Tag Archives: Columbia Mills

A Chat With, Album Release, Indie, Interviews, New Music

A Chat With: Fiachra Treacy of Columbia Mills

Photo Credit: Ray Keogh Media

Columbia Mills are set to release their new album ‘Heart Of A Nation’ on the 14th of October . I spoke to Fiachra Treacy, frontman of Columbia Mills about making the album during the pandemic, the benefits of producing the album themselves and the moving inspiration behind some of the fantastic tracks. 

‘Heart of A Nation’ is absolutely glorious. Columbia Mills pack so much emotion and passion into one album. The songs deal with the impact society has on our lives and gives an overview of our bleak socio-political landscape; immigration, addiction, and the eradication of self-confidence against a backdrop of lush instrumentation and crisp production.

“I think like everybody else over the pandemic, I personally had a lot of time to think about what was going on, specifically in the world. I think that’s what sparked a lot of the revolutions and the protests that came to the fore during the pandemic around the world. Because everybody’s life was put on hold, we got a lot more time to reflect on what was happening and I think that’s where it came from. I always write from a subconscious point of view. So we had all the music done, we wanted to make it a dancey album, as you pointed out, because we wanted people to have something to dance to after sitting around for so long, but in terms of the lyrics, I sit with the music and I just see what came out and that’s what came out. That was obviously what was troubling me when I was writing the songs and I think once I figure out what the song is about, then I can really run with it and start using less of the subconscious to finish the song but usually, the things that are bothering me will come to the fore.”

“For this album, because we couldn’t rehearse and we couldn’t get together in a room we decided we’d write the music first. Usually we do it the other way around and we put all the music together first, and the lads gave me the liberty to move bits of the song around. So if I wanted to put a chorus here, just put a bridge there I could do that with the vocals. But it was quite challenging. I’ve never really done it like that before, maybe the odd song on the other albums we’ve done it like that. But to do the whole album like this, it was quite challenging. I ended up writing the lyrics maybe four or five times for each song and changing them and putting them back together again, but it was great fun. It was a great challenge and I think it’s made for a really good album.”

The band cleverly layer and craft the songs to create a consuming listening experience. We discussed how the excess time the pandemic provided gave the band an opportunity to create an album so rich and evocative.

“Yeah, yeah we had a lot of time and I think that really helped us. The fact that we could live with each part and myself, Uisneagh [Treacy] and Ste [Ward] would send each other parts like we’d write a synth part pattern or a guitar part or a drum loop and we’d be sending them to each other all the time. There’s an awful lot of stuff that we didn’t use. The parts that we left in, we feel they really worked and we spent a lot of time thinking about them and we were able to mull over it. Then we put the vocals on and then we took a few more bits out, stuff that was clashing with the vocal. So yeah, it was a great, great way of working. We’ll probably do it again.”

‘Nevada’ is such a gem and one of my favourites on the album. The track travels at an intense pace with looped drums creating a pulsing rush of adrenaline as the song ventures between dreamy euphoric tones and intense almost sinister undertones. 

“We had the baseline and the drum loop and then there was a synth line that kind of an arpeggiated synth line which actually starts the whole song. Then while I was writing the lyrics, I came up with the chorus part to go to a major chord so the song opens up and you can feel a bit of hope rather than being so dark the whole time because it starts in a minor chord. So when it goes to the major cord it gives people a bit more hope. You don’t want to be too miserable and the lyrics came from when I was in Mexico with my wife who is from Guadalajara in Mexico. That’s an area where a lot of people come through. There’s a train that goes through the centre of Mexico and it carries people from Honduras and from more southern America up through and they’re trying to get to the United States and they stop in Guadalajara and they stop and they’ll ask for money or they look for food and stuff like that. So we’d meet a lot of these people and we met a man who was travelling from Honduras and he wanted to get to Nevada that was what he kept saying. I’m going to Nevada. I don’t speak Spanish but he was talking to my wife but I kept hearing him saying Nevada. She told me that he had a son, a daughter and a wife that were left in Honduras and he was going to work in Nevada to make some money and hopefully that they could join him or he’d go back with money. So that’s what the song is about. It’s me fantasising that they do eventually get together again and that he gets to see his son again. So it’s quite emotional. That’s where this inspiration came from.”

Columbia Mills are melody wizards. There is a soothing quality to the melodies on this album that comforts the listeners from the harsh reality of the lyrics. 

“Yeah, for me, the melodies have to come naturally, the vocal melodies especially and I suppose the guitars do as well. They have to come very naturally or else I find if I spend too much time working on a vocal melody or a guitar line, that they just sound, they’re not as soothing. I don’t know if there’s any techniques or anything that we use, but it’s just more of a natural occurrence. The music or the melody will come into my head a lot of the time I’d wake up and a melody would be in my head or I’d be doing something completely different. I’d be working on something else and a melody will come into my head and I think by doing that, as you said they come a bit more naturally and I think people can connect to them a bit more because they’re more human, I suppose.”

‘Momentum’ is another special moment on the album. There is so much musical goodness encased in this song. The song unfolds from pulsing bass lines, chiming keys and intricate guitar melodies into a euphoric groove-infested dance tune. 

