Our Worth A Listen Track This Week Comes From The Blood Republic
The Blood Republic have released their new single ‘Mr. Lucifer’. Zak Muller begins a fresh venture with his new band The Blood Republic offering a bold re-imagining of the grunge genre. The Blood Republic was launched in September 2018 with debut single ‘Ditch’ which ended up generating the band over 11,000 followers on their Facebook page in just two months. Zak Muller has taken a one man band approach, writing and recording all of the music himself as well creating the bands music videos, album covers and merchandise.
‘Mr. Lucifer’ is a luring, brutal and beautiful result of The Blood Republic’s passionate, compact and dark musicianship. The track slithers and creeps with chilling ominous tones as elastic bass slaps and intricate guitar lines weave tense haunting melodies throughout. The track explodes for the chorus like a beast pouncing on its unsuspecting prey. The groovy undertone is saturated in a dizzying heavy thick abyss of swirling metal infused rock as the kinetic wall of sound rushes to a frenzied crescendo. With enticing vocals and the infectious bleeding melody the track entraps you in its churning darkness, consuming you in a narcotic haze of peril. With lyrics that creatively express the struggles of addiction ‘Mr. Lucifer’ is an asphyxiating and thrilling piece of music.
Our Worth A Listen Track This Week Comes From Honey Lung
Honey Lung have released their new single ‘Be My Friend’. Newly-signed to the cult indie label Big Scary Monsters (American Football, Martha, Orchards), ‘Be My Friend’ marks the first offering from the band this year as their plans begin to take shape, with a London headliner and several festival appearances already lined up over the coming months.The shoegazers have spent the last two years mastering the live circuit, combining JAWS and Basement tour supports with notable festival slots at the likes of SXSW, Reading & Leeds, Latitude and The Great Escape.
With guitars whirring through a scuzzy grunge backdrop ‘Be My Friend’ announces Honey Lung’s return with raw refined beauty. A sun kissed daydream melody melts effortlessly upon the effervescent backdrop with a shoegaze tonality while the sweet coos and deep gravel on vocals provide character and charm. The glistening melody on guitar weaves and coils zealously between the pummeling drums to create a clamorous fuzz-filled indie-rock foundation that is utterly thrilling. The band presents a tight and sun speckled track overflowing with rich, vibrant, blistering instrumentation. With the perfect bitter sweet ratio ‘Be My Friend’ is a triumphant return.
Discussing the ideas behind their new single, Batten explained: “Lyrically Be My Friend makes a joke of trying to impress someone you admire. We wanted it to be an ironic song that pokes fun at awkward social situations and the funny ways we act just to be liked or feel accepted”.
Irish Alternative Rock band Paradox return with a guitar heavy sound and plenty of sarcasm for their new single ‘Welcome to the Happy Place’. Recorded by Brian Casey at Wavefield Recording Studios, West Cork the single sees Paradox returning to a more old school heavier sound than the bands previous single ‘All Life Matters’ which was also recorded at Wavefield Recording Studios. Jota Gambuzino is behind the artwork of the new single.
‘Welcome to the Happy Place‘ is a feisty grunge fist-pumper as Paradox create sweet moody moments between their signature explosive heavy sound. The band’s ability to blend sweet pockets of melancholia amidst raw blasts of rock reminiscent of Nirvana is impressive. Sulken verses of soft, whispered vocals and twinkling guitar coo before erupting into a mighty bulky chorus of crashing guitars, pulverising drums and powerful vocals.There is plenty of moshing moments within this track as the band take their edged sound and add gravel and grit to it when the track reaches its expressive manic crescendo. With it’s ominous dark atmosphere filled with delicate tonalities and a potent wall of sound ‘Welcome to the Happy Place’ is quite the hard hitting, gloomy anthem.A must listen.
About the track the band said : “The single itself takes a sarcastic view on today’s buy happy 9 to 5 society. The idea of the single artwork was to mimic a fast food restaurant with a familiar yet unfamiliar clown who’s sales pitch is Happy.”
Dublin Disco-punks Munky have returned with their new single ‘Megaton’ produced by Dan Doherty (Fontaines D.C, Somebody’s Child), and boy it is a doozy.Following quick on the heels of their debut EP, released in April, which saw them tour Europe with the Meat Puppets the band present a shiny new tantalizing alternative rock track to sink our teeth into.
