Four in the Morning have released a Christmas single ‘Quiet Over Here’. Led by Irish singer-songwriter Kevin Dolan and surrounded by an eclectic group of genre-defying musicians – Kiran Srinivasan, Dan Walwyn and Alex Lees – Four in the Morning write sad songs for insomniacs.‘Quiet Over Here’ is “about being stuck abroad over Christmas, something we’re unfortunately still all too familiar with. Could be a song your readers will be able to relate to.”
‘Quiet Over Here’ is a moving tune that walks a fine line between soothing and sombre, leaving you wallowing in a state of melancholy. The band wrote this song for their friends and family last year as they couldn’t return home for Christmas, and that longing, lonely feeling is perfectly highlighted throughout the song. Dolan’s emotive vocals express disappointment as he sings the most heartbreaking opening line over a soft guitar strum “ hey mam, I hope you’re doing well, I got a little bit of bad news, I don’t think I’ll make it home this year”. With delicate piano and steady beat, the song has a supple bounce that distracts from the sad tone as Dolan reflects and reminisces on what he is missing out on while string elements add a warm glow to the indie-folk soundscape. Four in the Morning are a talented bunch. Their music and poetic lyrics are powerfully emotive and ‘Quiet Over Here’ is a fine example of this. Press play, enjoy and prepare to wipe a few tears from your eye.
Four in the Morning have released their Debut EP ‘Stress Dreams’. Led by Irish singer-songwriter Kevin Dolan and surrounded by an eclectic group of genre-defying musicians – Kiran Srinivasan, Dan Walwyn and Alex Lees – Four in the Morning write sad songs for insomniacs. As Kevin Dolan puts it: “I’ve always been bad at sleeping, and I find late at night a great time to write. Whether it’s a dream or a song, there’s something beautiful in the subconscious, taking all the stuff from a day and making sense of it. I guess that’s what these songs try to do.” ‘Stress Dreams’ was produced, recorded and mixed by Jono Steer (Angie McMahon, Ainslie Wills, Leif Vollebekk, Julia Wallace) at The Perch Recording Studio in Castlemaine in rural Australia.
‘Stress Dreams’ is a marvellous EP. Four in the Morning define their songwriting to create a moving, multi-dimensional experience full of heart and exquisite musicianship. Their music transports you into a dream-like, sedative world filled with wispy, almost translucent soundscapes. Each track exudes hazy bright tones that create a rosy-hued, memory-like effect between the mellow guitar and smooth melodies. This multi-dimensional sound transcends any genre and is a joy to listen to.
The beautifully melancholic ‘Home Home’ kicks the lucid experience in motion. A soft piano laments beneath Kevin Dolan’s vocals of despair as he pines, “I wanna go home home”. This majestic tune boasts Four in the Morning’s musical prowess as they build on the raw vocals and piano, adding in warm guitars and Irish musical embellishments; these elements lift the song from the stark loneliness displayed at the beginning to give the listener a glimpse into the warmth and joy Dolan longs for as he dreams of returning home to Ireland. This evocative imagery is the EP’s foundation as the band takes us on many mind journeys through the medium of powerful musicianship and eloquent lyrics. From the pulsing heartbeat rhythm in ‘Keep It Together’ to the warm nostalgic melody, dark undertones and striking lyrics in ‘Love in the Asylum’, the band provide a bittersweet escape for the listener to immerse themselves in while dealing with heavy emotional themes “it’s so dark and I’m so scared I’m living in a brain that’s running out of air”.
‘Stress Dreams’ ripples with light fragments of hope between dark emotions. There are themes of loss, loneliness and despair throughout the lyrics; however, at times, glimmers of hope rise above the pool of emotion; sometimes it’s through a cosy caress on guitar as in ‘Good Love’ or time stopping harmonies in ‘In The Dark’. The band never leave us to wallow in the sombreness for too long. They provide a means of coping through refined, and ethereal instrumentation to make ‘Stress Dreams’ quite the compelling listening experience.
Within ‘Stress Dreams’ Four in the Morning capture raw, unbridled emotion through spectacular arrangements and eloquent songwriting. The EP is laid back, passionate, and lays bare dark thoughts and feelings that are deftly expressed through mesmerising and expressive musicianship. It’s a heartbreaking but utterly beautiful collection of songs.
