Tag Archives: indie rock

Worth A Listen

Our Worth A Listen Track This Week Comes From Glass Violet

Bristol indie rock band Glass Violet have released their new single ‘Over the Moor’. In March, 2019, the band released demo track ‘North Sentinel Island’ which was followed by self produced debut single ‘Chemicals’ on August 16th. Both tracks have received air play on BBC Radio Bristol and Amazing Radio.

‘Over the Moor’ is an exhilarating rush of indie rock that whirlwinds with relentless stamina. Glass Violet blast their anthemic indie rock with invigorating guitar riffs and pummeling drums to create an ethereal atmosphere filled with adrenaline and vigor. With a driving elastic bass and gripping melody this mammoth track is an indie explosion of dramatic musicianship. The track rushes through with heart-racing intensity as the soaring guitars, twinkling intricacies and meticulous layering make this track a huge fist pump anthem which is sure to be epic live.

About the track the band said : “It’s a song about ends and starts and how different phases of life often pass you by without you noticing it’s happened. Its about the desire for finding a certain fire within new beginnings. “

Stream ‘Over the Moor’ below 

https://soundcloud.com/user-218551104/over-the-moor


Author : Danu

Inhaler ’We Have To Move On’

Following up to their single ‘Ice Cream Sundae’ which hit the music scene in September 2019, Dublin quartet Inhaler have now released their new single ’We Have To Move On’ on Polydor Records. Inhaler have just been announced as fifth place in the BBC Sound Of 2020 and recently completed a UK and European tour that saw them sell over 7,000 tickets and play to frenzied, sold-out crowds. Kasabian recently announced Inhaler as one of the support acts at their upcoming huge hometown show at Leicester’s Victoria Park.

’We Have To Move On’ presents Inhaler’s effervescent sound through a bubbling sonic soundscape and brooding swirling atmosphere. Inhaler tastefully lather their tracks in a driving, rushing pulse of adrenaline and ‘We Have To Move On’ is no different. The track ferments through the rumbling bass which smudges a dark gritty coating over the escaping bite on guitars. Sonic elements flash and flurry through the soundscape reinforcing the bass’ ripple effect while the steady snappy beat on drums skillfully reins in all this palpitating mania. An ethereal melody drips off rasp coated vocals as the track wiggles and weaves with tension building steadily in the backdrop while slinky, raw guitar moments slice through the dark, swagger-filled atmosphere. ‘We Have To Move On’ is an impressive display from Inhaler as the quartet continue their impressive run with an eerie tempting number which adds a dash of maturity to their delicious indie sound.

You can catch Inhaler live at: 

FEBRUARY 2020

8 – Tokyo Stream Hall

12 – Liverpool O2 Academy

13 – Birmingham O2 Academy 2 (SOLD OUT)

14 – Nottingham Rescue Rooms (SOLD OUT)

15 – Manchester Academy 2 (SOLD OUT)

17 – Brighton Concorde 2

18 – Cardiff Tramshed

20 – London Heaven (SOLD OUT)

21 – Leeds Beckett Students’ Union

22 – Newcastle Riverside (SOLD OUT)

23 – Glasgow SWG3 Warehouse

28 – Madrid Sala Shoko

29 – Barcelona Sala Razz

MARCH 2020

2 – Paris La Maroquinerie

3 – Antwerp Trix

5 – Berlin Columbia Theater

6 – Hamburg Gruenspan

APRIL 2020

25 – Washington DC Union Stage

27 – New York Bowery Ballroom

28 – Philadelphia The Foundry

29 – Boston Once Ballroom

MAY 2020

3 – Toronto Velvet Underground

7 – Los Angeles Troubadour

8 – San Francisco Popscene @ Rockshow Stop

14 – Dublin The Academy

15 – Dublin The Academy

16 – Belfast Limelight

18 – Cork Cyprus Avenue

19 – Limerick Dolans

Stream ‘We Have To Move On’ below 


Author : Danu

Worth A Listen

Our Worth A Listen Track This Week Comes From Skyfever

Photo Credit : Ray Keogh

Dublin alternative rock band Skyfever have released their new single ‘Keep Pounding’.This scorching slice of rock roars into the ears with relentless stamina as Skyfever present their mammoth sound in all its glory. Searing guitars gash through pulverising drums as an epic catchy chorus and powerful vocals dominate throughout. It’s an instant rush of motivational adrenaline and vigor. This band wrestle your ears with scorching rock laced in swagger and might as the brawny rhythm pounds though your body. Made to play as loud as possible Skyfever whack out another potent number with ‘Keep Pounding’.

