Tag Archives: electronic

Sleepless Beauty

Having got her start on a LGBT/womxn in music DJ course, Irish DJ Sleepless Beauty plays the festival circuit, spinning electro, nu-disco, synth, and tech-house. She has played at The Button Factory, Lucky’s, Ruin Bar, Drop Dead Twice, Street 66 and Berlin Bar. Sleepless Beauty is a member of The Gash Collective, a resident at Doyle’s and Lost Lane, and has performed at Body & Soul, KnockanStockan and All Together Now. She closed out the Bandstand in Body and Soul on Friday night 12-2AM at Electric Picnic. Sleepless Beauty has a collection of songs on mixtape. Indie Buddie decided to have a listen.

Sleepless Beauty is a trailblazer bringing together elements of disco, tech house and jungle to create an authentic and wholly immersing sound. Sleepless Beauty keeps her mixes light and refreshing as swirling synths are richly weaved between intricate percussive lines and seamless song shifts to create a satisfying listening experience. Oozing pulsing base lines and echoing vocals the vibe never falters. ‘Tribal Fiesta’ which is perhaps my favourite mix so far brings the summer breeze right into your ears transporting the listener to a tropical sunkissed world of Sleepless Beauty’s creation. 

Killer house beats keep the momentum bubbling throughout as Sleepless Beauty meanders between hypnotic techno and light disco with ease allowing the dynamic synths to playfully move between thick, heavy bass builds and sticky beat slaps. Mixes such as Pride 2020 are driven by a robust sequence of notes and beats which are made complete by vocals and tunes that you can’t help but sing along to. Sleepless Beauty is an extremely talented DJ with mixes doused in driving energy with an understated anthemic feel.

Check out Sleepless Beauty on Mixcloud here https://www.mixcloud.com/sleeplessbeauty/


Author : Danu

Human Machine Interface ‘Futurespective’

Mastered in Berlin, ‘Futurespective’ is the debut album to come from Human Machine Interface. Inspired by travelling, ‘Futurespective’ was created everywhere; on the train, on the plane, in different countries and different soundscapes from cities, and used all types of equipment ranging from state of the art studios to a simple bluetooth speaker. Human Machine Interface creates his sound by using analogue and digital synthesisers and programming with Pure Data. Known for an immersive and mesmerizing live show, Human Machine Interface has played all across Europe and cites Kraftwerk and Karlheinz Stockhausen as key influences.

‘Futurespective’ is a unique and obscure collection of music as Human Machine Interface creates an expansive wall of sound through the use of dark, intense and sometimes disco-infused soundscapes. Utilizing sticky beats and swirling electronic pulses the songs submerge the listener in a futuristic world of Human Machine Interface’s creation. From the ominous synth progressions in ‘Why Not Swear’, funky disco elements in ‘Close Your Eyes’ to brooding asphyxiating soundscapes in ‘Retrospective of Time’, each track draws you deeper into the album’s core. Richly Layered textures and syncopated beats provide both flashing moments of scintillation and dark shadows of mystery with some earthy light fluttering embellishments in between. These elements are best shown in the immersive ‘Cordobazo’.

This instrumental album is a unique and engaging collection of tracks from an intriguing artist.

Stream ‘Futurespective’ below 


Author : Danu

Two Sevens ‘Modern Age’

‘Modern Age’ is the new single from indie-electro-pop band Two Sevens. Recorded in a studio in Camberwell, London, where the band formed, ‘Modern Age’ shows off the vibrant nature of Two Sevens while making a poignant observation about freedom and the trappings of modern society. The stunning video, directed by Laurence Dutton, is set against a backdrop of the city’s materialism yet oozes energy, optimism and positivity. London-based Two Sevens is a three-piece band, formed of Sonya Frances (vocals), Matthew Davis (song, instruments), and Paul Bateman (instruments).The band’s self-titled debut mini-album was initially only released on vinyl but has just been released digitally along with this brand new single ‘Modern Age’. The debut album includes the track ‘207’ co-written with Stuart Moxham from iconic band Young Marble Giants.