“Yeah, it came from the intro. I remember Steven sent me the intro with the drum loop and that song was totally different. I remember we had all sorts of crazy vocals on it. The structure was totally different. It was like a dance track because we do work on a lot of dancey stuff. We never release it. We just make dance tracks just for the craic. We’d finished the album and we revisited that song. It was never going to be on the album and I changed it around a little bit and created a verse and a chorus. Then we put a few guitar parts on and then I just concentrated on the vocals and when we had it finished, we’d already got the album mixed by Rob [Kirwan]. He had already finished mixing the album. So we got our engineer, producer friend Mick Heffernan and he mixed it and we really loved it. So we dropped one of the other songs and moved that one in and we’re glad we did because a lot of people say it’s their favourite. “

Sonically it’s an acid trip yet there are sweet moments on guitar between all the dizzying synths and intricate rhythms. I wondered if the band ever got carried away with all the glorious immersive layers when they were creating the song. 

“We can overdo it sometimes. So we need to be very careful. There are about four synth parts in that song. Then the baseline, the guitars and the vocals and then I often tend to put a lot of effects on the vocals. I think towards the end. I’m just spouting absolute garbage and we layered it all up on top of each other. I don’t think you can make out what I’m saying. I don’t even know if I know what I’m saying. I’d love to hear them isolated again. But yeah, we can get a little bit lost but we always have to pare it back and remember that people need to listen to this stuff.”

As the album progresses, the band strip away some of the disco elements and the sound becomes more delicate. ‘Imposter Syndrome’ displays this more delicate sound perfectly. Fiachra’s echoed vocals stand out above the hypnotic key refrain and guitars creating a compelling melancholic tune for listeners to enjoy.

“With ‘Imposter Syndrome’, Ste had sent me the synth line, and I really loved it and I was determined to make a song out of it. Once he’d sent me that I started playing the acoustic guitar over it, there’s an acoustic guitar on that song. Once I had the acoustic guitar and the chords figured out, I left all the electronics to one side and just sat on my own with the acoustic guitar trying to figure out a song that I could play without any of the electronics. ‘Imposter Syndrome’ I suppose that’s what it’s about you kind of feel you’re not good enough for somebody else and if you’re not good enough to be in a certain situation. I suppose we all feel like that sometimes, well I feel like that most of the time. So I built a song about that. I can’t really remember writing the lyrics. I can remember just being happy with what had been put down. The structure of the song is quite strange as well because there’s kind of a bridge at the end. So there’s not really a chorus to the song. It just kind of plods along but I love people like Roy Orbison, he used to write songs with no choruses. He’d write songs that just went along, but it would feel like there was a chorus there because each part really mattered. So that’s kind of where I got the inspiration from.”

Lyrically the band don’t shy away from real topics and they pack some punch with their hard-hitting lyrics. Our discussion ventured down the intricacies and natural flow of lyrics and Fiachra told me his lyrics flow in a stream of consciousness sometimes. I wondered if these stream-of-consciousness writing sessions need much editing in order to create the eloquent lyrical content we hear within the album.

“Yeah, I definitely do. Yeah, you’re right. I’d go off on a mad one and I’d write everything down. I’d read everything that has come out from the stream of consciousness, but then I need to figure out where the song came from, and what I’m trying to say and then I’d have to hone back some of the stuff, but sometimes I’m left with some nice stuff that I keep and I’m quite surprised. It’s like I didn’t write it, it just came from somewhere else. So yeah, sometimes, really nice stuff that I just want to keep but yeah, I definitely need to hone it in a bit and put a bit more structure on it and make it a bit more palatable, I suppose, is the word you know, so people can understand what I’m trying to say.”

‘Heart Of A Nation’ is an album brimming with solid tunes. There are many musical gems to enjoy from the emotive guitar-driven ‘House Voice’  to the moody grunge-filled ‘Feet Don’t Fail Me Now’. But Fiachra told me which of the songs on the album he is most proud of. 

“Yeah, I really love this song called ‘Here With You’ and another song called ‘Fake Life’. I’d say they’re my two favourites. Just in terms of when I listened to them, they knock me down a little bit because I love the structure of ‘Here With You’. I love where it goes, and how it builds. But in terms of lyrics and what the song is about, ‘Fake Life’ is really nice. I really liked it because I didn’t see that song coming. Ste had sent me this string section and we had that for a long time and I had been trying to write a song over it for ages and we couldn’t. So I got the string section and I put it into my computer and I put a beat over it with a groove box. Then once I had the beat it was like it unlock the key to the vocal melody. Then I had the vocal melody in my head and then the lyrics all came down within like, half an hour. It came really quickly. It was a surprise to me. So I really like listening to that one.”

Columbia Mills have a tour coming up in the UK and Ireland in October. We discussed what fans can expect from this run of live shows. 

