We sat down to have a chat with Lou Cotteril, Rob Ellis and Jacob Leff from Cassia before their sold out show in Whelan’s Dublin. We talked about their debut album ‘Replica’ , the trail of breadcrumbs left within their lyrics, those colourful shirts Rob has been known to wear and much more.
Watch the interview below
Author : Danu
Macclesfield trio Cassia performed their debut Dublin headline show in Whelan’s last night.The last stop on their UK and European tour the trio gave it their all. They must have been absolutely shattered, in fact when I spoke to them beforehand they admitted they were tired. However the band were not going to let that stop them and like a ball of radiant energy the trio – illuminated Whelan’s.
Support on the night came from Irish singer/songwriter Jack Joyce.Unfortunately I missed his set however I looked him up on spotify after the show and he has some delightful, heartfelt tracks.With intriguing track titles like The Darth Vader of Teenage Romance’ and ‘Grumpy Boots’ his home grown tunes sparkle with a quirky sense of humour and passion to create something truly special.
Cassia strolled onstage and launched into show opener ‘Loosen Up’ as the crowd bounced and bopped along. One thing that is immediately noticeable is their tunes are more punchy and dynamic within the live setting.Jacob Leff’s nimble drumming provides an Afro -esque beat. Immersed in his drumming he occasionally looks at the crowd to smile between the rapid ebullient foundation he creates.It’s his rich drumming that coaxes the crowds hips to wiggle and shimmy. Rob Ellis coos the catchy lyrics between beckoning sing-alongs and sublime slinky calypso guitar lines. To see this guy execute those smooth rippling riffs and licks with such precision is quite mesmerising. ‘Weekender’, ‘Under The Sun’ and ‘Small Spaces’ create a fun and chilled atmosphere as the band become a wonderful catalyst to an enjoyable night. With flashing lights that dazzle through the heavy instrumental breaks the trio display their proficient and clean performance with a dash of edgy pizzazz glimmering throughout. The band don’t mess about too much on stage they don’t need crazy gimmicks or dramatic poses they perform with a chilled persona that puts the audience at ease. ‘Replica’ is particularly a joy to watch. The band are bathed in gold hued lighting as they present the balmy tropical tune with a glint in their eyes. It’s rare for a band to have such a soothing yet fun effect on the atmosphere of a room; however their smiling faces and the infectious tunes they produced elevated the venue lifting it into a world created entirely by the band. Lou Cotterill was a hit with the fans as some of them giggled in shyness at a glance from him as he wiggled while laying down those deep-rooted bass grooves. ‘Get Up Tight’ and ‘Out Of Her Mind’ have the crowd singing and cheering but its ‘100 Times Over ‘ that causes one of the most energetic reactions of the night. Some of the crowd mimicked the actions to the “get up sit down “ lyrics while ‘Moana’ sparks Hawaiian hula-type dancing. The band announce that they are coming to their final two songs and the crowd moan and complain shouting “one more song”. Ellis tries to explain they will play two more so naturally the crowd demand five more. It’s a haggling ordeal that results in the band playing one extra track for the encore – their fantastic cover of Martin Solveig and Dragonette’s ‘Hello’ .
There is no denying these guys are talented. With depth through their lyrics and sublime sweet harmonies blended throughout Cassia deliver a show of pure refined indie goodness.The audience left the venue beaming and singing lyrics from the songs. It was a joy to witness and for such a young band to have this effect on a crowd is wonderful.
Author : Danu
The Riptide Movement headlined The Olympia Dublin last night. Promising us a set brimming with tracks from their rich and exhilarating repertoire the band created a show that was buzzing with adrenaline and vigor without fail.
Dublin’s Adam Weafer kicks off the night with his rich and warm tunes accompanied on keys by the beautiful and strikingly powerful vocals of Amy Penston. Their vocals blend perfectly – sweetly cooing the glorious catchy melodies with passion and gusto. Weafer has an extremely expressive tone and velvety texture to his voice. His tracks charm and coax the crowd to the front as they sway along while the pair banter and laugh between songs. Weafer is an enthralling performer and he brings a lighthearted and charismatic approach to his riveting tracks. Charming on stage they both settle the crowd in nicely.