Speaking about the EP Kevin Dolan of Four in the Morning said: “I didn’t really notice until the record was finished how many references to sleep and dreams there were across it. The songs are obsessed with family, longing, stress, depression, love, and how we make sense of all of it. They’re fragments, feelings, and a means of coping.”
Four in the Morning have released their new single ‘Keep It Together’. Irish singer-songwriter Kevin Dolan leads the band with Kiran Srinivasan, Dan Walwyn and Alex Lees completing the eclectic genre-defying line-up.
I caught up with Kevin, who is living in Australia, to chat about the new single, how the band craft their dreamy, musically dense tunes, and how he hasn’t been able to return to Ireland due to the pandemic.
‘Keep It Together’ is an atmospheric tune that ebbs and flows with brooding and evocative instrumentation. Kevin explained to me how the pandemic influenced the song.
“ I guess the first line of the song is – ” I haven’t been sleeping again. It’s been a while since that’s been a thing ” – and that was just a truism I guess. When lockdown hit, as for everyone and it’s pretty boring to hear me talk about it but it was a lot of stress, it was a lot of you didn’t know what was going on, we still don’t know what’s going on. We’re back in lockdown now so it’s just been uncertainty and I think everyone has been going through this weird joint psychological roller coaster and for me, that manifested itself. I’ve always been terrible at sleeping, and just before lockdown started I had bought this new record player, and these speaker setups, and they weren’t working. I had all this time stuck at home and I wasted a lot of it just trying to figure out how to make these bloody speakers work. So I realised that I was putting all of this stress, angst and worry into fixing these bloody speakers, and the song, kind of stemmed from that I guess – that and… I was listening to I think it was this New York Times radio podcast, where they were just playing moments from all over the States and all over the world of people dealing with COVID and lockdown. It was amazing to me to get all of these people’s brains just sort of fed into my head and that’s probably what was keeping me up. The song then came with a jumble of all of that, this idea of trying to keep yourself together and probably doing a very bad job of it.”
‘Keep It Together’ is the perfect example of each band members musical prowess as they intricately weave multiple layers and textures into the song to create a gripping listening experience that lingers in the listener’s mind for days.
“ I always joke that I’m a real lyric person and I’ll sit down at a piano and a guitar and write a song with lyrics and that’s how this song started, but the band I play with, these amazing musicians Dan [Walwyn] on bass, Kiran [Srinivasan] on guitar and piano and drums and Alex [Lees] on guitar, and I’m a real folk lyric nerd, but they’re like jazz nuts into prog. [ Progressive rock] and they’re a million times better than I am. We always joke that they take a song and just shift it and play with it until it breaks. I don’t have a big musical background so I just describe what’s in my head for a song and I think for this one it was the sound of a radio breaking and someone fluttering in and out of consciousness or whatever, and they ran with that and create this sound around the story. Interestingly for this one, because we sat with it so long over lockdown, it was made in a bunch of different directions. It started as a real driving kind of indie banger, just simple rock song, and that didn’t feel right. Then we took it away and we were just sending files back and forth to each other because we were in lockdown and Kiran created this drum loop and slowed the song down and that’s when we were like, this is the vibe for this one. Then finally, we got to record it in the studio, I’d say maybe six months, nine months after I’d started writing it, and we hadn’t played it live, at any point. So we went into the studio and we just kind of reinvented it again. It was really organic. The parts weren’t written on their own, we just played it in a room together which is the coolest way to play any music, and then just kept layering stuff on top of it until it felt right.”
The drum loop pulses through the song with a heartbeat-like effect, becoming the element within the track that exudes tension while an icy piano melody and synth embellishments create an ethereal expansive soundscape.
“Yeah, that drum loop was on the demo from way back and we again, couldn’t play in a room with drums and we couldn’t record in a room with drums in lockdown. We haven’t used samples or stuff before, but we had this drum loop that we loved, and that became almost the linchpin of the song. I always say there’s glass and there’s clay. Clay is the thing that you can mould and glass is the thing that you mess with, it breaks and for this one, it was the piano and it was the drums that were the glass of it. We actually tried to recreate that drum loop in the studio, and our producer Jono Steer was amazing, he is an amazing person. He was just like, ‘nah, just keep this’, and we ended up building more drums around it but keeping that. I think it goes through the whole song.“
The lyrics discuss putting on a good face and trying to convince those around you that you have it all together, which is a relatable theme even without the looming pandemic. Through his lyrics, Kevin perfectly captures a sense of loneliness while masking that hollow feeling through the metaphor of the broken record player. “I took it apart just to see what makes you sing. It was nothing but blue wires and the space between”.
