Tag Archives: indie pop

Llovers ‘Go Get Her, Go Getter’

Indie five piece Llovers have burst back onto the scene with their latest infectious offering ‘Go Get Her, Go Getter’. Specialising in shimmering indie anthems with unquestionable pop sensibility, the Teesside outfit’s newest effort reflects their continued rise in 2018, having  already been championed throughout the online community  and attracted encouraging national airplay (BBC 6 Music). Drawing widespread comparisons to the likes of MGMT, Tame Impala and The 1975, the rising quintet continue to hone their live show with support slots alongside Anteros, Caro, Dream Wife and VANT.

Produced by Sugar House  (Pale Waves,Viola Beach), ’Go Get Her, Go Getter’ is a sparkling track doused in hazy dreamy vibes with a vibrant indie backdrop.Zesty guitars weave a golden thread of sun kissed bliss through the luscious synth soundscapes providing glimmers of scintillation throughout the track. A dynamic rhythm maintains a peppy buoyant foundation while velvety vocals coo and soothe over the delightful heavenly melody making for a glorious ethereal listen. It’s catchy, melodic and a refreshing guzzle of sweet fruity indie.

Discussing their forthcoming release, co-frontman Jack Brooks explained:  “Go Get Her, Go Getter is about the end of a relationship – more specifically how falling in love with the concept of someone, rather than their true selves, leads to multiple contradictions and a breakdown of communication”.  

Stream ‘Go Get Her, Go Getter’ below


Indie Buddie Introducing : Under Starling

Under Starling is a new musical project by brothers Danny and Tommy Dunford, along with guitarist Stephen Keating and bassist Colin Drummey. Past experience has left the group with a few notable gigs. A debut festival appearance at Indiependence 2016, support gigs to Walking on Cars, All Tvvins and Fangclub to name a few. They regularly play full house shows in Fred Zeppelins (Cork) and in venues such as Whelans Live (Dublin), Fibber Magees (Dublin) and Roisin Dubh (Galway). The band have now released their debut  single ‘Far Be It From Me’.

Far Be It From Me’ showcases this bands ability to produce and deliver a deeply rich melodic track brimming with true passion and gusto. The track progresses slowly with perfectly placed spacious moments for maximum heart gripping impact as the brooding and fermenting verses build in intensity for the explosive passionate chorus. The vocals pack oodles of emotion giving you goosebumps while ethereal guitars lament along a punchy mournful drum backbone. It’s a melancholic fiery gem that cuts deep but rests comfortably on your ears as you crave to hear more.Under Starling illustrate all the ingredients for greatness within this number with gripping instrumentation creating a chilling backdrop for the bittersweet melody to swoon over while the heartfelt vocals caress the tender outburst. It’s radio ready and immaculately crafted for an enthralling wholly consuming listening experience.

Stream ‘Far Be It From Me’ below

 


TYNI ‘Good Luck’

Sheffield’s pop artist  TYNI has released her new single ‘Good Luck’. Over the last few years she’s been rubbing shoulders with the best in the industry, heading over to LA to work with Wayne Wilkins upon personal invitation (Beyoncé, Lady Gaga,Björk) and receiving remixes from PC Music’s Sophie and Frank Ocean collaborator Troy Noka. She’s also recently spent time at London’s Abbey Road Studios with Help Musicians UK, recording in Studio Two (home of The Beatles & Pink Floyd, among others) with a host of artists for the Music Minds Matter campaign.

‘Good Luck’ is a glittering synth pop number saturated  with sun soaked melodies sparkling between swirling synth soundscapes. With a sticky gloopy groove infested beat flickering and weaving between lush vocals this track glides in strut ready and filled with dazzling dance floor bliss. It’s a spacious tune paced perfectly for maximum impact. The delicious melody floats and melts upon the sticky smothering beat and ethereal soundscapes creating a creamy delightful infectious track.