Midnight Wayne, the solo project of Wayne Soper the front-man of Dublin rockers The Hot Sprockets follows. His style is perhaps a little different to what you might expect. After time travelling from the 70’s he brings a brown flared trousers suit and some sweet luscious melodies to the stage. His falsetto coo’s through each track with a candied delicacy. With acoustic guitar and loops he creates the perfect, simple yet lush soundscape for his retro rose-tinted tunes. He proves himself quite the proficient musician creating wonderful psychedelic hues and rich sounds with a simple yet effective set up. A must see.
ELLYD (Elaine Doyle) is the next act to grace the stage. With rich depth in her voice she is mesmerising to hear through the wonderful acoustics of The Olympia. With real heartbreaking emotion conveyed beautifully through her voice there is no denying the power behind every track she performs. The mighty and expressive choruses could break or heal your heart while her more tender tones create a warmth within you. With simple acoustic accompaniment its the outstanding vocals and wonderful melodies that hit you in the chest and confirms Doyle’s firm grip on your ears… potentially forever.
The Riptide Movement take the stage while the crowd cheer and scream. As the harmonica whines the band leap into ‘What About The Tip Jars’. The crowd are set alight. There is not a word, guitar riff or bass rumble that this crowd doesn’t know and the band pack in as much as they can of their exciting five album long back catalog. There are members of this crowd that adore and worship this band. They are on their knees in adoration, head banging to the more animated ‘Reno’ while holding each other and swaying for the slower Americana swing of ‘Skin and Bones’ and jumping, clapping and stomping for all the tracks between. Malachy Tuohy gives shout outs to the many familiar faces they have seen throughout their 13 years as a band.
The lighting was a dazzling display with strip lighting and a disco ball. The band flash lights on the crowd to see them singing along to beloved tracks like ‘Keep On Keepin’ On’. Each song the band plays empowers the audience more, causing mass jumping and singing. Tracks from the new EP ‘Something Special’ are greeted with as much enthusiasm as ‘Changeling’ from the 2016 album ‘Ghosts’ and ‘Getting Through’ from the 2013 album of the same name. The band have oodles of tracks ready for mass sing-along’s – the audience is hooked on their infectious sound. One guy from the crowd on the balcony rushes to the front – dancing and wiggling uncontrollably to ‘Getting Through’ as he shouts the lyrics and points to the band before thumping his chest while others in the balcony and the pit are standing flailing their limbs and dancing. Its manic but good humored fun that only a band as beloved in Dublin as The Riptide Movement could bring.
Guitarist John Dalton appears to go into his own world on stage – his hair streaming over his face while he blazes through shredding guitar lines with finesse and a majestic quality that is to be admired while Gerry McGarry prances about springing from the raised drummers platform where Aaron O’Grady stands in for Gar Byrne. The crowd love and cherish every member of the band as if they are their own kin and that creates such a wonderful and vibrant atmosphere for a live show. The band play ‘Fall A Little More In Love’ taken from the vinyl version of the new EP ‘Something Special’ and boy is it a spectacular reason to buy the vinyl! That sweet melody is a dairy milk chocolate box on Valentines Day and a lot more. A real treat, the track jangles on warm acoustic guitar and a radiant Americana-hued indie backdrop with a touch of Roy Orbison flickering through the melody.
This audience will not leave without an encore from The Riptide Movement, they shout for the band singing the lyrics to ‘Elephant In The Room’ until they return to play a few more tracks. Tuohy sits by the keyboard under an immaculate spotlight for the Christmas- y ‘All I Ever Wanted’ and they finish the night with a standing ovation as the crowd sing, jump and dance to ‘All Works Out’ as Gar Byrne triumphantly takes to the drum kit. What a spectacle.
