Our Worth A Listen Track This Week Comes From Wulfman Fury
Sheffield five-piece Wulfman Fury burst on to the scene with their debut single ‘Nightsweats’ this October, and have swiftly followed the release with another stellar new track ‘Draw The Line’ which was produced and mixed by George Moran, frontman of Wulfman Fury and an accomplished session player having toured extensively with Miles Kane and shared stages with Alex Turner and Paul Weller. ‘Draw The Line’ whizzes along at a breath-taking pace with a rush of intensity and an instant buzz of excitement. Where to start, this track exudes effortless confidence and swagger with all the component parts of a hit track. Dazzling sharp guitars whirl around an infectious vibrant melody lifting each chorus to soaring adrenaline rushing heights. Lush passionate vocals thrill with an energising stamina and power while punchy drums keep a flexible foundation for the instrumentation to rebound dynamically off. Just when you think this track can’t get any better they pelt you with a satisfying riveting riff before the swirling psychedelic tinged bridge. These guys know how to craft a relentless enthralling track to leave you craving for more. Its utterly absorbing with a crisp biting chorus and fresh breezy sound, it’s a mighty anthem. Wulfman Fury are a band to watch out for their sound is spellbinding and wholly captivating. These guys are a band to get excited about.
Deep Sky Objects are a three-piece alternative-rock band originally from Kerry. The band members include brothers Kevin O’Brien (lead vocals, guitar), Thomas O’Brien (drums and backing vocals) and DD Foley (bass guitar and backing vocals). The trio have released their new self titled EP which has been featured on Today FM’s ‘Ed’s Songs of Praise’, Spin South West’s ‘Spin-Alt’ and many other stations throughout the country.
‘Deep Sky Objects’ is a five track EP of alternative anthemic whizzers. With biting guitars and fierce bass lines that penetrate through each track with a thrilling ground shaking bloodthirstiness these guys have whacked out a sublime EP where each track holds its own and is epic in its own right. Opener ‘This City’s At War’ explodes with fist pump fury and breezy ice braking might. The guitars are sharp, sublime and melodic while the laid-back vocals glide along the infectious melancholic melty melody. The soaring ‘Bones’ follows blustery guitars and elevated vocals give the track an aerial vibe and take the track to towering heights. Oozing passion with mini explosive bursts for the choruses this track is chilling with eerie tones lying beneath a blanket of breath-taking instrumentation. ‘Desire’ fleshes out the trio’s swagger soaked grittier side. A hair raising sensual dark bass line runs rampant all over this track and it’s awesome. A force to be reckoned with, dominant in all its glory. Punchy mosh worthy drums add fire and rage to this grimy ominous track while a shredding guitar solo scorches with such steamy slickness it burns all in its path. ‘See You When It’s Over’ returns to the peppy lighter indie rock sound. It is catchy with a bouncy rhythm that rebounds and slaps off the melody with playful animation hiding the sinister piercing guitar shrills and mysterious vocals. ’Crazy New Addiction’ brings us to the end of the EP the best way Deep Sky Objects can with a fantastic bass line that grabs your ears and seeps inside holding you captive to its infectious groove. Dark and luring this track crawls and creeps under your skin with chilling goosebump inducing instrumentation. The guitars simmer and scald with razor sharp stings while a body grooving rhythm obtains an uncontrollable danceable hold on the listener.
Deep Sky Objects are a band to watch out for. Each track is engaging, thrilling and well crafted. It’s a meaty well produced collection of tracks that is laser-focused on doing the simple things to perfection and boy do they excel. The choruses are catchy and the hooks will rattle around your head for days. These guys know what they are doing and it’s pretty impressive.
Delphina Kings will release their new single ‘Electric’ tomorrow December 1st. Recorded in and around Manchester and produced by the band themselves, the track is a cocktail of everything they have learned whilst working with producers Sugar House (Pale Waves, Viola Beach) on previous releases. Delphina Kings play an angular brand of indie rock, combining the fuzzy energy of Blur and the singalong hooks of The Hunna. Formed in 2017, the combination of a barista, a baker and a university dropout landed a feature on E4’s Made in Chelsea with their first single. They have also shared the stage with Razorlight and Starsailor.
‘Electric’ is a kinetic blistering indie rock track that instantly pumps dynamic energy into your bloodstream. Stinging guitars pierce with a thrilling sharpness through peppy punchy drums and infectious melody. The swirling soundscapes create a dizzying blast of euphoria as each distorted note surges with electricity. It’s an adrenaline inducing, sizzling indie rock anthem that is radio ready sing along friendly and invigorating to listen to.
