Enola Fall is an indie band from Tasmania, Australia. For the last decade Enola Fall have become a fixture on the Australian indie scene, playing major festivals and supporting acts like Courtney Barnett, The Jezabels, Amanda Palmer and The Violent Femmes on tour. Anchored by singer/guitarist/songwriter Joe Nuttall, the band have picked up press acclaim with Huffington Post, USA Today & Stereogum, toured across the USA and enjoyed regular radio support from tastemakers at Triple J & over 100 American stations.
The band have now unveiled ‘Closer’, the first taste of their upcoming fourth album which is due for release in the Spring. The track illustrates the band’s talent for deceptively complex explorations of humanity and sexuality combined with a wry sense of humour, and the new video for the track features re-edited educational films from the 1940s that are given a new lease of life with dark emotive undercurrents. Coated in dark eerie tones this track is a spellbinding brew of bewitching swirling bubbling emotions smudging thick sticky beats against atmospheric electronica. Brooding vocals haunt with hair-raising chilling enchantment while the enthralling guitar hooks memorise and enslave you in its maze of weaving psychedelia. Gritty fuzzed elements add danger and peril to the track while the smooth alluring vocals lure you deeper and deeper until you are completely swallowed up by the track. The shift to female vocals is a refreshing striking contrast that blends perfectly with Nuttall’s vocals, adding diversity and power to the track.
Enola Fall will be hitting the road in support of the new single and album in 2017. For more info, head to https://www.facebook.com/enolafall/
Watch the video for ‘Closer’ below
Toronto singer/songwriter BAD CHILD has released his new single ‘Desert Island Lover’. This infectiously smooth track glides with effortlessly cool charm and lazy sunny day vibes. Coated in indifferent moody tones this track is almost beyond feeling, it conveys the mood of “becoming comfortable in your situation and not realising how bad it is”. With a numbing flow that places you into a paralysing trance dulling your mind with its soft heavy percussion which plods and thumps, immersed in its task. The beat and percussion become the main focus point to the mind with its stumbling magnetism while distorted keys splash out sweet melodies giving a blissful hazy daydream vibe. The sharp guitar adds edge and bite to the track. Sulky glum vocals add a monotonous punch to the track while also possessing a charismatic charm for the chorus. This track is an insanely catchy pop composition and an ambling, entrancing listen blurred with hazy sullen vibes and coated in beachy island tones.
Stream ‘Desert Island Lover’ below
Currently based in California, indie artist Henry Chadwick has been making waves with his new EP, ‘Guest at Home’. A singer, songwriter, multi-instrumentalist and producer, his self-produced EP showcases Chadwick’s skills, as he wrote, engineered and played most of the instruments on it. Chadwick’s music has charted on both the Hype Machine and Indie Shuffle Charts with #1 Spots and his single ‘Alright’ has just reached 100,000 streams on Spotify. Chadwick draws influences as much from music of the past (The Beatles, The kinks, T-Rex, Nirvana, David Bowie etc.,) as from current artists who keep pushing forward stylistically and sonically. Henry makes catchy, thoughtful and usually energetic music with a unique perspective, edge and charm. Henry Chadwick was raised in a studio environment, his father being an engineer who worked out of Cherokee studios in Hollywood through the 1980’s and continued to record in his home studio in the Santa Cruz Mountains. ‘Guest at Home’ EP brings a sound that will transport you to back to the swinging 60s with flashes of current indie edge to pull you into a spiralling concoction of energetic charming delight. Title track ‘Guest At Home’ kicks things off with a ripe zealous guitar riff sugar coated in an infectious melody that swoons and floats with ecstasy. Peppy bouncy beat, clap along feature and smooth vocals make this track an instant hit. The witty lyrics and sweet shrill on guitar teamed with a slice of rock and roll Jerry Lee Lewis -esque piano this track will have you rocking around the clock. ‘Overtime’ slows the pace with strumming guitar and reverb psychedelic vocals. Its a prism of trippy sparkling hypnotic euphoria. Soft beats and spaced out vibes give the track a floating wispy daydream feel. ‘Alright’ is a hazy Californian driving track. Bursting with cool sun kissed vibes exuding effortless sleek swagger with a creamy fluid flow. Slick guitar adds a zest and a sensual smack of charm to the track. Its a groovy dexterous foxy strut of laid back smooth rock. ‘Something I Don’t Know’ showcases that superb rock with ear worm melody and infectious hair raising heart quickening guitar feature teamed with punchy drums that makes you dance around the room in a joyous frenzy. Its an uplifting radiant tune that appeals to every fibre of your being. Chadwick displays the high range in his vocals for the catchy lovable chorus. ‘The Two Of Us’ closes the EP with edgy guitar and eerie vocals. Perfect harmonies add a lush texture while the strong beat drives the track forward. Simple sway-like feel with darker undertones keeps the track fresh and makes it stand out from the others. With psychedelic twists towards the end Chadwick knows how to keep your attention throughout making you want to hear more.
