Tag Archives: art rock

Cloakroom Q ‘Yes Again’ Album

Belfast band Cloakroom Q have released their new album ‘Yes Again’.Yes Again’ is a piece of wonderfully unique and at times obscure art which showcases a band unafraid to express their darker innermost thoughts through music. Laced in dark theatrics, frantic instrumentation and quirky lyrical outbursts Cloakroom Q’s album is not for the faint-hearted. With crashing guitars, ground shaking bass grooves and manic drums ‘Leave Me At Lusk’ and ‘Zhia’ start the album with brain melting distortion and gritty alternative rock.The band meld The Prodigy – esque sounds into their continuous onslaught to provide a crazed and barbed wall of sound. ‘Yes Again’ travels full throttle until the listener reaches ‘Here Everything Is Still Floating’. With delicate twinkling guitar radiating through an ethereal atmosphere the track provides a brief release from the heavy sound of previous tracks. However the band still manages to seep psychedelic undertones into the song through the punchy drums and melancholic melody.

The vocals throughout the album are filled with angst and despair as the lyrics are spit, exclaimed and shouted with such intensity it’s almost like a glorious performance of dramatic poetry. Placing their unique vocal delivery against a prismatic, image-evoking and dramatic backdrop is what Cloakroom Q do masterfully. Their ability to create ominous, chilling and explosive soundscapes which exudes raw vigor is mesmerising.

With tracks like ‘Capra Takes Off! (Hand Me My Jetpack I)’ and ‘Capra Comes Down (Hand Me My Jetpack II)’ the band take the listener on an intimate trip into gnarly alternative rock one minute and floaty hippy-esque pop another and lets not forget a cheeky little stop off at indie rock lane with ‘Nowhere To Spit’ which chimes with warm jingles on guitar and soft twinkles on keys. The band also venture into jazz, art rock and beyond with this album, using genre as a springboard for their expressive songwriting rather than adhering to its confinements. With elements of Talking Heads peeping up here and there and a faint REM residue, Cloakroom Q create their own unique sound filled with jaunty riffs and quirky melodic hooks which is best portrayed in the crazed ‘KFHC’ and emotive ‘Barely A Shadow’.

Cloakroom Q have created a refreshing alternative art rock album filled with a lush variety of instruments which include horns, bells, organs as well as your usual guitar band set up, however through all the madness there are some surprises within the album. As in all good albums there lies a hidden gem to discover, the sweet doo wop ditty ‘The Door’. A 50’s-esque honeyed melody drifts upon a slow shuffle tempo, seductive bass groove and light guitar while soft vocals coo ( that’s right I said coo, not screams or wails…well until the end) over the dreamy soundscape. It’s a charming little number which shows the band at their most pop.The song ventures into a meatier funky crescendo and it does go a little obscure and dark but not enough to change the sweetness of this brilliant track.

‘Yes Again’ is a story and journey and it plays through like one. The entanglements and frustrations the band express at the beginning seem to work themselves out as the album eases into the more mellowed end. Cloakroom Q have an impressive knack with dramatics and their talent is just as apparent in both the manic, expressive alternative tracks as it is in the more melodic tunes. The lyrics are honest, sometimes paranoid and aggressive and the band mirror this with intense instrumentation.

‘Yes Again’ is a unique and intriguing journey into Cloakroom Q’s unconscious. Their use of vivid witty songwriting and the bands unmistakable musical prowess has created an album like no other. 

Stream ‘Yes Again’ below


Author : Danu

Sylvette ‘Kelpius’

5-piece Art-Rock band Sylvette have released their new single ‘Kelpius’. The band joined forces with New Order guitarist Phil Cunningham and fellow Bad Lieutenant band mate and producer Jake Evans to produce their upcoming album.During their four years as a band they have released a debut album, completed 2 UK tours, had support from BBC introducing, BBC 6, and had live sessions at BBC Bristol and BBC Kent. In 2019 they appeared on the festival circuit playing Dot to Dot and Kendal Calling festival. As warm ups to their new album release the band has released 3 singles over the past few months, Panel of Glass, Surrender and Memories (falling), each track pushing boundaries and creating evocative soundscapes.

‘Kelpius’ continues Sylvette’s organically progressive sound as they create wonderful textures and psychedelic mirages through soft and at times crashing soundscapes to provide a hair-raising and intriguing listening experience.The title of the track comes from the name of a cave in America which the first ever doomsday cult hid in as they awaited the end of the world. 

This song is another mesmerising and evocative track from the five piece. A dark canvas is splattered with sparkling glimmers on synths while bubbling drums slap and spatter through a thick muggy atmosphere of humid electronics. The tribal whines between intimate rhythmic grooves and thrilling pulses ruminate in the background with conflicting emotions and eerie fluctuations while the warm guitar and earthy ambiance creates a sweet innocence within the track.