Stream ‘Good Luck’ below

https://soundcloud.com/t_y_n_i/good-luck-tyni


Worth A Listen

Our Worth A Listen Track This Week Comes From Cassia

Macclesfield Indie band Cassia have recently released their new single ‘Get Up Tight’.The band comprised of members Rob Ellis (Guitar/vocals), Lou Cotterill  (Bass/ vocals) and Jake Leff (Drums/sings) are becoming known for their summer tunes and irresistible Calypso Afro-Rock and ‘Get Up Tight’ follows this glorious trend. The band are becoming more tight sonically as this effortless laid back number is enclosed in compactly weaving guitars knitting their way melodiously and sweetly through the glorious sun kissed melody and rich calypso beat.It’s an infectious ear worm that wiggles its way into your brain causing symptoms of uncontrollable shimmying and bopping. It’s a slick track that cruises in filled with tropical tones and warm zesty guitars lines adding a dash of vitality to the dreamy hazy soundscape. This trio have the balance perfect the track takes its time laying out each component part with a laid back attitude that makes for a juicy enthralling listen.The riffs subtly inject a vivid lush quality while the accented beats keep the song bouncing along. The vocals are unique and distinctively refreshing adding to the entire relaxed state of the track.. There is no rushing this little gem and why would you the pace and quality of this number is perfect. Pure refined indie goodness.

 

Stream ‘Get Up Tight’ below

 


Arcade Hearts ‘Humble’

Portsmouth’s indie-pop band Arcade Hearts have released their new single, ‘Humble’ via Republic of Music. The track  is the first to be taken from their Self Titled Debut EP out 21st September. To coincide with the release of the EP, Arcade Hearts have announced their largest hometown headline show to date at Portsmouth’s legendary Wedgewood Rooms on the 28th September.The band are four friends from Portsmouth and its surrounding satellite towns who bonded over a love of playing live and having fun. Their determination and grit has garnered them support from Huw Stephens and BBC Introducing as well as support slots with some of the biggest new bands including Sports Team, Orchards, Wild Front, Jerry Williams, Swimming Girls and Fickle Friends.

‘Humble’ is a luscious guzzle of invigorating sugary smooth indie pop at its fizzy refreshing best. Daniel Surridge-Smith’s uplifting vocals drift over the glorious energetic soundscapes with a soothing velvety tone that is blissful. Shimmering synths soar over glistening ethereal guitars while the dazzling beat sets a fluctuant foundation for this glorious track to rebound and intensify off. It’s brimming with adrenaline and a youthful surge of vitality as the catchy choruses and divine melody charm their way into your brain. The 80’s – esque disco beat keeps the track pulsing along with heart gripping intensity while the indie rock guitars add a dash of zest and edgy quality to this exhilarating earworm. It’s an instant dance floor track that is sure to do well.

Describing the single frontman Dan Surridge-Smith said: ”Humble was written straight after Christmas, we didn’t really have a break, we gigged and rehearsed all the way through. It was written after meeting a few bad people at a few shows when we started traveling about for gigs. I guess it’s around that time when it all started getting real for us, so we just ended up writing and experimenting with what we were capable of, and now we have ‘Humble’. It definitely means something to us as a band.”

Stream ‘Humble’ below

 


Bikini Trill ‘Wassup, We Good?’ EP

Los Angeles based, surf pop trio, Bikini Trill have released their new EP, ‘Wassup, We Good?’. The band combine trap / hip-hop beats, surf guitar and bass, with powerful pop vocals to create a fresh sound and feel-good vibe. This female-fronted group draw inspiration from a variety of genres including punk, reggae, and hip-hop. Formed in 2016 by vocalist Frex (Lauren Johnson), bassist Kourosh Poursalehi, and guitarist Tony Stern, Bikini Trill is a nod to the various musicians and genres from which they draw inspiration- combining the Riot Grrrl punk mentality of Bikini Kill with current urban and trap influences. Currently, the band is celebrating their second mini tour at SXSW in Austin, Texas and are gearing up to tour with Coast Modern and Mikey Mike- playing the House of Blues San Diego, The Crescent Ballroom in Phoenix, Arizona, and The Troubadour in West Hollywood, California.