Stream ‘Keep Pounding’ below 


Author : Danu

Lost Boys ‘Obvious’

Limerick indie band Lost Boys have released their new single ‘Obvious’.  Lost Boys consists of Peadar Storey on Vocalist/Rhythm Guitar, Michael Meleady on Backup Vocals/Guitar, Patrick O’Donnell on Drums and Peter Corbett on Bass. The majority of the band are studying Music and English in both UCC and UL and have years of experience in the Irish music scene playing across the country. Formally of established Limerick group, A Weekend Away, the band decided to move on to their newest project with the goal of making more modern indie pop sounds.

‘Obvious’ is a sparkling indie bopper as Lost Boys flesh out their energetic indie with a youthful burst and exhilarating charm. With zest-dipped guitars jangling vibrantly through punchy buoyant drums and elastic groove on bass ‘Obvious’ is a tasty spread of effervescent indie. The infectious melody, warm vocals and sing along ready chorus make the track irresistible as the band layer and cultivate the song meticulously. ‘Obvious’ is an air punching blast of dynamite that is sure to put Lost Boys on the map. 

About the track the band said : ‘‘Obvious’ is  about the weird time between meeting someone and becoming official, when you’re not really sure what you are. Michael actually came up with it on his way over the Peadar’s house to work on a different song (that we decided to drop).By the end everyone had a hand in the writing of it!” 

Stream ‘Obvious’ below 


Author : Danu

A Chat With : Paper Tigers

We had a chat with Michael Smyth and Hayley Norton from Belfast alternative rock band Paper Tigers about how they create their sound Norton’s amazing voice and the music scene in Belfast.

Tell us about Paper Tigers and how you guys formed as a band?

So Id be playing in a few bands at the time, I was singing and playing guitar in THVS and then playing drums in this band Bloody Apes and both bands were like crazy heavy, loud, heavy rock, punk rock kinda thing. But that wasn’t really what I was listening to at all and I had this itch that I needed to scratch, initially I thought maybe I should go to the doctor and get a cream for it but turns out I just needed to write some songs. So a lot of the music I listen to has a female vocal, I’ve always been drawn to it and I really like the female perspective in songs. I mean I like Mastodon and hearing them sing about crystal skulls and drinking blood or whatever but I also enjoy hearing about the world filtered through different eyes, for instance the girl from Purity Ring her lyrics are just amazing and that’s her own very unique perspective. I was listening to a lot of Yeah Yeah Yeahs, Wolf Alice, Pretty Girls Make Graves, Lorde, Taylor Swift, Purity Ring, Lana Del Rey and started writing these songs but writing with a female vocal in mind. Id never really done anything before that wasn’t crazy loud or heavy or fast so these songs were a pretty big departure. I was really focusing on the melody, hooks and song writing. Once I had a handful of songs I started trying to pull together the band and eventually gathered together our current band of rebels. 

We’ve already been through a few line up changes but it was important to find the right people to work with. Id a really clear idea of what I wanted the band to be so it was important to get the right people. Michael (drums) and I had a mutual friend that put us together after I posted on Facebook for what seemed like the zillionth time trying to get band members. Michael plays in another band, Ethan Hannah, with Stevey(bass) so after a few bass players didn’t work out he said well what about Stevey. Then as creepy as it sounds I found Hayley(vocals) on Facebook added her outta the blue and messaged her just being like I have this band, here’s what I want to do so do you want to come down and sing. Luckily she realised I’ve a heart of gold and wasn’t just sliding into her DM’s. That all sounds pretty fast and straight forward but this happened over the course of a year and even before that Id tried a few times to get it off the ground with no luck so it took some time but as soon as we got this line up cemented we came out swinging.

