Tag Archives: indie

Indie, Indie Quick Picks, New Music

Indie Quick Picks

Askies

Genre: Indie, alternative 

Bio: Askies distinct sound bridges the gap between explosive UK alternative rock, whilst backed by surroundings of a reminiscent jangly, indie groove. The quartet have most notably grown a following within their hometown of Leeds, after the gigging and releasing of their first two singles, ‘Mirror’ and ‘Bond’.

Track: Subject To Change

Why We Like It: It’s another ethereal dreamy track from Askies as they create a delicate yet intricate and lush soundscape with ease.  The rhythm pulses behind glorious twinkles on guitar as the track swoons into its nostalgic hazy soundscape. Smooth passionate vocals caress the lulling melody while the airy guitars add a biting edge to this yearning number. With a delightful guitar solo and rich musicianship it’s another velvety dazzler from Askies.

You can follow Askies on Facebook here https://www.facebook.com/weareaskies

Stream ‘Subject To Change’ below 

The Wha

Photo credit: Nick O’Donnell

Genre: Alternative

Bio : Aged just 18/19-years-old, Kilkenny band The Wha are dual vocalists and guitarists Finn Cusack and Sam Cullen, joined by Marek Lech (bass) and Abe G. Harris (drums). Their debut single ‘Innocents’ won the affection of BBC 6 Music’s Steve Lamacq amongst others. The Wha have also confirmed their first ever London date – on 28 November at The Sebright Arms for Good Karma Club and a headline show in their native Ireland at Whelan’s Upstairs on 13 December. 

Track: 40 Odd Years

Why We Like It: It’s a fuzz smushed garage pop number that drifts on a laid back soundscape of 60’s hues and indie sprinklings. Sharp guitars glisten and hazily weave their way between shaky percussion and steady beat as the band venture into their Beatles- esque elements with hues of Oasis adding scintillation to their prismatic sound. The smooth laid back and almost moody vocals glide upon the velvety melody as the band create a biting Californian backdrop, dipped in summer tones. It’s has a bitter/sweet undertone however their swagger and edged guitars put The Wha’s charming stamp on this impressive trippy number.

You can follow The Wha on Facebook here https://www.facebook.com/thewha17/

Stream ‘40 Odd Years’ below 

Nature TV

Genre: Indie

Bio: Forming at Brighton’s acclaimed music college (BIMM) and subsequently honing their craft on the city’s live circuit, the four-piece have since opened for Swimming Tapes and will be hitting the road alongside resident do-woppers Trudy and the Romance on their UK tour throughout October.Their new single ‘She Wants To See You Cry’ is the lead track from the band’s forthcoming EP out late November.

Track: She Wants To See You Cry

Why We Like It: It’s woozy indie pop for a lazy day in the sun. With infectious percussion, 70’s flair and slow, lonely strutting vibe this track is a cruising gem. The track jangles to a brisk start before mellowing out into a slow jam.The guitars unfold with a catchy weaving jingle creating radiance and a subtle psychedelic haze. Dreamy and smooth with a soul pop melody, warm guitar and velvety vocals the band coat your ears in a caressing blanket of comfort. Looking forward to the upcoming EP.

About the track frontman Guy Bangham explained:“I wrote the song quite a while ago when I was going through a classic case of heartbreak. It’s kind of me overthinking things and playing out conversations by myself, running through previous examples and scenaries then feeling paranoid about it all, before trying to rationalise everything”.

You can follow Nature TV on Facebook here https://www.facebook.com/naturetvmusic/

Stream ‘She Wants To See You Cry’ below 

Crash Adams

Genre: Indie/pop

Bio: Crash Adams are an indie/pop duo from Toronto Canada. They produce, write, perform, mix and master all of their own music.

Track: Make it Last

Why We Like It: It’s one sublime 80’s banger. With shimmering synths creating a carefree danceable atmosphere and ethereal tone this track is an instant shot of adrenaline. With bold stride on guitar shredding and swirling throughout and an infectious beat and clap along feature – this vibrant, zest-filled number is sure to coax you to the dance floor. With its melty melody, heart-racing intensity and dynamic vocals the track captures a rushing sense of youthful love and excitement.