The Riptide Movement have been around for 13 years and their show in The Olympia last night was a blistering first rate experience. They are a fantastic, primed band that are thrillingly raw and vital with their finger on the pulse of musical melody brilliance .
Author : Danu
The floor was moving under my feet from the crowd’s jumping and dancing. When a band turn the floor of a venue into a bouncing castle you know they are doing something right. It was Kawala’s show in The Academy, Dublin on Saturday night and it was an experience for sure, In fact the live show was something special.
Derry multi-instrumentalist and one woman band ROE aka Róisín Donald sets the night in motion. She stands beneath the blue and red hues of the lighting – modest and timid. There is no introduction she just blasts straight into her innovative electronic pop with sublime and raw alternative embellishments. ROE takes her emotive sound and wraps it in pristine dark synths with a drum machine keeping the heavy beats in place. Her clear crisp and passionate vocals caress the melancholic and eerie melodies with a warm rasp and sweet tone. Donald has no problem multi tasking. She plays guitar between slapping the beat on the drum machine. The crowd loved every moment of her breathtaking set. They begin to cheer her from the first song. They hold up their phones with the flashlight on for ‘Room To Breathe’ swaying them back and forth enhancing the magical atmosphere. The crowd sway and bop for ‘Monster’ and ‘Cheek, Boy’ before all out dancing and whooping for the more lively ‘Hey Thomas’. ROE presents her sound with light indie and jangly guitar elements to create music that is refreshing. The crowd adored her – some of them shouting “ I love you” as she shyly giggles, almost overwhelmed with the response. Once she walks off stage she is thronged with a deluge of fans wanting pictures with her and talk to her. Perhaps unknown to Donald, she put on a star quality show and her genuine authentic presence and killer tunes make her one to keep an eye on. A rare diamond in the rough.
The next set was headline act Kawala. They swarmed in and took the Academy by storm not even they were prepared for the crowds mass screams and cheers. Every word Jim Higson or Daniel McCarthy uttered was met by uncontrollable, high pitched screams the likes of which The Beatles would summon on sight. The band are of course immensely energetic on stage especially Higson who flaunts about the stage causing swoons with every dramatic dance gesture and shirt swoosh. These guys are tight live. Their harmonies are crisp and immaculate in the live setting. The sweet guitar melody of ‘Funky’ kicks in and the band spark a mass sing-along. Their rich rhythms, calypso – esque melodies and intricate lush layers cause the crowd to become feverous with dance tendencies. Their dedicated fans hand them sunglasses and posters while shouting “we love you!”.
They play some new unheard songs from their upcoming EP which goes down well with the crowd. ‘Animals’ in particular is a gem. Intricate rhythms rumble between glistening guitar and the perfect vocals of both McCarthy and Higson. The fans show their appreciation by more screaming and shouting “thank you!” Higson tests his theory that the crowd will scream at anything by saying “blueberries!” and of course they prove him right by screaming their loudest on the night so far. Kawala turns things down a notch with McCarthy taking to acoustic guitar for the pristine and sweet ‘Mighty River’. The duo allow the crowd to finish the track for them as they sing every word back. It’s a special moment to see such new talents have a show that some arena artists would be jealous and envious of. The band are very charming on stage. Higson asks the crowd if they are alright and is answered by more screams’ He replies “It would have been really awkward if you were like .. nah “.
New single ‘Heavy In The Morning” has a commanding presence live. The sweet falsetto coos of the crowd sounded pretty good complementing the bands lush tones. The tracks become more edgy and vibrant within the live setting as the addition of their full band of Ben Batten (Drums), Reeve Coulson (Bass) and Dan Lee (Guitar) weave wonderful golden textures into the soundscape. They are just as popular as McCarthy and Higson with the audience. Sparking cheers from the fans upon their introduction, McCarthy gets them chanting “Gorgeous Ben!, Gorgeous Ben!, Gorgeous Ben!” and “Reeve on bass! Reeve on bass! Reeve on bass!”.