“ I think we’re gonna be a little bit more dancey this time. We’ve done a couple of shows, we’ve done festivals and obviously with festivals you have to hone it in because there’s a lot of people there that never heard of us. So we were trying to grab them as well. So we kept everything upbeat. When we’re doing our own shows, obviously, we can bring in some of the more melancholy songs which I loved the most but yeah, we’ll be doing a lot more dancey stuff. We have a new drummer, Jamie Duff, he plays the drums standing up and he’s a little bit more full on in terms of making the songs dancey but we’ve left a lot of electronic beats in as well. So it’s kind of changed our sound. We’re going to play a lot of the new album and then a select few off the other two albums and we’ll see where we go with that. Yeah, it’ll be a mixture of everything.”

With ‘Heart Of A Nation’ being the band’s third album there are a lot of songs in their arsenal to play at shows and I wondered if the band found it difficult to pick songs to play live as they would all have their own favourites as well as trying to please the fans with their favourites.

“We have arguments over it a lot which is good. It’s getting better. It’s very healthy to have three albums and to have an argument over what songs we’re going to play. There’s some songs that are a given like ‘City’, ‘Close To You’, ‘Battles’, I think we always play but the rest of the songs are open to play and we also feel when we’re rehearsing you go okay, that one’s really feeling good , and we’re getting a nice buzz off it and if we’re reacting to it, we hope that other people will react to it as well and if songs aren’t working, we just throw them to the side, we’ve plenty more to pick from.”

On their third album, Columbia Mills find new and refreshing ways to express their ever-evolving sound through dancefloor bops and thrilling lyrics that express sorrow, hope and self-knowledge. The band have raised the bar with these intricately layered tunes as they take an array of shimmering synths, punctuated beats and indie rock elements to create impeccable moments of sonic musicianship that mark Columbia Mills in a league of their own. 

‘Heart Of A Nation’ is set for release tomorrow October 14th. Until then stream ‘Momentum’ below


Author: Danu

Electronic, Indie, New Music

Columbia Mills ‘Momentum’

Columbia Mills have released their new single ‘Momentum’. Columbia Mills are regulars at festivals such as Indiependence, Longitude, and Electric Picnic and have supported world-class acts like Ride, Public Service Broadcasting, and Palace. On top of this, they have also toured Ireland & the UK with a string of headline shows at venues such as Whelans, King Tuts, and Sebright Arms. On the band’s previous tracks ‘Heart Of A Nation’, ‘Addiction’ and ‘Nevada’  they have garnered huge support from the UK and Irish radio such as BBC Radio 6, Radio X, Amazing Radio, Radio Nova, 8 Radio, Indie Rocks, RTÉ 2FM, Today FM and RTÉ 2XM. 

Dripping in hypnotic electronics and infectious grooves ‘Momentum’ is a euphoric number from Columbia Mills. In true Columbia Mills manner, the song is richly textured and contains numerous musical treats that are revealed with each subsequent listen. Eerie, dark undertones brood throughout the track contradicting the upbeat dance soundscapes that effortlessly draw the listener further into the song’s expressive immersive sound. As ‘Momentum’ builds the band release lush sounds and textures into the soundscape that is simply goosebump-inducing; pulsing bass lines, chiming keys and intricate guitar melodies are just the tip of the iceberg of the musical delights that await the listener as the band’s deft musical prowess leaves much to be admired. Columbia Mills have knocked it out of the park once again with ‘Momentum’ the track is irresistible and leaves the listener craving to hear more.

Speaking about the track, ‘Momentum’, Fiachra Treacy said: “Momentum is all about keeping the mind occupied and avoiding the traps that an idle mind can set for us.  Sometimes it just takes one person to come along and lift us from that deluge, but there are dangers in having your happiness dependent on one person.  The music is upbeat to represent that momentary feeling you are hoping will last forever, gaining momentum as we go.”

Stream ‘Momentum’ below 


Author: Danu

Electronic, Indie, New Music

Columbia Mills ‘Nevada’

Following the release of their title track ‘Heart Of A Nation’ and ‘Addiction’, Columbia Mills return with their new single ‘Nevada’. On the band’s previous tracks ‘Heart Of A Nation’ and ‘Addiction’ they have garnered huge support from the UK and Irish radio such as BBC Radio 6, Radio X, Amazing Radio, Radio Nova, 8 Radio, Indie Rocks, RTÉ 2FM, Today FM and RTÉ 2XM. Columbia Mills are regulars at festivals such as Indiependence, Longitude, and Electric Picnic and have supported world-class acts like Ride, Public Service Broadcasting, and Palace. On top of this, they have also toured Ireland & the UK with a string of headline shows at venues such as Whelans, King Tuts, and Sebright Arms.

‘Nevada’ is a masterful display of musicianship from Columbia Mills. The song packs one heck of a punch both thematically and sonically; a shimmering synth-speckled soundscape exudes dark undertones and melancholy while chiming guitars and rich rhythms dance atop hypnotic bass grooves and sincere, hard-hitting lyrics “staring at the sea with your life packed into a bag….. you try to find a friend but there’s nobody left”. Columbia Mills are a musical marvel. Their skillfully created soundscapes are a joy to listen to and capture the listener’s imagination in such a way that each subsequent listen feels like a fresh and new experience. With each release, Columbia Mills tantalize listener’s ears with lush sonic embellishments, dark textures and expressive instrumentation and ‘Nevada’ is a mesmerising example of this. I’m looking forward to what their future releases have in store.