You can follow Crash Adams on facebook here https://www.facebook.com/crashadamsmusic

Sean OB

Genre: indie rock/punk

Bio: ‘Single Young Man’ is the follow up to Sean’s first single ‘Two Last Cans’ The track will feature on the upcoming EP ‘Cigarettes & Perfume’ due for release later this year. Sean has received radio support locally, as well from UK stations across the water, including BBC Radio 6 and RadioX

Track: Single Young Man

Why We Like It: It’s an athemic number built for the live setting. This track has that massive chorus that will never be prized from your head as Sean OB slaps his rapid humorous lyrics upon a buoyant backdrop and jangly relentless guitars. It’s daring punk – fueled elements are dipped generously in an indie pop soundscape. With quirky rap- like and sometimes slurry vocals this track has something for everyone and is sure to charm its way onto repeat. The Jamie T influence is glaringly evident however Sean OB puts his own stamp and charm on this invigorating track.

Talking about the new single Sean explains:“Musically I kept it very simple sticking to the punk ethic of 3 barre chords on guitar, simple bass and heavy drums. Lyrically it’s a mixture of ideas like, looking back on a relationship and dealing with cannabis psychosis and anxiety. It’s also about an old friend and how I wanted them to feel proud of themselves because I admire them. And obviously it’s just about being young and single and in the moment, not caring about all of life’s challenges and struggles ahead which are inevitable.”

You can follow Sean OB on Facebook here https://www.facebook.com/SeanOBOfficial/

Stream ‘Single Young Man’ below

You Can Follow Our Indie Quick Picks Playlist On Spotify here


Author : Danu

Indie, Live Music, Live Music Review, New Music

KAWALA LIVE At The Academy Dublin With Support From ROE

The floor was moving under my feet from the crowd’s jumping and dancing. When a band turn the floor of a venue into a bouncing castle you know they are doing something right. It was Kawala’s show in The Academy, Dublin on Saturday night and it was an experience for sure, In fact the live show was something special.

Derry multi-instrumentalist and one woman band ROE aka Róisín Donald sets the night in motion. She stands beneath the blue and red hues of the lighting – modest and timid. There is no introduction she just blasts straight into her innovative electronic pop with sublime and raw alternative embellishments. ROE takes her emotive sound and wraps it in pristine dark synths with a drum machine keeping the heavy beats in place. Her clear crisp and passionate vocals caress the melancholic and eerie melodies with a warm rasp and sweet tone. Donald has no problem multi tasking. She plays guitar between slapping the beat on the drum machine. The crowd loved every moment of her breathtaking set. They begin to cheer her from the first song. They hold up their phones with the flashlight on for ‘Room To Breathe’ swaying them back and forth enhancing the magical atmosphere. The crowd sway and bop for ‘Monster’ and ‘Cheek, Boy’ before all out dancing and whooping for the more lively ‘Hey Thomas’. ROE presents her sound with light indie and jangly guitar elements to create music that is refreshing. The crowd adored her – some of them shouting “ I love you” as she shyly giggles, almost overwhelmed with the response. Once she walks off stage she is thronged  with a deluge of fans wanting pictures with her and talk to her. Perhaps unknown to Donald, she put on a star quality show and her genuine authentic presence and killer tunes make her one to keep an eye on. A rare diamond in the rough. 

The next set was headline act Kawala. They swarmed in and took the Academy by storm not even they were prepared for the crowds mass screams and cheers. Every word Jim Higson or Daniel McCarthy uttered was met by uncontrollable, high pitched screams the likes of which The Beatles would summon on sight. The band are of course immensely energetic on stage especially Higson who flaunts about the stage causing swoons with every dramatic dance gesture and shirt swoosh. These guys are tight live. Their harmonies are crisp and immaculate in the live setting. The sweet guitar melody of ‘Funky’ kicks in and the band spark a mass sing-along. Their rich rhythms, calypso – esque melodies and intricate lush layers cause the crowd to become feverous with dance tendencies. Their dedicated fans hand them sunglasses and posters while shouting “we love you!”.