Although showmanship and crowd interaction play an important part in a live setting, the fundamental charm and appeal of this band is their sound. The lush harmonies between Higson and McCarthy are pristine and blend effortlessly – it’s as if they were made to mould into each others warm tones. Their musicianship is mature and crisp with folky hues and pop sprinklings. Kawala are the perfect early morning or late evening band. Their gorgeous and vibrant indie is made to be listened to as the sun rises to glory, while their more mellow and melodic moments were crafted for chilled sunsets and a crisp glass of wine. The lads have those voices that could heal even the harshest of hangovers and mournful hearts while lifting you to blissful euphoric heights.
Kawala put on a vivid, rich and delightful show. Not even guitar technical difficulties stalled their stride. They bantered through it effortlessly. The encore is sparked by fans screaming “one more tune!”. “Olé, Olé, Olé!” and stomping. The band oblige with the upbeat and infectious ‘Runaway’. Kawala leave the stage to Neil Diamond’s ‘’Sweet Caroline’’ playing over the speakers as fans sing along refusing to let the party end.
I’d recommend going to see Kawala live. Kawala keep their shows light, fun and thoroughly enjoyable and why not! Their irresistible tunes warm your soul and fill you with joy – making you smile and dance without resistance.I see great things happening for these guys.
Author : Danu
It’s no secret that Dublin’s Munky know how to put on a show. Not only do they perform with vigor and energy, they always pull in support acts that equally keep the animated dance vibe going with tasty tunes and wonderful characters on stage. Sunday Night in Lost Lane Dublin was a prime night to see these guys.
Toshín kick started the night. Front woman Tosin Bankole spirals on stage, twirling in her dress as her welcoming smile and cheery dramatic gestures beckon the crowd closer. The band begin their vibrant, rich, soul-infused, pop-funk with gusto changing the atmosphere to one of fun, friendly and groove-filled bliss. Bankole’s vocals kick in and she slaps you in the face with her vocal control, power and sheer soul. With blends of Motown creating a classic chicness to the compelling sass and RnB peppering this band are mesmerising to watch but also their tunes are utterly luscious on the ears. Each track features sublime bass grooves, slick guitar maneuvers, warm Sax blasts and chiming keys as the band build and progressively blend their tracks into a pure rich musical concoction brimming with attitude. The harmonies are crisp and sweet and the vibrant percussion had the crowd bopping and dancing along. Backing vocalist Shannon Doyle is a ray of sunshine. She dances and blends sublimely with Bankole’s vocals while providing another strong and commanding soulful element to the band. Songs about cheating boyfriends and daddy issues has the crowd eating out of the palm of their hands. Not even a broken guitar string stops this band. They laugh off its rude interruption grab another guitar and play on. These guys have it all – showmanship, charismatic persona and proficient musicians to tie it all together in one joyful melodious bow. Toshín are a must see.
The blissfully chilled and charming Shaky Shack follow. Their jazz dipped alternative pop creates a narcotic and soothing groove that submerges the venue in luxurious sounds. Although frontman Alex Winter has the flu it is not noticeable until he apologizes for hoarse tones and the odd cough. They cruise through their set with mellowed-out ease. Mateusz Kosnik swooshes through the slinky, funk-dipped guitar lines – his hair covering his face as he submerges himself in their tunes ethereal vibes. With Andrea Louise Jones on sax the band’s sweet and exquisite sound becomes warm and cosy within the psychedelic haze. Drummer Sam Russell taps and chimes carefully providing the perfect sway-able tempo and intricate beat to the sweet cooing melodies. The crowd engage with Winter’s 1,2 mic check halfway through the set. They shout back 1,2 as he laughs and banters with them. Winter displays his cheeky rebellious side when he points out a guard in the crowd while he hushes the crowd for the sing along “sucking on a blunt with the boys” lyric. The crowd jeer and happily play along. It was a brilliant end to their set list that had the crowd laughing, belting out the lyrics and dancing uncontrollably. Shaky Shack displayed slick proficient musicianship on the night. They were a joy to watch. The band are releasing a new track ‘In Honey’ in November and that is going to be one sweet treat. Make sure to check it out.