Speaking about the track, ‘Nevada’, Fiachra Treacy said: “While I was in Guadalajara in Mexico I met a man who was traveling on his own from Guatemala.  He was traveling on the top of a massive train across the country and had to deal with unthinkable danger.  He had left his wife and son behind in order to build a better life for them, not knowing if or when he would see them again. He was trying to get to Nevada where he had a cousin who could help him get work.  The song is about him and the countless people making that journey every day.”

Stream ‘Nevada’ below 


Author: Danu

Indie, New Music

Columbia Mills ‘Addiction’

Following the release of their title track ‘Heart Of A Nation’, Columbia Mills return with their new single ‘Addiction’. The track is taken off the band’s upcoming third album and to celebrate the band has announced an Irish and UK headline tour for October / November 2022. The tour includes a headline show at The Academy, Dublin on 25th November 2022. Columbia Mills are regulars at festivals such as Indiependence, Longitude, and Electric Picnic and have supported world-class acts like Ride, Public Service Broadcasting, and Palace. On top of this, they have also toured Ireland & the UK with a string of headline shows at venues such as Whelans, King Tuts, and Sebright Arms.

Doused in a haze of delicate guitar refrains and ethereal soundscapes, ‘Addiction’ is a glorious new single from Colombia Mills. The song pivots around a driving rhythmic pulse that rushes with adrenaline while a chugging bassline groove’s alongside a chiming guitar to create a light and airy atmosphere. Each subsequent listen reveals the deft musical prowess this band possesses – from catchy refrains to psychedelic undertones the track is a musical treat to the ears and becomes more intricate and layered as it progresses. ‘Addiction’ is a beautifully crafted tune that showcases the emotive songwriting and musical talent of Columbia Mills in all its glory. Enjoy.

Speaking about ‘Addiction’ lead singer Fiachra Treacy said: “In society, there seems to be a lack of sympathy towards addicts, particularly those on the margins of society. The song tells the story of the hopeless cyclical nature of addiction. We have framed the song with a euphoric upbeat sound to try and disguise it as a love song. There is an effort to highlight the strength of addiction and compare it with the helpless feeling of falling in love and losing control- something everyone can sympathise with.”

Stream ‘Addiction’ below 


Author: Danu

electro - rock, Electronic, Indie, indie rock, New Music, Synth Rock

Columbia Mills ‘Heart of a Nation’

Single Artwork,Credit: Colum Jordan

Columbia Mills have released their new single ‘Heart of a Nation’. ‘Heart of a Nation’ is the title track and first single from the band’s third album scheduled for release in September this year. Described by John Kennedy (Radio X) as Ireland’s answer to The National, Columbia Mills are regulars at festivals such as Indiependence, Longitude, and Electric Picnic and have supported world-class acts like Ride, Public Service Broadcasting, and Palace. On top of this, they have also toured Ireland & the UK with a string of headline shows at venues such as Whelans, King Tuts, and Sebright Arms.

 ‘Heart of a Nation’ is a thrilling new song from Columbia Mills. Dealing with dark themes, in particular Ireland’s housing crisis the band highlight failures in our society. Fiachra Treacy’s vocals croon moving lyrics and drive home the songs stark lyrical content “A mother in a hotel raising her kids she’s not on holiday how did it end up this way …….sleeping in a Garda station, living in the heart of a first world nation”.

‘Heart of a Nation’ is a wonderfully expressive piece of music. The band create a soundscape filled with lush instrumentation, dark undertones and dazzling moments of evocative musicianship through the use of chiming guitars, bass rumbles and beautiful key arrangements that deftly convey coiling emotion, innocence, and anger.

The enthralling sound of Columbia Mills is one to be admired. Each of the band’s releases are a joy to listen to again and again. ‘Heart of a Nation’ is an excellent display of Columbia Mills’ masterful use of instrumentation, sonic finesse and eloquent songwriting.

Speaking about ‘Heart of a Nation’ lead singer Fiachra Treacy said: “Heart of a Nation” documents the housing crisis in Ireland, with each verse tackling a different aspect of the problem.  From a mother sleeping with her children in a Garda station to the crooked businessmen and politicians that have caused the housing crisis in Ireland.  Heart of a Nation peels back the political rhetoric and looks at the real people affected when the ruling class looks out for themselves.”

Stream ‘Heart of a Nation’ below 


Author: Danu

Indie, Live Music, Live Music Review, New Music

Columbia Mills and Dunx Live At Sin É

Sin É reopened its doors this October for “In Through The Out Door”, a month-long series of standalone shows with some of the best acts in Ireland. This series was made possible with support from The Live Venue Collective and the Department of Tourism, Culture, Arts, Gaeltacht, Sport, and Media and features artists such as Pixie Cut Rhythm Orchestra, Hazey Haze, Toshín, Chrome, Vulpynes, Dani Larkin and much more. With such an extensive line up it’s been an exciting month for Sin É but lasts nights show with Columbia Mills supported by Dunx had everyone excited. The buzzing energy from the eager audience was felt even before the doors were open. People hovered around the front door of Sin É in the rain waiting impatiently for the venue to open so that the night’s revelries could begin. There was something in the air last night that had everyone ready to celebrate the glorious live music Sin É had in store. 

