The band close the album with the acoustic whiskey-drizzled ballad  ‘I Miss Me’. With lush backing vocals and a buoyant guitar strum this track has a sweet bar sing-along vibe that warms the cockles of your heart and fills you with sweet nostalgia.

Jointpop have created a charming album filled with their rich and diverse musicianship that is sure to have something for everyone.

Stream ‘FROM Trinidad …with Love’ below 


Author : Danu