Tag Archives: indie rock

Miles Kane ‘Cry On My Guitar’

Miles Kane has released another new track ‘Cry On My Guitar’ from his forthcoming new album, titled ‘Coup De Grace’ which is set for release on August 10. The release marks his third solo album, following predecessor ‘Don’t Forget Who You Are’ from 2013. ‘Cry On My Guitar’ is a stomping dazzler that struts in loaded with intoxicating guitar whines, thumping drums and swagger laced vocals – Kane has channeled his inner Marc Bolan. This slick frenzy of rock n roll is overflowing in steamy panache as the exhilarating chorus blasts adrenaline pumping stamina into your veins while the cool shimmy ready verses chill the feverous atmosphere. ‘Cry On My Guitar’ sounds like it could have come from the seducing glam rock mania of the 70’s with a modern Kane twist. That clap along feature, vaporous guitar solo and constant groovy backdrop drive this electrifying spectacle. It’s a swanky outburst that is sure to have your blood pumping and live audiences in a crazed frenzy. Once again Kane produces a chic riveting number that will have you dancing, attempting air guitar and just feeling like a bad ass.

Stream ‘Cry On My Guitar’ below

 


Fangclub ‘True Love’ EP

Fresh from their first UK headline tour, Irish rock band Fangclub have released their highly personal new EP titled ‘True Love’.  Last year the trio Steven King, Kevin Keane and Dara Coleman released their self titled debut album to mass critical acclaim and also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words’.

‘True Love’ marks massive growth in the bands sound. The swirling and churning dark tones lurk underneath even the most peppy sounding of the tracks. There is something more sophisticated and painful in this EP. The meaty brain crush blast we are used to once again feature on True Love however they have honed in and sharpened everything from meatier ground shaking basslines and immense pounding drum grooves to slick acute guitar lacerations placed perfectly for maximum impact. Fangclub have us firmly in their grips and they are not letting go. Recent single ‘Knife’ sets the thrilling mayhem in motion with gritty basslines grumbling under slashing guitars and demanding drums. The chilled vocals cool the scorching instrumental backdrop for the verse teasing the explosive chorus we have come to love from Fangclub. Slick basslines have become a staple on this EP as they fluidly flow throughout each track with a sublime rooted groove adding a lusty darkness to each track, like a shadowy thread holding each song together. ‘Heart Is A Landmine’ is where their shadowy eerie tones take over. A moody melody bleeds over a punchy backdrop of slithering guitars whining between a mighty rhythmic bounce. It’s a cinematic tune that could feature in a Batman movie especially with its stirring melody and sublime griping guitar feature. It’s pretty dark and dramatic yet magnificently catchy and climatic all at once. ‘Smother’ brightens the tone of the EP. The guitars become lighter as they zealously inject juicy zest between punchy punk flavoured rock. Its sun kissed melody melts upon the gritty soundscapes like butter as a slick guitar solo and sing along ready chorus slaps on a glossy finish. The “buzz kill” ‘Sweater Forever’ follows. This is my kind of tune. It’s a moody sunny day wallowing blast of grunge that is just magnificent. The drums trudge through a gloopy sweet melody while the piercing sting on guitars lament and soar over this sullen tune. It’s both vibrant and sulky all at once as their vivid use of instrumentation and shaky percussion creates gripping heart wrenching turmoil for us to immerse in. Those twinkling keys add a light innocence through the heavy monotony. The scale of emotion presented through music in this track is masterful and exactly how I hoped these guys would progress. The sheer musical depth containing perfectly timed multi facets glimmering through emotional honest lyrics make for a completely absorbing listening experience. ‘High’ closes the EP bringing everything full circle. It’s upbeat, powerful, catchy and filled with scorching guitar lines. The vocals lure you into the relentless onslaught of crashing drums, brawny bass lines and mouth watering guitar work.

‘True Love’ is a flavourful and tantalizing EP from the trio and proves Fangclub have a lot to offer – they are just coming into their prime.