Vocally the band set themselves apart from their contemporaries. Charlie Sinclair’s unique vocals have a classical tone. His emotive voice not only guides and grounds the listener through Sylvette’s twisting frenetic blend of futuristic electronics and spacey psychedelia but also urges and encourages the track into its epic moments with ease.

Sylvette are masters at creating a labyrinth of texture, melody and sound within their tracks. They allow each element to flourish, blossom and build to the song’s inevitable and thrilling crescendo. Sylvette have created a sublime new track that is both hauntingly mystical and celestial all at once.

Stream ‘Kelpius’ below 


Author : Danu

Manyana ‘1ofmy’

Dublin based art rock duo Manyana have released their debut single ‘1ofmy’. Comprised of Aran Sheehy and David O’Rourke the duo are leading the way for an album they have planned for release this year.

This absorbing number immerses you in a deeply ambient electronic soundscape filled with passionate rich tones and an extremely mesmerising and tangible sound. Every electronic flicker, pulse beat and lush melody slowly seeps into you, making the track a full sensory experience. Immense care has been taken with this track- each fragment is tailored precisely.From the fluctuant slapping beat shuffling through ethereal soundscapes to the strong piano chords, this composition is organic, rich and compelling. The elegant piano is the strength of the track between the breezy atmosphere and chilling soundscape. The piano grows slowly building to a sweet yet sharp melody that twinkles and wanders between a warm vocal harmony and jittery beat. There is great beauty and grandeur in this track. Its simplistic approach draws you into the inner working of this intriguing gem as Manyana dilute certain parts while highlighting and enriching others to create a textured fascinating listen. It’s catchy, melancholic and biting while warm vocals soothe and coo over a drifting sombre soundscape that feels barren yet filled with loneliness and tender instrumentation. ‘1ofmy’ is utterly consuming.

Stream ‘1ofmy’ below


Cloakroom Q ‘Going For A Walk and I’m Not Coming Back’ EP

Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.

‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP  they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.

Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.

‘Going For A Walk and I’m Not Coming Back’ is released on 31st October-  for more information

you can follow  Cloakroom Q on Facebook here  https://www.facebook.com/disappearlikethis/

 


Dead Royalties ‘Phantom Hearts’

Dead Royalties have released their new single ‘Phantom Hearts’. They are an energetic Post-Punk/Art-Rock trio with a sound that takes influence from Queens of the Stone Age, Royal Blood and flavours of 90’s Alt-Rock / Brit-Pop. Their heavy yet accessible riffs conceal a hefty dose of unexpected complexity, opening new dimensions and making them appeal to both mainstream listeners and those who like to get their intellectual curiosity tickled. With their well received debut E.P. ‘Hormones’ (released through Secret Chord Records), as well as three other singles, they have rapidly gained momentum in the Bristol music scene and with BBC Introducing, resulting in sell-out home shows, a back catalogue of future releases and a unique sound that makes this trio such an exciting and hard hitting act.

‘Phantom Hearts’ is a slinky, strut ready number ravaged with groovy rhythms and heavy mosh ready rawness. The sleek pop flavoured melody slithers upon a rough cutting riff driven backdrop and gritty soundscape while smooth swagger soaked vocals caress the melody provocatively. Its heavy headbanging-ly frantic instrumentation contrasts magnificently with the sensual persona of the track making for a wholly enthralling listen. It’s infectious and will get everyone up dancing. Once that thudding beat kicks in this track has you grooving and bopping as it seeps cool flamboyance and prance quality from every note. Those guitar licks and elastic bass meanders inject panache and an irresistible strut element while the flickering soundscapes drizzle the track with a dizzying dose of acid. It’s a “slightly prudish and clinical love song about fornication and misguided lovers” produced in the most thrilling manner.

Stream ‘Phantom Hearts’ below


Cocoa Futures ‘Sink in the Water’

Cocoa Futures return after a year off with a very slick number ‘Sink in the Water’. The band teamed up with producer Brendan Willams who is the handyman behind bands such as Dutch Uncles and GoGo Penguin. It’s a groove driven slice of art funk laced in rich and diverse swirling synths. Maintaining a spacious format this tack takes its time building and increasing steadily to its crescendo. Rich rhythms are plentiful as Cocoa Futures make the most of the aerial space by filling it with luscious deep percussion pulses and gooey slaps. Twinkling guitar riffs saturate the track with a zealous refreshing zest while the electronic soundscapes glisten and wisp about in a tranquilizing yet groove infested danceable manner. It’s darkly hued and tightly bound to create a wholly mesmerising, compelling listen. The velvety vocals and mellow melody subdue you into an easy going state while the fluctuant wavy percussion gives a jittery foundation to create a joyously dance ready number. It’s an ambitious and impressive tune that contains all the blissful sweetness of synth pop in its purest concentration and combines this with a healthy dose of swagger sprinkled on top.

After several sold out shows in London last year and appearances at The Great Escape, Cocoa Futures is poised to take 2018 by storm with five more releases planned to be released before the year is out.

Stream ‘Sink in the Water’ below