Wrapping eerie, chilling guitar squeals in groove-rooted, dark menacing soundscapes ‘Megaton’ haunts, creeps and coils with spine chilling ferocity. Zachary Stephenson’s agonising vocals reel and writhe through the gritty backdrop as he spits out the lyrics in an almost rap-like manner. Dizzying, delusion-filled distortion saturates the track in deep thick tones of despair and manic psychedelia. The whining guitar is like something out of a chilling horror movie as it stings and pierces through the ominous atmosphere while the rooted bass-groove fluctuates and festers beneath like a dangerous steamy vapour that evaporates off the smashing and at times frenetic drums.The track builds superbly into an intense clamorous crescendo as Munky creates and ferments one immense, thrilling and irresistible track.‘Megaton’ is a dark concoction formed out of curdling rancid emotions however, it is how these fine musicians portray these emotions that is mesmerising and outstanding.
The band has this to say about the track: “We really embraced the studio on this track. After our first release this year we were excited to get back in and further carve out our sound to tape. This track was built off the drum and bass groove. We threw any semblance of music theory out the window, and just wrote what felt right. The lyrics came from the music, I was singing a lot of non-sequiturs when we’d jam, and certain themes emerged. Sam says it sounds like earth but not earth. Like we teleported into the future and found the remnants of a world that looks like earth but dead. Conor started throwing down some wild ‘far out maaaaaan’ sounds from his guitar which perfectly fit the mood. Don’t ask us how he made the airplane sound at the end of the track. To be honest I think it sounds like My Chemical Romance did a song with Dr Dre”
Stream ‘Megaton’ below
Munky recorded a live session at Ravensdale Lane Studios which includes a live rendition of ‘Megaton’ check that out below
Cork singer songwriter Eoin is set to release his new album ‘Reverie’ on 19th July. ‘Reverie’ examines the descent into anger and depression coupled with the transition from a lighter, acoustic driven folk sound to a heavier, grunge infused one. This compact album showcases Eoin’s rich, warm and emotive musicianship as he ventures from tender ballad- esque to expressive indie rock tracks effortlessly. Each track is just as compelling as the next from the warm folky stomp of opening song ‘Anthony’s Got Mono’ to the guitar swaggering ‘Mask Your Lines’ and the dark rugged ‘The Eleventh Hour’.Eoin caresses each number with his velvety, lightly rasped vocals as the melodies drift easily into the ears with a honeyed texture however, he’s not afraid to let go as we hear through his vocal wails in ‘The Eleventh Hour’. The delicate and more tender tracks such as ‘Infinite’, the numbing twinkling ‘Instrumental’ and grunge hued dark ‘Reverie’ croon and elegantly drift you into a lulled stupor as the soft guitar and steady beat create a calming effect. Eoin builds these tracks superbly, some becoming more intense as the instruments progress. His vocals haunt and wail in ‘Infinite’ and add a steamy tantalizing dash of spice through the falsetto in ‘A Blues Song’. This hair raising progression is why Eoin is an artist to keep an eye on. He surges his tracks with emotion and passion while reinforcing his moving themes and lyrical content with mesmerising and thrilling instrumentation to make you feel each pulse, guitar strike and drum beat. ‘Snow Angels’ is a charming ditty. Simple in its approach the acoustic gem has a cheery twist as Eoin coos and whispers the quirky lyrics through a chirpy guitar feature. The smoky ‘Chalk & Cheese’ provides the steamy bluesy side to the album as the verses tease and entice with soul infused vocals and light flirtations on guitar before blasting into the brawny chorus. There is sublime guitar moments in this track as it builds to its massive crescendo. We see the frenzied rock n’ roll facet of the album through ‘A.C.I.D.’ and boy it is a thrilling whoosh that takes you by surprise. Crashing and dizzying soundscapes whirl around while a gritty guitar riff and dynamic bass relentlessly pummels through the pounding drums. An absolutely magnificent and swagger steeped number that I’m sure is going to be insane live. The grunge filled angsty track ‘Blurb’ follows the frenzy with moody tones, light lamenting guitar and steady beat. This is another superb track. The perfect build from eerie numb and glum verses to crashing guitars, dynamic drum blasts and all out explosive nature of the chorus is erratic and perfectly crafted. Another track that is sure to be outstanding live and will strike a chord with listeners.
