London-based singer-songwriter Chris Jewell has released ‘Rise and Fall’, the lead single from his new EP of the same name. A songwriter since the age of 12, Jewell’s songs draw on influences from pop, rock and soul across the decades. After signing with independent label 84 Records his new EP and single was recorded with talented producer Andy Brook (Frank Turner, Status Quo, Hayseed Dixie), who brings a radio-friendly pop sheen to Jewell’s tale of heartbreak. The new track has already picked up support with BBC Introducing, and was recently chosen twice as a BBC Radio Surrey/Sussex Track Of The Day. ‘Rise and Fall’ is a slice of sweet bright folk pop pie. With soulful bright guitar and springy bounce beat this track is an uplifting , energetic “put a smile on your face” bliss. Illuminating and glowing from every note with simple chords and catchy clap along feature its a snappy encouraging track. Though the lyrics are somewhat sombre the track is presented with a positive atmosphere and sprightly energy. Sprinkled with Jewell’s smooth soulful vocals and rapid almost rap -like lyrics and immediately infectious chorus Jewell showcases his skill for simple, blissful and timeless songwriting.
Stream ‘Rise and Fall’ below
Toronto-based Soul/Pop band Gold Complex have released a video for their single ‘Backbone’alongside a deluxe edition of their debut, self-titled EP. Gold Complex fuse classic soul with pop and R&B into a fresh sound that is all their own. This dynamic octet has built a strong fanbase in Canada, headlining renowned venues such as Lee’s Palace, The Rivoli, Mod Club and the Horseshoe Tavern. Their debut self-titled EP was released in April last year and their first two singles ‘Tread On Me’ and ‘Backbone’ received regular rotation on radio nationwide and were featured on the Nickelodeon television series, Open Heart, now on Netflix. ‘Backbone’ is a smooth sensual, funky tune about the conviction of “saying what you mean and meaning what you say, especially when it comes to a relationship”. Velvety warm vocals kicks off the track in a soulful passionate manner. With steamy jazzy brass and gentle supple beat teamed with flexible coaxing bass this track lays the smooth talk on thick. Its agile easy -moving sleekness can sweep you into a stupor as you are sweet talked and wooed by the suave vocals and nifty slick piano. This track is a saucy cheeky track exuding sass with classy swagger.
Gold Complex are currently in the studio recording their debut full length album “New Soul”, set for release in April 2017.
Watch the video for ‘Backbone’ below
Essex based four piece Youth Club are back with their infectious new independent single ‘Sorry’. Youth Club first caught people’s attention back in May 2014 with their self-released debut EP ʻColoursʼ, which stormed the official independent singles charts reaching 25 and hit No. 7 in the iTunes alternative charts. They have graced the stages of Radio 1’s Big Weekend, Y Not Festival, Standon Calling, Beat Herder, Shazam Summer Party and Kopparberg’s Urban Forest Festival. ‘Sorry’ is a bedazzlement of Youth Club’s beaming tropical pop. The efflux of bright animate synths give this track a magnetic pull and vibrancy. Radiating sunny warm vibes, a balmy atmosphere and smooth spring and bounce in rhythm it oozes elastic slick suave. The soulful velvety vocals adds a heavenly soothing charm and warm quality. ‘Sorry’ has pizzazz and zesty tropical textures that give a refreshing revitalising lift to this infectious track.
You can catch Youth Club live at:
Oct 08 Twisterella Festival, Middlesbrough
Oct 28 Chinnerys, Southend On Sea
Nov 03 The Engine Shed, Lincoln
Dec 14 The Borderline, London
Stream ‘Sorry’ below
Manchester’s indie band Lyerr have released their new single ‘Not Going Out’. The band is comprised of members Ryan Johnson (Vocals/Guitar) Samuel Greene (Guitar) Rory Magner ( Bass) James Kershaw ( Drums). The four piece present us with an upheaval, ruckus soaked anthem to feast our ears on. Exuding rebellious attitude and swagger this track is a bellowing high energy punchy number with frenzy causing stamina. The pounding drums keep the powerful strength and intensity, while the pizzazz and zing of the guitar adds a sting and sharpness to the track. With a driving bounce on bass, it is a mighty “get up and go” high powered track. With an infectious and motivating “do something that people will talk about” lyric that will be dynamic at a live show when the crowd shout it back, these guys know what they are doing. Lyerr have created a high powered ball of fire that is an absolute frenzy causing seizure.
