Orwells ’84 have returned, bringing their familiar sound to the masses with the release of their latest single ‘She Is So Sweet’. The track is the third release from the band’s well received debut EP ‘Truth is the First Victim’.The band recorded most of ‘Truth is the First Victim’ in Sun Studios in Dublin with Pauric McCrum and Peter McCoy of Pillowhead. This is the band’s second venture with the duo; having worked together previously on the single “Cailín”. They’ve performed with talents such as David Keenan, Nix Moon, Myles McCormack from Belfast group Lonesome George and Finnian, among others.
‘She Is So Sweet’ is a light, charming tune as Orwells ’84 spread their uplifting and melodious musicianship over a colourful tapestry of wonderful instrumental embellishments. The band’s hearty sound is wholesome and rich with diversity streaming in through indie elements, folk tones and wonderful melodic progressions. Elegant strings glide through a buoyant rhythmic section while warm guitars adorn the backdrop. With smooth vocals, lush backing vocals and meticulous layering this track has a vibrant and irresistibly ebullient sound that is joyful to the ears. Brimming with radiance, traditional tones and cheery refinement, ‘She Is So Sweet’ is a wonderful new single from Orwells ’84.
Benji and the Saltwater Sound System have released their new single ‘Lights and Smoke’. ‘Lights and Smoke’ is the third single to be released from the upcoming Benji and the Saltwater Sound System EP, ‘Ripples of Thunder’. Benji and the Saltwater Sound System draw from Ben Fowler’s recent immersion into islander flavours and fuse these with the jazz, reggae and African roots of its members past musical projects.Benji and the Saltwater Sound System have played acclaimed festivals including Woodford, the National Folk Festival, Mitchell Creek Rock N’ Blues.
Exuding a soft layering of folk, pop and indie ‘Lights and Smoke’ is a lush unfolding of Benji and the Saltwater Sound System’s wonderful musicianship. With guitar twinkling over a rumbling beat the track begins light and radiant before the chorus introduces warm melodies on cello provided by Sivan Agam of the April Maze. ‘Lights and Smoke’ lyrically draws from frontman Ben Fowler’s experience of living in the Solomon Islands.The song oozes passion within its roots as the foot tapping rhythmic pulse surges warmth and cosy vibes while the light guitar and keys lift the track to ethereal heights. ‘Lights and Smoke’ is quite the time stopping number as the listener is lulled by Ben Fowler’s dreamy emotive vocals which gently coo over the songs organically flourishing soundscape. With a sweet melody melting over this softly bubbling backdrop Benji and the Saltwater Sound System present a lush and intricately rippling sound full of rich textures and intriguing musicianship.
The Star Prairie Project has released a 10 song album titled ‘Panacea’. The album follows on from the success of their single ‘Sophia’ which has amassed more than 110,000 streams on Spotify and reached #48 on the DRT Top 50 Adult Contemporary chart. The Star Prairie Project gets its name from the village of Star Prairie outside of Minneapolis and the AlanParsons Project. The Star Prairie Project is made up of Nolen R. Chew Jr. and Rick J. Vogelpohl. Their upcoming album ‘Panacea’ sees them teaming up with more vocalists and musicians as they create a truly collaborative and highly polished album.
‘Panacea’ is a wholesome and accomplished album that ventures from alternative rock to country and folk with some Americana peppering throughout. The album steadily blends heartwarming musicianship with slick instrumentation with ease as The Star Prairie Project present their powerful and refined sound through the rock-filled and mighty opener ‘Do What You Do’. The sultry rock n’ roll of ‘Frantic Mind’ and witty twang of ‘My Dear Lady’ display the bands ability to rein the might of their wild alternative rock and embellish their deft sound with more emotive and cheeky elements. This is shown particularly well in soft romantic ballads such as ‘So Beautiful’.
However it is within the intricacies of the guitar and piano work that this band truly excel. The guitars inject majestic qualities, raw power and sharp vigor into the tracks while the piano provides more haunting tones in tracks such as ‘Nowhere Bound’ with its mysterious soundscape and jazz elements.
‘Panacea’ boasts a sound brimming with catchy melodies and clean production with a healthy dose of rock spread throughout. There are warm Americana elements fused throughout creating a smooth fluid album filled with emotive vocals and passionate musicianship. Each song is structured and well crafted with steady punchy drum progressions and refined guitar lines that add lamenting elements to nostalgic tracks like ‘Bygone Days’ with its sweet dreamy classic rock coating and shredding solo while ‘My Heart Strings’ takes the bands more piano pop persona and flourishes into a disco hued bop.