Dunx and his desert-rock toned guitar kicked the night’s music into motion. His deep croons brooded over blues-hued tunes backed by hefty drums and slick bass manoeuvres; the effect was a wholly immersive sound for listeners to indulge in. It was a chill set that sparked cheers and sways from the crowd who loved every minute of it. Dunx is a must-see. His songs are well crafted and display the effortless charm, confidence and musical prowess of this talented artist. 

Filling the venue with rumbling rhythms, dance-infused indie, soaring guitar and the full majesty of their sound Columbia Mills took to the stage. The bittersweet melodies of ‘Strange Game’ and ‘Who Am I Supposed To Talk To Now? came to life within the live setting. The shadowy dark undertones within the band’s songs were perfectly translated through Fiachra Treacy’s intense delivery; eyes closed he was consumed in each song’s immersive hypnotic sound and so was the crowd who danced, swayed and stomped throughout the set. 

The band’s sound is absolutely bewitching. They blend electronic fused melodic pop-rock with dance, and like masterful puppeteers had the audience in the palm of their hands dancing uncontrollably when beckoned.

“We are going to pretend this is our last song”, Treacy announced before the ethereal ‘Never Gonna Look At You The Same’. The serotonin levels soared from this point as both the band and audience gleefully cheered for the encore as fits of dancing and sing along’s en masse reverbed throughout the venue. Columbia Mills know how to put on a show, the encore sent Sin É into glorious chaos. Amidst the crowd one fan was seen with the stool he was sitting on raised above his head, punching the air and proudly marching in time to the rhythm of the music. 

Columbia Mills put on a fantastic live show on Saturday night. They are a band that never disappoints. Their music is well-crafted, passionate and intoxicating and in some cases simply time-stopping ( ‘You’re Not The Answer’ is a fine example of this ). In a live setting, this band is unstoppable. Treacy is an effortless frontman and his irresistible persona is infectious and awe-inspiring to behold. Columbia Mills are a band not to miss live.


Author: Danu

Electronic, New Music

Jape’s Columbia Mills ‘The Greatest Love’ Remix

Following the release of their critically acclaimed second album ‘CCTV’ earlier this year, Columbia Mills have announced they have teamed up with some of their favourite artists Jape, Girl Band, Ryan Vail and Get Well Soon, for their ‘Remixed EP’. This EP allowed the artists to create their own interpretation of tracks from ‘CCTV’ and put their creative spin on the songs. The first release from the remixed EP is Jape’s remix of their song ‘The Greatest Love’.

With flashing electronics, lush textures and melodies Richie Egan’s ( aka Jape ) remix of ‘The Greatest Love’ takes a more electronic dance form. Japes interpretation uses skittish beats, desert vibes and rushing waves of synths to create a 70’s-esque dance floor banger. Rich rhythms adorn the backdrop with an almost Salsa rhythmic bounce while the reverb vocals and swirling soundscapes create darker undertones. The remix is truly compelling.

Frontman from Columbia Mills Fiachra Treacy speaks about how the idea came about for the remixed EP:

“Above all else, the members of Columbia Mills are massive music fans. We spend most of our free time attending gigs of all genres and discussing our favourite artists.  Our broad range of influences can be heard in our music, so we thought it would be a good idea to ask the people who influence us most, to remix some of our tracks. We put out the feelers and we were delighted that everyone agreed to be a part of this EP. Getting the mixes back from each artist was like waking up on Christmas morning. To have your favourite artist remix your tracks was an awesome feeling for us. Given the circumstances we find ourselves in, there has been a massive sense of community amongst artists of all genres. We are all in the same boat. Some of us are unsure as to whether we keep paddling, or whether to get off before it sinks entirely. This project, and the support that we have gotten from our friends and fellow artists, have galvanized and inspired us to keep going.  It has inspired us to plough ahead and write our 3rd album.This EP represents the sense of community that has been created by the decimation of our industry. 5 artists of different genres coming together to support each other when it is needed the most.Thank you, Richie, Foxy (and the lads from Girl band), Ryan, and Konstantin for your genius. We are inspired and truly grateful.” 

Stream Jape’s remix of ‘The Greatest Love’ below


Author : Danu

Album Review, Alt Rock, electro - rock, Electronic, Indie, indie rock, New Music, Synth Rock

Columbia Mills ‘CCTV’ Album

Columbia Mills have released their highly anticipated sophomore album ‘CCTV’. 2019 saw the band release two singles from the album; ‘Strange Game’ and ‘Who Am I Supposed To Talk To Now?’ which garnered huge radio support here at Indie Buddie and in the UK including John Kennedy Radio X, RTE Radio 1, Ed Smith (Today FM) choosing the band as his Play Irish Artist of the week and ‘Recent and Decent’ on Today FM, Dan Hegartys (2FM) Track of The Week, and heavy rotation on Paul Mc Loones Today FM show, as well as heavy airplay across all national and regional radio stations. 2020 has already seen the release of ‘UNDERSTAND’ (31/01/20), the third single from ‘CCTV’ which also received huge radio support. 