Did it take time for you guys to gel and be comfortable with each other ? 

Initially it was myself and Michael but we had other people then and it took a lot of time to get on the same page in terms of what I was trying to achieve and how things were meant to sound and getting parts down. But if you put 5 people in a room the majority of whom have never met each and then all of a sudden they’re expected to interact with each other, be creative together, work together and produce something, rarely is that just going to happen straight off the bat. There’s a lot of personal dynamics, group dynamics you’ve to establish, you need to build up a vocabulary with each other, reference points, you need to get used to how different people work and process things. After Stevey joined things became a lot easier because he and Michael had already been playing together, by then Michael and I had started to reach a point that we were getting to understand each other and our approach to our instruments. Then Hayley joined and it was just like this breath of fresh air and huge sigh of relief, everything just clicked and instantly sounded 10 times better. I felt like finally we could go to work now. So its taken some time to get to the point we’re at now but its all very worthwhile, we learn from each other and its very much an atmosphere of trust I feel, like anyone can suggest something and know that we’ll at least talk through it or try it. This line up is still relatively pretty new. Hayley’s only been with us since September and already we’ve recorded and done a bunch of shows up and down the country so I think that’s a testament to how well we all work together…or you know the reality is that we all hate each other, we travel in separate buses everywhere and need a performance coach like Metallica. I’m only kidding…we cant afford buses.

You guys are from Belfast, what is the Belfast music scene like for an alternative band?

There are actually so many great bands coming out of Belfast right now, I really feel like there’s this resurgence coupled with a real want and desire for alternative/guitar driven music again. Music is always cyclical so it always comes round again but there are a bunch of great bands around right now so its cool to be a part of that. Even where we practice we’ve got Sugarwolf and Mobwife right down the hall. New Pagans are a personal favourite and Fagash McCann are one of the best bands around right now. Similarly for gigs there feels like a lot more opportunity to play shows at the minute where as even last year opportunities didn’t seem as abundant but now more bars are having bands play which is great and more people are stepping up to put shows on. Last year I started my own promotions company, Old Crows Promotions, and that was really born out of not wanting to wait around for shows to land in our lap. If we wanted a show then I can put it on, promote it, play it and get some of my friends to play it too. And also wanting to do my part to help promote home grown talent and giving them a platform and resources to help reach people. We’ve been lucky that people are responding well to the band and offering us shows but I’ll continue to put shows on. So it’s a very healthy scene at the minute, I think its fantastic when your home grown scene can spawn some of your favourite bands.

You guys have a powerful sound with gritty riffs, pummeling drums and floor rumbling bass how did you guys find and decide on your sound?

We just show up plug in, turn up and that’s how it comes out. I’m kidding but in a way that’s kinda true. When I started the band I had a very definite idea of what I wanted it to sound like, then I took them to practice and all that changed. Once everyone brings their requisite skills and talents to it they put their own sonic footprint on the song. Especially from having a few line up changes, singers, bass players, we went from two guitars down to one, you can really tell how much different players influence the sound. So the sound of the band is definitely the sound of everyone hammering away with their respective tools. The band is still evolving and there were a few songs that never made it out of the dropbox folder because they just didn’t fit anymore. The longer we’re together the more cohesive a sound we’re starting to develop, all the songs still sound like us but especially over the last few I feel we’ve taken huge steps forward in song writing and carving out our own signature sound where stylistically its very evident that its us. That’s something I want to continue to build on and further refine but at the same time not be limited by, there may come a time that we want to incorporate some salsa jazz fusion elements into our sound or an aboriginal choir with the philharmonic orchestra and when that time comes I hope we can embrace it. That’ll be our Sgt Peppers record! 

Talk us through your song writing process and how you guys craft your tracks?