‘Panacea’ is a satisfying album laced in folk/ country influences and sublime rock elements. The Star Prairie Project have built a strong repertoire of music filled with charisma, cheeky charm and refined intricate musicianship. It’s a solid new album.
AER Music, Fluttertone and dootdoot Records have come together to create a series of intimate evenings of exclusive live performances from the best emerging and established artists.Last night they had the music sensation that is Sam Wickens.
Sam Wickens enchanted the viewers of Virtual last night.There is nothing more special than a performance from Wickens. We saw him in his home studio all geared up and tech savvy. He ventures through tunes with acoustic guitar, synths and reverb as well as some haunting effects. He has become known as the “tech wizard of Oz”, for he has been helping other artists that have performed on Virtual making sure their sound is crisp and clear. However tonight it’s all about the beauty in his songs and majesty of his voice.
Wickens is a passionate performer and exceptional instrumentalist ( he made his synth himself) however it’s the moments of heightened emotion and depth within his songs that takes your breath away – tracks such as ‘I Was’ breaks your heart in a swift, raw and striking instant.His performance is wholly consuming as he ventures between country, soul and folk with ease while subtly adding delicate textures in the background. While having a cheeky little vape during the set as well, Wickens explains he is “mathematically challenged when it comes to song length times “ and planning his time for shows.
Wickens shows the tenderness and emotion in his voice through the immaculate ‘Winter’ while ‘Oh Mother’ displays the rich and soulful marvel of his vocal range. He uses synths and effects to create a haunting atmosphere and reverb. The synths fill out the sound while at the same time emphasising the purest form of his music. Wickens treats us to some new tracks from an EP he will be releasing later this year.Yet to be released ‘Murky Waters’ in particular is perfection.The lush falsetto, foot tapping tempo and soothing melody creates a heavenly melodic ambience while ‘Cliff Side’ is a folk-hued number that has Wickens “trying to be a didgeridoo”. The set continues with fans asking him to do four more… five more songs, Wickens jokingly replies “I’ll do none, I’ll feck off now” before delving into the latter half of his set.
There is real serenity to the performance, a great relaxation that’s beautiful to witness as Wickens plays guitar and keys with ease. Not only can Wickens present moving and lyrically poetic songs he can drift through some pretty slick covers as well. A time stopping cover of Tom Petty’s ‘Crawling Back To You’ graces the setlist however it is the much sought after ‘Jericho’ which leads to revered appreciation and adoration from the viewers.
Sam Wickens is an artist to treasure. His songs form their own universe, primed for the listener to dive in and find their own little corner to indulge and delight in. His technical virtuosity and moving vocals are incomparable and this Virtual medium gives a real frisson of excitement and thrill to Wickens performance creating the space, silence and mood to truly appreciate his beautiful songs.
A Q&A follows the performance which satisfies the insatiable need of the viewers to ask and connect with Wickens. Questions from what’s your favourite fruit, favourite burger joint to how does he get into the head space for his songs, inspirations as well as more personal topics such as him being a “sober little pickle”.He has fans in Canada and America watching. Unfortunately “Sammy” is “too cool to say it back” to fans declaring their love for him however this does not halt the flood of compliments and love for Wickens from pouring in.This Q&A in particular is lively and Wickens banters and chats honestly to his fans providing them with a more personal one to one conversation approach which is a special feature of this Virtual medium. Another mind blowing performance on our weekly fix of Virtual.
Singer Songwriter Jon Lloyd Palmer has released a collection of songs written over 40 years through his album called ‘Aftermath’.Recorded over 2 years in his garden studio, the songs reflect his nostalgia influenced by the beautiful scenery of Scotland, Norway and rural USA. Jon Lloyd Palmer has been writing songs for 45 years, starting out in the small pub scene. He has decided to release this collection of songs to open up opportunities of collaborating with other artists that may want to take these songs on.
‘Aftermath’ is a sweet collection of tracks that exude warm country-esque tones and wholesome musicianship. Palmer tells tales of love and the adventures of his life through this album as he weaves traditional elements and intricate instrumentation into each track. Country and folk-esque music isn’t quite my cup of tea but Palmer surges oodles of passion and emotive qualities through tracks like ‘Aftermath’, ‘Everytime The North Wind Blows’ and ‘Live Is Beautiful’ with ‘An Encounter ( Good Enough For Me) providing a mysterious Spanish guitar and ‘I Am A Martian’ stomping some rock n roll into the album.
The songs ooze nostalgia with soothing melodies and warm guitar surging emotions of melancholia and bittersweet sentimentality. Palmer paints a colourful picture of beautiful sceneries, wonderful meetings and long term friendships. The album flows well with each track seeming to reflect the influences of the time they were written in.