They play some new unheard songs from their upcoming EP which goes down well with the crowd. ‘Animals’ in particular is a gem. Intricate rhythms rumble between glistening guitar and the perfect vocals of both McCarthy and Higson. The fans show their appreciation by more screaming and shouting “thank you!” Higson tests his theory that the crowd will scream at anything by saying “blueberries!” and of course they prove him right by screaming their loudest on the night so far. Kawala turns things down a notch with McCarthy taking to acoustic guitar for the pristine and sweet ‘Mighty River’. The duo allow the crowd to finish the track for them as they sing every word back. It’s a special moment to see such new talents have a show that some arena artists would be jealous and envious of. The band are very charming on stage. Higson asks the crowd if they are alright and is answered by more screams’ He replies “It would have been really awkward if you were like .. nah “.

New single ‘Heavy In The Morning” has a commanding presence live. The sweet falsetto coos of the crowd sounded pretty good complementing the bands lush tones. The tracks become more edgy and vibrant within the live setting as the addition of their full band of Ben Batten (Drums), Reeve Coulson (Bass) and Dan Lee (Guitar) weave wonderful golden textures into the soundscape. They are just as popular as McCarthy and Higson with the audience. Sparking cheers from the fans upon their introduction, McCarthy gets them chanting “Gorgeous Ben!, Gorgeous Ben!, Gorgeous Ben!” and “Reeve on bass! Reeve on bass! Reeve on bass!”.

Although showmanship and crowd interaction play an important part in a live setting, the fundamental charm and appeal of this band is their sound. The lush harmonies between Higson and McCarthy are pristine and blend effortlessly – it’s as if they were made to mould into each others warm tones. Their musicianship is mature and crisp with folky hues and pop sprinklings. Kawala are the perfect early morning or late evening band. Their gorgeous and vibrant indie is made to be listened to as the sun rises to glory, while their more mellow and melodic moments were crafted for chilled sunsets and a crisp glass of wine. The lads have those voices that could heal even the harshest of hangovers and mournful hearts while lifting you to blissful euphoric heights. 

Kawala put on a vivid, rich and delightful show. Not even guitar technical difficulties stalled their stride. They bantered through it effortlessly. The encore is sparked by fans screaming “one more tune!”. “Olé, Olé, Olé!” and stomping. The band oblige with the upbeat and infectious ‘Runaway’. Kawala leave the stage to Neil Diamond’s ‘’Sweet Caroline’’ playing over the speakers as fans sing along refusing to let the party end.

I’d recommend going to see Kawala live. Kawala keep their shows light, fun and thoroughly enjoyable and why not! Their irresistible tunes warm your soul and fill you with joy – making you smile and dance without resistance.I see great things happening for these guys.


Author : Danu

Alt Rock, EP Review, Indie, Indie Pop, indie rock, New Music

Chinese Newspaper ‘Late Night Pharmacy’ EP

Navan fuzz pop band Chinese Newspaper have released their new EP ‘Late Night Pharmacy’. The band has gained some traction since the release of their single “If Not Now Then When” playing shows such as Vantastival festival, opening for Frank Carter & The Rattlesnakes at the Tivoli Theatre as well as being part of an all Irish line up at the Button Factory on Halloween night.

‘Late Night Pharmacy’ is Chinese Newspaper’s most defined and exhilarating body of work to date. There are a plethora of shredding refined guitar moments and intense rhythms throughout the EP.  The band ferment and harness their wild raucous musicianship to create something that is well-crafted and polished but with a deep rooted sense of anarchy. ‘Are You Bored?’ sets the riot in motion with a sublime rumble on drums creating a fluctuant almost wriggling foundation while the bass swivels between the intoxicating finesse on guitar. It’s a hyper energetic track stamped with all the loud aggression we have come to know Chinese Newspaper for. This band is flourishing. They immerse their sound in rich layers and textures. There is a dash of rock ‘n’ roll swagger in ‘Cola’ as the band smother the track in a bloodthirsty wall of sound. It’s ready for the energy of a live show as the chorus explodes into a massive assault and mosh ready blitz. The moody vocals from Killian Barrett express angst with vigor while his rasp and attitude create that teenage rebellion atmosphere through the stormy instrumental backdrop. There is no denying the rhythm and pounding drums in this track – they are sublime. Nathan Merriman could summon a demon with that ominous drum rumble and Aran McGilick ties the track together with the vibrant, infectious groove of his bass while the guitar lightly ricochets off this backdrop majestically creating an invigorating and danceable listening experience. The band chill the intensity and sweltering heat of the EP with ‘Nothing Comes From Nothing’. A light melodic ditty which swoons over a melancholic sulky melody while a hazy atmosphere ( created by shaky percussion and steady beat ) provides that lazy summer’s day gloom. The light indie-drizzled guitars jangle innocently throughout until the track becomes more expressive and jagged for the crescendo. The nostalgic ‘Sunday’ brings the EP to a close. With thumping drums and a mosh-ready break, its an emotional tantrum backed by fantastic instrumentation which intensifies for the chorus and broods through the verses. These guys have mastered the ability to create emotive music and make the listener feel connected and enthralled by their tunes while also bashing out rich fuzz-filled pop with grunge and rock elements sprinkled on top. 

