Lav has released her new single ‘Reds’ which is the first single from her yet-to-be-titled debut EP due in February 2021 on Color Study.The release follows a succession of buzzy singles, “From Me, The Moon”, “Wavvy” and “The Girls Before Me”, which has positioned the LA based artist as one of this year’s hot tips.
There is a slow groove and dreamy quality to ‘Reds’ as Lav coos over a delicately lush instrumental backdrop. Synths fizzle in and out of swirling soundscapes and jazzy warm keys while rippling beats add an R&B element to the tune. The track is a well crafted expression of adolescent romance. Lavs sultry vocals echo and lull over the nostalgic melody, her sweet vocals seduce and draw the listener further into the songs brooding sense of euphoria. ‘Reds’ is another enchanting track from Lav.
Lav calls the track “a seductive and melancholy tune I whipped up after reflecting on romance in my adolescence. Dreamy and idealistic, without acknowledging the reality of an eventual expiration on the relationship”.
Lav has released her new single ‘The Girls Before Me’. The track follows bedroom anthem ‘Wavvy’ and Billie Eilish co-signed lo fi garage-band cut ‘From Me The Moon’.The song is accompanied by a low-fi, 90’s VHS style video by Marielle Boland which captures an avant-garde picnic scene packed full of toys and scandal.
‘The Girls Before Me’ luxuriates in the hazy space between dream and reality as Lav delicately sprawls her soft vocals over a sweet melancholic melody and wispy soundscape. The entire song absorbs you in an endless and vast world of sombre longing as ethereal guitar twinkles through a lo fi soundscape while a pulsing beat grounds the track. The supple percussive taps and twinkles submerge the track in an almost magical innocence yet at the same time lament with a sorrowful undertone. Lav has created an enjoyable track filled with raw and honest vulnerability. ‘The Girls Before Me’ is a fantastic listen.
On the theme of the track Lav notes the song “was written out of a deep insecurity of constantly comparing myself to past loves. Always wondering if when they look at you, they’re recalling just staring into a paper mache they’ve built up of a before lover. Most of the time it’s all in our heads, and in this case it definitely was, however that didn’t make it any less real or painful to feel.”
Lav commented also on the video for the track saying “I love working with Marielle because she really helps my campy visions come to life. The video is a lot less emotional than the mood I got into while writing, and I think that makes the whole image more palatable, but also I loved to dress up and have a picnic with a bear and some snails.”
Bio : Driven by Italian brothers Matteo and Marco, on guitar and drums respectively, and completed by Liverpool artist Jasmin Nash, Violetear melds together elements of 60’s pop, 70’s progressive rock, and modern indie, with some jazz and psychedelia thrown in for good measure.The band have released their new single ‘Head Over Heels’.While technically 2 tracks, the single is meant to be considered as 1.
Track: Head Over Heels
Why We Like It: This slinky groovy gem drifts sweetly on a candied melody and lush soundscape as Violetear splurge warm jazz elements over shimmying 60’s pop. With balmy glistens on guitar melting over the soft beat the track slides in on a swanky charm and soothing bliss. The lush harmonies, velvety vocals and sunshine atmosphere create a delightful quality and dreamy texture to this cheery number.
Bio : Plastic Cowboys are a three piece indie punk band made up by members, Ciaran McGann (vocals, guitar), Joe Monaghan (drums) and Darren McCarthy (Bass).‘Not as Cool live at Station Studios’ is the second video of the bands ‘Live in Station Studios’ performances. This live track was recorded at Station Studios, produced by Kevin Brennan, and the video was shot by George Hooker.
Track: Not as Cool
Why We Like It: It’s an energetic fiery display as Plastic Cowboys present their bright indie punk with humorous lyrics and oodles of hooks. The jaunty guitar runs rampant through the track with intense vigor while the buoyant bass and punchy drums pound the foundation with beefy laced might. With rasp filled vocals and light indie weaved between dynamic punk slaps and quirky lyrics this explosive, catchy number is a fine belter from Plastic Cowboys.
Bio : Former Future Kings of Spain members guitarist Karl Hussey and drummer Bryan McMahon join ex-Bambi bassist Dan Barry to bring you Badself. Finally finding time in ‘Lockdown’, Badself released ‘Stay Down’, the opening track and first single from the band’s debut album ‘The Three Daughters of Mara’ which was recorded with producer Ronan McHugh (Def Leppard).
Track: Stay Down
Why We Like It: With a demon summoning dirty bass rumbling through the tracks underbelly Badself present a lean mean rock track set to revolve in your head for days. The track slithers its way into your head as bright guitars glisten with a swagger dipped slinky texture while the pounding drums maintain a solid raw foundation.This track is a powerful beast laced in sensual dark bluesy tones as its acute wallop of rock drives the songs backbone. With powerful vocals and no nonsense attitude ‘Stay Down’ is an old school sweat and leather rock anthem.
Bio : LA-based artist Lav shares her new single, ‘Wavvy’.
Track: Wavvy
Why We Like It: It’s a wispy sweet number that floats on a vapour of tenderness while a steady beat pulses in the darkened smoky backdrop. With lamentful electronics subtly building in the background between twinkling keys the song maintains an airy texture throughout. It’s Lav’s sultry sombre lulls that take the limelight. Her delicate yet pristine vocals caress the velvety dreamy melody with a mystical and enticing manner that is utterly compelling. This soft, brooding track is well crafted, rich in its delicacy yet simplistic in approach. Its just sublime.
Bio : After time spent in Nashville and LA as a songwriter and session guitarist, London-based GRAAW has released new single ‘Self-Sabotage’ which was produced by Fred Abbott (Noah and The Whale) and mastered at the legendary Abbey Road by Christian Wright,
Track: Self-Sabotage
Why We Like It: It’s an exhilarating rock-n-roll number doused in powerful positive musicianship and oodles of energy. With punchy drums, shredding guitars and glorious harmonies the track builds superbly to create a heart racing, blood pumping anthem. With warm rasp filled croons that progress into power filled blasts for the explosive chorus the song is crafted to fill your body with get up and go adrenaline.The cosy heart warming melody soothes with a sweet sense of compassion while the sharp pines on guitar flood the track with character as the track builds to its erupting crescendo. It’s an emotive classic rock gem exuding heartfelt vigor.
