Following the release of their #3 acclaimed third album Moral Panic last year, Southend five-piece Nothing But Thieves have released their dark and explorative new single and video ‘Futureproof’ via RCA Records, which was premiered on BBC Radio 1 as Annie Mac’s Hottest Record in the World. The track was produced by Rich Costey (Biffy Clyro, Haim, Foo Fighters) and recorded between London’s RAK Studios and guitarist/keyboardist Dom’s home studio.The video, directed by Jake Jelicich, sees the band bathed in an auburn glow giving an intense performance that is filmed chaotically, matching the energy and uneasiness of the song.
Raw, unbridled and saturated in a thrilling concoction of guitar rock and hip hop, ‘Futureproof’ is a spectacular single from Nothing But Thieves. The band creates a muggy wall of sound filled with heavy beats, biting bass lines and intense keys for listeners to indulge in and boy it doesn’t disappoint. The five-piece have turned their impressive sound up notch to create an immersive, blazing new tune that boasts refined production and exemplary instrumentation. The track spirals through dark tones and explosive outbursts while Conor Mason’s vocals expel the striking lyrics “Why do you wanna do good when you can feel good?”. ‘Futureproof’ is a gripping, and utterly fantastic display of musicianship from Nothing But Thieves that is ready for repeat plays and sure to have a live audience going wild.
About the song the band says; “‘Futureproof’ is about self-preservation; what that means to different people and the lengths that those people would go to achieve it. It’s designed to be a guitar rock and hip hop hybrid. That can be a bit of an eye roller and it’s easy to get wrong, but there’s a parallel between some of our heavier songs and the more aggressive side of hip hop, which we wanted to try and get at. It’s dark and chromatic and then it’s mixed like a hip hop track with loud drums and vocals. The idea was to try and explore that territory in the most authentic and fresh way.”
Scottish band, The Rah’s, have released a new double single ‘Our Design’ / ‘If You Never Try (You’ll Never Know). This comes hot off the heels of the band’s fantastic debut album ‘When Does It Become Real?’. The Rah’s create intoxicating tunes bursting from the seams with alternative rock bravado. Blood, sweat, and tears go into every song to make the powerful sound we have come to love from the band and watching them blossom over the years up to the release of their fantastic debut album has been a joy.
I caught up with singer Jack McLeod to talk about the new release, touring and how Jordan McIntrye’s incredible guitar playing elevates the band’s songs.
“It was always our intention to release ‘Our Design’ as one of the final singles from that album but PR thought we’d be a bit cheeky and release a double A-side. The benefit of a double A-side is basically, if a radio station doesn’t fancy side A then they can go to side A two. So, it’s a cheeky way we can get either or played. If they don’t like the heavier one then they could go for the more majestic and melodic one, that’s the thought behind that, so hopefully, it pays off.”
The Rah’s have become known for their arena-sized rock and these new singles pack a serious punch. Not only can the five-piece provide sleek melodious tunes that pivot around a gritty alternative rock sound the tracks also boast lyrical depth and have an emotional aspect to them aswell.
“I think it is probably just who we were influenced by. We’ve got quite a wide variety of influences and genres that we listen to collectively as a band. We’ve all got personal tastes, I can be listening to disco one day and then pop the next day it’s just sporadic really, and it’s the same for everybody in the band. But the majority of the songs that we listen to are all from rock, alternative rock, indie that kind of bands. It’s just been created over a number of years. Started off way back playing covers of Arctic Monkeys and The Strokes. So we’ve always had that channel to go down and that’s the music we like playing. That’s the main reason, it’s because we enjoy playing it.”
The instrumentation within The Rah’s tracks is breathtaking. ‘Our Design’ in particular is a fine example of this. The soundscape boasts shredding guitars and a punchy rhythmic backbone, it is an impressive display of musicianship. The band teamed with the sublime talent of James Darkin to help craft the impactful sound the band had envisioned for the song.