‘Late Night Pharmacy’ is a clear step in the right direction for Chinese Newspaper. They haven’t lost the raw rampage of their 2017 ‘Spotless Mind’ EP. They have refined and cultivated it to create a fine, engaging and deft sound all of their own. With first rate guitar work and ground rumbling rhythm these guys have a sound that is both dreamy and razor sharp. 

Stream ‘Late Night Pharmacy’ below 


Author: Danu

Alt Rock, Indie, Indie Punk, indie rock, New Music, Punk Rock

Slyrydes ‘Dangerous Animals’

Galway’s Slyrydes are set to release their new single ‘Dangerous Animals’ on October 25th. The track was recorded by Daniel Doherty (Fontaines DC, Vulpynes, Galants) in Darklands audio Dublin.This is the fourth single from the band who have an album set for release in 2020. The band have been making a name for themselves with their previous tracks gaining radio support from Today fm, 2fm, RTE radio one, Radio Nova, BBC radio Foyle and Radio X in the UK as well as many regional stations.

‘Dangerous Animals’ is a relentless onslaught of bruising, battering punk rock as Slyrydes take their abrasive sound and carve it brutishly into your head with savage force. The piercing shrilling guitars lacerate and gash into the track with menacing rage as the pulverizing drums batter furiously throughout with primal vigor. With a curdling bass line rumbling relentlessly through the frenzy, this track packs one heck of a punch. The delirious swirling on guitars create a sinister, seizure-inducing mania that is both chilling and compelling while the shouted vocals spit and bellow the cutting lyrics. Slyrydes have created one turbulent blitz with their new track ‘Dangerous Animals’. It’s a dark blood thirsty belter brimming with raw unadulterated punk rock.

‘Dangerous Animals’ will be released on the 25th of October for more you can follow the band on Facebook here https://www.facebook.com/slyrydes/


Author : Danu

Alt- Pop, Indie, Indie Pop, indie rock, New Music

Gypsies On The Autobahn ‘Rubicon’

Photo Credit : Anthony O’Connor

Lifted from their second album ‘Suspended’ which was released earlier this year to critical acclaim, Dublin four piece Gypsies On The Autobahn have just released their single ‘Rubicon’ along with a thought provoking video which is written and directed by front man James Smith. Having supported some huge international and Irish bands such as Bombay Bicycle Club, The Coronas and Little Green Cars, G.O.T.A are currently working on their own UK shows for late 2019/2020.

‘Rubicon’ is an intricate meticulously layered track which almost pauses time with its spacious composition as Gypsies On The Autobahn take their sound to new sophisticated ethereal heights. With a rooted bass groove driving the track and creating a movable backbone between the shaky percussion and beat, the band set the track up with luring seductively dark tones. The smoky guitar laments and pines with a hollow sense of loneliness through the wispy mist – like soundscapes. With passionate vocals caressing the funky bass and dance-able beat this track has sublime contrasts. The bass and guitars create a push pull effect between the overcast backdrop as the track builds to a slightly more vibrant pop sprinkled chorus. Gypsies On The Autobahn have created a catchy, lovable track filled with rich emotionally entangled elements. It is a delight on the ears.