I write the songs, so ill have the track written and arranged front to back by the time I bring it to the practice room. So I’ll play through the song and then we’ll start to work on parts, sometimes those will come really quick and we’ll all just click in and everyone’s on the same page sometimes it takes a little more time. Both ways have their merit because sometimes you’re like wow that was easy, new song done! The other way though can give rise to things you wouldn’t have expected or thought of which is great. Especially recently, and because we’re able to communicate with each other well now, we’re able to push each other, maybe a part is a little pedestrian or someone feels a part could be better then we work through that, so a few times now Ill have brought the song in and the arrangement has changed now or new parts have been written in the practice room and its been really fun and exciting that push and pull creating something together. Then lyrically and melodically I’ve wrote a few tracks but since Hayley joined she’s really taken up that mantle and writes the majority of lyrics and melodies now we’ll still work through some parts together but its great she has her own voice and style and that comes through. Again this harkens back to the band evolving and us still figuring things out but the longer we’re together the better the whole process becomes.

You recently released ‘Gucci Smiles’ talk us through how that track came to fruition?

Really this whole band comes down to me changing amps, I used to have this Orange half stack, 4×12 cab and head. It weighed a ton. So I got sick of lugging it around and decided to change to a combo and bought a Fender DeVille 60w 4×10 combo. So straight away my sound changed dramatically and then instead of playing in drop C I was like I bet a Fender in standard tuning going through the DeVille would sound great. So I couldn’t afford an actual Fender so I bought a Squire and started playing around with the amp and looking for different sounds from the amp and during messing around one day I just hit on the riff, it was just one of those songs that feels like its being given to you. Like you’re not really writing it but something is just moving your hands to where they need to be, maybe my house is haunted and it was a rock and roll Ghost type moment with Patrick Swayze guiding me, thanks Paddy! So it was the first song I ever wrote for this band. Then I can’t help myself with pedals so put some fuzz on the verse to dirty it up cause we can’t have it *too* clean. That was one I wrote the melody and lyrics for, I remember sitting at my desk in work and writing the lyrics super fast. I remember thinking I’m so glad I don’t have to sing ‘Dolla Bills, Gucci Smiles’ because it’d sound so dumb if it was coming from me, luckily when Hayley sings the song it sounds totally badass!

You released a video for ‘Gucci Smiles’ which captures the raw live aspect of the band how was the video making process for you guys?

It was so easy and simple, I’ve worked with Bob Logan, who made the video, a lot now. He done all the THVS videos and he does a lot of our photography as well. He’s been working with Tigers from the start so he’s basically the 5th Tiger at this stage! Bob has a great eye and spent time getting to know the song before coming down to shoot the shows so he knows in his head how he wants things to play out. Its great to be able to trust someone just let them do what they do and know whatever they come back with will be great. I think having a live video as the first video lets anyone who hasn’t been to a show yet have a taste of what its like to see us live. Hopefully encourages them to come along and see it for themselves, a video is one thing but actually live in front of you we’re a very different thing. So really all we had to do was show up and play our show and let Bob do the rest. We’ve had an amazing response to the video, we’re in the process of planning our second at the minute!

Hayley , you have strong command over your powerful voice. Although your voice is powerful, it has a cool tone. Have you always had this strong vocal ability or was it something you tried to achieve over time?

Thank you so much! Well I definitely always had a voice, but when I reached the age of 12 I realised that I had a strong one and it did need a lot of work! So year by year I pushed myself, I sang a variety of song genres and styles, participated in competitions, self taught vocal exercises and that allowed me to gain more strength and control over my voice, on top of being a high energy performer – stamina is essential and I strive to improve every day!

What do you guys bring to your live shows?

