Tag Archives: Grunge

THUMPER ‘Down’

Noise­-pop quintet THUMPER have released their new single ‘Down’, produced by Dan Fox of Girl Band.2018 has seen THUMPER top several Ones To Watch lists in Ireland and tour relentlessly headlining Hard Working Class Heroes, joining Fangclub on tour, and playing festivals all summer long such as Sea Sessions, Body & Soul, and Electric Picnic.

‘Down’ is a pungent, biting number swirling with mouth watering pop hooks lavishly placed on a grunge backdrop. Whirring guitars fizz and spin about with infectious razor sharp riffs and vibrant laid back jingles  while a glorious sun kissed melody glissades along the buoyant beat. This track is affluent with rich swirling soundscapes as it meanders into a psychedelic dizzying trip of distortion. THUMPER blends the bitter/sweet effortlessly- filling their tracks with exuberant dreamy tones laced with daisies and sweetness which lead you down the delirious rabbit hole into frenzied chaos. With a lo- fi production easing you into its floppy 90s-soaked noise-rock- this track reins in the pure elements of rock, grunge and pop to create the perfect frazzling blend of bliss. There is something for everyone here, these guys slowly and delicately build the song adding a new layer and dimension each time until it’s an all out mouth frothing whack of psychedelic scuzzy rock. Its frenzied boppy euphoria displays THUMPER’S tight undeniably slick sound and impressive musicianship.

Stream ‘Down’ below  

Watch the video for ‘Down’ below 

 


Manalishi EP

              Photo credit : Annie Feng

Manchester Rock/Grunge/Alternative band Manalishi have released their new EP ‘Why Do They Talk To Me’. Manalishi are a guttural plethora of raw energy and attitude. Consisting of lead vocalist/guitarist Dom Strett, bassist Josh Urpi, and drummer Charlie Gough; they concentrate on their music leaving your ears ringing, and a persistent scratchy feeling in the back of your throat.

The self titled EP  is a bloodthirsty collection of grunge soaked alternative rock designed to pummel your brain and get those mosh pits in a frenzy. The band accumulate a refined blend of noisy fuzz and groovy sounds to create a wholly immersing fierce wall of sound. With an onslaught of battering drums and gritty, scuzzy guitars crashing and shattering against one another it’s an intense collection of tracks.Why Do They Talk To Me?’ and ‘Brain In A Jar’ display this perfectly as the squealing guitars and raw, splintering backdrop revolt over raspy vocals and a catchy attitude driven melody. The tracks travel at neck breaking speeds that evoke images of hair flailing headbanging while Manalishi chill the frenzy with a moody melody. ‘Punge lightens the heaviness of the EP with jagged light guitar jangles between punchy drum whacks. There is a Nirvana vibe about the track as the expressive vocals expel and hiss over the fiery backdrop while wallowing in the sweetened sulky melody. These guys showcase their ballsy sound with an edgy refinement and closing trackNot Here…Not There…’ is a fine example of this. Slowly building the track, Manalishi mope and brood over the glum murky verses before bursting into an all out fragmenting heavy chorus. Mighty drum thuds and grumbly destructive guitars make the hair-raising foundation for this explosive track. The doleful verses contrast magnificently with the bruising chorus and make for an exhilarating listen.

This debut EP is a  dynamic mix of sizzling power chords, manic energy and sonic restraint. Manalishi erect sturdy melodic structures and sing-along hard rock over a grunge foundation. They then attack their structure with frenzied screaming and guitar havoc. When Strett revs into high punk gear, shifting his versatile voice from quiet caress to raw-throated fury, the decisive control of the guitars and drums is all that keeps the songs from tipping over that thin line to utter chaos. Pretty impressive.

Stream the EP below


Indie Buddie Introducing : Gum Soul

Gum Soul have released their debut single ‘Sour’. Based in Bath, Gum Soul take inspiration from the likes of Drenge and Ty Segall, morphing the presence of 90s grunge into today’s indie/alternative scene. The band have only been together for five months, and have already had the pleasure of playing the Bath Festival main stage, just a few hours before the legendary Robert Plant (Led Zeppelin), headlining shows in London, and plenty of other gigs in the South West area.

