Tag Archives: indie rock

The Gallery ‘Wounded Knee’

The Gallery have released their new single ‘Wounded Knee’ which is about the corruption of power in the music industry and the anger felt towards profit driven promoters. The lyrics are politically motivated, with references to the Battle of Wounded Knee and the Berlin Wall. Since their birth out of Wakefield in 2016, The Gallery have gone on to impress audiences around the country with their captivating live performances, destructive guitar sounds and snarling vocals.The band have made appearances at festivals such as Live At Leeds Leeds, Tramlines and Great Escape. Their debut EP, ‘A Safe Approach to Being’, was recorded by Mike Heaton of Embrace at Squirrel Studios and it’s closing song, ‘Force Fed Plans’, was made This Feeling’s ‘Track of the Day’, whilst ‘Black Teeth’ also received airplay on BBC Introducing. After back-to- back sell out headline shows in early 2017, the band embarked on their debut tour in December. Overwhelmed by the response, they quickly organised a follow up to this in April, which included a sold out Nottingham show, emphasising the bands significant progress in the past year.

‘Wounded Knee’ is a scorching indie track that packs some serious punch.An elastic bass line tightly weaves between a resilient drum beat while crashing guitars thrash and shred cutting into the infectious melody. The dynamic vocals rapidly spit and splurge over this fantastic high powered backdrop as this track surges through at a rapid thrilling speed. It’s a compact number that builds in intensity for the smouldering verses before exploding into a mammoth chorus. These guys have shown their mature vivacious musicianship through this high powered instrumentally dense track. Exuding swagger in a chilled cool manner their sound is captivating and enthralling with an energy that is sure to ignite your spirit. The Gallery are ones to watch out for.

Stream ‘Wounded Knee’ below


Dead Royalties ‘Phantom Hearts’

Dead Royalties have released their new single ‘Phantom Hearts’. They are an energetic Post-Punk/Art-Rock trio with a sound that takes influence from Queens of the Stone Age, Royal Blood and flavours of 90’s Alt-Rock / Brit-Pop. Their heavy yet accessible riffs conceal a hefty dose of unexpected complexity, opening new dimensions and making them appeal to both mainstream listeners and those who like to get their intellectual curiosity tickled. With their well received debut E.P. ‘Hormones’ (released through Secret Chord Records), as well as three other singles, they have rapidly gained momentum in the Bristol music scene and with BBC Introducing, resulting in sell-out home shows, a back catalogue of future releases and a unique sound that makes this trio such an exciting and hard hitting act.

‘Phantom Hearts’ is a slinky, strut ready number ravaged with groovy rhythms and heavy mosh ready rawness. The sleek pop flavoured melody slithers upon a rough cutting riff driven backdrop and gritty soundscape while smooth swagger soaked vocals caress the melody provocatively. Its heavy headbanging-ly frantic instrumentation contrasts magnificently with the sensual persona of the track making for a wholly enthralling listen. It’s infectious and will get everyone up dancing. Once that thudding beat kicks in this track has you grooving and bopping as it seeps cool flamboyance and prance quality from every note. Those guitar licks and elastic bass meanders inject panache and an irresistible strut element while the flickering soundscapes drizzle the track with a dizzying dose of acid. It’s a “slightly prudish and clinical love song about fornication and misguided lovers” produced in the most thrilling manner.

Stream ‘Phantom Hearts’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From The Magic Lotus

The Magic Lotus is a garage rock band based in London whose 60s influenced pop melodicism comes with a minimalist grunge attack.The origins of the band, much like the origins of Western Civilization, are in Athens, Greece, where the guys started many moons ago.Moving to London in 2015, The Magic Lotus wasted no time hitting the capital’s club circuit. The Unsigned Guide picked up on the band, championing them in their mail outs. Local radio and arty blogs alike reacted to their psychedelic punk singalongs.The band have released their debut single ‘Feel Your Love’ by the independent label The Animal Farm records.

‘Feel Your Love’ is a sweeping surge of shredding rock and roll that smacks you in the face and wrestles you to the ground in the most slick, swagger drenched manner. The shredding guitar riff scorches through the track with red hot intensity while the dynamic rhythm punches with a hefty potency. It’s a highly energetic blistering track that rushes through your veins with that get up and go adrenaline. Sing along ready with its catchy chorus and attitude swagger riddled vocals, this track is a mighty infectious, sizzling mammoth that will be running riot in your mind all day.