Stream ‘True Love’ below


Chimpanbee ‘Can’t Stop or Rewind’

Irish indie band Chimpanbee have released their debut album ‘Can’t Stop or Rewind’. Chimpanbee formed in 2010 from the ashes of a grunge rock band called The Creaks. In 2010 the band released an E.P entitled the “The Pressures of Free Money” which was free to download. With 25,000 friends on myspace the E.P found many ears and some decent airplay which was followed by a brief venture to London and some popular local shows. The band were then discovered by Alex Jones of Ruby Music and subsequently signed a deal. After some extensive and fervent recording session’s the album was nearly finished and a highly anticipated release was on the horizon , but unfortunately tensions frayed as they do and the young ensemble split in 2012. This left the album incomplete and seemingly to go to waste. But in 2017 the album re-surfaced and Chimpanbee were revived in the process. The band added a new lead guitar player by the name of Alan Stacy, a bluesy, soulful and gifted professional to compliment the rough and ready haphazard style Chimpanbee had crafted.

‘Can’t Stop or Rewind’ ignites an instant rush of excitement within the listener with its rich luscious sounds and genre bending refinement. From that snappy whack of opening track ‘Sleep in Your Bed’ Chimpanbee introduce their fun infectious sound with groove mingled rhythms wiggling beneath an infectious vibrant melody and slick guitar flourishes. This foot tapping swagger soaked style continues throughout the album ‘Fell In Love’s ethereal guitars and sparkling keys soar over a dreamy coated melody. The energy in these hyped up energetic tunes keeps the album tipping away at a lively enjoyable pace as Chimpanbee flesh out their tunes and compact finely layered sound. The slow burners hone in on their exquisite musicianship. ‘Light It Up’ begins sweet broody and delicate with lush backing vocals cooing behind twinkling guitars and velvety passionate vocals. They begin the track gentle, tender and emotionally dreamy. When those lyrics hit you they relate to that poor sod who we have all been at one time or another however, the track builds becoming more bad ass and hefty developing into a fiery rock heavy anthem. Punchy drums ,striking guitars and distortion make for a cinematic wallop that fights back the timid beginning. With a sing along bridge this track is one for massive live shows. You can imagine the crowd swaying, moshing and bellowing back the lyrics. This song alone gives a sublime glimpse into the magnificent capability of this band. The sprinkling of sun kissed vibes through ‘Tokyo’ adds a peppy buoyancy to the album with golden light guitar strides between sprightly drums and glistening keys. The catchy sing along choruses are plentiful and are a fundamental element in each and every glorious track. ‘Snaaakes’ gives us a mysterious fairy like tone to the album with rumbly percussion flickering underneath magical soundscapes. It’s the tune that sparks images of little Celtic fairies dancing on midsummer’s night as magical blue and gold lights twinkle about, floating in the air like fireflies. The dark undertones add a sublime mystifying quality to this indie folk number. Darkly coated and eerie ‘Systems Failed’ has a thick heavy chorus of crashing guitars and meaty drums while ‘No Lies’ has a vibrant animated bounce. Each track holds its own identity within the album and brings a delicious new dimension and layer to sink your teeth into. Title track  ‘Can’t Stop or Rewind’ closes the album with delicate elegant piano and a steady beat holding a strong foundation for the sweet vocals and sombre drenched melody to glide off. This track is laced in lonely melancholic tones and the piano playfully weaves a beautiful melody like its dancing and swaying in sweet lamenting solitude. It’s a tear jerking melody that floats into your head until you are humming this bitter/sweet tune. The whistle feature adds a charming quality as that piano melody becomes the main focal point of the song I found myself lost in its beautiful majestic tone leaving everything else in the track in the faint distance.

‘Can’t Stop or Rewind is a charming and captivating experience. From the start to the end of the album you feel like you have experienced a multitude of emotions traveling through journeys of happiness, joy and grief all while bewitched within Chimpanbee’s musicianship.

About the album the band said “Can’t Stop or Rewind is an album that takes you on a journey from an alcohol and drug fueled one night stand right through to falling in love , developing unhealthy attachments and dependencies until it all finally winds up in full destructive mode and ultimately a bitter end. An elementary tale performed as though the world ends tomorrow, it aggressively captures the intensity and mystique of meeting the real world for the first time”.