 ‘Sour’ is a tight indie number that soars and glides with slick ethereal guitars shredding and clashing off a hefty backdrop of punchy drums and elastic bass. The verses are chilled and effortlessly laid back as aerial guitars sting between nonchalant vocals. The chorus explodes into a grunge hued soundscape becoming more edgy and grimy while still maintaining that ethereal bliss. It’s a storm in a teacup with a compact display that is hazy and dreamy yet packs in a mammoth assault of shrilling frenzy. With some slick dexterous guitar lines weaved throughout its an impressive debut from Gum Soul.

 

Stream ‘Sour’ below


Fangclub ‘True Love’ EP

Fresh from their first UK headline tour, Irish rock band Fangclub have released their highly personal new EP titled ‘True Love’.  Last year the trio Steven King, Kevin Keane and Dara Coleman released their self titled debut album to mass critical acclaim and also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words’.

‘True Love’ marks massive growth in the bands sound. The swirling and churning dark tones lurk underneath even the most peppy sounding of the tracks. There is something more sophisticated and painful in this EP. The meaty brain crush blast we are used to once again feature on True Love however they have honed in and sharpened everything from meatier ground shaking basslines and immense pounding drum grooves to slick acute guitar lacerations placed perfectly for maximum impact. Fangclub have us firmly in their grips and they are not letting go. Recent single ‘Knife’ sets the thrilling mayhem in motion with gritty basslines grumbling under slashing guitars and demanding drums. The chilled vocals cool the scorching instrumental backdrop for the verse teasing the explosive chorus we have come to love from Fangclub. Slick basslines have become a staple on this EP as they fluidly flow throughout each track with a sublime rooted groove adding a lusty darkness to each track, like a shadowy thread holding each song together. ‘Heart Is A Landmine’ is where their shadowy eerie tones take over. A moody melody bleeds over a punchy backdrop of slithering guitars whining between a mighty rhythmic bounce. It’s a cinematic tune that could feature in a Batman movie especially with its stirring melody and sublime griping guitar feature. It’s pretty dark and dramatic yet magnificently catchy and climatic all at once. ‘Smother’ brightens the tone of the EP. The guitars become lighter as they zealously inject juicy zest between punchy punk flavoured rock. Its sun kissed melody melts upon the gritty soundscapes like butter as a slick guitar solo and sing along ready chorus slaps on a glossy finish. The “buzz kill” ‘Sweater Forever’ follows. This is my kind of tune. It’s a moody sunny day wallowing blast of grunge that is just magnificent. The drums trudge through a gloopy sweet melody while the piercing sting on guitars lament and soar over this sullen tune. It’s both vibrant and sulky all at once as their vivid use of instrumentation and shaky percussion creates gripping heart wrenching turmoil for us to immerse in. Those twinkling keys add a light innocence through the heavy monotony. The scale of emotion presented through music in this track is masterful and exactly how I hoped these guys would progress. The sheer musical depth containing perfectly timed multi facets glimmering through emotional honest lyrics make for a completely absorbing listening experience. ‘High’ closes the EP bringing everything full circle. It’s upbeat, powerful, catchy and filled with scorching guitar lines. The vocals lure you into the relentless onslaught of crashing drums, brawny bass lines and mouth watering guitar work.

‘True Love’ is a flavourful and tantalizing EP from the trio and proves Fangclub have a lot to offer – they are just coming into their prime.

Stream ‘True Love’ below


Fangclub ‘Knife’

 

Fresh from their first UK headline tour Dublin trio Fangclub have have announced the release of their highly personal new EP titled ‘True Love’ along with their new single ‘Knife’. The 5 track EP, set for release on June 29th, is a fiery collection of Fangclub’s unique brand of alternative rock. 2018 has already been a busy one for Fangclub, having toured with The Cribs, Milk Teeth and Nervus as well as rocking the UK with their first headline tour. 2017 was a hell of a year for the band too. Not only did they release their self titled debut album (available now on Vertigo Records) to mass critical acclaim but they also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart) with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words.

Now this track raises the bar. ‘Knife’ introduces a more aggressive mind destroying sound that is just fantastic.It bulldozes in with pure unruly aggro as the rooted bass boils and bubbles beneath a chilled eerie vocal line before the chorus bludgeons you with its crashing wall of sound -screaming vocals and distortion galore. It’s a thrilling, electrifying whack of gritty, rugged, garage rock at its most fermented. The drums bash your skull while the melody still firmly grips the pop infectiousness of their previous tracks however, the intensity is at dangerous levels. I love the energy in this track the destructive, barbaric, chaos churning and coiling for the verses becomes effervescent and erupts for the riveting chorus. This is something special.