“I wish I could say, I spent ages, meticulously crafting these words. But honestly, I actually don’t think I wrote them down. We were uploading them all to Spotify and all the things, and you have to put in the lyrics and I realised I hadn’t saved lyrics anywhere. Kiran our drummer, he’s a real organised brain, that I’m not. So I jotted down the lyrics, and he’s like ‘Kevin, these are not what you’re singing’, and he fixed them up. So it was a really weird one, I guess you get really lucky, sometimes with songs and there’s definitely songs that I sit down and I really write, but this one I don’t remember writing it and I couldn’t find notes where I had pieced together the lyrics, it kind of just all, fell out of me I guess”
‘Keep It Together’ feels like it lives in a dream state, or the in-between dreaming and awake. Kevin’s unconscious writing of the lyrics adds to the mystique of the track, while the cinematic instrumentation creates an awe-inspiring sense of elation.
“ I love when you mentioned cinematic, It’s such a compliment. I love images in songs and creating little postcards of images throughout songs and I’ve worked really hard at that, throughout writing lots of other songs. If the song hadn’t had those, I think I would have just thrown it away and forgotten about it, which I’ve done with 100 other songs that I wrote at the same time.”
Four in the Morning maintain a dreamy, night-time chilled atmosphere throughout the song, even when the background synths and elements of distortion create a tense and heavy soundscape towards the crescendo. The vocals are hushed and sombre, adding a haunting or deep sadness to the song. It’s as if Kevin is quietly revealing the lyrics as if it’s too difficult to say aloud. This is the first time we hear Kevin display his voice in this melancholic and earnest manner. His vocals walk a fine line between nonchalance and despair throughout.
“Yeah, it’s a really good point. We play a lot of bars and loud rooms and I love it …and the trick was always could you have a few people at the bar stop talking, if they stopped talking and looked at you, you knew you were doing something right. I love Glen Hansard, and those people who can really belt out a song, but this one because it was written in lockdown and again not played live it had a little bit of a different vibe and again, our producer really wanted to honour that for want of the better term, in the studio. I remember he asked us and I was like ‘I don’t know how to do the chorus should I be giving the chorus more than I currently am’, and he’s like, ‘well do it how you sing it live’ and I was like, ‘we’ve never sung it live, you [Jono Steer] were the first person we sang it in front of’, he’s like, ‘oh cool, just do it, how you’ve been doing it’. So I think in a way that hopefully does fit the song”
The song was produced, recorded and mixed by Jono Steer (Angie McMahon, Ainslie Wills, Leif Vollebekk, Julia Wallace) at The Perch Recording Studio in Castlemaine in rural Australia. I wondered what it was like working with Jono.
“I think Jono is an amazing talent to be able to come into a room and listen to the stuff that the band is playing and [hear] what’s important. So the way we work with Jono was. He came to a rehearsal of ours and he just sat and we played all the songs to him, and it was literally the first time we’d ever played the songs to anyone. We were like, oh wow this is like a little gig, and he kind of took that away with him, and he didn’t really say much. Jono is a really quiet dude, but he didn’t really say much at that rehearsal. But when we got to the studio then, I think he’d really inhabited the songs and knew the most important bits of all the songs and he set us up in a way that we were just playing in a little sitting room, basically together. He knew that’s how we practice and how we played together. He just took the best bits of the song and just really dialled them up in ways that capture the song and sounds that I hadn’t been expecting for the songs or I hadn’t really imagined could go there, and it was great. It was so cool.”
‘Keep It Together,’ is part of a series of songs the band have written for an EP called ‘Stress Dreams’. Kevin explained what we can expect from the EP.