“The swagger is listening to too much Oasis. The song was one of the last created for the record. It was in the last batch of songs, and when our guitarist Jordan [McIntrye], was playing the riff in the band room, just a kind of acoustic intro riff, instantly we thought there is something there. So we worked away on it. As I say it was one of the last songs written, so I thought it’d be a good idea to write the song, based on our journey throughout the time being in the band – the ups and downs of being a band, basically, it’s a song for the band lyrically. As soon as we heard Jordan playing it, we knew there was something there. Then we took it into the studio with James Darkin and he just took it to a whole different level. He’s got an outside point of view which really helps. Once you take it into the studio and actually get it into audio form and listen back to it, you realise what kind of track it is. That’s pretty much the process of the creation of that track. I think it finished off at the tail end of 2019. So yeah, it’s been a long time coming.”
One reliable aspect of The Rah’s sound is the awe-inspiring guitar solos. They are proper air guitar worthy moments created through the genius that is Jordan McIntrye.
“Jordan was brought up with the likes of Jimi Hendrix and stuff playing, and he’s played guitar since he was about seven years old. When we first started the band we used to dare him to play like a full Red Hot Chili Peppers song behind his neck. So he’d have the guitar behind his head and that like, no word of a lie that’s how good he is on guitar. So with the inspiration of Jimi Hendrix, John Frusciante and people like that, that’s exactly what brings it out in him. It’s phenomenal. The solo in ‘Our Design’, he [Jordan] was tinkering about a bit and we all knew in the studio that there was more that he could offer and then there’s this pedal, it’s like a fat fuzz pedal. You can hear it in the track, it’s absolutely incredible and as soon as he hit that, it’s like he unleashes a new beast in him.It was music to our ears when he was playing it. Instantly again we’re just like that is definitely the take, he didn’t actually like the last part yet, but we were all just standing in awe listening to him bend these strings on the neck of the guitar so yeah it worked really well.”
‘If You Never Try (You’ll Never Know)’ is my favourite track on the album. The buzzing intensity and euphoric melodies within the track are just spectacular. I was excited to see it as part of this double single and McLeod told me how the band crafted the song.
‘That’s one of the older songs on the album, we actually released an early version of that in like 2015 so that song has been about for a while. Once again, it was picking it to bits after all those years of playing it and when the album came around to recording sessions we had that track already prepared, but taking it into the studio with James Darkin again just took it to another level. Originally, I was listening to a lot of Black Rebel Motorcycle Club at the time and they covered a song by The Call, ‘Let The Day Begin’ which is an incredible song and it was inspired by that song because I was listening to a lot of that at the time. The original version [of ‘If You Never Try (You’ll Never Know)’] was actually played a couple of notes slower. So, again, us bringing it back matured and taking it up two notes just gave it a whole new lease of life, it was quite hard on my vocals but we worked it out.”
Seen as ‘When Does It Become Real?’ is The Rah’s debut album. I wondered if the band had been refining the songs for a long time and if there were multiple versions of each track.
“Yeah there are versions that I’ll probably never want to listen to again. There’s really early versions, ‘The Time Is Now’ is the oldest song that was written, probably in 2012/ 2013. That’s incredible to say that it has been that long. We’ve been playing that song first or last in the set ever since. But again that track has just got a whole new lease of life, every single time we have revisited it, and honestly, we’d never thought that it gained enough traction, the first time of the release. Then the second time and then the third time was, within the first, like 48, hours, of it being released into the PR world which just shows you don’t give up hope. If you believe in the track, which we did, you need the right people behind you to get the track where it needs to be. We were lucky that we’re in that position last year when we released it and it got instant Radio 1 [BBC] plays and Radio X plays”
The Rah’s highly anticipated debut album has been a long-time coming. It’s already racked up tens of thousands of plays and the band have received heavy support from Huw Stephens, Gemma Bradley, Gordon Smart and Jack Saunders.
“Yeah because of the hard work that you’ve put in, like the names that you have just said there, even to hear them say The Rah’s from Prestonpans is just surreal. We’re just boys from a wee town in Scotland, we never ever thought of being played on Radio 1. But yeah, amazing, absolutely incredible and Jack Saunders, rather than just play the song, mention the band, say good song, next track – he actually got his producer to extend the outro of the track, and kept on talking over it. Honestly it was so surreal. It was an amazing experience”.
Their debut album ‘When Does It Become Real?’ was released this year. I’m sure the conditions they expected for the debut album never included a pandemic and McLeod told me how the pandemic helped them plan for a successful release.