‘Reverie’ takes Eoin from a simple singer songwriter to a passionate diverse artist with a bright future ahead. Sure he can produce light, little, sweet ditty’s that make your feet tap and warm the cockles of your heart but the album takes you down into the depths of his musicianship with eerie haunting twists, flickers of anger, turmoil and depression through dynamic chilling and sometimes erratic instrumentation. He’s not afraid to lay everything out and showcase his versatility as an artist and boy has he made one mesmerising and outstanding album.
You can catch Eoin live at :
‘Reverie’ album launch night on 19th July in DeBarra’s Folk Club
Our Worth A Listen Track This Week Comes From Fangclub
Fangclub have released their new track ‘Hesitations’. The three-piece who are currently working on their second album present a tasty savage appetizer. With dark soundscapes creeping like a misty fog on a eerie cold night this intense number confirms Fangclubs firm grasp on our ears. It’s catchy and explosive with their trademark anthemic chorus that erupts with crashing guitars, pulverising drums and inflamed bass. The verses simmer as the guitars smoulder and curdle beneath the rumbling bass while the drum relentlessly pounds throughout. Steven King’s vocals haunt and whisper building the intensity before becoming more dynamic for the raging chorus. With the sublime addition of a hypnotic chant by the Rush Youth Choir contrasting the blood curdling wall of sound, Fangclub have beautifully fermented and crafted this track to create their most thrilling and exhilarating material yet. If ‘Hesitations’ is anything to go by there is exciting things to come from this trio.
Dublin’s grunge disco band Munky have released their debut EP ‘Un, Deux, Trois, Cat’. This poignant precise collection of tracks displays Munky in their grunge drenched, attitude slapped habitat. The tracks flesh out the bands groove infested backbone however, the lyrical content sees our cheeky chappies take a social stance on real hard hitting topics such a victim blaming. These mature themes are devoured in blistering instrumentation and slick refined musicianship.
The razor sharp funky sting of ‘Zordon’ kicks off the EP with sweltering guitar whines and jagged riffs. Zachary Stephenson’s vocals prance and pine through the catchy melody with intriguing whoops and wails while the slick bass groove buoyantly hops and springs between the rich drums and intricate guitars. Thrilling psychedelia dissolves the gritty backdrop in a dizzying acid of fizz while this splintery dark number introduces the band with grandeur, exposing their debut EP in all its exhilarating glory. Just when you think Munky can’t surprise you any more than they already have, Stephenson’s splintery tongue fluidly rolls out a rap lyric for the acute ’Cuck Rock’. With a funky elastic and somewhat elegant display on bass and guitar the track smoothly flurries behind his narration.The instrumentation is tight and pretty slick as the slinky guitar weaves superbly between the elastic rhythm before the track explodes into a bloodthirsty assault of aggro that is destined to be epic live. Bassist Niall Donnelly brings the track to an end as he takes his “moment to shine”. ’Cuck Rock’ leads magnificently into the effervescent ‘You’ve Got Male’.
Track after track these guys create one hell raising EP filled with sizzling grooves, biting guitars, psych, raw grunge and battering rock with just the right dosage of flamboyance and panache drizzled on top. However it’s that sweet hair raising intro to ‘Ms. Communication’ that shows just how far these guys have come. I’ve heard this track live before and in a more raw format but the meticulous attention to detail and subtle changes the band have made to polish this gem up has to be a pinnacle moment within the EP. The soft female backing vocals blending and beautifully harmonising with Stephenson’s emotional, suffering vocals is immaculate. His vocals have improved and this track shows this perfectly. The passionate turmoil is bubbled and boiled in a fiery brew of funk with a bluesy aftertaste. This concoction creates a bracing sense of urgency and agony. The dark verse kicks off the track swallowed up in a funky slick bass line and eerie guitar twinkles which builds the cold icy tension. The track becomes more dynamic and mosh ready before an epic catchy chorus and crescendo-blast which screams attitude and rebellion. The sweet lamenting and lonely guitar melodies are perfectly placed throughout the song and that shredding solo is the final dramatic kick in the ass. This gripping track exudes class, finesse and the true skill of Munky. Finally the striking well placed ‘One in Five’ brings the EP to a powerful end. This barbed fiery track is about victim blaming culture and Munky provide a passionate heartbreaking narrative over a swirling backdrop of rumbling, agitated rhythms and sharp guitar pines. The guitar weeps, stings and shrills through Stephenson’s distressed vocals while the drums bubble and boil over to the mighty expressive crescendo. It’s a track that grabs your attention and is superbly written.