Stream ‘Feel Your Love’ below


METHODS ‘Fires’

After the release of their debut single, ‘Sanctuary’, and a number of live shows throughout 2017, METHODS return with their new single ‘Fires’. METHODS are a Wolverhampton based, 5 piece, made up of, Ash Bradley (Vocals), Jon Nash (Keys), Ryan Deakin (Guitar), Pete Bates (Drums) and Adam Hall (Bass). They play a mix of dark electro indie with Influences including the likes of Joy Division, Depeche Mode, Primal Scream, Editors, Interpol etc… The band are currently putting together a tour around the UK to promote the band and their new single, ‘Fires’ which is currently available to pre order on iTunes and released on 15th June via Hellhole Records .The five piece have recently been played on BBC Introducing West Midlands and toured with The Twang.

METHODS have produced a catchy passionate little pearl with ‘Fires’. They blend a bitter sweet concoction of dark gritty rhythms with ethereal guitars and a delicate sweet melody seamlessly to create an enthralling emotional experience. The shimmering synths flicker and glisten between the throbbing beat adding an aerial breezy atmosphere to the rooted rhythmic foundation while airy guitars soar and bite throughout cutting the lofty atmosphere with a razor sharp sting and shot of glowing vibrancy. The guitar tone is melancholic as it whines and laments along the sombre melody while velvety passionate vocals caress and ooze gripping emotion. The lyrics are moving and the chorus is infectious, tender and delicate. It’s a passionate heart breaking display from METHODS.

When asked about the track singer, Ash Bradley said :
“Fires, is a song about the break up of a relationship. About two people who have been together for a long time, growing a part. Both using actions to show there feelings, instead of speaking to each other. Thoughts get locked away. The only way for them both to move forward is for it all to end.”

Stream ‘Fires’ below


whenyoung ‘Heaven on Earth’

Following on from their captivating singles ‘Actor’ and ‘Pretty Pure’, Limerick’s own whenyoung have released their new track ‘Heaven on Earth’ through Virgin EMI. whenyoung are Aoife Power (Vocals/ Bass), Niall Burns (Guitar), Andrew Flood (Drums). Their story started in Limerick … three underage teenagers met for the first time after sneaking into Costello’s Tavern: the only bar in town that floated their musical tastes. After bonding over cheap vodka and the sound of The Velvet Underground, they began playing music together and moved to Dublin to seek some big city excitement. Developing their sound, still with a DIY approach, the band moved to London in 2017 and became whenyoung. 2018 has already been a landmark year for the young band. It’s seen them perform in Dublin as part of Shane Mcgowan’s 60th birthday celebration alongside the likes of Nick Cave and Sinead O’Connor. They’ve supported Dream Wife, Declan McKenna, The Vaccines and are currently on tour with Peace.

‘Heaven on Earth’ is a pure concentrated juicy indie number. Its catchy, peppy guitar lines weave between punchy drums while Power’s sweet vocals venture between a coo and attitude driven dynamism. The honey soaked melody melts along a buoyant rhythm and elastic bassline while the biting, jangly guitar lifts the track to vibrant sun kissed heights. It’s an upbeat tune with darker underlining tones that add depth to this infectious pop sprinkled gem. It’s difficult not to sing along and dance about to this track. This trio have a skill with writing tunes you want to hear and love to have stuck in your head all day. It’s going to be a hit at the summer festivals this year.

You can catch whenyoung live at

2nd June – Field Day, Brockwell Park – London
6th June – Royal Hospital Kilmainham – Dublin (Supporting Nick Cave & Patti Smith)
14th July – Latitude Festival – Suffolk
3rd August – All Together Now Festival – Waterford
4th August – Bestival – Dorset
26th September – The Key Club – Leeds
27th September – EBGBs – Liverpool
28th September – Think Tank – Newcastle
3rd October – The Boiler Room – Guildford
4th October – The Purple Turtle – Reading
5th October – The Cookie – Leicester
6th October – Neighbourhood Festival – Manchester

Stream ‘Heaven on Earth’ below


Callow Saints ‘Unhinged’ EP

Callow Saints are a female-fronted indie/rock band from Aylesbury. After taking the local music scene by storm, the band rapidly spread further afield, becoming more and more in demand in the Oxford and London scenes. They were voted one of the top bands out of 20,000 entrants to win a slot at the prestigious Camden Rocks Festival; performed alongside the likes of the Kaiser Chiefs, Bryan Adams and The Pretenders at Cornbury Festival, have headlined a packed out O2 Academy in Oxford and had two sold-out EP launch shows in the past two years.The band have just released their latest EP, ‘Unhinged’.