“I guess it took our foot off the gas a little bit. We did benefit but at the same time, we had these tracks prepared for, some of them have been prepared for years.The final, ‘The Time Is Now’ recording was actually recorded in 2017, so that’s how long that audio has been ready. Obviously, we mastered it and did chops and changes but that’s how long that track has been there…. to be fair the pandemic in a weird way probably helped us get the album released in the way that we wanted to, because we’ve done our Kickstarter campaign, that was in October and it ran to December and we managed to get the 5000-pound rewards within two weeks of the final day. So yeah that was really good and the reason we wanted to do that was to release it on vinyl. That was our main aim when we first ever talked about an album. So, yeah, thank God for the fans for that one.
“We made ours extra special as well for all the people that pledged to our campaign, basically in a pre-order form. We put their name on the back of the LP as well. So everybody that bought the album or CD or bought a t-shirt album deal, and it was like over 20 pound, I think , then you got your name on the back of the record which was amazing so everybody was like jumping on that.”
Although the band’s sound is high energy rock they manage to pack in some potent lyrical content within their songs. Lines such as “We proceed to kill ourselves.. To become divine” in Our design is a striking opening line and very impactful.
“That’s in relation to all the hard slogs that we’ve done up in the country, just to literally get some money together, well not even that just to get some fans. Literally years and years of doing that “
The Rah’s have a tour lined up in October, including a sold-out show at Sneaky Petes. It’s an exciting time but the nerves are high for what to expect from a show and what the limits are.
“Yes, actually we are doing a session tomorrow. It’s our first session out of our homes or our rehearsal room, so that’s exciting. It’s like being let free again. It’ll be a bit surreal to be around people with an instrument, I’ll probably get all shy and forget all my words. So, I’m looking forward to that but yeah live events need to happen, ASAP we are desperate to play this album live for the fans”
“I hope everybody feels relaxed and stuff. I hope there is no tension in the crowd and obviously, the virus is a thing but I hope that we can actually engage with people without having to think about all blah blah blah, he’s touched or whatever. I hope there comes a time in the next hopefully couple of months where there is some sense of freedom, and I hate to say a cliche but some sense of normality – that’s the thing I’m actually most nervous about. Obviously forgetting my lyrics is part of it but I just hope that everybody enjoys it and to be fair, everybody’s been starved so long, of live events and basic socialising, so I think everybody will be like greyhounds at the tracks”.
The Rah’s have been building their sound and reputation as a dynamic and powerful live band not to be missed. I wondered if McLeod had any advice for anyone thinking of starting a band
“If you’re looking for money, go elsewhere. No I’m kidding, it’s the best experience of your life, the enemies you make will last a lifetime, some that you’ll never really speak to again but that’s fine. They’ll stay in your memory forever. Honestly, one thing I will say is, if you believe in it, just crack at it. One day it will shine,100%, yeah, that’s pretty much it “
With the release of ‘Our Design’ / ‘If You Never Try (You’ll Never Know)’ and the upcoming tour The Rah’s have an exciting few months ahead.
“There are a few things lined up for the summer that will hopefully go ahead, We’ve got the October tour as we said. We’ve got an alternate version of ‘Our Design’, sitting there that we kind of forgot about in planning the single release, but I think we’re gonna go chuck that on an EP so there’s more content. We’ll probably see a lot more live sessions and get the behind the scenes footage in rehearsal rooms and that, now that we’ve got a bit of time on our hands, now the album is out. It’s been a bit chaotic. I think we’ve done about 100 deliveries within three or four days so you can imagine the chaos that was on the run up to the album. But yeah, we’ve managed to get hold of some new equipment and stuff, treated ourselves to some new equipment in the band room, so yeah, there’ll be a lot more live footage from the practice studios. Maybe talk about album two soon or maybe we’ll just chill out and enjoy album one. But looking forward to what lies ahead. I think there’s a decent wave of guitar bands coming through, a lot of great upcoming artists out there so everybody should be listening to upcoming music rather than mainstream radio in my honest opinion.”
The Rah’s alternative rock tunes blister with earnest emotion and the shredding instrumentation the band have been crafting throughout the years. They pour every fibre of their beings into their riveting grooves, majestic guitar solos and fiery melodies to create songs that ooze passion and rock-infused swagger. The new double single ‘Our Design’ / ‘If You Never Try (You’ll Never Know) displays this perfectly. This band has immense talent and are locked and loaded ready to rock our socks off in the live setting.