Stream ‘Not Going Out’ below
Philadelphia’s surf/soul band Palmas have released their new single ‘Flowers’. Band members Eric Camarota ( guitarist) , Matthew Young (guitarist) , Adam Cantiello ( guitarist), Pat Degan (drummer) and Kurt Cain (vocalist) present us with their perfect blend of delicious sweet swirling melodies and experimental array of instrumentation. This Beatles – esque track bursts with luscious psychedelic features adding a euphoric dreamland vibe interweaving with blissful honeyed vocals and lush heavenly harmonies. Its a succulent beautifully delicate track that blossoms and flourishes as Palmas add a complex orchestral arrangement. The twirling trippy 60’s vibe consumes you in a gentle flurry of delightful intoxication as you are wrapped up in a colourful floral blanket of warm cosy tones and rich textures. With aptly placed percussion and the balmy mellow depth of the strings, it is an absolute joy and satisfactory listen. Palmas are budding into a fantastic band these guys deserve to do well.
Stream ‘Flowers’ below
New York City’s Public Access T.V. have released their smart, smooth and effortlessly cool debut album. ‘Never Enough’. The four piece swan in with their laid back sunny vibes exuding panache and present us with an album to get excited about. John Eatherly (lead vocals, guitar), Xan Aird (lead guitar, vocals), Max Peebles (bass, vocals) and Pete Star (drums, vocals) give us their brand of spine- tingling rock and roll that is a triumph from start to finish.
‘ Never Enough’ kicks things off with ‘In Our Blood’ a rapid snappy infectious track that hooks you in from the start. With smooth swagger filled vocals, brawny flexible drums and of course the incredible slick guitar. This track is infectious and tight. With attention paid to perfecting the small details you wont be able to stop yourself from dancing. ‘Evil Disco’ brings us Public Access T.V. ‘s groovy sensual sound. Its funky elastic rhythm and 70s vibe give a strut quality. The velvety deep almost sleazy vocals coax and lure for the verses. The ear worm melody and chord progression will ensure this song will stick in your head and leave you prancing down the street with this track as your soundtrack. Its so dangerously smooth and polished if it was a floor you would slip on it and break your neck. ‘Summertime’ is a fuzzed hazy catchy track with an impulsive clap along effect. The steamy sharp guitar and flexible beat lures your hips into a swing while Eatherly’s vocals pine and almost whine with emotion. With lingering notes on vocals the track is soaked in longing and craving. The sticky intensity of the track changes up a little in the middle adding energy and vibrancy and light peppy backing vocals. The jazzy piano feature brightens the track and lightens the gluey mood to a freeing peppy tone. ‘I Don’t Wanna Live in California‘ is a revamped version of ‘ Metropolis’ which I must admit I found was somehow lacking to the original. I feel it didn’t need the revamp. they have given the track a spacey vibe with a disco feel and changed it around a bit. Thankfully they kept the shredding guitar solo and the hazy sunny vibe and added more spice and oomph to the laid back sound. The malleable beat and springy guitar give the track a bite. Eatherly presents us with a gritty, more fiery vocals and rebellious attitude. ‘End Of An Era’ is old school rock and roll reminiscent of Thin Lizzy. Its a swagger infused track that exudes fiery confidence. The zesty biting guitar adds an old school feel with a blazing riff that is red hot giving the track a razor sharp edge. With spirited energetic perky bass and animated beat it is infectious and dance provoking. ‘Patti Peru’ divulges in their grittier sound. The open line ” I was Ready to Die” gives an image of a desperate man on the edge. Eatherly’s shouty/growl vocals adds urgency and anguish to the track. The sharp guitars and pounding drums give the pop punk bouncy vibe. With sweet backing vocals to sing the track out and another display of proficient nimble guitar, six songs into the album and we are addicted craving more. ‘Careful’ is the mood changer in the album. It takes the roll of the slow ballad Public Access T.V. style. With a sway waltz- like sorrowful tone this track displays suffering and agony in three- four time. The misery and torment is displayed perfectly through the wail like vocals you can almost imagine Eatherly with tears running down his cheeks as he expels his agonising martyrdom to his listeners. Contrary to the shrill of vocals, the instrumentation is delicate and elegant. Fluidly flowing piano and a soft beat creates the perfect sweep of graceful delight. The strident ‘In Love and Alone’ is a short burst of boisterous energy. Its brawling rowdy swagger and interchanging between backing vocals and main vocals slaps you with original innovative rock and roll. The band’s knack for ridiculously catchy melodies keep this track constantly replaying in your head. Its a ruckus causing piece of melodic genius. The bridge is dynamic and frenzy evoking unruly joy. ‘Remember’ is a charming sun soaked easy going track with striking sweet guitar and bright tones. Rumbling drums and gritty vocals add texture to the smooth creamy track. ‘Sudden Emotion’ swirls with intensity and confusion as the verses are subdued and cheery, the chorus brings the explosion of instrumentation conveying conflicting emotions. The content lively vocals keeps a bouncy feel and bop to the track. The repetitive bridge with distant vocals and the soft drum beat slows the track down and gives a fantastic link to the final burst into the energetic chorus. ‘On Location’ is a summer high energy middle finger to the world anthem. Where Eatherly tells us to ” do what you want to do” The whole song seems to build both in energy and tone with blustering guitars and pounding drums while still maintaining a sunny Californian vibe up to its crescendo as the vocals progress to a growly shouty “I don’t wanna hear it” end. The album concludes with ‘Sell You on a Lie’ confirming Public Access T.V. ‘s organic undisputed cool stroll swagger and flair for catchy melodies that are sure to give you stuck song syndrome.