‘Wassup, We Good?’ is a blissfully melodic collection of tracks that fill your soul with golden luminosity, laid back vibes and euphoric mellowness with an underlying punchy kick to add a bit of spice. Each track fluidly flows into the next from the trippy ‘Napster and Acid (INTRO)’ right through to the seductively slinky ‘Wassup, We Good? (OUTRO)’– Bikini Trill sandwich in a sweet collection of velvety smooth raspberry ripple tunes to have your mind in a sedative state of creamy groove filled bliss. ‘Chapo Howl’ firmly envelopes you in Bikini Trill’s swirling exhilarating world as vibrant guitars meander through captivating vocals while a subtle drift of sweet psychedelic hued soundscapes wisp like a refreshing breeze over the sugary pop melody. The tracks are addictive and radiate sunny, easy going vibes ‘Smoke A Jay and Watch Yourself Dance’ adds a body moving bouncy rhythm into the mix coaxing your body to sway and bop along while ‘Need Me’ throws in a dash of gritty guitar jingles. Johnson’s vocals are simply captivating and nectarous as she floods each track with a honey steeped sprinkling of sweetness that is delicious to the ears and when teamed with the catchy mouth-watering pop melodies it’s a deadly concoction that leaves you craving more. Bikini Trill manage to balance and blend this sugar rush with some hip-hop beats and biting guitars to add a healthy dose of edge and gritty texture to the tunes. ‘KUT U UP (INTERLUDE)’ and ‘Scarlet’ stride in on a cool swagger driven reggae-esque beat and rich weaving soundscapes that add some attitude and bite while the glistening guitar moments elevate and give a vivid golden lustre to the tracks. The lyrics are honest and rugged and don’t gloss over the themes whereas the instrumental backdrop covers the lyrics with a  hazy dreamy camouflage. In ‘2:25 am’ Johnson’s vocals really hypnotise as she coos and sweetly pines through a sticky beat and lamenting soundscapes- its quite touching and beautiful and the perfect lead in to the closing track ‘Wassup, We Good? (OUTRO)’, a spaghetti western -esque ditty filled with psychedelic tones and desert like vibes.

‘Wassup, We Good?’ is an absorbing collection of tracks perfect for sweltering hot days as the sun glares and distorts your view allowing Bikini Trill to create sublime delusions with scorching guitars and gloopy beats between luscious melodies and captivating vocals.

Stream ‘Wassup, We Good?’ EP below


Johnny Kills ‘Who’s Counting?’

Following on from last summer’s series of acclaimed surf-rock  singles Johnny Kills emerge for the first time in 2018 with new tune  ‘Who’s Counting?’ Out via Killing Moon (Annabel Allum, Beach Riot). The band have earned champions including  BBC Introducing, The  Line of Best Fit, DORK, Indie Shuffle and The Metroplus dozens  more tastemaker radio stations and blogs with their flair for  delivering scuzzy pop off-cuts. The trio are made up of Tim,  biological  brother Lewis Lloyd-Kinnings and spiritual  brother  Cameron Gipp and aiding them in bringing their tracks to an  acceptable auditory standard is Leeds based producer and Forever  Cult bassist Alex Greaves (TRASH,  PLAZA,  Seeing Hands) on  production and  mixing duties,  with  Pete Maher (Pixies,  Lana  Del  Rey,  Scisso Sisters) on mastering.