Stream ‘Can’t Stop or Rewind’ below 


Run in Red ‘Fade Away’

Dublin based three piece Run in Red have released their new single ‘Fade Away’ which will be the first single from their upcoming second EP ‘Undercover, Overthrown’. This warm number coos and soothes with graceful guitar twinkles over ethereal soundscapes and a beautifully tender sing along melody. Raspy cosy vocals caress the charming melody with a sweet and easing tonality while jangly guitars and buoyant beat keep the backdrop bouncing along. It’s a heart warming number swooped in a cinematic swoony soundscape of bliss. This delightful gem is 90’s- esque, feathery light and well-crafted to grip your heart firmly and evoke those sweet, nostalgic and longing memories you had long suppressed.

To celebrate this release, the band will play their first headline show in The Sound House on Eden Quay tonight if you are around make sure to check it out

Watch the video for ‘Fade Away’ below


Scally ‘Let’s F*ck’

                   Photo credit:Tanya Cullen:Bronte Photography

Mullingar rock artist Scally has just brought out the video for his third single ‘Let’s F*ck’ due for release on June 29th. The bombastic track packs a massive punch as it echoes shades of Rage Against The Machine. The track is the B-side to Scally’s latest single ‘Get Ready For War’ which was released back in March. It’s a slick raw shot of rock doused in brassy attitude. Shredding guitars crash and strike against rapid punchy drums and a groove laced bass. The track builds to a seizure inducing crescendo filled with thrilling distortion and brain spasming shrills on guitar. The riffs are well oiled and catchy while Scally’s laid back vocals daze through the verse becoming more dynamic for the brazen chorus. This high intensity track is soaked in gritty rock and roll swagger with the usual amount of pompousness you expect from Scally, however the effervescent guitar arrangement perhaps warrants this as it plows and soars through the brawny drums weaving its way around the rooted rhythmic undertow creating an ecstatic dance that practically lurches into the stomping chorus. It’s a raw lacerating groovy number that worms its way into your brain and will be next to near impossible to remove from your skull.

Scally states that the track is about “my friend who fancied this chick for ages and he just wouldn’t go over and chat to her, the verses is me telling him to grow a pair of balls and go over and talk to her and the chorus is all the things he wants to say to her but can’t”.

You can catch Scally  with his band – ‘The Dirty Rats’ live at Danny Byrnes, Mullingar on July 1st

Watch the video for ‘Lets F*ck’ below, viewer discretion is advised.

 


FLING ‘Extra Special’

Bradford’s resident psychedelic rockers FLING have released their new single ‘Extra Special’ which was produced by Lee Smith and Jamie Lockhart at Greenmount Studios (The Cribs, Pulled Apart By Horses, Submotion Orchestra, Snarky Puppy). Known for their wildly eccentric live shows, the burgeoning quintet have already built up quite the following, with their playful personalities seeing them well-received on the festival circuit so far this summer and have earned plaudits from the likes of Huw Stephens (BBC Radio 1) and Steve Lamacq (BBC 6 Music).

‘Extra Special’ is a delicious mouth watering glam pop number brimming with oodles of luscious melodies and fruity components to make for a satisfying listen. This track will have you drooling over its subtle gush of juicy guitar injections and sugar saturated shimmering keys. The laid back almost whispered vocals lure and entice you into this tropical bliss as Charles McSorley sprawls upon the melty melody with irresistible panache and charm while a rich rhythm shimmies and shakes creating a captivating fluctuant foundation for this delectable track. The wandering keys playfully weave between the mesmerising melodies while a glorious stinging guitar glimmers a blazing solo to create a dreamy psyche hued haze over this infatuating tune. This track is well crafted to alert all the senses and surge a sublime wave of tantalising sounds into your ears.

Discussing the single, the band stated: “It’s about that private time of solitude in between the chaos where you choose whatever it is you want to do, whether it be smoking or something else. The moment where you empty your mind from all thoughts and just experience coexisting with someone or something that gets your vibe”.