 About the song and video the band say:  “In the lead up to writing Rubicon Niall and James had come to blows and were not speaking to each other. Eventually Niall came in with this bass line, which was what broke the silence between them. Working in close proximity with each other for so long there is ultimately going to be conflict; luckily this conflict gave us Rubicon. The video is about two people who can’t talk, moving between Reality and the Otherside; a dark and surreal look at relationships and conflict. Written and Directed by frontman, James Smith, shot and edited by Oliver Kelly and Alex Lynch and starring Laura Brady and Tadhg O’Rourke.”

Stream ‘Rubicon’ below 


Author : Danu

Alt Rock, Blues, Blues Rock, Indie, indie rock, New Music

The Pretty Visitors ‘High Sailing Blues’

The Pretty Visitors have released their new single ‘High Sailing Blues’. Previously supporting artists such as Circa Waves, Jaws, Billy Lunn (The Subways), The Family Rain and more recently, Sisteray, The Pretty Visitors  showcase an energetic, eclectic live sound. In 2019 The Pretty Visitors released their demo ‘Its Not Easy’ and have featured multiple times on BBC Introducing shows. 

‘High Sailing Blues’ is a gritty raw rock track as The Pretty Visitors flesh out their swagger-dipped sound. Steamy guitar riffs carve into the pounding drums while a slick bass wiggles and coils throughout. This robust powerhouse is a sleek battering of the band’s energetic sound with a steamy sensual backbone. The raspy vocals add a rough quality while the vaporous guitar licks and sharp flirtations give a refined and majestic element to this hungry mammoth. The Pretty Visitors knock it outta the park with ‘High Sailing Blues’

Stream ‘High Sailing Blues’ below 

https://soundcloud.com/theprettyvisitorsuk/high-sailing-blues-demo


Author : Danu

Garage Pop, Garage Rock, Indie, Indie Pop, indie rock, New Music

Johnny Kills ‘Help Me Out’

London/Brighton trio Johnny Kills have released their new single ‘Help Me Out’. They have also announced the title of their debut EP: ‘Panic’, which will be released via Killing Moon on November 20th. The bands previous EP single, ‘I Feel Like’, earned fans in BBC Radio 1’s Huw Stephens and with BBC Introducing and Amazing Radio. Johnny Kills have supported the likes of Fangclub and Sick Joy whilst playing numerous shows in Brighton, London, Liverpool, York and Birmingham.

 ‘Help Me Out’ is a breezy, zinging, indie-pop can of soda as Johnny Kills present their fizzing, energetic, bouncy sound in a fruity laid back surf pop flavour. This track is a youthful infectious gem. A punchy beat and relentless bass-groove creates an animated backbone. The fuzz laced guitars add a dash of bite as the track takes a sunny Californian indie rebellion tone. The attitude-soaked, angsty vocals complain over the kinetic backdrop as the band smother the track in their signature infectious pop-sprinkled melody. It’s a tight, light-hearted number with a garage rock chorus that erupts into the ears with tantalizing vigor and blistering instrumentation. There is a 90’s pop rock vibe about this track that makes it intensely nostalgic and sure to charm its way on repeat. 

Tim Lloyd-Kinnings describes the themes behind ‘Help Me Out’:“It’s about getting to a stage where you have some big life questions-what career do I want? Where do I want to live? What do I really care about?-to which the answers are all a resounding ‘I don’t have a scooby, mate’. It’s about having a blank slate in front of you and it just freaking you out, and hoping someone else will sort it all out for you.”

Stream ‘Help Me Out’ below 


Author : Danu

Indie, Live Music, Live Music Review, New Music

Munky Live At Lost Lane With Support From Toshín and Shaky Shack

It’s no secret that Dublin’s Munky know how to put on a show. Not only do they perform with vigor and energy, they always pull in support acts that equally keep the animated dance vibe going with tasty tunes and wonderful characters on stage. Sunday Night in Lost Lane Dublin was a prime night to see these guys. 