‘Modern Age’ is a shimmering electronic pop number saturated in sharp production and slick 80’s infused musicianship. The song swirls in a flurry of synths while the acute fuzzed guitars pierce the asphyxiating soundscape with zealous animation. The band have created a lively synth pop tune with dark looming electronics which exudes an ominous tone while the sweet vocals and lush melody lull over the bustling backdrop. There is an instant rush of energy through the track while the flickering beat creates a sturdy foundation for the piercing melodic guitars and synths to ricochet off. ‘Modern Age’ is an intoxicating guzzle of synth pop.

Stream ‘Modern Age’ below


Author : Danu

James Lonergan ‘Tip the Can’

Dublin artist James Lonergan is set to release his new single ‘Tip the Can’ on November 27th. Lonergan joined his first band aged 10, since then he has steadily fronted bands – most notably as the vocalist, guitarist and principal songwriter of the recently disbanded progressive band, Synk.

‘Tip the Can’ is a wonderful display of Lonergan’s unique and hypnotic musicianship. Lonergan uses his wide sonic range to simmer his instrumentation, carefully creating rich layers of shadowy soundscapes. The track’s electronics haunt through a tapping beat while rumbling distortion and bubbling synths build suspense in the background.The only relief from the muggy wall of sound is Lonergan’s reverb-laced vocals and the soft keys which add glimmers of innocence, while at the same time lightening the thick asphyxiating soundscapes.

This track boasts unique production and the enticing obscurity of Lonergan, as he lures the listener into his mesmerising, musical depths. ‘Tip the Can’ is an enthralling, obscure track from James Lonergan. It is beginning to feel as if there is no genre or style he can not twist and make his own.

‘Tip the Can’ is set for release on November 27th. For more you check out James Lonergan on Facebook here https://www.facebook.com/James-Lonergan-102814768245783


Author : Danu

Christian Cohle ‘Drown Me Slow’

Irish artist Christian Cohle has released his new single ‘Drown Me Slow’. Cohle is a singer songwriter, multi instrumentalist and producer, who’s launched on to the Irish music scene this year with breathtaking atmospheric alt pop and stunning music videos by IFTA nominated Irish filmmaker Tristian Heanue. ‘Drown Me Slow’ will be the last single he’ll be releasing before his debut album ‘Holy Trouble’ next year.

‘Drown Me Slow’ is an ethereal, spacious track laced in lofty electronics and building soundscapes as Christian Cohle presents his most suspenseful and graceful tune yet. The track maintains an intense and mysterious nature. 80’s-esque synths create a plucking, rhythmic bounce between rippling electronic pulses while Chole’s soulful vocals ooze emotion through the haunting atmospheric backdrop. ‘Drown Me Slow’ is a hypnotic piece of musicianship from Christian Cohle. Looking forward to his debut album ‘Holy Trouble’ which is out next year.

Stream ‘Drown Me Slow’ below

https://soundcloud.com/christian-cohle-455363197/drown-me-slow-2/s-16ljviC3N1T


Author : Danu

VAHN ‘Teeth’

Irish Band VAHN have released their new single ‘Teeth’. This luring number is saturated in dark electronics creating the most tantalizing listening experience. With rhythmic pulses, intense soundscapes of swirling synths and distortion the track is an eerie and frantic tune. ‘Teeth’ is expertly layered and gradually builds, becoming more fuzz filled and frantic as the fizzing electronics and guitars merge into one hypnotic, dazing and psychedelic wall of sound. The haunting whispered vocals coo and lure throughout, allowing the instrumentation draw the listener into the track’s dark abyssal soundscape. With sensual grooves and irresistible melodies ‘Teeth’ ventures between indie, electronic pop and psychedelic with ease. An impressive and satisfying new number from VAHN.

Stream ‘Teeth’ below 


Author : Danu

Indie Buddie Session: Ria Rua

Ria Rua recorded a live session for Indie Buddie earlier this week and it’s a real treat. Ria Rua is a female artist and producer from Cavan. She began her musical life as a drummer – drumming professionally in Ireland and abroad – before deciding to shift her focus to songwriting, singing and production.

Ria Rua’s sound is edgy, compelling and executed with mesmerising artistic flair. Her luring songs blend sharp beats with dark intoxicating electronics to create an intriguing and tantalizing listening experience.