Toxic Radios are an indie/garage rock outfit based in part in Glasgow and North Lanarkshire. The four piece have played at venues such as O2 ABC, Broadcast and The Record Factory to name a few and have now released their debut EP ‘Face The Tide’. This three track EP is an infectious whack of garage rock meets indie pop. First track ‘I Can’t Turn It Around Tonight’ is a catchy snappy indie flavoured number. With sharp crashing guitars and punchy drums, they display their fierce no nonsense garage instrumentation. The smooth indie pop melody contrasts the smashing instrumentation creating a likable easy to listen to track. ’Lone Wolf’ once again blasts with razor sharp aggressive guitars backed by a breakneck pounding rhythm. The elastic rumble on bass gives a rich depth and rooted back bone that holds the track together. Its energetic and mosh pit ready. ‘These Wires’ is the last track on the EP. Melodic stings on guitar create a breezy vibe and a vibrant illumination. An impressive debut EP. These guys have talent with all the right components to make a solid EP. They have a bit more polishing off and refining to do but once they do they will be unstoppable. I reckon to really appreciate this quartet and to experience all the luscious melodies backed by pounding instrumentation you need to see them live.
Wicklow’s, Look to the Lady will be releasing their new EP ‘Delirium’ this Wednesday 22nd of November along with a launch show in The Workman’s Club, Dublin. Look to the Lady are a hard-hitting Alternative Rock/Indie band with powerful female vocals at the forefront of their guitar driven sound. Formed in 2012, they have graced many stages including the Button Factory, the Workmans Club and most recently Whelans for Whelans’ Ones to Watch Festival. The band have achieved success with their 2014 EP ‘Mechanical Lights’ as well as with their two most recent singles ‘My Name’ and ‘Distant Waves’. The EP was recorded on a week long escape to Portlaoise in 2016.
‘Delirium’ is an ambitious smashing blast of moody alternative rock complete with powerful vocals and crashing instrumentation. ‘Sixteen’ kicks off the EP with gritty guitars slamming against punchy drums while Kelly Bolger’s hearty vocals exude potency and might. It’s catchy and powerful with a shredding guitar solo and rock and roll swagger. ‘My Name’ which we previously featured on Indie Buddie follows. This track is highly passionate and emotive as Bolger’s vocals soar with an angelic tone through the darkly hued instrumentation. Crunching guitars stride through the track with a heavy thick rhythm and dynamic bass slaps. This haunting song is both chilling and exciting as it propels into the powerful chorus. It’s tightly crafted and impressively arranged. ‘Halo Halo’ follows taking on the role of the tender ballad. A lighter blend of twinkling guitars and a soft beat accompanies the verses while the chorus takes on a heavier anguish fueled instrumentation. ‘Fantasy’ shows off some slick sharp guitar work flickering between pummeling soundscapes while harsher vocals scream and wail between dizzying guitars. Though not as catchy as the other tracks on the EP it’s feisty and fierce and a force to be reckoned with. At times these guys have a Linkin Park- esque vibe to them as they play around with a similar style of anguish pop. ‘Take Me Somewhere’ brings us to the end of the EP, with its sway like tempo and jangly guitar the track flurries and swooshes beneath a dark mysterious atmosphere. This is the lightest track on the EP. It showcases a more mature elegant and graceful display from the band. With an Evanescence feel and slick musicianship the track builds a little to a melodic guitar solo which has an anthemic fist pump ready vibe. Once again Bolger’s vocals are sublime as she delivers a knock out performance full of emotion and depth.
‘Delirium’ is a sophisticated collection of tracks scrupulously crafted and tightly bound creating the perfect blend of elegance almost theatrical indie meets ominously dark rock. The instrumental drama is high key and the melodies are catchy, its heavy and energetic all the way through creating the perfect headbanging moments. Another mighty step in the bands progression.
Say The Word are an Alt Rock band from Nottingham, England. Formed in late 2014 the band are currently working with independent label Sound-Hub records. Having gigged all over Nottingham in venues such as Rescue Rooms, The Bodega and Rock city, they are looking to make their mark on the music scene. They begin this adventure with new single ‘Toe The Line’ which is released today. It’s a feisty punk pop track and a crisp clean display from the four piece. Elastic slapping on bass teamed with punchy rumble on drums and slick guitar licks create the mighty blow to the head sound of Say The Word. Emotive vocals and a catchy riff to start, it does exactly what pop punk should – gets your foot tapping, pumps energy through you and echoes in your head for days. The brief chant in backing vocals tastefully placed in the chorus adds a multi texture and energy to the track. The sing along chorus is arena worthy and the production is radio ready. It’s a weighty track from Say The Word.