‘Aftermath’ is a glimpse into Palmers photo album of life and is quite a charming collection of tracks.
Country Rock band Zebra Trees have released their self-titled debut album. This follows on from their first single ‘Happy Birthday’, released in February. Zebra Trees consists of songwriter/multi-instrumentalist Jim McFarnell and vocalist Andrea French.
Zebra Trees present their wholesome country rock with sweet pop elements and warm instrumental lilts through their self titled album. From the cosy bright jingle of ‘Wild In The Country’, the balmy ‘Wanted Poster’ and uplifting ‘ Just To Let You Know’ through to the more ballad- eque tracks like ‘Nightmare’ and ‘The Busker’ we see the vibrant and well crafted musicianship of Zebra Trees. The band flesh out their sublime storytelling through lush catchy melodies and rich instrumentation. French’s vocals exude emotion and passion throughout with lush harmonies creating a beautiful texture within the album. There are wonderful guitar moments throughout from sweet jingles to infectious slinky guitar licks and sweltering western twangs. The band use the guitars to add rich and vibrant embellishments in the songs. The buoyant and infectious foot-tapping beat in tracks like The Corrs – esque ‘Summer Angel’ create a pure and radiant atmosphere and gives something to bounce and dance along to while the beautiful vocals melt upon the delightful melody. Warm, cosy and heartfelt tones are abundant as Zebra Trees blend folk and country with a peppering of rock to add an edge. ‘Broken’ and ‘Good Times Past And Gone’ bring the album to an end with the latter fully embracing the country elements of the bands style with strong guitar twangs and powerful vocals.
If country folk rock is your thing then Zebra Trees have everything you would want with peppy catchy melodies, loving, yearning tones and a strong southern edge, it’s a humdinger sure to have your feet tapping.
Cork singer songwriter Eoin is set to release his new album ‘Reverie’ on 19th July. ‘Reverie’ examines the descent into anger and depression coupled with the transition from a lighter, acoustic driven folk sound to a heavier, grunge infused one. This compact album showcases Eoin’s rich, warm and emotive musicianship as he ventures from tender ballad- esque to expressive indie rock tracks effortlessly. Each track is just as compelling as the next from the warm folky stomp of opening song ‘Anthony’s Got Mono’ to the guitar swaggering ‘Mask Your Lines’ and the dark rugged ‘The Eleventh Hour’.Eoin caresses each number with his velvety, lightly rasped vocals as the melodies drift easily into the ears with a honeyed texture however, he’s not afraid to let go as we hear through his vocal wails in ‘The Eleventh Hour’. The delicate and more tender tracks such as ‘Infinite’, the numbing twinkling ‘Instrumental’ and grunge hued dark ‘Reverie’ croon and elegantly drift you into a lulled stupor as the soft guitar and steady beat create a calming effect. Eoin builds these tracks superbly, some becoming more intense as the instruments progress. His vocals haunt and wail in ‘Infinite’ and add a steamy tantalizing dash of spice through the falsetto in ‘A Blues Song’. This hair raising progression is why Eoin is an artist to keep an eye on. He surges his tracks with emotion and passion while reinforcing his moving themes and lyrical content with mesmerising and thrilling instrumentation to make you feel each pulse, guitar strike and drum beat. ‘Snow Angels’ is a charming ditty. Simple in its approach the acoustic gem has a cheery twist as Eoin coos and whispers the quirky lyrics through a chirpy guitar feature. The smoky ‘Chalk & Cheese’ provides the steamy bluesy side to the album as the verses tease and entice with soul infused vocals and light flirtations on guitar before blasting into the brawny chorus. There is sublime guitar moments in this track as it builds to its massive crescendo. We see the frenzied rock n’ roll facet of the album through ‘A.C.I.D.’ and boy it is a thrilling whoosh that takes you by surprise. Crashing and dizzying soundscapes whirl around while a gritty guitar riff and dynamic bass relentlessly pummels through the pounding drums. An absolutely magnificent and swagger steeped number that I’m sure is going to be insane live. The grunge filled angsty track ‘Blurb’ follows the frenzy with moody tones, light lamenting guitar and steady beat. This is another superb track. The perfect build from eerie numb and glum verses to crashing guitars, dynamic drum blasts and all out explosive nature of the chorus is erratic and perfectly crafted. Another track that is sure to be outstanding live and will strike a chord with listeners.
‘Reverie’ takes Eoin from a simple singer songwriter to a passionate diverse artist with a bright future ahead. Sure he can produce light, little, sweet ditty’s that make your feet tap and warm the cockles of your heart but the album takes you down into the depths of his musicianship with eerie haunting twists, flickers of anger, turmoil and depression through dynamic chilling and sometimes erratic instrumentation. He’s not afraid to lay everything out and showcase his versatility as an artist and boy has he made one mesmerising and outstanding album.