Callow Saints deliver a varied batch of memorable songs that exude energy and passion in their ‘Unhinged’ EP. ‘I Should Run’ sets the EP in motion, seeped in emotional tones as a moving melody drifts upon a vibrant backdrop of crashing drums, elastic bass and strident stinging guitars. The flicker between the zealous guitars and sensual groove on bass makes for a wholly enthralling experience for the verses as it teases and builds in intensity for the gritty explosive chorus. They blend the raw expressive emotion and edgy rock soundscapes perfectly creating a meticulously layered sound. This EP gives a sublime taste of the sound Callow Saints have developed, the tracks are catchy, dark and extremely consuming. ‘E.M.M.A’ is pushed by a driving rooted bass line while punchy drums pummel through staggering, slick, guitar work. The whispered bridge adds a creepy, haunting quality that keeps you on your toes- this track is sublimely mesmerising. Ruby’s vocals command attention- her power and control is masterful as she croons, whispers and bellows with magnificent control. Her sultry vocals for the verses of ‘Ten’ is particularly enticing as steamy guitars whine over a steady beat and sensual bass. Once again they produce a fiery aggressive chorus which interrupts the vaporous atmosphere. That guitar riff is hypnotic and spine chillingly good.‘Kiss Is Bliss’ brings us to the end of the EP with a lighter tone. The riff has a Lynyrd Skynyrd’s ‘Sweet Home Alabama’ feel while the buoyant rhythm, catchy lyrics and peppy melody lusciously makes this track a sing along anthem. It’s an animated, bright way to the end the EP while still packing in some rock punch.

‘Unhinged’ is a thoroughly satisfying EP filled with all the right ingredients to have you rocking out, dancing and singing with ease. Each track is brimming with delicious melodies upon gritty rough instrumentation with a sweet, swagger soaked sliver of silky sleekness on top. Ruby’s vocals are just sublime and powerful she transmits passion and emotion from every note effortlessly to create enthralling, gripping tracks that are wonderful to listen to but mighty enough to have a nice kick.

Stream ‘Unhinged’ below


Fangclub ‘Knife’

 

Fresh from their first UK headline tour Dublin trio Fangclub have have announced the release of their highly personal new EP titled ‘True Love’ along with their new single ‘Knife’. The 5 track EP, set for release on June 29th, is a fiery collection of Fangclub’s unique brand of alternative rock. 2018 has already been a busy one for Fangclub, having toured with The Cribs, Milk Teeth and Nervus as well as rocking the UK with their first headline tour. 2017 was a hell of a year for the band too. Not only did they release their self titled debut album (available now on Vertigo Records) to mass critical acclaim but they also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart) with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words.

Now this track raises the bar. ‘Knife’ introduces a more aggressive mind destroying sound that is just fantastic.It bulldozes in with pure unruly aggro as the rooted bass boils and bubbles beneath a chilled eerie vocal line before the chorus bludgeons you with its crashing wall of sound -screaming vocals and distortion galore. It’s a thrilling, electrifying whack of gritty, rugged, garage rock at its most fermented. The drums bash your skull while the melody still firmly grips the pop infectiousness of their previous tracks however, the intensity is at dangerous levels. I love the energy in this track the destructive, barbaric, chaos churning and coiling for the verses becomes effervescent and erupts for the riveting chorus. This is something special.

Speaking honestly about the music and its lyrical content, enigmatic frontman Steven King said this of the EP.
“True Love is a collage of an intense year that almost ended the band.Last year I became infatuated with the idea of True Love. But not just love of a person. Love of drink, drugs, people, actions & habits. Anything can be your “One True Love” if you let it. Love can be painful. True Love can cut deep like a Knife. “Knife” was my skewed idea of an obsessed love (at the time). It’s the introduction to the EP’s theme. Am I using you or are you using me? I don’t care, I need you. Keep me alive, kill me, keep me warm, make me cold, make me happy, make me sick, wake me up & make me sleep. I don’t mind being chained to you under the blanket of True Love.”