Stream ‘Our Design’ / ‘If You Never Try (You’ll Never Know)’ below
Dublin-based alternative rock band Late Night Pharmacy are set to release their new single, ‘Slacktivist (Normalise This)’ on June 11th. It is the band’s second single of 2021, following April’s ‘Too Late for the Rickshaws’. Recording the single was only possible due to the generous financial support of the Department of Culture, who last year announced the creation of a Music Industry Stimulus Package (MISP), intended to help keep the Irish commercial music sector afloat during Covid-19. In November 2020, Late Night Pharmacy were awarded funding under the MISP, and hired Aidan Cunningham (Wheatus, The Scratch, Nealo, Overhead the Albatross) to produce and mix three singles.
Riding on a jagged riff and machine-gun rhythmic jabs ‘Slacktivist (Normalise This)’ is a heavy alternative rock tune that packs one heck of a punch. The song is a fantastic, intense, and thrilling sonic assault on the senses filled with crashing guitars and pounding drums that create a dense and mind bombarding soundscape that is simply a joy to listen to. An eerie undertone rumbles underneath the track’s kinetic soundscape and is greatly enhanced by the use of synths, jolting time signature changes and tempo shifts. This choppy effect within the track’s sound is an intriguing display of musical prowess and complements the lyrical theme wonderfully.‘Slacktivist (Normalise This)’ is an excellent display of deft songwriting and impressive musicianship from Late Night Pharmacy.
About the track the band said: “In Orwell’s “Politics and the English Language”, he described how journalists use clichéd, shopworn phrases to write sentences almost unconsciously (“They will construct your sentences for you – even think your thoughts for you”), hence psychologically protecting them from considering the full implications of their opinions. 1984 features a character who speaks so orthodoxically as to resemble an automaton: “It was not the man’s brain that was speaking, it was his larynx.” Today, most communication originates not in the brain, but in the thumbs: social media discourse is an endless deluge of the same handful of clichéd expressions repeated ad nauseum, and conveying no real sentiment other than smug condescension. In this environment, even the crudest artificial intelligence could pass the Turing test with ease. As a commentary on this trend, the lyrics of “Slacktivist (Normalise This)” are entirely made up of overused social media expressions, assembled in no particular order as a series of empty, vapid non sequiturs. “
Cold Comforts have released the first single,’ Turn Back Time’, from their debut album. In their first two years together, they have already released three singles, gone on a nine-date tour of the UK and been longlisted for Glastonbury’s Emerging Talent Competition.
’Turn Back Time’ is a driving 90’s alternative rock anthem that boasts the blistering sound of Cold Comforts. The song rides on dynamic guitar riffs while punchy drums and blazing bass grooves saturate the backdrop in energy and angst. Cold Comforts thrilling wall of sound is instantly vibrant and energetic, evoking images of live crowds jumping and singing along as the band blast out the catchy chorus. Lyrically,’ Turn Back Time’ is an anthem of defiance and never again living in fear of the past or the future. Cold Comforts present this theme through relentless, mighty musicianship and hook-laden soundscapes. Well crafted and drenched in exhilarating instrumentation, Cold Comforts knock it out of the park with this new tune.
Not a band known for holding back, CHANG are back with their new single, ‘Tinderella.’ Already a massive attack on their listeners’ eardrums, CHANG have previously garnered attention from the likes of BBC Radio 6 Music and Radio X, and this next single promises to do the same. With lyricism that tackles feelings of doom and self-loathing, ‘Tinderella’ epitomises the band’s balls-out energy and trademark unpredictability, to paint a picture of romance, debauchery and crisis. Formed back in 2017 by Punk & Gin enthusiasts Alexandra “Geez” Amargianitakis & Arron “Frankie” Lewis, CHANG have since gone on to become a foursome, enlisting the thunderous low-end handy work of Rafael Martins and the tasty drum bashing skills of Jeff “The Jingle” Ingle. They have brought their fierce sounds to audio-based establishments across the UK and Europe, and have most recently rallied together to create the quartet’s forthcoming second album
‘Tinderella’ displays CHANG’s raw and unruly music in all its glory as the band create a raucous wall of sound filled with gritty guitar riffs, coarse bass rumbles and a thunderous assault on drums. A jogging rhythmic foundation commands manic mosh-ready frenzy while a punk slapped melody bellows throughout. With dynamic vocals exclaiming through the frenzied alternative rock instrumental backdrop, CHANG present a tight and fury infested new tune that tantalizes to the core. This consuming track takes no prisoners and is one for blasting through the speakers.‘TInderella’ is a thrilling ride that marks CHANG as a band to keep an eye on.
