Inner Tongue has released his new single ‘Dig Deeper’ taken from his forthcoming debut album, which will be released early next year. The song is about the adrenaline you feel before take off, the seconds in weightlessness and the eventuating Netflix-boredom, that can be ultimately freeing. It’s a light floatable swish of sweet lush elegance. Fluttering and free this track is weightless and dainty with smooth velvety vocals melted on a honey drizzled melody and warm mellow toned keys bouncing with floaty buoyancy. It’s a dreamy hazy bubble to loose yourself in where everything is gentle, soft and painless. The sticky beat and wobbly soundscape adds a psychedelic dream-like opiate state of ecstasy. Each musical movement carries a sense of depth as if intricately thought out and crafted with care and precise detail. It’s poetically beautiful, unbinding and silky. It’s lush heaven for the ears.
When asked about the song Inner Tongue said “I recently bought an old Roland Space Chorus and had a good time experimenting with it in the studio. The moody drum sound I’ve created with it, was somewhat inspiring, so I recorded a few chords and vocals over it. That’s how Dig Deeper started. With the video I wanted to visualise the effortless character of the song. The filming was more like a party with wild lights and smoke. Random fact, at around 2 AM we put on a few Bowie songs and danced to them instead. Some of that also ended up in the video.”
Our Worth A Listen Track This Week Comes From The Screens
The Screens are Neil and Colin. They are unique in that they collaborate on all writing and producing yet are rarely in the same room when they do so. Everything is done online. The Screens have a musical history in film and TV music through composing, arranging and/or producing music. Their credits include Kill Bill 2, The Soprano’s, The Simpsons, Superman Returns, West Wing, Lost, 24, Mr & Mrs Smith.Their production credits also include working with artists such as Tom Jones, Paul Weller, Ruby Turner, Will Smith, A Tribe Called Quest and Tony Hadley. They have now released their new single ‘Avalanche’. ‘Avalanche’ is a lavish swoony track theatrically romantic and dramatic with sing along chorus. The sway like simplicity of this sixties-like dreamy track features elegant string and lush backing vocals, its a fanciful feather light emotional burst. Gracefully the track glides with dainty grandeur and class. This emotionally creamy silky song tells a romantic story in a cinematic way that exudes beauty and splendour. Its incredibly lavish and rich with soft delicate textures ironically contrasting the lyrical depiction of the bloody heartache and turmoil of love. ‘Avalanche’ tips its hat to the classic British gangster stories of the sixties and seventies but lavishes in an opulence of strings and theatre. It has a sound far removed from what most artists are trying to create in order to conform to the industries current requirements.
Watch the video for ‘Avalanche’ below
Tiny Eyes is a one-man band from Leicester, a singer and producer who’s reared himself on the understated elegance of lovelorn balladeers from the twentieth and twenty-first centuries. After cutting his teeth as the frontman of an angst-rock band for a few years, Tiny Eyes auteur Joel Evans met his partner (singer/songwriter Martha Bean) and found himself mellowing out. Feeling disconnected from the angst-ridden world of thrashing guitars his band drifted apart. It was around that time that he’d acquired an upright piano from the 1920’s.He quickly found a new musical voice and tonality that harmonised with his maturing tastes. He is a narrative songwriter in the classic sense, employing clever turns of phrase and vivid imagery to weave imaginatively and provocative yarns into his music. He has now released his new single ‘Falling’ taken from the ‘Tiny Eyes’ EP which is due out May 19th. ‘Falling’ is a soft flurry of feather-like bliss. A luscious heartfelt melody glides with a romantic sway-like grandeur. Its short sweet arrangement displays his sophisticated mindful approach. A beautiful elegant piano feature wanders through the subtle passionately dainty vocal melody. This track flows in a wave of dreamy calm tranquillity. Its the Shangri-la of mind numbing elation. With a crisp sound and gentle approach Evans creates the perfect little pocket in this crazy world to take time to breath and let go. Tiny Eyes is a brilliant and unique new sound that you can fall in love with.
The accompanying video is exemplary of the DIY ethos Tiny Eyes employs in every aspect of his artistry. Comprised of two layers superimposed on each other and shot almost wholly on an iPhone (half the footage through rave glasses), it’s a homemade psychedelic visual accompaniment to the lo-fi retro pop universe that Tiny Eyes creates through his expansive songwriting.