Toshín kick started the night. Front woman Tosin Bankole spirals on stage, twirling in her dress as her welcoming smile and cheery dramatic gestures beckon the crowd closer. The band begin their vibrant, rich, soul-infused, pop-funk with gusto changing the atmosphere to one of fun, friendly and groove-filled bliss. Bankole’s vocals kick in and she slaps you in the face with her vocal control, power and sheer soul. With blends of Motown creating a classic chicness to the compelling sass and RnB peppering this band are mesmerising to watch but also their tunes are utterly luscious on the ears. Each track features sublime bass grooves, slick guitar maneuvers, warm Sax blasts and chiming keys as the band build and progressively blend their tracks into a pure rich musical concoction brimming with attitude. The harmonies are crisp and sweet and the vibrant percussion had the crowd bopping and dancing along. Backing vocalist Shannon Doyle is a ray of sunshine. She dances and blends sublimely with Bankole’s vocals while providing another strong and commanding soulful element to the band. Songs about cheating boyfriends and daddy issues has the crowd eating out of the palm of their hands. Not even a broken guitar string stops this band. They laugh off its rude interruption grab another guitar and play on. These guys have it all – showmanship, charismatic persona and proficient musicians to tie it all together in one joyful melodious bow. Toshín are a must see. 

The blissfully chilled and charming Shaky Shack follow. Their jazz dipped alternative pop creates a narcotic and soothing groove that submerges the venue in luxurious sounds. Although frontman Alex Winter has the flu it is not noticeable until he apologizes for hoarse tones and the odd cough. They cruise through their set with mellowed-out ease. Mateusz Kosnik swooshes through the slinky, funk-dipped guitar lines – his hair covering his face as he submerges himself in their tunes ethereal vibes. With Andrea Louise Jones on sax the band’s sweet and exquisite sound becomes warm and cosy within the psychedelic haze. Drummer Sam Russell taps and chimes carefully providing the perfect sway-able tempo and intricate beat to the sweet cooing melodies. The crowd engage with Winter’s 1,2 mic check halfway through the set. They shout back 1,2 as he laughs and banters with them. Winter displays his cheeky rebellious side when he points out a guard in the crowd while he hushes the crowd for the sing along “sucking on a blunt with the boys” lyric. The crowd jeer and happily play along. It was a brilliant end to their set list that had the crowd laughing, belting out the lyrics and dancing uncontrollably. Shaky Shack displayed slick proficient musicianship on the night. They were a joy to watch. The band are releasing a new track ‘In Honey’  in November and that is going to be one sweet treat. Make sure to check it out.

The crowd shout “we love you” and cheer as Munky triumphantly take to the stage. Bassist Niall Donnelly shouts “hello we’re called Munky and we play lots of songs and this is one of many of them” before the powerful ‘One In Five’ kicks in. The room erupts immediately as the crowd fall under Munky’s spell. Conor Lawlor’s precise guitar work pierces and pines through the mighty backdrop while the tight groove on bass weaves and wiggles with a dark undertone throughout. Straight away the crowd are moshing, jumping and singing back the lyrics. The band has gone all out. They have a dazzling light display and their tunes sound fresh robust and slick. As always Zachary Stephenson’s rasped, powerful vocals are full of conviction. These guys were born showmen and they pour every fibre of their being into their shows adding humor and fun into everything they do while maintaining a precise and polished display. Lawlor adds little flurries of extra finesse in his guitar work as he strides, poses and flicks his hair in a very suave manner while Donnelly provides the panache-soaked poses on the right of the stage. Their fans are dedicated for sure. They dance the night away grabbing each other to wiggle and group together for moshing mania. One member of the crowd willingly allows the flashing lights to blind him. Even after Stephenson warns him “no no don’t blind yourself”  he refuses to move as if the sight of these guys on stage was the perfect last image he ever wanted. Unfazed from his previous stint on drums with Shaky Shack Sam Russell provides the all important rhythmic foundation with ease. Spinning his drumsticks he confidently paves the way for ‘You’ve Got Male’ as the tracks take a more raw, kinetic dimension live. When you think these guys can’t get any better they play new single ‘Megaton’. Lawlor’s guitar squeals between the thick muggy, crashing wall of sound as the eerie lighting gives a breathtaking visual element to the song in a live setting. It’s a well executed set as the band balance their heavy first half with the fun disco second half with the help of Andrea Louise Jones on sax. Munky always have amazing backing vocalists on their live shows and on Sunday that was provided by the incredibly talented Sinead McConville and Lauren Murphy. Crowd favourite ‘Ms Communication’ and ‘Cuck Rock’ spark mass sing-alongs while an emotional rendition of  ‘I Can’t Quit’ is performed by Stephenson. Basked in a dim light he sings the track with tender, sweet emotion before the band join him for the blistering crescendo. The crowd knew every word and guitar riff – some did air guitar while others executed an air drum display. The crowd dance non stop for the entire set as shredding guitar solos, intricate infectious bass lines and brawn-filled drumming adorn the venue with the band’s signature funky sound.