Inspired by Brexit, loss of family members, bullying, and celebrity ‘wannabe’ culture, Kent based alternative rock band, The Pastel Waves have released their new EP ‘The Influencers’.
‘The Influencers’ is laced in catchy melodies as The Pastel Waves flesh out their driving alternative rock sound. The band create a punchy collection of tracks that surge with 90’s rock bravado and blistering instrumentation. With bright guitar refrains glimmering between a tight, energetic bass and drum interplay, ‘Starts Right Here’ superblysets the EP in motion. There is an instant charm, and nostalgic atmosphere about the EP as the band take sweet buoyant melodies and smooth vocals to create a laid back contrast to the vigorous melodic backdrop. The Pastel Waves keep the glorious tunes flowing throughout the EP with the brisk pace of ‘I Wasn’t Convinced’ jogging through indie moments and ‘Freak Show’ oozing eerie dark musicianship and thrilling rooted bass lines. Each track warrants its place on the EP and showcases the refined and well-crafted sound of The Pastel Waves, with final track ‘Late September’ providing a finale that leaves you craving to hear more. ‘The Influencers’ is a thoroughly enjoyable EP as The Pastel Waves pepper their punchy expressive tunes with soft emotion and wonderfully tight instrumentation to provide a satisfying listening experience.
Dürtbürd have just released a brand new live single/video called ‘gRimjob’. Dürtbürd are a four piece ‘dürtrock’ band based in Leixlip. The band have released six live singles to date along with live videos for each which have together amassed over 200k views on facebook.
‘gRimjob’ is a stirring display of alternative rock. The track has a sleek sound that fluidly flows upon a driving bass and scorching guitar lines that venture between rampant strides and gritty riffs while allowing the punchy drums form the brawny foundation. In true Dürtbürd manner, the song ebbs and flows with genre-bending progressions. From raw metal assaults to moody grunge verses and ballsy rock crescendos ‘gRimjob’ is a thrilling roller coaster ride. These guys present a sound that holds an air of musical majesty while providing that lean mean soundscape that evokes manic moshing. Dürtbürd show their growing talent through this infectious raw new single.
SOMEFINN have released their debut single ‘Starlet’s Dream’. SOMEFINN are an alternative rock band whose story begins where that of another band ends. Paul Finn was lead vocalist and songwriter for Irish Choice Music Prize Nominees The Flaws, who called it quits in 2016. Finn then took up an offer from Shane Clarke, to tour as guitarist with his band Elephant, with whom he played shows all over Ireland to rave reviews. During this two-year period, Finn built a studio in his hometown of Killanny, Monaghan. There, he began writing and recording what would become SOMEFINN’s debut album, ‘…Tsk, Tsk…’. The band’s line-up was completed when an accomplished roster of multi-genre veterans came onboard. David Marron (Sanzkrit, Derek Ryan), Paul Markey (Sanzkrit), Paul Carolan (Finnian) and Darren Finn, Paul’s brother, are to be found on guitars, bass, drums and keyboards respectively.
‘Starlet’s Dream’ is a spectacular display of biting alternative rock. The track pivots around a driving bass line that weaves through an agitated soundscape of jangly guitars, haunting backing vocals and frenetic percussion creating a rich and meticulously layered tune for listeners to indulge in. Lyrically the song explores the paradox of a weakness becoming a strength and is greatly enhanced by the tracks instrumental backdrop, “strength ain’t a weakness of mind, is that a weakness of mine?”. Filled with complex textures and refined instrumentation the track is a fine display of musicianship. ‘Starlet’s Dream’ marks SOMEFINN as a band to keep an eye on
Limerick-based five-piece, Dylan Flynn and The Dead Poets are back with their new single, ‘days’. Once again, this track comes self-recorded and produced by the band themselves. The track is released under the Limerick-based collective, BitDepth, of which Flynn is a founding member. Flynn and The Dead Poets have had a busy start to 2021, putting out a single and a collaboration EP with Culla. The band have amassed nearly 10k streams in just 4 months and have more singles to come this summer.