The crowd shout “we love you” and cheer as Munky triumphantly take to the stage. Bassist Niall Donnelly shouts “hello we’re called Munky and we play lots of songs and this is one of many of them” before the powerful ‘One In Five’ kicks in. The room erupts immediately as the crowd fall under Munky’s spell. Conor Lawlor’s precise guitar work pierces and pines through the mighty backdrop while the tight groove on bass weaves and wiggles with a dark undertone throughout. Straight away the crowd are moshing, jumping and singing back the lyrics. The band has gone all out. They have a dazzling light display and their tunes sound fresh robust and slick. As always Zachary Stephenson’s rasped, powerful vocals are full of conviction. These guys were born showmen and they pour every fibre of their being into their shows adding humor and fun into everything they do while maintaining a precise and polished display. Lawlor adds little flurries of extra finesse in his guitar work as he strides, poses and flicks his hair in a very suave manner while Donnelly provides the panache-soaked poses on the right of the stage. Their fans are dedicated for sure. They dance the night away grabbing each other to wiggle and group together for moshing mania. One member of the crowd willingly allows the flashing lights to blind him. Even after Stephenson warns him “no no don’t blind yourself” he refuses to move as if the sight of these guys on stage was the perfect last image he ever wanted. Unfazed from his previous stint on drums with Shaky Shack Sam Russell provides the all important rhythmic foundation with ease. Spinning his drumsticks he confidently paves the way for ‘You’ve Got Male’ as the tracks take a more raw, kinetic dimension live. When you think these guys can’t get any better they play new single ‘Megaton’. Lawlor’s guitar squeals between the thick muggy, crashing wall of sound as the eerie lighting gives a breathtaking visual element to the song in a live setting. It’s a well executed set as the band balance their heavy first half with the fun disco second half with the help of Andrea Louise Jones on sax. Munky always have amazing backing vocalists on their live shows and on Sunday that was provided by the incredibly talented Sinead McConville and Lauren Murphy. Crowd favourite ‘Ms Communication’ and ‘Cuck Rock’ spark mass sing-alongs while an emotional rendition of ‘I Can’t Quit’ is performed by Stephenson. Basked in a dim light he sings the track with tender, sweet emotion before the band join him for the blistering crescendo. The crowd knew every word and guitar riff – some did air guitar while others executed an air drum display. The crowd dance non stop for the entire set as shredding guitar solos, intricate infectious bass lines and brawn-filled drumming adorn the venue with the band’s signature funky sound.
Munky put on a frantic, vibrant show filled with fun, dancing and first rate musicianship on Sunday night. They have refined their set to a blast of energetic delicious tunes. It was a charismatic explosive and oh so funky night as Munky brought a sensational set to Lost Lane.
Author : Danu
“Loud generous and mysterious” is what LA’s Mini Mansions promised for their show last night in Whelan’s Dublin and the trio plus guest drummer Jon Theodore (Queens Of The Stone Age) didn’t disappoint. Blushed cheeks and giggles came from the queue of fans waiting to enter the venue as they talked about Theodore’s appearance (he has that effect on people), their favourite Mini Mansion’s song, many fans saying it was ” impossible to choose just one song as they are all just brilliant” and who was the coolest member of the band. The Mini Mansion’s trio have made a big impact on the indie scene. Their charm causing many (both male and female fans alike ) to gush “I love them” as they stand in anticipation for the show to start. There is a change in the air… Mini Mansions have returned to Dublin more confident and proficient than ever, ready to take the venue by storm.