You can catch Eoin live at :
‘Reverie’ album launch night on 19th July in DeBarra’s Folk Club
Cork Indie Pop/Folk artist Bland Orlando has released his new EP ‘Blue – Hold – Wasted’. This three track collection floats and swoons in Bland Orlando’s delicate and emotive musicianship. From the brooding fluid groove of opening track ‘Blue’ the EP sets up a tranquil scene with relaxing vibes and sweet lush melodies. With soft warm guitar accompaniment and a steady beat slap this track allows Bland Orlando’s vocals to become the main focus point as he coos with raspy tones over the delicate tender melody. ’Hold’ has a lighter more buoyant quality as the twinkling soundscapes flutter about the rich rhythm and infectious melody. It’s charming and a joy to listen to. There are intricate subtle melodies through out that create a mesmerising and peaceful tone to the track making it perfect for evening listening. This EP in brimming with passion and luscious melodies. Bland Orlando’s simplistic approach gives a special and magical effect to his tracks. ‘Wasted’ closes the EP. Haunting backing vocals lull and whine behind Orlando’s deep vocals. Passion and emotion radiates through out the track – building becoming more jittery until it transforms into a tropical- esque delight. The guitars add a dash of zest and sun-speckled scintillation as the rhythm becomes more shaky and vibrant. It’s a chilled cruising track to bring the EP to a mellowed out hazy summer end.
Bland Orlando has created an emotive EP that is set to ease the mind and relax the soul with his superb musicianship.
Contemporary Folk artist Sunjay has released his latest album ‘Devil Came Calling’. Sunjay hails from the UK where he has been quickly coined a rising star. In 2012 he was nominated for BBC Radio 2 Young Folk Award as well as being crowned Wath Festival Young Performers Award Winner.
‘Devil Came Calling’ is a twanging quirky album that bounces along peppy folk tones with humour glimmering through Sunjay’s lyrics. Warm guitars lift each track into an uplifting atmosphere while the infectious buoyant beat keeps tracks like ‘Ghost Train’, ‘Mean & Ugly’, ‘Too Close To The Sun’ and ‘King Of My Own Country’ tipping away in your mind. The country influences add that sing along sprightly feel while the blues hues in ‘Big Road’, and the Robert Johnson -esque ‘Mississippi Blues’ adds a lonesome purity to the album as well as showcasing Sunjay’s guitar prowess.‘Johnny & The Devil’ chugs along with an entertaining narrative through the lyrics while the vocals tell the tale with warmth and charm. The album winds out with the radiant ‘Faith Healer’ followed by the rock n’ roll doused ‘Tell Me’ which swaggers its way to the final slow burner ‘The Truth’
‘Devil Came Calling’ displays Sunjay’s diverse musicianship with warm country twangs, blues hues and some strut ready rock n’ roll peppering to keep the album spicy and fresh. Filled with rich rhythms sublime guitar work and string element sprinklings, Sunjay has created an easy on the ears album for the indie folk lovers out there.
Jane Willow is set to release her new single ‘The Fool’ on May 31st. The Dublin-based folk musician of Dutch origin has supported the likes of Glen Hansard, Mark Geary, Kíla and The Unthanks and her debut EP ‘Onward Still’ received radio play on Radio 1, Radio Nova, BBC Radio Ulster.
‘The Fool’ sees Willow venture to the more country elements of her sound as she takes a powerful stance with strong melodies and upbeat instrumentation. The warm guitar strides through a resilient buoyant beat while Willow’s striking vocals exude passion, emotion and endurance. There is strength and character driving this track through a winding dark and mysterious journey. The guitar weaves and meanders through innocent melodies and sultry tones as the track progresses from the ominous, smoky verses to the expressive chorus. The vocal melody remains sweet and dainty however the instrumental backdrop and powerful vocal delivery are strong and brazen creating a raw and intriguing contrast. Willow has poured everything into this compelling track as she fleshes out and crafts her rich and diverse sound beautifully.
About the track Jane Willow said :“This song started as an homage to Dolly Parton’s ‘Jolene’, exploring country songwriting with a strong vocal in mind, but it quickly evolved. I never intended for it to be a real song, or for me to sing it. But something personal occurred to me and I connected with the song because of it. To me this song is about consent. I wanted to rid myself of the anger I felt. And I didn’t want to feel alone in this hurt. I feel very nervous releasing this song, or speaking about it. But I know the song means something to me. And hopefully it will mean something to other people too.”