Speaking honestly about the music and its lyrical content, enigmatic frontman Steven King said this of the EP.
“True Love is a collage of an intense year that almost ended the band.Last year I became infatuated with the idea of True Love. But not just love of a person. Love of drink, drugs, people, actions & habits. Anything can be your “One True Love” if you let it. Love can be painful. True Love can cut deep like a Knife. “Knife” was my skewed idea of an obsessed love (at the time). It’s the introduction to the EP’s theme. Am I using you or are you using me? I don’t care, I need you. Keep me alive, kill me, keep me warm, make me cold, make me happy, make me sick, wake me up & make me sleep. I don’t mind being chained to you under the blanket of True Love.”

You can catch the band live at the following shows this summer

June

1st Vestrock, Hulst, The Netherlands

2nd K-Fest, Killarney, County Kerry, Ireland

July

13th 2000 Trees, Cheltenham, UK

20th Truck Festival, Oxford UK

27th Sunflower Festival, Lisburn, Northern Ireland

Stream ‘Knife’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From MeMe Detroit

Since her 2016 debut album release ‘Live to Love You’ll Love to Live’, MeMe has been pulling in fans with a magnetism that is both eloquent yet effortlessly cool. With previous support slots that include bands such as Dead Sea Skulls, Piano Wire, Fun lovin’ Criminals, Asylums and stand out shows which include The main stage at Moto GP, Silverstone, The O2 Academy, Dublin Castle, The Finsbury pub for ‘Get in her ears’ and Jurassic Fields festival MeMe’s energy and sleazy grunge is one to take note of. She has now released her new single ‘Soc Med Junkies’. This grunge smothered track oozes and seeps with dark gritty tones and fiery attitude. Sultry guitars shred and lacerate with relentless stamina through the rapid shuffling rhythm while MeMe’s luring vocals coo and entice for the verses before belting out the fiery chorus. It’s lean, mean, power indie that makes you want to jump kick, wiggle and groove all at once. Swallowed up in a chilled, cool persona and hypnotic melody mixed with heavy angst and crashing instrumentation this track kicks ass, wrestles you to the ground and mesmerises you in its hazy muggy hook driven charm. MeMe has a knack for writing tracks that slash bash sizzle and steam all at once while packing in some striking lyrics. ‘Soc Med Junkies’ is definitely worth a listen.

Stream ‘Soc Med Junkies’ below


Gallus EP

Gallus are a Glasgow band comprised of members Barry Dolan (Vocals), Craig Duris (Bass), Eamon Ewins (Guitar) and Paul Ewins (Drums). They have released their debut self titled EP and played their first gig at the legendary King Tut’s. These fresh young lads have shown some serious potential within this EP. The rowdy ruckus causing wallops of ‘Weapons’ which features crashing guitar riffs against a jagged driving bassline and pummelling drums showcases a shrilling mighty display that I can imagine is insane live. That instrumental is so snappy, raw and elastic it’s sure to set the mosh pit alight. ‘Making Tracks’ introduces itself with a slick riff and rumble on drums. It’s bouncy, edgy and smothered in rock and roll. It’s my favourite track on the EP as it showcases some really striking nimble guitar work. The shouty vocals maintain the rawness and brawn of their sound while the instrumentation displays an organic whiff of finesse. ‘Maybe Next Time’ begins disguised as the delicate track on the EP. Twinkling guitars and soft vocals introduce the track before it explodes instrumentally into their brand of garage rock. It’s a bit Pixies- esque at times with vibrant golden guitar lines adding a sun kissed glow to the grungy attitude soaked track.

These guys have whacked out an impressive EP that showcases their talent and slick musicianship with tracks that exude energy, adrenaline and some exciting instrumentation. Gallus will be finishing of their year with a free show in Glasgow at Broadcast with 0141 and Heavy Rapids. Following this, they will be supporting Retro Video Club as part of Independent Venue Week so if your around make sure to check them out.