Stream ‘Guest at Home’ EP below
Our Worth A Listen Track This Week Comes From Honey Lung
Honey Lung are an alternative band from London. They have released their debut EP ‘Kind Of Alone’. Which has already captured the interest of the likes of Radio X and BBC Introducing. We have chosen their single ‘End Of Time’ from the EP as our worth a listen track this week. ‘End Of Time’ instantly blasts you with fierce 90’s grunge. Shredding guitars rip through the track with raw razor sharp grit and relentless aggression while the drums pound and pummel giving rough and tumble grainy textures that is absolutely thrilling. Soaked in an infectious pop melody that contrasts the dark moody tone, its a sulky sweet juicy track to sink your teeth into. Monotonic, droning brooding vocals fester and wallow in the downcast tone giving a nostalgic nod to the moody bands of 90’s youth. This track bursts with energy and vibrancy in-between the gloom. The zesty riff slaps you in the face and throws you head first into their ebullient sound, leaving you craving more and more for this sun soaked vitalising unique moping sound. The track summarises youth- hood’s conflicting feelings and emotions perfectly, pouty gloomy yet epic. Watch out for these guys.
Stream ‘End Of Time’ below
Electrifying Chelmsford four-piece Secret Company are back with their latest single ‘Lightning Parade’. The new single is a tease of whats to come from their debut album ‘The World Lit Up And Filled With Colour’ which is set for release on March 10th next year. Band members Scott Revell (vocals / guitar), James Patman (guitar), Kushal Gupta (bass) and Tim Reyland (drums) are highly ambitious by their own admission and since forming in 2012 have gone on to clock up hundreds of thousands of Soundcloud & Spotify plays, performed live tracks on Channel 4’s reality show Made In Chelsea and have appeared at some of the country’s leading festivals this year including Leeds Festival, Secret Garden Party and Isle of Wight. Having previously been praised for their ability to balance delicate touches with anthemic stylings, the quartet yet again prove that pop music doesn’t have to be faceless as their intensity comes complete with thoughtfully crafted leading lines which have led the likes of BBC Radio 1’s Huw Stephens to count himself a big fan. ‘Lightning Parade’ is a darkened melodic grim track that builds into a fiery juggernaut of intensity and emotion. Introducing itself with Revell’s velvety smooth vocals narrating the story in a tender delicate manner. The track springboards into hair raising acute intensity. Shredding shrill on guitars pierce through the sticky beat and muggy gooey atmosphere. The chorus explodes with ferocity and an relentless aggressive energy that is so tense you are on the edge of you seat. With jaw-dropping liquid-smooth yet sharp vocals that haunt and shock with a versatile range and chilling spine tingling qualities. Drenched in eerie bloodcurdling tones this track makes for an electrifying and thrilling ride.
You can pre-order the band’s debut album ‘The World Lit Up And Filled With Colour’ on iTunes now and get ‘Lightning Parade’ and three more songs instantly here https://itunes.apple.com/gb/album/world-lit-up-filled-colour/id1176470765
Sad Palace are a really smooth effortlessly cool indie band I stumbled upon, don’t you just love when that happens. Sad Palace present us with coastal fresh indie pop bursting with rich juicy melodies and slick musicianship while spacing us out with hints of psychedelia. ‘Rainbow Melt’ gives us a sensual sway-like groove and tender velvety vocals wrapped up in edgy indie pop. The razor sharp sting on guitar adds spice and zest to the track while the ripply rhythm keeps the track bouncing along in an almost 70s psychedelic groove. With luring tempting bass and vocals that ooze panache and swagger this track will coax and sweet talk you into pressing repeat. Rich luscious textures and layers gives the track depth and showcases this band’s solid musicianship. While the brazen flashy guitar licks whip and flatter the flaunting track pulling you further into the groove. ‘Breeze’ lulls you into its melodic funky strut almost instantly. With velvety vocals to start cooing and soothing right into the hook driven feet shuffling riff. With psychedelic entrancing instrumentals, this track swirls you into a dreamy blissful euphoric stupor before slapping you back into the rapid bouncy slice of indie pop. The vocals smoothly glide from creamy dreamy haze to bright and bubbly effortlessly, as the guitar illuminates the track with zealous licks and peppy bounce. This track is infectiously catchy and like honey to the ears. Sad Palace know how to write and craft earworm melodies, mix and blend them with fantastic instrumentation. Watch out for these guys.
Stream ‘Rainbow Melt’ and ‘Breeze’ below
Londons alternative band Childcare released their new single ‘Film Club’ last month. Band members Ed Cares (singer/songwriter), Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) have created their own sound of alternative rock, enthused with the energy of punk and drenched in off-kilter pop. Childcare played some of their first shows at the Reading and Leeds festivals, and soon released their debut single ‘Omega Grey’. The song gained radio play from Annie Mac, Huw Stephens and Steve Lamacq, was named Track of the Day at Radio X and playlisted at Amazing Radio. Also paying close attention were Lost In The Manor Records, who, after witnessing Childcare at one of their vivid and visceral live shows, wasted no time in proffering a contract. ‘Film Club’ proves why Childcare are gaining so much attention. Blasting with a torpedo of killer hooks and a colossal wallop of intense energy, its a mind – blowing flash of Childcare’s talents. With a razor sharp jagged guitar riff and rapid wild global beat this track is the “crème de la crème” of edgy gritty alternative rock. It has everything and more, an anthemic vocal with bouncy sweet interjection on backing vocals, witty lyrics and sick instrumentation. Childcare hit right on the musical nerve and infects you with rich catchy melodies and weaving malleable bass lines, creating tightly compact layers of delicious textures and flavours to sink your teeth into. Exuding swagger and effortless cool charisma this track is a charming strut and prance that will have you moving in no time. Its a must listen. Looking forward to hearing more from Childcare.