‘Who’s  Counting?’ is a glittering glam dazzling indie pop anthem laced with flashing sonic slaps over a sticky beat and fuzzed guitar jingles. Johnny Kills blast out an infectious danceable number that surges with youthful adrenaline doused in an 80’s -esque sparkle of glitter and glam all while packing in a healthy dose of punch. Glorious whines on guitar add a lamenting sharp sting to this vivid stomping track while wonky vocal hooks give a unique sing along friendly quality. It’s scuzzy in all the right places with dark sonic flecks swirling murky tones into the verses before the dynamic pop sprinkled chorus lifts the track into a feathery light bouncy anthem. This track is well crafted as each element brings a new rich texture and vibrancy – the guitars bring us the indie, moody, lamenting vibes with a shrilling spikiness while the buoyant beat, luscious melody and sonic swirls add a tasty blend of sugar sweet pop into the mix, and those vocals, just sublime and refreshing. It’s an adrenaline rush and such a thrill to listen to.

“It’s  about  meeting  a  great  new  person  and  ridiculously  overthinking  every  aspect  that  this  entails,  internally  focusing  on  this  quasi-freak-out  rather  than  enjoying  and  appreciating  the  new  relationship  for  what  it  is”  claims  vocalist  and  songwriter  Tim Lloyd-Kinnings,  “Thinking  ‘oh  bloody  hell,  what’s  happening  here?  –this can’t  be  good’  rather  than  ‘oh,  isn’t  this  great?”

Stream ‘Who’s  Counting?’ below

 


The RPMs ‘Gotta Let Go’

The RPMs are set to release their new single ‘Gotta Let Go’ via Xtra Mile Recordings on Sept 28 via all digital formats.New single ‘ Gotta Let Go ‘ raises the bar significantly for this young Brighton band. Following the success of their previous singles, ‘Your Ghost’ and ‘Let Things Happen’ new single, ‘Gotta Let Go’ is cast firmly in the mold of an indie pop dancefloor banger. The RPMs emerged from the Brighton scene that has also birthed contemporaries Black Honey and Fickle Friends. The band was formed in Dorset by childhood friends Jack Valero (lead vocals, guitar), Callum James, (drums and backing vocals). Following a move to Brighton they were joined by Miguel Cosme on bass and gained early momentum in 2016 for their debut EP, ‘Digital Disobedience , followed by their second EP in 2017, ‘Agents of Change ‘ released via Xtra Mile Recordings. Inspired by the support The RPMs expanded to a five piece, adding in Chris Bowden on keyboards and Ollie Summer on lead guitar to carve out a more ambitious sonic direction. Aided by in demand producer Gethin Pearson (Mallory Knox/Charli XCX) ‘Gotta Let Go’ flows into their steadily evolving plot together with other significant milestones: their SXSW debut ; being chosen by Huw Stephens as one of his Alternative Tips for 2018 ; their first Radio X-Posure session and inclusion on R1’s Best Of BBC Introducing Playlist.

 ‘Gotta Let Go’ will coax you to the dancefloor with its instant dizzying flash of keys swirling around zesty guitar jangles and slapping beat. This hyped up anthem speed balls into the frantic catchy chorus ready for those mass live sing alongs while woozy sonic soundscapes rush by with an adrenaline inducing surge of dynamism. It’s one to jump frantically to while the infectious chorus seeps into you mind hooking itself firmly ready to pop up when you least expect it- keeping you humming it all day.It’s explosive, charming and charismatic- perfect for those limb flailing “dance like you’ve never danced before” nights out.

Speaking of the track, singer Jack Valero said, “It’s actually a classic break up song, but not in the traditional sense being sad and tragic, it’s about the more explosive and potentially positive side to being freed from someone who’s treated you badly and feeling empowered from making that hard decision. But can also encapsulate lots of difficult situations you might have to shrug off in life.”

