January has a reputation for being a dull, cold and uninteresting month however Whelans refused to allow it to dampen their punters mood. With Donal Quinn playing Whelan’s Midnight hour with support from The Collective and The Bowie Ball night featuring tribute act Heroes From Mars to wander into after… they made sure we forgot all our January blues.
Dublin five piece The Collective kick started the show. The band embrace the task of warming up the crowd with ease. Their pop sprinkled indie tunes which are saturated in sun-kissed tones had a warm and glorious effect on our ears as their honeyed melodies melt upon the effervescent instrumental backdrop. Even with their bassist Cian Moran missing, the band had the crowd in the palm of their hands from the get go. Their cheeky banter and wonderful indie tunes had the crowd dancing and bopping happily. For a young band about to do their leaving cert they certainly have a charismatic and charming stage presence.Guitarist/vocalists Daniel Clarke and Taylor Byrne constantly engaged with the crowd creating a friendly and fun atmosphere “we want you to sing along even if you think its shite..sing along”. One woman in particular spiraled round the dance floor to every tune hopping, wiggling and twirling to their infectious tunes. They allow her to name one of their songs before they played it so i guess now it’s called “ love your face”.
With songs laced in tasty guitar melodies, groove infested drums and chiming keys the band sprinkle some joyous radiance into the venue. Their tracks are catchy from the unforgettable ‘’la la la la “ of ‘Forgettable’ to the sweet melodies in ‘Friends’ and ‘Love On The Streets’ – they have a solid set list. With quirky guitar moves, slick sweet licks and a charismatic presence the band keep everyone on their toes. Ogylle Salvador lays down the body moving beat while Stefan Isbanda tackles the keys to complete their vibrant vigorous sound. This bands musical talent and youthful energetic sound make them ones to keep an eye on .
Donal Quinn strolls on stage. His chilled presence slices through the wild atmosphere created by The Collective. He saunters off the stage to rally the crowd to the front, the crowd happily move forward in anticipation as Quinn begins ‘Do You Like Spicy Food?… ‘. This rapid number re-induces the hyper crowd as they bop along and whoop to his cheeky lyrics. He is alone on stage with just his acoustic guitar which should feel cold and isolating however his presence exudes warmth. He commands the stage..the crowd is enamored by Quinn’s vocal prowess especially for the “ the roof, the roof, the roof is on fire” lyric. Quinn chats between songs and tune ups while galloping through his set list. Dressed all in black there isn’t much fuss.. just good tunes. ‘Twat’, ‘3am’ (which Quinn’s integrates James’ ‘Sit Down’ into the crescendo) and a slick cover of ‘That’s Entertainment’ by The Jam and Arctic Monkeys’ ‘When The Sun Goes Down’ cause subtle swaying and bopping among the crowd as his rasped Drogheda-twanged tonality warms the tracks vibrant melodies. A quirky anecdote about his hair being ruined by rain and wind while filming the video for ‘ Bubble’ has the crowd chuckling as he charms them into the second half of his performance.
Quinn puts oodles of passion and emotion into his tracks and it sometimes translates into, an eyes closed performance, however his emotive and passionate lyrics enthrall the hearts of the audience. A quick exchange of info about his brand of guitar ( it’s a Martin ) and a crowd members Harry Potter scarf lead the way into a sleek medley of Oasis ‘Wonderwall’ and ‘Golden Touch’ by Razorlight. It’s a precise, well executed, enjoyable performance and a fantastic end to a night filled with talented Irish artists
Quinn presents his sublime tunes in an acoustic setting with ease and panache. In a live setting his music takes on a new dimension and aesthetic, becoming more intimate and personal. It was a fantastic Friday night in Whelans. Keep an eye on both Donal Quinn and The Collective. They have great potential and give us an indisputable reason to support Irish artists.
Author : Danu