Stream ‘Extra Special’ below

 

 


Worth A Listen

Our Worth A Listen Track This Week Comes From Mellor

Reading quartet Mellor​ are set to release their new single ‘Safe Word​’ on August 17​ via self release. The Mellor name has been around for about 5 years, but this current line up with Gary Kingham on vocals, Sam Igoe on drums, Kristian Bell on guitar, and Josh Woodward on bass has been together for around eighteen months. The lads took the moniker in homage to a certain Joe Strummer aka John Mellor! It’s this current line up that the band have felt comfortable with the music and sound they’re producing. Kristian, Gary, and Josh have known each other since college, and Sam joined the band thereafter. Last year was the first year of releases with the current lineup, they released four singles ‘Fire on Fire’, ‘Bone Idle’, ‘You Were Right’ and ‘Arms Length’ culminating in an EP at the end of the year. With airplay supports from Tom Robinson, BBC 6 Music; John Kennedy, Radio X; Charlie Ashcroft, Elise Cobain, Amazing Radio; Tim Cocker, Virgin Radio; Frank Skinner, Absolute Radio; Linda Serck, BBC Intro Berks the lads are making a name for themselves for sure.

‘Safe Word’ is a strident, scorching example of the refined airtight indie rock this four piece do so well. Raucous guitars grate, shrill and pierce throughout blasting out some slick licks, shredding riffs and thrilling solos that will have you in a kinetic frenzy of awe. The punchy drums batter, bash and rumble out a bounce-able rhythm to make you jump up and down in a state of ecstasy. The groove infested bass weaves an elastic, sensual foundation through this exhilarating piece of gritty indie perfection. The pop drizzled melody is doused in melodious goodness that is sweet nectar to our honey bee ears as it smoothly flows upon the blistering backdrop cooling the mania with its delicious flow and catchiness. The vocal delivery from Kingham once again exudes swagger and passion wrapped in a raspy dynamic coating. Another magnetic and invigorating track from the Reading lads. These guys are travelling  full steam ahead and have a bright future.

 ‘Safe Word​’ touches on the aspect of everyone having a comfort zone in their life and how many of us often go through life regretting that we didn’t do certain things. Speaking of the track the band said, “People get very comfy doing the same thing day in day out. We think it’s an interesting thought that can applied to many aspects in life, whether it be work, personal, or social.”

You can catch Mellor Live at :

30th June – Texfest, Leicester

20th July – Actress and Bishop, Birmingham

22nd July – Tramlines Fringe, Sheffield (Record Junkie)

25th July – Lock Tavern, Camden

27th July – Bute Festival, Bute – Scotland

7th August – The Horn, St Albans

10th August – The Soundhouse, Leicester

16th August – Gwdihw Cafe Bar, Cardiff

17th August – Oakford Social Club, Reading

Stream ‘Safe Word’ below


Bane Riff ‘Less Than Enough’

Pop rock artist Bane Riff has released his debut single ‘Less Than Enough’, a catchy rock track written to inspire his listeners to pursue those unforgettable moments that we sometimes forget about in the madness of every day life. Fairly new to the industry, Bane Riff came from a background in finance industry. Although running his own successful insurance business, Riff realised that he wasn’t happy and felt that something was missing in his life, from then he decided to act quickly and pursue his true passion. ‘Less Than Enough’ was written over a couple of hours by Riff himself, and recorded in studio with producer Martin Daus, guitarist in several popular Danish pop rock bands. Inspired by a hilarious moment experienced in a restaurant with the restaurant owner and his wife, the track reminds us that life comes down to the moments that you won’t forget. For him, the song is an awakening.

‘Less Than Enough’ is a swagger soaked country drizzled rock track. Riff’s raspy vocals flood warmth into the song while a punchy drum beat, and golden guitar lines add a whack of rock and roll strutting grit. It’s a charming number with a sing along ready Bon Jovi- esque chorus that will have a live crowd bellowing from the top of their lungs. This bright peppy tune will fill you with that get up and go stamina as it exudes good heart warming vibes while packing in some mighty brawn to have you tapping your foot and dancing carelessly in no time. With an irresistible melody and tight production it’s infectious for sure.