Instruments, they’re a pretty quintessential part of it. Seriously though, we bring a lot of energy and passion to the stage, from the second we hit the stage to the last chord we don’t stop, we’re in constant movement and I don’t think we could stand still even if we wanted to. The songs illicit that response from us, there’s nothing planned or contrived about it, no synchronised jumps or Kiss style swaying, whatever happens on the night happens. Music is a really emotive thing and it should make you feel something so I’ve always thought if I don’t look like I’m enjoying myself up there then how could anyone else. Playing live is really what I live for and its really where this bands lives and thrives, recording is great and its fun but those 30/40mins when your up on stage is really where we feel the most alive. The interaction between the 4 of us on stage and the interaction with the crowd is what makes shows special. We’ve been lucky in that the shows have been well attended so there’s always that back and forth between us and the crowd and obviously we thrive off other people enjoying the music and cutting loose, dancing, singing along. Its amazing after we play and someone tells you that they really enjoyed this song or that song. No one ever has to do that, so the fact someone feels so compelled to do so is pretty great.

What is next for Paper Tigers?

We’re already so busy this year, we’ve a show in Bennigans, Derry 28th January, then Feb 7th we’re playing the Empire in Belfast and the next night we’re supporting Hundreth in The Palm House in Belfast, March 27th we’re in Johnny B Goode Music Lounge in Antrim, June 6th we’re in Dublin for Rage Fest. Then we’ve a few shows we can’t talk about yet. We already have more songs recorded so we’ll have two more singles out before the end of the year with videos to accompany those. We plan to record again, we’re always writing so the plan is for at least another 2 songs. We’re in the middle of putting some touring plans in place slightly further a field. So we’re super busy, if it was up to me we’d be playing every week but I suppose people need to have lives or whatever..

Watch the video for ‘Gucci Smiles’ below


Author : Danu

Worth A Listen

Our Worth A Listen This Week Comes From Nerves

Dublin based three piece noisy post pop band Nerves have released their new single ‘Glasshouse’. This biting track showcases the bands adept ability to create tense explosive soundscapes with frenetic destructive undertones. The refined competence to which Nerves’ display this skill is something to be admired. Sharp raw guitars relentlessly rip and slice through the thick agitated atmosphere while the bass chaotically slaps and rumbles with fiery endurance throughout. Building to a massive chorus and frenzied crescendo aggressive vocals spit venom and disgust against a harsh, dizzying soundscape dripping in distortion and acid. It’s complete anarchy crammed into a rapid four minute track. Utterly savage and thrilling this dark fizzing concoction is a sublime assault on the senses by Nerves.

About the track the band said : “Lyrically the song is an outcry against toxic masculinity and its effects on young Irish men and brings up various themes such as fatherhood, Irish education, our drinking culture and religion.”

Stream ‘Glasshouse’ below


Author : Danu

Worth A Listen

Our Worth A Listen Track This Week Comes From Bright Orange Spectacle

Bright Orange Spectacle have released their new single ‘I Struggle to Communicate’. The north-London four piece comprised of Charlie Sinclair, George LePage, Kyle Torode and Darcy Calton, burst onto the scene early 2019 with their first single ‘She Could Do Better’. They have have two successful sold out London shows with fans and taste-makers alike eagerly awaiting new material. The self-proclaimed ‘millennium glam’ rockers have been self-producing their tracks since the get-go – taking their DIY ethos from the bedroom to the stage.

‘I Struggle to Communicate’ is a light stomping of precise indie as Bright Orange Spectacle smear a dash of glam rock into their swagger steeped sound. With confident gritty guitar riffs the band announce the track with a raw edge and charming flamboyance. The punchy rhythm shuffles its way through with foot tapping relentless stamina while the smooth catchy melody and charismatic vocals buoyantly dance and cruise along the bubbling backdrop. The band layer the track superbly to create joyful cheery moments of shimmering key hops and pop sensibilities with a Bright Orange Spectacle twist to create a satisfying finger-clicking good number to immerse yourself in.

 On creating the track Charlie added: “We live in a time where everyone has to be a social commentator. It’s not necessarily a bad thing but it leads to a certain amount of pressure for bands to make very grand political statements from day one. I kept sitting down to write that song and eventually this came out.It’s just a lot of honesty about my own lack of understanding towards our correct cultural climate. We live in a time where information is so readily available, yet I still feel like I know nothing. Things are bad, obviously things are bad, but that’s about all I know-and that’s fucking depressing. So ‘I Struggle To Communicate’ is just a reaction to my own ignorance and a personal call to arms for me to better facilitate myself with knowledge.”