With passion exuding from each melty, infectious melody, rich rhythmic progression and superb guitar lament ‘CCTV’ is quite the first rate body of work from Columbia Mills. These guys don’t pull punches, they give this album their all, entwining electronic elements into their alternative indie rock to create an album that holds you in animated suspense while the spinning sublime instrumentation, intricate layering and wonderful pacing intoxicate and invade your mind.

From the start this album is a whirlwind. The gripping heartfelt ‘Car Crash TV’ begins our breathtaking journey into the album. To be honest, I was totally consumed within this track’s melancholic tone, soft instrumental build and utterly beautiful, raw presentation. The twinkling ethereal guitars encase Fiachra Treacy’s warm emotive vocals in a wispy delicate coating as the track progresses to its more distorted electronic half. Like a masterful puppeteer Treacy’s vocals control the tone and ambiance of the tracks within this album. He has the power to pull tears from your eyes as he digs beneath the surface and unravels the listeners joy, pain and thrills and it is from here the tracks flourish from.

The band use synths and dizzying electronics to build the songs and ferment them into either a dazing dark crescendo like in ‘Car Crash TV’ or spiral into an intoxicating, dance-evoking whirl as in the infectious pulses of ‘Understand’. The synth elements within each track either flicker with tantalizing illumination providing sweet flirtatious moments between the rich indie backdrop or drape the songs in crashing twisting and asphyxiating soundscapes. 

‘Isolate’, ‘Who Am I Supposed To Talk To Now?’ and ‘The Greatest Love’ are a mesmerising display of artistic flair and proficient musicianship, evoking complex themes and emotions of lonliness, guilt and depression.

The band flood their tracks with emotive instrumentation as they surge smoky downcast atmospheres with lamenting pines or western- esque warm tones on guitar. The guitars soar and ooze rich textures and almost convey the characters within the tracks while braided beneath are rooted bass lines and pulsing drums. ‘You’re Not The Answer’, ‘Strange Game’, ‘Heart And Soul’ and ‘Trees’ convey this perfectly as Columbia Mills immerse striking earnest lyrics in time stopping soundscapes.

The lyrical content in this album is profoundly poetic. Lines like “You said watching you control yourself, Is like watching blood dry”, “Crawled through the shit of old romance” and “Or is it in the vacuum of the struggle Where our love always thrives”  shroud the album in dark times and griited struggles. Columbia Mills present these honest and gripping themes with outstanding elegance and grace. At times Treacy’s vocals are icy and almost matter of fact in his portrayal of these lyrics however he still manages to depict heart breaking emotion through his delivery.

Columbia Mills bring the album to a sublime end with ‘Mirror On The Front Seat’. The track blossoms superbly with glistening guitars and a brooding indie rock ballad -esque soundscape. It is beautifully crafted, lush in its intricacies yet simple in its approach. There is a warm country element to this track that evokes images of a dry desert night while the glistening airy guitar paints the sky an indigo hue. The loneliness and isolation is briefly lightened with warm instrumental builds while a sustained fuzz and steady beat trap tension beneath the emotive velvety vocals. Once again the band build the track allowing it to unravel for the dynamic thumping crescendo. It’s a spine tingling and utterly superb finale. 

There are so many textures, sounds and wonderful elements within ‘CCTV’. Columbia Mills are only on their second album and their maturity and ability to grasp your very soul with their tunes is so precise and powerful it is mesmerising. ‘CCTV’ is a moving, intoxicating album with solid musicianship. The listener beholds musical majesty, depth and a mystical quality which bewitches with every track. The bands layering and building of the songs is first rate and clean while the indie rock, electronic hybrid sound is seamless and exquisite. This is a band you need to know, they have achieved so much with ‘CCTV’. It is exciting to imagine what Columbia Mills will release next

Stream ‘CCTV’ below 


Author : Danu

A Chat With, Indie, indie rock, Interviews, New Music

A Chat With : Columbia Mills

We caught up with Fiachra Treacy from from Irish indie-rock band  Columbia Mills to talk about the release of their new album ‘CCTV’, how they craft their tracks and melodies.

You guys have released your sophomore album ‘CCTV’ how does it feel getting to share these tunes with the world? 


As we produced the album ourselves, we have been very involved throughout the whole process. This can be great as we make sure the album is exactly how we want it to be. The downside to it is that you become immersed in a bubble. The process from writing, rehearsing, structuring, production, artwork, packaging and posting the album out can become a bit overwhelming and its hard to see the wood from the trees. By sharing the music to the world you begin to see it (or hear it) through other peoples eyes (or ears) and it gives us a renewed vigour and love for the music. The songs take a new life and its very exciting to see where they go.

You guys are always developing and layering your sound and this has resulted in ambitious, passionate and impactful pieces of music. Do you guys strive to add new dynamic layers to your sound and keep moving and progressing in new exciting ways with your music? 