“So, the EP. It’s great that you talk about dreams and this space between awake and asleep because the EP is called ‘Stress Dreams’, and we played witha lot of names, but I realised after listening back to it, that there was all these references to dreams and sleeping and I guess even, we’re bloody well called Four in the Morning. I realised these songs were all ways of dealing with the world in a way that dreams do. A lot of stuff happens to you during the day, you go to sleep, your brain spits out a dream at you. I love dreams, they’re amazing, and I think songs are very similar. They’re your unconscious thinking about what’s going on in your life, and that’s what these songs feel like they are, and in a similar way musically, it’s hopefully quite atmospheric, it’s quite lyrical but in a little bit of an interesting twist. In terms of themes and stuff, it’s a lot about missing home, like not being able to get home at the moment and missing friends as well as just dealing with the minutiae of daily life and ruminating on that,”
Kevin has been living in Australia ( currently in lockdown ) and has found the pandemic particularly difficult because he couldn’t get home at all to see his family.
“ I haven’t been home in four years. Usually, I go home every two years, every second Christmas. I was scheduled to go home, Christmas of 2019, but I said, you know what I’m sick of going home in the middle of winter. I’m going to wait for a nice Irish summer I want long twilight evenings, walking on the beach in Lahinch. So I decided to go home July, 2020, being like, what’s the worst that can happen. It’s a cliche but you don’t really realise what you’re missing until you’re gone and I think that’s seeped itself into the songs in a huge way. I’m really looking forward to getting home and playing some of these songs to people at home.”
“It was really scary for me and my girlfriend. It was really scary for us because rightly or wrongly…we grew up as this generation of what’s a border, what’s a country, we’re global citizens all that kind of thing…It was a real stress and I guess it’s still kind of is. It’s tough, not getting home to my family…but yeah I’m really looking forward to going home. One of the songs on the EP, the opening track is called ‘Home Home’. It’s I guess about that joke, that idea in Ireland, you know, you’ve got your home, where you’re living, but you’ve got your home home, where your parents live or you go home to at the weekend or whatever.”
When Four in the Morning finally get to perform live in Ireland it will be a big deal for the band, and Kevin told me what he is looking forward to the most.
“The dream plan at the moment, is a realistic plan I guess, to head back around April next year. I don’t think we’ll get back for Christmas unfortunately but I think sort of April, March, May hopefully, we’ll start opening up again and yeah I’d love to get home and play these songs. It’s funny, I haven’t seen Fontaine’s DC live, I haven’t seen Pillow Queens live I haven’t seen all these great Irish bands that I love and I’ve been following from over here, whatever about me getting to play songs at home, I would love that and I really look forward to doing that. But yeah, just getting to some good Irish gigs will be exciting as well.”
Four in the Morning are a talented band. Their proficient musicianship crafts time stopping tunes laden in depth and meaning. ‘Keep It Together’ displays this superbly through beautiful melodies, eloquent songwriting and rich instrumentation. Looking forward to the EP.
Four in the Morning have released their new single ‘Keep It Together’.Led by Irish singer-songwriter Kevin Dolan and surrounded by an eclectic group of genre defying musicians – Kiran Srinivasan, Dan Walwyn and Alex Lees – Four in the Morning write sad songs for insomniacs. As Kevin Dolan puts it: “I’ve always been bad at sleeping and I find late at night a great time to write. Whether it’s a dream or a song, there’s something beautiful in the subconscious taking all the stuff from a day and making sense of it. I guess that’s what these songs try to do.”. After multiple delays and with only a week before a government grant ran out, ‘Keep It Together’ was produced, recorded and mixed by Jono Steer (Angie McMahon, Ainslie Wills, Leif Vollebekk, Julia Wallace) at The Perch Recording Studio in Castlemaine in rural Australia.
Immersed in cinematic soundscapes, ‘Keep It Together’ is a moving, atmospheric tune from Four in the Morning. The band swirl ethereal synths through a fluctuant heartbeat -esque rhythm while an icy piano chimes innocently throughout. Dolan’s vocals whisper, almost unable to express the tender lyrics out loud, as he admits “I’m a little lost,“ over driving rhythms and a building backdrop of distorted murmurs on guitars. He fixates on repairing a broken record player “I took it apart just to see what makes you sing. There was nothing but the wires and the space between” to distract himself from the sense of isolation due to the pandemic. The emotive lyrics evoke a sense of loneliness within the song, however the band contrast this with glimmers of hope as the song builds to an uplifting crescendo. ‘Keep It Together’ is a joy to listen to and a fine example of Four in the Morning’s compelling musicianship.
Stream ‘Keep It Together’ below
Author: Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