Ria went all out for her performance, utilising her deft technical wizardry, musical and visual prowess to provide us with an outstanding, one of a kind, and exciting performance. 

Watch the performance below 


Author : Danu

R34L ‘WHAT/IS: REMIXED’ Album

Production duo R34L have released ‘WHAT/IS: REMIXED,’ A remix of their 2019 debut album. Restoring fun to the studio, R34L started experimenting with sampling some of the tracks and started to reimagine them in completely different ways. They now present their second album, an alternative version that they could perform at live shows. Formed by Cason Trager and Sarah Hartman, R34L is a production duo from Chicago. They describe their sound as “a journey into another dimension of space & sound.”

Swimming in dark electronics ‘WHAT/IS: REMIXED’ is a dazing collection of tracks. Hartman’s haunting vocals coo with delicate tones as each song delves into a pool of vast synths, sticky beats and rippling psychedelic soundscapes. The rich production and multitude of textures makes ‘Hellow (Sarah’s Atlantis Remix)’ , ‘Undone (Chachuba Remix)’ and ‘Are You Real (k$quid Remix)’ both spirited and soothing all at once as the flashing synth elements and dreamy melodies intertwine and blend. The album continues this diverse and rich display of musicianship as R34L experiment and give a new lease of life to their songs.

‘WHAT/IS: REMIXED’ is a fascinating glimpse into the creativity of R34L as they weave house elements, with hip hop and electronic dance to create an engaging and luring album.

Talking about the process they said “The remix album ended up being super diverse across electronic music styles, which was our goal from the start. This, to us, captured the intent of the original album–as a journey in form.” 

Stream ‘WHAT/IS: REMIXED’ below


Author : Danu

PureGrand ‘Such A Fright’

Hot off the heels of his atmospheric synth pop single ‘Timeline’, PureGrand (Luke Faulkner) returns with his new single ‘Such A Fright’, accompanied with a self made video which parodies the pressures and hypocrisy of the modern workplace but dresses it up in the stylings of the 1990s.The song was written and produced by Faulkner and is the latest single to be taken from his new body of work which is inspired by social themes felt by young millennials and by Faulkner’s own experiences in the past year and exploring them through the sounds and aesthetics of 90s and millennium pop.

‘Such A Fright’ is an intoxicating slice of electronic pop as PureGrand uses building soundscapes, catchy melodies and earnest songwriting to create a danceable dark tune.The slapping beats scuff the atmosphere in ominous undertones while the coiling electronics shuffle with an 80’s hue and disco vibe. With a bittersweet pop melody and sombre vocal delivery the track is a lonely bop brimming with lush textures and surging electronic pop sensibilities. Lyrically the song illustrates the claustrophobic sensations and the trappings of dealing with anxiety. PureGrand use retro synths and infectious melodies to create an asphyxiating atmosphere showcasing brief moments of innocent release to compliment the tracks lyrical theme. ‘Such A Fright’ is an infectious meaningful number from PureGrand.

Stream ‘Such A Fright’ below


Author : Danu

HEKA ‘Club 1980’

Bristol band HEKA have released their new single ‘Club 1980’. HEKA recently released their debut single ‘Fake Smile’, it reached 20,000 plays on YouTube within the first 3 weeks of release and has been backed by BBC Introducing and BBC Bristol.

Saturated in wonderfully dark and expressive electronic soundscapes, ‘Club 1980’ is a passionate melodically rich number from HEKA. With surging electronics weaving sinister undertones through a sticky beat and consuming soundscape the band build tension from the get go as HEKA blend eerie soundscapes with dark, intoxicating electronics superbly to provide a wholly immersing and rich listening experience.

The listener is treated to a banquet display of musical prowess as HEKA showcase their deft ability to creates pockets of space and brief moments of stillness between the flowing, chiming guitars and synth refrains. These momentary tranquil moments beautifully contrast the fluidity of the track and are a joy to experience.

With lush backing vocal coos and sublime passionate vocals teamed with an infectious bitter sweet melody ‘Club 1980’ is a fine example of why HEKA are an exciting band to keep an eye on. Their ability to blend sinister, brooding electronics, and raw indie with prismatic sparkles of synth pop is masterful.

Stream ‘Club 1980’ below


Author : Danu