London based Ten Fé have released their new track ‘Single, No Return’. Now a five-piece, comprised of Ben Moorhouse (vocals, guitar), Leo Duncan (vocals, guitar), Rob Shipley (bass), Johnny Drain (keys), and Alex Hammond (drums). It’s the first new single since the release of their debut album ‘Hit The Light’ earlier this year. ‘Single, No Return’ is simply euphoric. The five piece have crafted a track that displays their sophisticated refined musicianship beautifully with subtle intricate layers so tightly bound yet spaced perfectly – it’s a treasure. Flickering electronics flood the track with an airy sedative that soothes and numbs the soul. Warm sharp guitar injections add a vibrant sun kissed glow while velvety smooth hazy vocals lull you into a calming sense of comfort. Deeply passionate and delicately numbing, each note takes its time leaving a hushed sense of reflection. The track builds becoming more dynamic and bouncy creating a rush of adrenaline for the crescendo. With a nostalgic sombre drizzled sublime melody weaving free and easy around the pulsating electronics and slow groove it’s the perfect mellowed return from Ten Fé.
Letters to Lions are an indie rock band from Sydney, Australia. The band consists of Curt (drums), Joel (Guitar/vox), Jackson (bass) and Adam (guitar/vox). They recently released their single ‘Come Around’ via Code One Recordings. This sizzling breezy indie track bursts with slick aerial soundscapes and meticulous refined musicianship. It’s tightly crafted with razor sharp guitars piercing throughout and gashes of vibrancy cutting slices through the airy instrumentation. Punchy drums and elastic rumble on bass add a bouncy flexibility to the track while velvety expressive vocals add a slap of passion. The anthemic chorus is expressed by a swarming dynamic explosion of crashing guitars and bruising rhythm. Joel’s vocals maintain a cool laid-back vibe that glides upon the compelling instrumentation, creating a seamless blend of hazy mellowness and stinging splintery indie. It’s well-crafted and expressive yet dreamy and luscious. These guys have developed and layered this track perfectly. Its flawless, dynamic and a breath of fresh air.
The track is taken from their second EP ‘Grays Point’ which is set for release tomorrow 10 November, make sure to check it out.
Our Worth A Listen Track This Week Comes From Everywhere
Following the success of acclaimed single ‘Man Up’, London Alt Rock band Everywhere have released their new track ‘Moments’ available now in co-operation with ‘BMD w Friends’ and Universal music. Since their Hypemachine charting debut ‘Eddie’, Eveywhere’s music has been streamed millions of times on YouTube, Soundcloud and Spotify. They made their first International appearance at the 2013 NME Awards in the UK, playing alongside Django Django and Palma Violets, and later went on to support the Kaiser Chiefs and headline Notting Hill Arts Club in London.
‘Moments’ is a divine soaring infectious indie track. With a kinetic electronic soundscape consumed in a sticky flickering beat and laid back hazy vibes, it’s a dazzling knock out from the five piece. Max Berga’s vocals coo and almost whisper the verses with a compelling allurement building and becoming more dynamic as the track progresses. The song explodes into a dynamite chorus exuding carpe diem vibes and an instant burst of freedom. The production on this track is in the immaculate crisp manner we expect from Everywhere as its oozes oodles of passion. It’s a dreamy laid-back tune that rushes in with floods of adrenaline and a breezy freeing power. The song was originally performed by fellow Swedish Electro crooner ‘Kev’ and was later adapted by ‘Everywhere’ after a chance encounter.
About the track the band said: “We just heard the original and felt that it screamed for a certain kind of arrangement and feel.”
Glasgow rock band 0141 have released their new single ‘Born To Sing’ which was produced by Rod Jones of Idlewild. The quartet have played in some of Scotlands most notable venues including King Tut’s, 02 ABC and have previously ventured around Scotland, Manchester, Liverpool and Holland electrifying audiences with their bold, funky and rhythmic sound. They have also made a TV appearance on STV Glasgow in 2015.
‘Born To Sing’ is an infectious smack of indie rock. With an anthemic fist pump ready chorus, battering drums and blistering guitars it’s a feisty unleashed beast disguised in a smooth pop tune. With sharp stings on guitar scorching through the golden inspiring atmosphere it’s an adrenaline surge, highly energetic track that is sure to be epic live. Few bands sound as brazenly ambitious as this four piece, their sound is charming catchy and arena ready. This track is razor sharp and piercing in all the right places while still maintaining a radio friendly smoothness and polished exterior that will have you hooked and singing along from the first note. Keep an eye out for 0141.
The release of ‘Born To Sing’ coincides with their BBC Introducing show at King Tuts on the 9th of November so make sure to check that out if your around.
Stream ‘Born to Sing’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