Stream ‘I Struggle to Communicate’ below


Author : Danu

The Assist ‘I Don’t Care’

Walsall band The Assist are back with their new single ‘I Don’t Care’. Formed in 2014, The Assist have sold out venues across Birmingham, Manchester, Leeds and Sheffield as well as shared the stage with the likes of Happy Mondays and Blossoms. They have played in Paris with Black Honey and played UK’s famed O2 Academy with The Twang. Most recently, the five-piece completed a six-date tour across Russia, headlining Boris Yeltsin Open Air at the Ural Night Music Festival, performing in front of over 12,000 people.

Filled with dizzying soundscapes and kinetic energy ‘I Don’t Care’ is another infectious indie banger from The Assist. With fizzing riffs weaving fruity squirts of vitality into the luscious dynamic wall of sound this track instantly bursts with youthful adrenaline. The track is a vibrant sun saturated gem with a funk element entwining the bass and rich rhythm in shuffling grooves that wrestle you to the dance floor. The confident attitude soaked vocals resound over the glistening guitars and punchy backdrop. With a catchy soaring melody and light summer atmosphere ‘I Don’t Care’ is a raw pulsing rush of sublime, fresh musicianship from The Assist. 

Speaking of the new song, the band said, “There’s plenty of new music on the way but this track is one we are mega proud of. There are always so many opinions and outlooks on life, what’s right or wrong so that’s what this new track is about. It’s about doing what you want to do no matter what anyone says”

Stream ‘I Don’t Care’ below


Author : Danu

Delights ‘Paradise’

Following the release of previous single ‘Sometimes, Lately’, Manchester indie band Delights have released their new single ‘Paradise’. This sun speckled gem sparkles and gleams with Delights’ infectious and fruity indie pop as they create a sweet refreshing number filled with rich luscious tones and 80’s -esque elements. A wiggling elastic bass groove creates a dance-able funky flex to the track while the vibrant beat and beach-like percussion creates a summertime careless atmosphere. With zest-filled intricate guitar lines, the track swoons and sweeps beautifully into the ears with ease. Warm velvety vocals caress the dreamy sweet melody as the band present another marvelous sun saturated  track to get us through the cold winter months. 

You can catch Delights live at Manchester’s Deaf Institute on Friday 24th January, with support from Monks and Manifesto

Stream ‘Paradise’ below 


Author : Danu

Worth A Listen

Our Worth A Listen Track This Week Comes From The Gallerys

Photo Credit : Briony Graham-Rudd

Kent alternative rock band The Gallerys have released their new single ‘On the Other Side’. The song was written by Craig Barden, arranged by The Gallerys, recorded at Squarehead Studios in Sittingbourne, Kent. It was engineered and mixed by James Simpson, and mastered by Kristofer Harris.

‘On the Other Side’ is a sweet slice of indie rock with 60’s elements and luscious sounds. The soft melody melts beautifully on a blustery backdrop of blistering guitars and punchy drums as The Gallerys weave edged raw indie rock into their exquisite melodious musicianship. With delicate harmonies creating a doo-wop candy floss texture the track creates a rose-tinted glow and cheery effect. With lyrics about forgetting your problems by having a good time ‘On the Other Side’ is a dreamy number filled with the illusion of hope and optimism. With a shredding rock ‘n‘ roll solo and edged harsh undertone The Gallerys keep the track fresh and instantly likeable.

About the track the band said “ ‘On the Other Side’ is an alternative indie rock track written about forgetting your problems by having a good time. the ‘Other Side’ is that place we all know and feel when we’ve had a few drinks and feel invincible. When we’re in that good place we have a ‘rosy gaze’ on and forget about all the problems and issues of our everyday lives but we’re actually just ‘living in the land of lies.’’

Stream ‘On The Other Side’ below 


Author : Danu