Public Access T.V. have big things ahead. They’re just getting started…
Stream ‘ Never Enough’ below
Miles Horn is a talented and multifaceted composer and singer from London. His musical expression covers a wide spectrum of styles from stripped back acoustic ballads to full on anthemic belters. Horn has released his debut EP ‘Slow Motion’ this month on which he has played lead guitar, piano and vocals on all of his recordings. The EP was predominantly self-recorded in various front rooms and bedrooms across London with the finishing touches and mixing carried out at Resident Studios. The final mastering was done at Abbey Road Studios by Frank Arkwright who has worked with Blur and The Smiths. ‘Slow Motion’ shows us Horn’s blend of soul-rock and blues, the five tracks venture through themes of lost love and the frustration of youth, all coloured by haunting vocal harmonies and heartfelt guitar riffs.
The opening track ‘Walking in The Park’ stirs us with the bluntness of lyrics like “I just want to be loved, is that such a crime?”, all wrapped in the warmth of Miles’ Grandfather’s Hammond Organ. Though the lyrics are melancholy and full of wistfulness the bright guitar glows and adds vibrancy to the track that gives it a chirpy feel. This contrast teamed with Horns smooth deep vocals adds a rich warm texture and acts as a comforting blanket soothing you from the emotional sombre lyrics. The title track ‘Slow Motion’ gives us a sway – like tender sound sprinkled with some sensual bluesy seasoning. With velvety vocals and the haunting ethereal echoes of the backing vocals to start, portraying a delicate moment. The track builds to a restrained yet unleashed sultry guitar solo. This track showcases Horns steamy bluesy style and fantastic guitar skills. ‘All Gone Quiet On The Western Front’ explores the vacuous pain of a lost love, this theme is portrayed perfectly and tenderly with vibrato on cello and sweet lull on backing vocals. The hard hitting instrumental with sharp shredding guitar and punchy steady drums adds dramatic emotion. The guitar seems to pine the loss as it wails and almost evokes the pain of the heartache. This track is Horn wearing his heart on his sleeve and presenting us with raw emotion. The fourth track, ‘Something Beautiful’, opens with Horn’s vocals accompanied by a beautiful Ben Howard-esque finger picking, very gentle and delicate with faint subtle and dainty backing vocals. We are lead into a catchy singalong chorus that exudes class and panache and radiates sunshine and a heavenly glow. Finally, the EP closes with ‘Lately’ a beautifully arranged piano led ballad gently brushed by the tasteful tone of bluesy licks. Horns vocals are emotion filled and passionate. The luscious melody is blissful and beautiful with tear jerking sombre tones. Its a simple track with warm tones and sweet piano that eases you to the end of the “Slow Motion’ journey.
Miles Horn will be performing at various London venues this Autumn. His next showcase will be at the iconic venue The Bedford in Balham (which has nurtured the likes of Paolo Nutini and Ed Sheeran) on Monday 7th November 2016.
Stream ‘Slow Motion’ below
Our Worth A Listen Track This Week Comes From By Starlight
London alternative rock three-piece By Starlight have announced the release of their debut single ‘So Desperate’. The pounding new single is lifted from their upcoming debut EP and combines grunge riffs with ethereal pop hooks to mark the arrival of a uniquely talented new rock band. Led by charismatic singer-bassist Sara Murray with Ivo Sotirov on Drums and Martino Al on Guitars. ‘So Desperate’ brings us their hybrid of muscular grunge-punk and dream pop. The track is drenched in a dark shadowy atmosphere swirling in murky melodies and distortion. This track is a whirlwind of psychedelic intoxication, luring and enticing with a fuzzed grunge blast and winding weaving textures that pull and coax you into its eerie dangerous core. The brawny yet elastic beat maintains a strong rock foundation while the rest of the track consumes you with its bewitching churning and interviewing structure. Murray’s vocals are seducing, hypnotising and ensnaring with sweet lulling quality’s. This track can mesmerise and fascinate you until you are subdued, obeying every command enthralled and enraptured in its spell.