Stream ‘Less Than Enough’ below


In The Cards ‘The Only Thing’

Stoke On Trent  quartet  In The Cards have released a video for their single ‘The Only Thing’ taken from their new EP  ‘Eyes  Beyond  Reflection’ set for release on  the  22nd  June  2018. The  EP  is  packed  full  of  soaring  melodies  and  powerful  choruses  that  all  have  a  strong  sense  of  empowerment.  In  their  early  years,  when  In The Cards were  finding  their  feet  musically,  their  admiration  for  bands  like  Paramore  and  Tonight  Alive  helped  them  to  write  songs  that  compliment  a  female  vocalist.  They  used  this  to  their  advantage  when  writing  this  new  EP,  carefully  building  and  crafting  their  own  particular  sound.  The  band  recorded  ‘Eyes  Beyond  Reflection’  with  Romesh  Dodangoda  at  Longwave  Studios  in  Cardiff. Having  played  shows  with  the  likes  of  Arcane  Roots,  Dream  State  and  Mallory  Knox,  as  well  as  achieving  airplay  on  BBC  Introducing  in  Stoke, In The Cards  sound  and  style  is  the  result  of  a  mix  of  individual  tastes  in  music,  which  collectively  produces  the  unique  sound  of  the  band;  successfully  combining  sections  that  are  both  delicate  and  atmospheric  as  well  as  hard  hitting  and  heavy.

‘The Only Thing’ is a darkly toned passionate number that seamlessly blends emotive tender vocals with an alternative meaty backdrop. Amy Colclough’s vocals are powerful and brimming with expression while vibrant guitars venture between jangly sweet melodies and crashing, mighty strides as they rebound and pummel against the punchy drums and elastic bass. These guys create an enthralling hefty sound that is smothered in dark hues with sweet golden glimmers flickering throughout. It’s catchy, anthemic and hard hitting as the chorus rushes in on an adrenaline surge of power and compelling vocals. The jagged instrumental lets their alternative rock shine through as they whack out a brawny mosh ready feature before Colclough’s vocals re-enter. It’s a compact song that contains all the component parts of a meaty alternative rock track.

Watch the video for ‘The Only Thing’ below

 

 


Delphina Kings ‘Don’t Think This Is Gonna Work’ EP

Following the release of their singles ‘Lovestruck’ and ‘Kid Calm Down’, Manchester-based indie rock band Delphina Kings have announced the release of new EP ‘Don’t Think This Is Gonna Work’ on 6th July. The release will coincide with an EP release party, which will see the band headline Gullivers NQ in their hometown of Manchester on Saturday 7th July. Support will come from fellow North West acts SUNGLO, RAVELLAS and FLANEUR.

‘Don’t Think This Is Gonna Work’ is an infectious collection of adrenaline pumping indie rock that sizzles and boils beneath your skin with thrilling instrumentation. ‘I’m Numb’ kicks off this scorching mania with shrilling distorted guitars over a punchy rhythmic backdrop of danceable groove infected bass lines and shaky percussion teamed with buoyant drums. These guys exude steamy swagger as effortless cool vocals glide over a frenzied strut worthy buzz of sublime instrumentation and dizzying acid soaked soundscapes. Their high voltage sound fills you with an effervescent whir of intensity as each track whacks out a kinetic energy with a sublime anthemic punch. ‘Electric’ is the perfect example of this. The shredding guitars teamed with spiraling vigorous soundscapes makes for an enthralling instantly electrifying listen. Each track surges with heart racing euphoria from the soaring ‘Like You’ with its slinky funk hued persona drizzled in psychedelia to the luring creepy final track ‘Delirious’, Delphina Kings showcase their slick swagger drenched style in all its glory. ‘Like You’ makes a shift in their sound as they hone in on the sultry psychedelic tones, building them meticulously to create a steamy 60’s -esque trippy number that renders you trapped in its sweet luscious delusions. The soothing gentle vocals coo and caress the melty melody while distorted guitars build for the dynamic chorus. ‘Delirious’ closes the EP continuing the psychedelic tones however taking them to darker more eerie depths. The steady beat and strumming guitar becomes the constant as the wispy melody slips between the sleepy hypnotic soundscapes. Their knack with melodies makes each track easy to sing along to with a delightful ear worm effect that will have them stuck in your head all day while the bands ability to blend genres seamlessly makes the experience instantly satisfying.

About the EP bassist/lyricist Andy Hoskinson said : “We’ve only released singles so far, and we wanted to give people something a little longer to get their teeth into, let them get to know us better”. “An EP isn’t necessarily the done thing any more, it feels rebellious”, adds frontman Chris Gibson.

For more you can follow Delphina Kings on Facebook here https://www.facebook.com/delphinakings