For us the most important thing is that we have songs. Once we have the song then we can work on the development of the sounds around it. That is where we have so much fun. We throw tonnes of ideas from guitars, drums ,drum machines, bass and synths and then we pare it back to whatever compliments the song. If it doesn’t compliment the song then we get rid of it.When making an album we thrive to make sure there is a uniformity to the sound of the songs without them all sounding the same. We spend a lot of time going through different sounds to find a balance between our post punk routes and the more contemporary electronic sounds that we love. We will allow a song go to places in a rehearsal and see where it ends up. If we can keep it interesting without being too self indulgent we will record it and try get it on the album. 

You guys provide some first rate musicianship and songwriting, talk us through your song writing process ? 


As I said the song is always the most important thing for us now. The lyrics, the story behind the song, the feeling it gives us, the place it brings us in our minds. It must mean something. I sometimes write a song and it just doesn’t make sense to me, I can’t relate it to any experience I’ve had, or anyone I know has had, so it doesn’t get used. The initial seed of the song can be planted in so many ways and that’s what makes us a band. There is a lot of songs I may bring fully formed or I can take an idea from a rehearsal, a beat , a synth line, a guitar line, a bass line and start singing over it. It will then get stuck inside my brain and its given a bit of a rinse through whatever is going on in my head. I tend not to write anything down until its nearly finished. Unfortunately for me that usually occurs at the worst time. I’ll run to the toilet and sing it into my phone or write it down on a scrap of paper. Some of the best stuff tends to come at that point between being asleep and awake. It works wonders for my insomnia. It’s also great to have music we recorded from rehearsals or parts that we send to our what’s app group that I can work on when these feelings come.  I now feel like this is something we do, we write songs, its no longer a step into the unknown. 

You have injected some synths and electronic elements into this album especially in ‘Isolate’ and the latter half of ‘Car Crash TV’


We have to attribute the electronics in both of those songs to our newest member Ken. Ken joined us at the beginning of writing this album and he adds so much to our sound.  I remember he sent me back ‘Isolate’ having put his electronic parts on it and I just said ‘fuck yea’ that works. It’s got a disco ‘Donna Summer’  vibe that none of us would have thought of. It took the song to another place and gave the album a special moment. The latter part of CCTV came from one of our first rehearsals with Ken. As I said it was always important to let a song go somewhere and see where it ends up. We had the start written but it didn’t tell enough of the story so we let it grow and go into an electronic crescendo with Ken. This really helped finish the story and made so much more sense to us. 

I love the heartfelt melodies you guys provide. They are filled with nostalgia and powerful rushes of emotion for example in ‘Car Crash TV’ ( such a wonderful song) – How do you come up with these? 


I honestly don’t know the answer to that. It’s why I completely adore music. To pull something from your mind that works or to find something melodic that can create a feeling of nostalgia or emotion is truly magic. I can’t read or write music and I’ve never learned an instrument correctly so I rely on my mind to conjure up melodies. I sometimes find myself humming something and realise that it doesn’t exist or I wake up with a melody that was left there while I slept 🙂  I have always loved emotionally charged music and have listened since I was a very young child. Even now I will  listen to any genre of music if it makes me feel something. That to me has always been so important. The words will come from whatever is going on in my life. 

Likewise you guys flood your songs with beautiful lamenting or western-eque guitar lines that sort of tie the songs together with a sublime delicate thread. But perhaps what makes these so great is where and when you place these guitar lines in the song. How do you guys decide this? 

Again it’s a group decision to compliment the song. The placement of each part, and in particular the guitar parts, is so important for us. Ste will gladly stand still for 4 minutes and not play any guitar and then play where it’s needed. It’s not a trait that many lead guitarists have. There is nothing worse than someone self pleasing (or wanking as we call it 😉 over a song and destroying the beauty. Again our ethos is to compliment the song and then get the fuck out of the way. Ste’s love of that twin peaks sound with lots of reverb gives the guitar lines space to breath. 

The songs have a strong country – esque backbone which I think is what gives them the heartwarming and wholesome tone. Is this a trait you guys actively try to maintain through your songs? 


It is funny you say that as it was the first thing Rob Kirwan (produced our first album) said. We are a country band with an indietronic sound. Country songs will always tell a story and contain a lot of heart, be they happy or sad. We honestly never tried to do this but I guess its the nature of writing from the heart.  I listened to a lot of Bob Dylan, Johnny Cash and Dr Hook as a very young child so I can thank my Da for that.  I was always trying to figure out what songs were about, and loved when someone would tell me the story behind it and everything would click. For me music has always been story telling and I think that’s the main trait of country music.

You guys write songs that really hit home with people and evoke an emotional reaction,does it surprise you when you hear what other people are taking from the songs or how they interpret your music and lyrics? 


It has always been important to leave a lot to the imagination when it comes to lyrics. Not to give too much away and allow people to fill in the blanks. I’ll certainly guide the song towards a particular situation and they all mean something very particular to me but letting people create their own world within a song is very important to us. It is very rare that people get the total wrong idea but that’s fine. Most people will find the mood and connect it with an event in their own lives and I love that. That’s what the music is for. To escape and to relate. To feel someone else has gone through the same experience and you are not alone. 

There is a twilight hue over each of the tracks with a sort of desert vibe. Was this a conscious decision to create that atmosphere within each track?