But first, London duo Sons Of Raphael swagger on stage to warm up the crowd. Ambitious, relentless and fierce these guys exude energy as they prance about, spring-boarding from one song to the next with little breath between. Their energy and charisma pours onto the stage as they douse their shrilling guitar refrains and melodies in distortion and reverb. They fill out their sound with a backing track played on a reel-to-reel tape player behind them creating the most unique and thrilling listening experience. The two brothers, comprised of Loral and Ronnel Raphael bash into and ricochet off each other as they bounce about the stage. At first the crowd are bewildered by what their eyes behold until the band showcase their raw psychedelic tunes with incredible enthusiasm and chaotic control. ‘Rio’ kicks the mania off, the razor sharp guitar lacerating through the thick air with refined precision while the quirky sharp vocals yelp and coo through the retro melodies. The tracks travel full throttle as the crowd bop and mosh between entranced sways for tracks like ‘A Nation Of Bloodsuckers’. There is something quite mesmerising about this young band and with their drive, blistering tunes and eccentric stage presence they are ones to keep an eye on.
The crowd stand in dimmed lighting awaiting their exalted trio to arrive while still recuperating from the trance-like daze they were under just moments before, courtesy of Sons Of Raphael. Suddenly they hear the blazing intro and psychedelic whirl of ‘This Bullet’ before the sweet tone of Tyler Parkford’s voice sparks whoops and cheers from the crowd. The band tease the audience allowing them to only hear them before calmly walking on stage to play it out in true, fierce Mini Mansions manner. With Theodore behind the drum kit the band is unstoppable. The tracks take a new lease of life, blossoming under the strong drum foundation allowing the immaculate guitar flurries, athletic key progression and elastic bass to flourish beautifully on stage. Michael Shuman no longer shackled behind a cocktail drum kit spins, kicks and prances about the stage showcasing his compelling front man persona in all its glory. He interacts with the crowd venturing to the edge of the stage as they gaze upon him enthralled. ‘Death Is A Girl’, ‘Creeps’ and ‘Midnight In Tokyo’ all have the crowd eating deliriously out of the palm of the bands hands as the trio exude and seep swagger into the venue. Zach Dawes is exceptionally light on his feet, as he flutters and almost pirouettes about the stage with refined elegance and grandeur while executing some pretty snazzy guitar poses. The trio treat us to a cheeky listen to a new track ‘I’m In Love’ as a member of the crowd shouts “thank you”. This thumping dynamic track bounces upon a nectarous melody and has the crowd excited for what’s to come on their upcoming album ‘Guy Walks Into A Bar’ on July 26th.Their sound translates superbly live and the band appear comfortable and suave – executing their rich sound as chiming keys twinkle between sharp guitar shards and fuzzed bass flirtations seamlessly. They keep their fans hyper with tracks like ‘Monk’. To the crowd’s shock Parkford takes on Alison Mosshart’s part for the steamy single ‘Hey Lover’. His sweet falsetto blending perfectly as always with Shuman’s smoky deep whispers. Beloved ‘Any Emotions’ and ‘Vertigo’ go down a treat with the crowd as they bellow back the lyrics singing the riffs and keyboard melodies .
Many tasty guitar embellishments, delicious melodies and sugar soaked bass lines later – which has fans crowd surfing and a rogue fan standing on the stage (for some reason he just looks back at the crowd and does nothing else) the band come to their final track ‘Bad Things (That Make You Feel Good)’. This fizzing shimmy-ready infectious gem is exhilarating live. The gritty guitar riff slices boldly through the track while the driving beat, fuzzed bass and dynamic keys create the perfect backdrop to lose your mind to and lets not forget the clap along feature – who wouldn’t love that.
The crowd plead for one more song chanting “Olé, Olé, Olé” until the band return for their triumphant encore of ‘Freakout ‘, ‘Honey I’m Home‘ and ‘Mirror Mountain‘ which sees the trio and audience go absolutely nuts. Shuman and Dawes flaunt about the stage kicking and spiraling. Dawes even bends his back in some sort of an impressive contortion as Shuman ventures into the moshing crowd while onstage Parkford goes all crazy ”Phantom Of The Opera” on us. They always deliver a brain fermenting finale to their shows and last night didn’t disappoint.