Watch the video for ‘Falling’ below
Ottawa-based synth/dream pop duo Church of Trees have released their debut single ‘Crumbs (There’s Only Now)’. Church of Trees is the combination of veteran composer, producer, multi-instrumentalist Bernard Frazer and up-and-coming vocalist/lyricist Felicity DeCarle. ‘Crumbs (There’s Only Now)’ is going to be on their extended player ‘Primitive Creatures’ which is due out February 3rd. Its a breezy fluttering delight, glittering with shimmering scaling synths that sparkle with fairy-like magical twinkle. The spacey swirling elements teamed with a heavy pulsing bass and sticky beat draws you into its winding soft cushioned playful abyss leaving you in a trippy hypnotised euphoria. The upbeat groove gives an inherent sense of fun and whimsy while the lyric reminds us that, despite our focus on the past and the future, all we really have is this very moment. Don’t waste it. The track holds a sense of enchantment and magic with DeCarle’s soft vocals adding shimmer and scintillation to the spellbinding wonder. The lyrics sound a little fantastical, however deeper within the lyrics there are some very edgy comments about the human condition that add a contrasting lonely element to the track. Overall Church of Trees encourage us to take each moment and enjoy it as ‘There’s only now’ by giving us a sweet gentle slice of synth based dream pop to coax us into dealing with life with as much positivity as we can muster up.
Ocean Calling aka Sophie Wilkie was formed at the end of 2013, in a little town called Bellingham in Washington State. Originally from Moseley in the UK, Sophie started making/programming music herself whilst living in the very top corner of the USA. As a musician Sophie is a competent pianist and vocalist, writing lyrics that in isolation could undoubtedly stand on their own as poetry, and as a photographer her work is represented in the USA across various platforms. Almost all of her songs are motivated by and about movement, and discuss, amongst other things, the various travels she has undertaken during the course of the past three years. Wilkie is releasing her album ‘Quiet Magic’ this week. It is bold and adventurous for her first work, soaring effortlessly within various electronic soundscapes, all while maintaining a light dreamy swirl of blissful euphoria blended with hints of dark undertones.
‘Mist and Pine’ introduces Ocean Calling’s 10 track experience. With sweet delicate vocals and aerial atmospheres it is picturesque and beautiful. With elegant piano and rapid spongy beat we instantly get an earthy image of beautiful spring and twinkling mist glistening and fragile.The backing vocals lull and blend calming the mind sweeping the listener up in Wilkies gentle delightful world.Its refreshing tones and echo vocals display fantastic imagery you can almost feel the breeze along with the poetic lyrics its like you are being whispered a secret in the form of honeyed melodies and swirling gentle instrumentation. The album continues this journey with track after track leading you deeper and deeper into a hypnosis of enchanting dreamy melodies daintily flowing and interweaving playfully together. Tracks such as ‘Silhouettes’ adapts a more electronic persona with darker tones surfacing to the top of the mixture every once and a while like subtle glimpses of shadowy tones in a swirling blend of colours. ‘Desert Sky Scarlet’ rushes the mind with a soft rapid sticky rolling beat that gives a feeling of freedom or searching for freedom. A refreshing breezy vibe teamed with bright hazy tones, its a vitalising track that leaves you feeling refreshed. ‘Quiet Magic’ gives us a slow song Ocean Calling style. It has a tender melody that is portrayed with a sensitivity that can draw a tear from your eye. Wilkie’s vocals are heavenly and gentle yet soothing and reassuring. ‘Spun Gold’ surprises with an edgy shadow soaked electronic sound. Deepened eerie vocals and a gooey beat hints trouble bubbling. The track releases tension with an expression of brighter tones like an explosion of a sparkle bomb. ‘Girl and the Road’ takes us to the end of our enchanting journey into Ocean Calling’s world of fascination and wonder. Displaying that daydream airy vibe and her beautifully poetic lyric, this track concludes the album with the sprinkling of enchanting magic and the enthralling yearning will to dream and experience the wonders of life.
Watch the video for ‘Black Sand’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