You can catch The RMP’s live at :

JULY 20 – Sheffield – Tramlines Festival

JULY 21 – Oxfordshire – Truck Festival This Feeling w. Pirate Studios Stage

JULY 22 – Stockport – Blackthorn Fest

AUGUST 3rd – Kent, Edenbridge – LeeFest Neverworld

AUGUST 4 – Kent Edenbridge – LeeFest BBC Intro Kent Stage (Abbie McCarthy)

AUGUST 10 – Peterborough – Green Meadows Festival

AUGUST 12 – Cornwall – Boardmasters

AUGUST 26 – Warwickshire – Camper Calling

Stream  ‘Gotta Let Go’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From Mini Mansions

Los Angeles trio Mini Mansions mark their highly anticipated return with their new single ‘Works Every Time’, the title track from their upcoming EP ‘Works Every Time’ set for release on September 28th. The EP follows on from the trio’s  (singer/guitarist Michael Shuman (bassist of Queens of The Stone Age), bassist Zach Dawes and singer/keyboardist Tyler Parkford) critically acclaimed 2015 album ‘The Great Pretenders’, which saw the band tour with the likes of Tame Impala, Arctic Monkeys and Royal Blood and of course the B-sides release ‘Flashbacks’ which we previously reviewed on Indie Buddie.

‘Works Every Time’ is an infectious foot tapping number that swoons around a delicious melancholic melody and wistfully sweet vocals. Parkford takes on the vocals for this tune – his warm lower range resonating through the brooding verses before Shuman joins in for the falsetto chorus. The track laments through hazy key flickers and dreamy backdrops while the steady beat and elastic bass keeps the track bouncing along doused in nectarous gloopy bliss. Naturally, you can’t have a Mini Mansions song without some tasty guitar lines and this track packs in oodles of that in the most sophisticated classy way that only these guys can do. The guitar injections pine and weep with a sting that adds a refreshing spice and dash of zest to the cruising lusciously melancholic track. These guys are immensely talented. Each track they produce is precise and immaculate with refined classy elements on top of fine richly layered musicianship. They are musical magi with the perfect blend of melodies and tones to have us eating out of the palm of their hands longing and craving for every melodic concoction they deliver.

Stream ‘Works Every Time’ below


The Half Light ‘Night On My Mind’ EP

The Half Light are a four piece indie band from London who have returned to the scene in 2018 with new material and a new line up. The band have released their new EP ‘Night On My Mind’, which is being released in full alongside the single ‘Seven Summers’. This release follows the earlier releases of the lead track ‘8th May’ (March 2018) and title track ‘Night On My Mind’ (April 2018). To mark the launch of the EP and ‘Seven Summers’, the band will be playing Clarence Park Festival, Wakefield, on 28th July. The Half Light’s music has featured on radio stations across the country, including BBC 6 Music, BBC London and Amazing Radio and the band were nominated for Best UK Act at the 2015 Pure M Awards. Since forming in 2011, the band have self-released ‘Clapham EP’ (2012) and ‘Moscow’ (2015), which is now followed by ‘Night On My Mind’ EP. Following these earlier releases, vocalist James and guitarist Guy were joined by a refreshed rhythm section, Mike and Martin, to complete the line up and the band entered the studio in London in late 2017.

‘Night On My Mind’ is a delightful triad of glorious indie, swirling between luscious pop melodies and sparkling chimes on keys. Both the title track ‘Night On My Mind’ and ‘8th May’ have been previously featured on Indie Buddie, The former wisping us away with ethereal guitars soaring over breezy soundscapes, punchy drums and a delicious bitter sweet melody while ‘8th May’ shimmied its way firmly into our minds and hearts with its rich rhythm and infectious chorus soaring over glorious guitar work. It was no surprise that ‘Seven Summers’ would be the sweet icing on the cake. Laced in glorious melodies coated with sparkling guitars, sublime bass rumbles and gleaming keys. This follows the vibrantly heavenly vibes of its predecessors perfectly and displays the bands meticulous well crafted musicianship. The track builds to a magnificent crescendo as the guitars slash an illuminating zesty flash of light through the glorious soundscape. These guys have an ability to write heart warming wholesome tracks that hop, bop and tantalize the listeners ears until they are shivering in the corner craving to hear more.

Stream ‘Night On My Mind’ below