Childcare are having an official ‘Film Club’ launch show on Monday 28 November at The Waiting Room, London N16 if your around make sure to check that out.
Stream ‘Film Club’ below
Fauna Twin are Parisian singer-songwriter Claire Jacquemard Ginsberg (leader of Hippies Vs Ghosts) and North Wales’ Owain Ginsberg (We Are Animal). They have released their single ‘Edge Of The Coin’ which is taken from their debut ‘The Hydra’ EP. Beginning with a dramatic chilling and eerie hair raisingly thrilling vibe, the track grabs your attention. It develops into a lightening strike of groovy beats and bouncy spirited synths. Swirling sonic waves interweave between playful melodies and rapid weighty textures on percussion creating a twirling euphoric surge of energy and blissful psychedelia. Jacquemard’s smooth soothing vocals lull you into a hypnotic stupor. The track coils and curls building to a dynamic crescendo with soaring vocals and bursting with energy. ‘Edge Of The Coin’ is infectiously catchy you will want to put it on repeat, dance and sway to its luring seductively rich sound and dynamic bounce and energy.
Steam ‘Edge Of The Coin’ below
London Alt Rock band Everywhere have announced the release of their second EP ‘Fiction Act’ available on iTunes December 9. This follows the success of acclaimed track ‘Some Other Dude’. The Band recently finished their first proper UK tour with stops in Brighton, Liverpool and Glasgow amongst others. Since their Hypemachine charting debut ‘Eddie’, Everywhere’s music has been streamed millions of times on YouTube, Soundcloud and Spotify. They made their first International appearance at the 2013 NME Awards in the UK, playing alongside Django Django and Palma Violets, and later went on to support the Kaiser Chiefs and headline Notting Hill Arts Club in London. The lead single on the EP ‘Some Other Dude’ now has over 1 million plays on Spotify and gained them a feature on BBC Introducing London. This advance success certainly helped pave the way for ‘Fiction Act’. During the recording process of the EP the boys have divided their time between Stockholm, Los Angeles and London to collaborate with multiple producers, including American hit maker Mark Needham (The 1975, The Killers). ‘Shades At Night’ kicks off the ‘Fiction Act’ EP giving us a massive anthem to wrap our ears around. Rich with a luxurious ear-worm melody and a ravishing textured rhythm that gives the track depth leaving you craving more. Shimmering synths keep the track bright and glowing with dazzling scintillation that evokes thoughts of an arena worthy flashing lights display. Its a track that is sure to have a live audience on their feet jumping , dancing and bellowing out the sing-along lyrics. An explosive attention grabbing start to the EP. ‘Heroine’ follows gushing with high spirited energy and lush soaring vocals. Snappy beat gives the track steady bounce and lift while the weaving melodies on synths add a spacey aerial feel. This track is well formed and crafted giving us lavish textures to devour. ‘Some Other Dude’ follows next, a track which we previously featured on Indie Buddie. Its a “go for it” piece of advise full of “carpe diem” vibes and fist pumping high energy. With escalating dynamic vocals, elastic groovy bass and bopping punchy drums this track oozes swagger infused dance vibes. You wont be able to sit still with another irresistibly catchy chorus, its a crowd pleaser. ‘ Let It Go’ brings the EP to a tender close. Synths glitter and glisten with gentle elegance. The track twinkles and sparkles delicately becoming more intense and rich for the chorus. Soaring backing vocals add a dreamy hazy vibe to the track. Its a beautiful graceful end to the EP.
‘Fiction Act’ is a treasure trove of rich melodies that shows Everywhere are blossoming into something quite potent. They are a band that should most definitely be sought after.
Stream ‘Fiction Act’ below
Welsh alternative band We Are Animal have released their new single ‘Capoeira’. Its a gritty dark edgy track smothered in murky fuzz and eerie tones. Elastic depth on bass and rooted beat gives the track a sensual luring quality and repetitive psychedelic feel. Haunting raspy vocals add a spooky hair raising quality while enticing and drawing the listener into the shadowy gravelly depths of the track. Shredding guitar brings the track to its crescendo adding intensity and ferocity. The sweet catchy melody is hypnotising and seeps into your mind leaving you like a willing zombie mindlessly singing along. Distorted instrumental feature is hair-raisingly chilling and scratchy, it reminds me of a nervous person uncontrollably scratching an itch that doesn’t exist. ‘Capoeira’ is a mind numbing piece of well crafted alternative rock blended with psychedelia.
Stream ‘Capoeira’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