You can catch the band live at the following shows this summer

June

1st Vestrock, Hulst, The Netherlands

2nd K-Fest, Killarney, County Kerry, Ireland

July

13th 2000 Trees, Cheltenham, UK

20th Truck Festival, Oxford UK

27th Sunflower Festival, Lisburn, Northern Ireland

Stream ‘Knife’ below


The Breaks ‘Masquerade’

Manchester unsigned indie band The Breaks have recently released their latest single ‘Masquerade’ which is the lead single on their ‘Trap Door’ EP. This blistering fuzzed indie rock track swarms in all ruffled and scuzzy as coarse guitars sting and crash against pummelling drums and elastic bass. Though initially appearing a mighty force of bruising rock this track maintains a slick chilled underbelly as laid back swagger drenched vocals cool the scorching instrumental backdrop with a slinky melody and effortless charm. The guitar riffs sear and swelter while that rooted bass groove pushes the track into impressive adrenaline rushing heights. It’s a high voltage rampage from The Breaks that entices with sweet chilled tones luring underneath a thrilling tight wall of sound that surges through your veins heightening every sense. It’s brawny and sensual all at once and i’m sure makes for one manic mosh pit when performed live. This exhilarating track makes The Breaks ones to watch out for.

Watch the video for ‘Masquerade’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From The Fontaines

The Los Angeles based brother and sister duo The Fontaines (Hank Fontaine and Charlotte Fontaine) have released their new single ‘Freak’. It’s a sultry, electronic drizzled retro number that entices and grooves all while packing in some slick instrumentation. These guys have come a blushing long way from the sweet doo- wop days of ‘Dusty Springfield’. This effort sees Charlotte coo a sweet delicate melody through scorching stuffy electronics while a sticky beat slaps and hops keeping the mesmerising foundation. The steamy guitar whines break up the muggy intoxicating atmosphere with a dash of stinging zest – refreshing the dazzling psychedelic hued soundscapes. This track slowly creeps and smoulders as each component takes its time- building the intensity of the track from elastic basslines and shaky groove infested rhythms to sizzling guitars and seductive vocals. They have layered this track perfectly. A mesmerising number and sassy display from The Fontaines. They are developing their sound more and more with each release. Can’t wait to hear what they do next.

Stream ‘Freak’ below


The Helters ‘Afghani Super Smack’ EP

Five piece alt/indie band from Wellington Somerset, The Helters have released their new EP ‘Afghani Super Smack’. The band comprised of members Mark Owen (vocals), Davey Roberts (guitar) , Charlie last (drums), Conor Dolan (bass) and Alex Canham (guitar) have been together for two years and have already been featured on BBC Introducing as well as selling out local venues and getting regular plays on local stations over the country.

‘Afghani Super Smack’ is a euphoric collection of tracks that flood with that youthful hazy longing and adrenaline of the Pixies. The Helters’ sun kissed dreamy indie becomes apparent from the twinkling intro of ‘Salt’. They don’t dwell in this delirious haze for long when the track kicks in, it’s edgy and raw as dizzying guitars whirr around punchy drums and attitude driven vocals. The band slap on a breezy biting atmosphere to accompany the pop drizzled melty melody adding bite to the smooth sun-kissed atmosphere. Each track displays new fragments to their melodic guitar elements which at times soars to ethereal heights in tracks such as the blissful exhilarating ‘Four Aces’. The bass in ‘Afterglow’ provides a muscular foundation for the golden guitar moments and showcases the meticulous layering and polished production of the tracks as it contrasts perfectly yet, alone, holds its own captivating elements. The melodies are just sublime as they surge with sugar sprinkled longing and melancholy with an adrenaline heart gripping rush driving it through. ‘Killing Joke’ is another example of the superb bass work as shrilling guitars and rumble on bass create a tense start to the song. It’s catchy and filled with a touch more attitude than its predecessors. This soaring, anthemic, edgy number is the perfect way to end the EP as it is biting, thrilling and dreamy all at once.

‘Afghani Super Smack’ is a fresh breezy effort from The Helters. It’s sweetly melodic, euphoric and anthemic with a crashing blustery instrumental backdrop that is heart pumping and balmy while their surf-rock elements are tight and simply sublime. All the component parts are filled with the classic 90’s era indie that will make you sweetly nostalgic. A majestic EP for sure and one for those lazy summer days.

Stream ‘Afghani Super Smack’ below