Munky put on a frantic, vibrant show filled with fun, dancing and first rate musicianship on Sunday night. They have refined their set to a blast of energetic delicious tunes. It was a charismatic explosive and oh so funky night as Munky brought a sensational set to Lost Lane.


Author : Danu

Check out more images of the show below

Indie, New Music, Singer/Songwriter

Jonnie Wallace ‘Aftershave’

Edinburgh singer songwriter Jonnie Wallace has released his new single ‘Aftershave’. Fleshing out his indie sound Wallace presents a vibrant guitar-driven number. With a nostalgic melody that cruises on 80’s hues through a sprightly backdrop this charming track is an honest, punchy ditty. Wallace’s warm deep vocals coo through the intricate guitar melody and exhilarating soundscape as this track rests easy on the ears and is designed for repeat plays. Those jangly guitar melodies and strides add a zing and bite to this wishful track. Wallace tells a story of youthful nights out, superbly and this golden heartfelt gem is a perfect portrayal of his tight and invigorating musicianship.

Stream ‘Aftershave’ below


Author : Danu

EP Review, Indie, Indie Pop, New Music

Margot Polo ‘OOHYEAHYEAH’ EP

Southern California-based Margot Polo, solo project of David Provenzano (Sherwood/Fialta), has released his new EP, ‘OOHYEAHYEAH’, The EP was mixed by L.A. veteran producer Brad Wood. Margot Polo’s singles have landed TV features on shows like Good Trouble (Freeform) and God Friended Me (CBS) and have logged over half a million streams on Spotify. This Autumn, Margot Polo heads back into the studio to brew up more material for a full length record, to be released in 2020. 

‘OOHYEAHYEAH’ is a summer-fun EP saturated in vibrant soundscapes as Margot Polo spreads his delicious indie electro pop into five glorious blissful tracks. ‘Let’s Get Out’ sets the good vibes in motion. With sun kissed radiant guitars jangling between a fruity electronic backdrop and skittish beat this track is dreamy escapism in one glorious tune. Provenzano fleshes out his Justin Timberlake / The Weekend swagger and charm with the dance-able groove and shuffle of ‘Electric Girl’ and the broody more bleary-eyed electronic pop ‘Someone New’. His melodies cruise and flow fluidly through each track while the rich and intricate instrumentation and refined production sets a wonderful and engaging backdrop. ‘Poison’ takes the EP down a dark road with R&B elements smearing the bubbling electronic soundscapes with luring entrapment. ‘The Feeling’ closes the EP with an intoxicating atmosphere as Provenzano surges adrenaline and a rush of emotion through this catchy exhilarating number. 

 Provenzano has a mesmerising ability to create tracks to make the heart race, pulse and plummet with his lush heartfelt melodies and vivid soundscapes and ‘OOHYEAHYEAH’ displays this perfectly. Within five tracks we experience joy, euphoria and freedom as well as sadness and mystery. It’s a journey of lavish musicianship and wonderful expressive electronic pop.

While this record has a few moodier moments, Provenzano says this EP is all about escapism. “OOHYEAHYEAH is about the different ways, healthy and unhealthy, that we yearn to transcend reality. That might be through something dangerous, like substance abuse. Or it might be a road trip, a relationship. A night out with a mysterious stranger. There’s a bit of ambivalent hedonism implied here. That’s what I love about pop. These lyrics are not very autobiographical; they’re fantasy, my own preferred mode of escapism”

Stream ‘OOHYEAHYEAH’ below


Author : Danu