Mini Mansion’s are the crème de la crème, there is no band like them and their talent, sheer skill and magnetic aura is astonishing. However, there was something different about the band last night, a glint in their eyes and a different confidence and suaveness than before that I can only hope means these melody-connoisseurs have big things to come. Perhaps the release of the new album ‘Guy Walks Into A Bar’ will reveal more.
It was a Brighton take over Thursday night in The Grand Social Dublin. With sparkles at the ready, swagger in tow and Guinness ready to guzzle. Indie rock, rising deity, Black Honey took the venue by storm equipped with everything to make the night memorable.
One of those was fellow Brighton gems Chappaqua Wrestling who flooded the venue with the sweetest, most delicious tunes as their musical prowess pleasantly wafted delicately about our ears. Each tune brought their sound to a new delightful level. Both Jake Mac and Charlie Woods take turns on vocals as they coo and softly lull through tracks like ‘False/Blue’ and ‘Wait To Form My Head’ while ‘Football’ blows our minds with blistering instrumentation. Their tracks are laid back, sun soaked and infectiously groovy. The duo are accompanied by Jude Lilley and Josh Cassidy-Stone who maintained the joyous buoyant foundation and rhythmic bliss superbly. Their breezy tracks melt exquisitely into the ears with ease as the honey drizzled melodies float upon their edgy indie backdrop. Each track was tight and utterly mesmerising with a 50’s melodic hue floating about them. You can’t fault their slinky solos and thrilling riffs as they flesh out the bands intricately weaved sound beautifully.This duo’s easy going charm is infectious as they banter with the crowd “ I tried my first Guinness today …. I love it so much” as well as jokingly haggling on the price of their EP as members of the crowd try to create a bit of currency exchange confusion. The band are talented and down to earth with some really infectious tracks . They even hug each other after their set, it was pretty moving. Chappaqua Wrestling are definitely ones to see live.
Black Honey take to the stage triumphantly as the crowd’s cheers resound through the venue. The ever so spellbinding frontwoman Izzy B Phillips parades in a sparkly pink dress and flashy sunglasses which she presents to a thrilled fan at the front with a wink and greeting smile before belting straight into ‘ I Only Hurt The Ones I Love‘. Flamboyant and sassy she struts about the stage executing every pose, stride and wiggle with a precision that leaves the crowd in awe. She has a mesmerising effect on the audience as they gaze upon her in all her glittering glory. The band is brimming with charisma, guitarist Chris Ostler prances about as he performs those sublime, ornate and golden soaked spaghetti western melodies and refined solos with finesse and grandeur. His smiling face a joy to see as he bops and hops along to their lavish tunes. The band give us a sneaky listen to the cinematic James Bond – esque new “not on the internet yet” single ‘ I Don’t Ever Wanna Love’.
“Girls come close, come in, lads step aside, girls at the back come up…. Cos this song is for you ” Izzy calls as she moves closer to the crowd hugging her stunned fans while they sing the chorus for the beloved ‘Corrine’. This is something she regularly does throughout the set, she stays with the crowd embraces and dances with them before returning to the stage to wiggle and shimmy to the bands infectious tasty tunes. The tracks take a new dimension live, the disco funk speckled delight ‘Midnight’ becomes more gritty and raw within the live setting while a slower start to the exhilarating ‘Spinning Wheel’ teases the fiery frenzy to come. Drummer Tom Dewhurst lays down that all important meaty foundation and punchy beat that keeps tracks like ‘All My Pride’ pounding through your soul as he grins to the coolly composed Bassist Tommy Taylor who’s slinky bass lines make tracks like ‘Teenager’ and ‘Midnight’ swelter their way to epic status.
A beautiful rendition of ‘Baby’ allows Izzy to showcase her flawless vocals while ‘Bad Friends’ and ‘Into The Nightmare’ wallop through with attitude and fiery instrumentation. Their setlist powers through at an unstoppable speed, it almost feels like no time has passed when the band announce their final track of the night ‘Somebody Better ‘ as the crowd cheer and dance along.
Black Honey put on one heck of a performance. One of the best live shows of the year so far.