Again you’ve hit the nail on the head. We talk about the desert vibes a lot. We use the guitars and synth pads to create a space that allows the song just enough space to breathe which stimulates evocative thoughts to emanate (well that’s the idea)I think it was definitely a conscious decision when we were creating our sound but I think now it is just ingrained in what we do. 

”Stimulates evocative thoughts to emanate” What a wonderful and poetic way to express the process. For you guys what is the stand out track on the album?


This has changed so many time for us which I suppose is a good sign. Speaking for myself ‘You’re not the answer’ really hits me as it was written from a very personal place. At the moment though I’m really buzzing from ‘The Greatest Love’. When we recorded the album I think Car Crash TV was the one. This will all change once it’s out and you start hearing other peoples experiences with the tracks. 

Was it difficult choosing what tracks you were going to put on the album and in what order? 


This was much easier than we thought it would be. We managed to play them all live at some stage (in some form) before we finished the album and we could see what worked and what didn’t. There were a few songs that we played too much and the magic you get from recording something new had gone so we set them aside. When making ‘an album’ of songs , we really think about ‘an album’ and will write songs that tell a certain story overall and individually. This certainly helps to whittle them down. 

You guys have garnered huge radio support here and in the UK including John Kennedy Radio X, RTE Radio 1, Ed Smith (Today FM) choosing you as his Play Irish Artist of the week and ‘Recent and Decent’ on Today FM, Dan Hegartys (2FM) Track of The Week, and heavy rotation on Paul Mc Loones Today FM show, as well as heavy airplay across all national and regional radio stations. That must feel pretty good. Can you remember the first time you heard one of your songs on the radio? 


First of all, we are so thankful when we get support from radio. We really don’t expect it. We haven’t written any nicely packaged 3 min songs yet so when we get radio play we know it is because these people genuinely like our music and it blows us away. The first person to play us was Paul McLoone and he has gotten behind us ever since.Our manager sent our first single ‘Never gonna Look At You The same’  in to him and he played it that night. I tuned in the rest of the week and heard it while driving alone. I got quite emotional and felt a lot of self doubt lifting. It was quite an experience. We put everything into music and make a lot of sacrifices, so to hear it being played on the radio is an amazing boost and gives you the feeling that you are doing something right. 

Due to this strange covid 19 times your show on the 24th April has been postponed and rescheduled for September 18th what can fans expect ? 


It will be a very emotional night so expect an outpouring of emotion from us. Knowing now how fragile things can be, there will be no holding back.We will be celebrating the release of the album but it will now be much more than that. Celebrating being able to be together again, celebrating live music, celebrating life. Having been unable to play live has helped us realise how much we need to do it, so we plan to leave everything on the stage that night. Hopefully people will have taken the songs to their hearts by then and we can make this the best gig we’ve ever done. 

Do you guys have any advice for someone who wants to start a band?


Pick like minded people to play the music you love with. Don’t change to get on a certain scene. Scenes end and the only constant that remains is the music you love yourself. Play the music you love and you will never let the stumbling blocks trip you up for too long. Don’t be afraid to write a song. 
Get used to €2 chicken fillet roles. 

What’s next for Columbia Mills?

We are writing album number three so we are diving in again while all this is going on. We are really buzzing from some of the ideas so can’t wait to finish some of them off. Once we can rehearse we will be putting a new live show together for the Autumn gigs. We will also flesh out the new songs and hopefully get them recorded very soon.Apart from that it’s impossible to tell. We would love to tour this album and will do everything we can to do so. We are hopeful things can get back to normal and we can push on from here. 

You can stream ‘CCTV’ below


Author : Danu

Indie, indie rock, New Music

Columbia Mills ‘You’re Not The Answer’

Irish indie band Columbia Mills have released their new single ‘You’re Not The Answer’. 2019 saw Columbia Mills release two singles from their highly anticipated sophomore album ‘CCTV'(17/04); ‘Strange Game’ and ‘Who Am I Supposed To Talk To Now?’ garnered huge radio support here and in the UK including John Kennedy Radio X, RTE Radio 1, Ed Smith (Today FM) choosing Columbia Mills as his Play Irish Artist of the week and ‘Recent and Decent’ on Today FM, Dan Hegartys (2FM) Track of The Week, and heavy rotation on Paul Mc Loones Today FM show, as well as heavy airplay across all national and regional radio stations. 2020 has already seen the release of ‘UNDERSTAND’ (31/01/20), the third single from ‘CCTV’ which also received huge radio support. 

Drenched in ethereal melancholia, ‘You’re Not The Answer’ is an utterly heartbreaking, emotive display from Columbia Mills. Simple in its approach, the track laments through airy guitars and a fluctuant rhythm. The track broods to a smoky start as the sombre vocals ooze emotion which hits you right in the chest. The bittersweet guitar gracefully and elegantly caresses the drum beat with a majestic and respectful tenderness which absorbs and captures every emotion within this bruised moment. Soft backing vocals soothe the haunting soundscape as the band build the song for the moving crescendo. This well crafted track is a timeless emotion- filled number that just hints at this band’s wonderful musicianship and potential. 

Stream ‘You’re Not The Answer’ below 


Author : Danu