Stream ‘Gallus’ EP below


Fangclub ‘Better To Forget’

Dublin-based trio Fangclub have released their brilliant new single ‘Better To Forget’ taken from the forthcoming self-titled debut album set for release August 4th on Vertigo. Formed of singer and guitarist Steven King, drummer Dara Coleman and bassist Kevin Keane, Fangclub have released two acclaimed EPs ‘Bullethead’ and ‘Coma Happy’, toured with the likes of Twin Atlantic and won over a dedicated legion of fans. They have already gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio.
‘Better To Forget’ is a blazing fiery brutal attack on the senses. Fangclub deliver a massive blow of catchy mighty grunge drenched in an infectious melody and blistering instrumentation. Merciless pummelling drums and crashing guitars create the relentless intensely energetic sound this trio do so well. It’s brisk raging frenzy that consumes you in a bloodthirsty fever of thrilling grunge. The animated elastic bounce on bass keeps a constant rebounding effect while the guitars and drums strike with an instant shot of adrenaline inducing mania. Another mighty track from the unstoppable trio.

Stream ‘Better To Forget’ below


La Bête Blooms ‘Lost and Found’

Fresh off the back of their latest EP ‘I Know It’s Nothing’, the Hull post-punk collective La Bête Blooms have moved fast to release their new brash and bold song, ‘Lost and Found’ portrays the plight of a modern couple seeing the world crumble around them in 2017. This shrilling track oozes their scorching fuzzed up grunge with blasts of thrilling bruising noise however this song takes a more polished refined approach. Its rounded off while still packing some serious punch with razor sharp rawness. Sneering briery guitars pierce with a splintery sting while punchy drums pummel throughout. Wrapped in sweltering hazy tones and shoegazey vibes, it’s tight and slick yet extremely spiky and sharp.

Stream ‘Lost and Found’ below

https://soundcloud.com/labeteblooms/la-bete-blooms-lost-and-found


Indie Quick Picks

 Rusty Shipp

Genre: grunge rock

Bio: Rusty Shipp is a rock band from Nashville, TN that likes to call their style Nautical rock n’ roll. They combine the influences of rock legends like The Beatles, Dick Dale and The Beach Boys with the hard-hitting sounds of modern alt rock bands like Nirvana, Muse, and Thrice to craft songs distinguished by their addictive melodies, unconventional riffs, and haunting vocals. At the forefront is the singer-songwriter and guitarist, Russ T. Shipp (literally his birth name), followed by Jake Adams on bass, and AJ Newton on drums.

Track: Devil Jonah

When asked about their sound Russ T. explained: “Though we’re noticeably darker and more aggressive than The Beatles, Their form of songwriting resonates with the largest number of human beings, and we try to tap into that same magic. Bands like Nirvana and Muse did the same thing, but we’re taking it in an even more philosophical direction, while still having fun by incorporating the nautical theme.”

Why We Like It: Its a mighty pounding piece of unconventional rock wrapped in dark pop melodies which are set alight by metallic riffs and heavy headbang ready instrumentation. Its fiery gritty and brawny, thundery and robust in all the right places.

You can follow Rusty Shipp on Facebook here https://www.facebook.com/rustyshippband

Watch the video for Devil Jonah below

The Discarded

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Genre: garage rock/punk

Bio: Toronto garage-rockers The Discarded is made up of two teenagers and their musician father, brothers Jared Dean-Bass, backing vocals, Caden Jax- Drums, backing vocals and J.P Wasson is best known as the drummer for popular Toronto bands Fifth Column and The Snowdogs, but Caden wanted to drum – so in The Discarded, Dad sings and plays guitar.

Track: Could That Be You

When asked about the track Wasson said: “Could That Be You was the first song I wrote with the band and it came together very quickly. Over the previous months, the boys’ mother and I had divorced. This song is about looking forward and what qualities you’d like a person to have in a new relationship. And ultimately wondering if that person you are seeing is that type of person.”

Why we Like It: It’s a rapid breakneck fuzzy frenzy covered track. Blistering guitars and pummelling drums belting throughout with a lo-fi rock n’ roll vibe that will have a live audience dancing and bopping in no time.
You can follow The Discarded on Facebook here https://www.facebook.com/thediscarded16/

Stream ‘Could That Be You’ below

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