Stream ‘So Desperate’ below
I Drink Therefore There’s Darkness are a melodic, melancholy driven band from Blackpool formed in January 2015 by ex members of post-rock band Goonies Never Say Die. Band members Barry Parkinson, Dan Kerr, Warren Brown and Joel Winters have released their the first song ‘There’s Always Another Summer’ from their forthcoming album ‘élan vital’. The album is currently being mixed by James Routh of Sonic Boom Six and though there’s no release date yet, this first song is taken from a charity compilation CD album called ‘Streetlive’ for the Street Life charity, helping homeless youths in Blackpool. ‘There’s Always Another Summer’ is a refreshing track with a bright peppy guitar riff that seeps into your brain and rests in a chirpy bubble of fun. The track develops with moody raspy vocals and a melancholy tone. The interchanging between chirpy guitar and bubbly beat to sulky gloomy vocals adds a fresh and unique contrast that makes this track captivating. The guitar solo adds a twinkle of charm and charisma before the song rests finally on a heavier gritty rock almost mosh worthy crescendo. The drums become more hefty and the vocals more dynamic and rusty. A fantastic debut from I Drink Therefore There’s Darkness looking forward to hearing the album.
Stream ‘There’s Always Another Summer’
Leeds indie band Marsicans are James Newbigging (lead vocals and guitar), Oliver Jameson (guitar and vocals), Rob Brander (bass, keyboards and lead vocals) and Matthew ‘Cale’ McHale (drums and vocals). They have released their new EP ‘The Absence’ this month. The EP is the culmination of Marsicans’ 2016 releases and features the four tracks which have had national airplay in the UK via Radio 1 and Radio X over the course of the year. Three of the EP’s four featured tracks were given BBC Radio 1 support, including Huw Stephens’ premiere of the title track which also made Apple Music’s Best Of The Week playlist, whilst ‘Far Away’ a track we previously did a feature on was featured Spotify UK’s New Music Friday playlist. ‘The Absence’ presents us with Marsicans fantastic harmony-laden upbeat tropical sound that is raw and fresh yet polished in all the right places. Title track ‘Absence’ kicks off the EP and sprinkles with the four piece’s signature glowing infectious melody with lush harmonies and richly textured arrangements. Zealous guitar and vibrant synths keep this track uplifting while the soft spongy beat adds bounce and elasticity. The vocals are simple to start and become more dynamic as the track progresses. This track glows with bright vibes and is a gem glistening in the sun. ‘Arms of Another’ gives us a groovy springy sound. With an elevating high energy and catchy melody that will have you bopping and dancing from the first note. This track has an edgier sound with sharp distorted guitar that acts as the lime zest to your tropical cocktail. The rapid malleable beat maintains the tracks agile and spirited tempo. ‘Swimming’ is a blissful treasure with an ear worm melody and the perfect blend of luxurious harmonies and soaring vocals. The slick deluxe guitar riff is infectious and the glistening synths provide an elegant sweet quality throughout the track. With a slightly heavier sound towards the end, Marsicans confirms they can diversify their sound while still remaining bright and bubbly. ‘Far Away (Saudade)’ is the final track on the EP. This was the first track that caught our attention back in July. The track is ablaze with striking addictive hooks and quirky lyrics teamed with a honed melody and slashing guitar. This track is a fantastic listen. The lively animated rhythm gives the song an upbeat indie pop feel.
Marsicans ‘The Absence’ is a collection of upbeat infectious indie pop perfectly blended with sugar coated luxurious melodies, soaring vocals with bursts of zealous guitar and flexible spirited rhythm. Marsicans take their tropical mouth watering hard edged sound to another infectiously delicious level keeping you wanting more.
Marsicans have embarked on a 17-date UK tour starting earlier this month.You can still catch them live at
01 Oct – Manchester, Aatma
04 Oct – Hull, The Polar Bear
08 Oct – Middlesbrough, Twisterella Festival
10 Oct – Sunderland, 7even
14 Oct – Banbury, Also Known As
19 Oct – Basingstoke, The Sanctuary Live
20 Oct – Brighton, Bleach
21 Oct – London, Hoxton Square Bar & Kitchen
23 Oct – Matlock, Twenty Ten
28 Oct – Liverpool, The Magnet
04 Nov – Chester, Telford’s Warehouse
10 Nov – Leeds, Brudenell Social Club
11 Nov – Glasgow, Old Hairdresser’s
12 Nov – Edinburgh, La Belle Angele
Stream ‘The Absence’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