Munky pulled out all the stops with ‘Un, Deux, Trois, Cat’. It’s an impressive EP, containing cheeky funk, smothered in an honest and mature shell that showcases the majestic and proficient side to Munky’s musicianship.
Our Worth A Listen Track This Week Comes From Kingdom Of Reptiles
Kingdom Of Reptiles are a Georgian and Greek Alternative/Grunge duo based in London.The band have released their debut single ‘Blue Magic Gin’ a gritty sweat and leather rock n’ roll track doused in catchy guitar riffs punchy drums and an edgy raw persona. This energetic number strides on the slapping red rawness of the slick guitar lines as it ventures cheekily between its deep grungy range and higher steamy tone effortlessly. The melody prowls over the feisty backdrop with swagger and attitude as this explosive track batters and sensually entices your ears into submission. With a shredding instrumental bridge reminiscent of The Black Keys and sleazy creepy verses weaving their way into your brain, this rock grunge infested gem is infectious, sing along ready and snappy. Keep an eye out for this duo.
The Manchester-based trio DARMA, have released their new EP ‘Gloom’. The band comprised of Harry Corbett (vocals), Lloyd Whitehead (bass), and Issac Whitehead (drums), give a new meaning to the term garage rock. The band themselves have coined the phrase “loudquietheavypop” to more accurately describe their sonic sound. Singled out by Louder Than War as one of the most energetic young bands around, DARMA have supported the likes of Primal Scream, Dinosaur Pile Up, and fellow Mancunians The 1975 and Ist Ist, DARMA have had a busy 2018, playing shows at Sound City (Liverpool), Tramlines (Sheffield) and the Manchester Apollo for Radio X.
‘Gloom’ is a searing torpedo ready to demolish your ears in feisty dark grunge, glorious melodies and alternative rock mania. The rich blend of tracks is first rate as they slither between blissfully melodic and frenzy effortlessly to pack in something for everyone. From the first gritty strike in ‘Miasma’ something clicks. A thrilling notion that this band have something special sparks a fire in your belly as crashing guitars throttle through punchy drum whacks and raspy attitude driven vocals. Dark melodies melt with a bubbling texture into your ears as this trio surge kinetic adrenaline into each and every track.The bombarding assault of ‘Procrasturbator’ follows. These tracks are perfect for that mosh pit frenzy as Corbett screams over a hyperactive backdrop filled with lacerating sharp guitars, rumbling bass and bombarding drums. This is one heck of a track. ‘Hey, You’ cools the tone of the EP with a melancholic sweet melody which glides mournfully over a hypnotic drum and bass rhythm while raw guitar-strikes thud throughout. Anthemic choruses are what this trio do well and this track in particular was designed for the mass sing-along live show display. Their muscular rock keeps the tracks from becoming soppy and maintains a stomp and edge to their melodic swoon. Its all blistering frenzy until ‘Interlude’ brings a chilled dreamy “breather” to the EP as twinkling guitars accompany soft vocal coos. Even during this little rest DARMA entwine some distortion at the end to keep us all alert for the ground shaking final track ‘You’re Always Right’. The moody melody lures you into the dark menacing abyss of the track until you are hooked craving for one more listen. Catchy, creepy and enticing the final track on the EP ripples with grit as guitars crunch and smash their way through a mosh ready rhythm while the endearing vocals soar and escalate as the track progresses.
Each track within ‘Gloom’ burrow’s deep into your veins with a satisfying thrilling sense of ecstasy that leaves you frothing at the mouth for more. These guys are just so good, what a debut EP. I need to see them live.
You can catch DARMA live at:
30-Nov-2018 – Jacaranda Records Phase One w/ Rival Bones + Vulture Cult
Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.
‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.
Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.
‘Going For A Walk and I’m Not Coming Back’ is released on 31st October- for more information