Dripping in passionate melodies and powerful instrumentation, ‘days’ is a blistering, lushly arranged new single from Dylan Flynn and The Dead Poets. From the icy synth intro to the soaring chorus, the band layer and craft the song superbly. The song builds emotion right from the get-go while chiming guitars forge an ethereal and lonely soundscape for the verses. However, in true Dylan Flynn and The Dead Poets manner, the song unfolds swiftly into an anthemic powerhouse filled with lively guitars, punchy drums and rampant bass lines that exude a mighty alternative rock persona. Dylan Flynn and The Dead Poets have a captivating ability to capture emotion through their deft lyrics and sweet melodies, and ‘days’ is a perfect example of this. The lyrics of the song detail the state of the housing crisis in Ireland at the moment, and the band package this raw and powerful theme in expressive, dynamic and catchy musicianship to create a potent and enjoyable song to listen to.
About the track Flynn said – “This song is one I have had for a while now, and I feel it holds a strong message. I have never really written about social issues in my music before, but this track just ended up coming out of me. We are all really proud of this one and feel it’s one of our best productions to date. It’s been over a year since our last gig, so we can’t wait to get out and play this new music for people.”
Brighton duo Royal Blood have released their eagerly anticipated third album, ‘Typhoons’. Their previous two albums both went straight to #1 in the UK, in the process accumulating 2 million global sales. The duo have won the BRIT Award for Best British Group, two NME Awards and a Kerrang! Award. Their debut album was also nominated for the Mercury Prize.Not easy achievements to follow but Royal Blood take the bull by the horns in an attempt to create a body of work like no other.
Royal Blood presents an album dripping in gritty rock hues, psychedelic tones and disco for their third instalment. In true Royal Blood manner, the duo pulls it out of the bag, developing their sound into something exciting while giving us heavy rock heads something tantalizing to mosh to. ‘Typhoons’ announces a different sound for the band that is steeped in swagger and sleekness. Thirst quencher singles ‘Typhoons’, ‘Trouble’s Coming’ and ‘Limbo’ mix funky dance-infused production with gritty, heavy rock to create a resounding and ballsy wall of sound that exudes an air of refinement we haven’t seen before from the band.
As for heavy riffage, there is plenty on this album. Mike Kerr slips those beefy bass riffs into the sweltering blues-tinged ‘Who Needs Friends’ and Josh Homme produced ‘Boilermaker’ with the former taking a euphoric dance stance. The duo blend flamboyant disco elements with sleek rock, funky grooves and raw angst masterfully to create irresistible tunes for listeners to indulge in. However, among this genre fluidity, Ben Thatcher’s tight relentless drumming remains the anchor. He masterfully flexes his thunderous drums through the lighter pop smacked ‘Either You Want It’ and pounds with strutting swagger through the 70’s- esque ‘Mad Visions’. With catchy melodies and mighty instrumental builds, the songs within the album maintain hype and vigour throughout. Even the 80s slapped ‘Million and One’ which boasts flashing synths and a dazzling soundscape doesn’t feel out of place on the album.
‘Typhoons’ is brimming with anthemic chic tunes that display a more confident stance from the band. Kerr pivots the tracks around his lusty bass while his vocals slip into a sweet falsetto between warm coos. This is most apparent in the infectious ‘Hold On’ while his vocal croons lather the beautiful closing track ‘All We Have Is Now’ in tenderness. Luxuriantly adorned in soft echoes and lamenting piano, this song is immaculate. Kerr’s vocals delicately caress a tender, soothing melody that is a welcome emotional calm after the groove-infested storm of its predecessors. This song, for me, is the pinnacle moment within the album. It feels more real, earnest and emotional with less production, fuss and flamboyance, showing another facet to Royal Blood’s ever-evolving sound.
Royal Blood have shown they are not a one-trick pony. Within this catchy, upbeat and infectious album, the band push boundaries and expectations while maintaining their alternative rock edge. The rich and utterly lush production on the tracks is something to be admired and the dynamic energy within each song is irresistible. Each track warrants its place on the album creating a compelling and thoroughly enjoyable body of work.
Stream ‘Typhoons’
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
