Tag Archives: Live Music Review

Indie, Live Music, Live Music Review, New Music, Singer/Songwriter

Sam Wickens live on Virtual

AER Music, Fluttertone and dootdoot Records have come together to create a series of intimate evenings of exclusive live performances from the best emerging and established artists.Last night they had the music sensation that is Sam Wickens.

Sam Wickens enchanted the viewers of Virtual last night.There is nothing more special than a performance from Wickens. We saw him in his home studio all geared up and tech savvy. He ventures through tunes with acoustic guitar, synths and reverb as well as some haunting effects. He has become known as the “tech wizard of Oz”, for he has been helping other artists that have performed on Virtual making sure their sound is crisp and clear. However tonight it’s all about the beauty in his songs and majesty of his voice.

Wickens is a passionate performer and exceptional instrumentalist ( he made his synth himself) however it’s the moments of heightened emotion and depth within his songs that takes your breath away – tracks such as ‘I Was’ breaks your heart in a swift, raw and striking instant.His performance is wholly consuming as he ventures between country, soul and folk with ease while subtly adding delicate textures in the background. While having a cheeky little vape during the set as well, Wickens explains he is “mathematically challenged when it comes to song length times “ and planning his time for shows.

Wickens shows the tenderness and emotion in his voice through the immaculate ‘Winter’ while ‘Oh Mother’ displays the rich and soulful marvel of his vocal range. He uses synths and effects to create a haunting atmosphere and reverb. The synths fill out the sound while at the same time emphasising the purest form of his music. Wickens treats us to some new tracks from an EP he will be releasing later this year.Yet to be released ‘Murky Waters’ in particular is perfection.The lush falsetto, foot tapping tempo and soothing melody creates a heavenly melodic ambience while ‘Cliff Side’ is a folk-hued number that has Wickens “trying to be a didgeridoo”. The set continues with fans asking him to do four more… five more songs, Wickens jokingly replies “I’ll do none, I’ll feck off now” before delving into the latter half of his set. 

There is real serenity to the performance, a great relaxation that’s beautiful to witness as Wickens plays guitar and keys with ease. Not only can Wickens present moving and lyrically poetic songs he can drift through some pretty slick covers as well. A time stopping cover of Tom Petty’s ‘Crawling Back To You’ graces the setlist however it is the much sought after ‘Jericho’ which leads to revered appreciation and adoration from the viewers. 

Sam Wickens is an artist to treasure. His songs form their own universe, primed for the listener to dive in and find their own little corner to indulge and delight in. His technical virtuosity and moving vocals are incomparable and this Virtual medium gives a real frisson of excitement and thrill to Wickens performance creating the space, silence and mood to truly appreciate his beautiful songs.

A Q&A follows the performance which satisfies the insatiable need of the viewers to ask and connect with Wickens. Questions from what’s your favourite fruit, favourite burger joint to how does he get into the head space for his songs, inspirations as well as more personal topics such as him being a “sober little pickle”.He has fans in Canada and America watching. Unfortunately “Sammy” is “too cool to say it back” to fans declaring their love for him however this does not halt the flood of compliments and love for Wickens from pouring in.This Q&A in particular is lively and Wickens banters and chats honestly to his fans providing them with a more personal one to one conversation approach which is a special feature of this Virtual medium. Another mind blowing performance on our weekly fix of Virtual.

Stream Sam Wickens new single ‘Eden’ below


Author : Danu

Live Music, Live Music Review, New Music, Singer/Songwriter

Rachel Grace Live On Virtual

Virtual is a series of intimate evenings with exclusive live performances from the best emerging and established artists initiated by AER Music, Fluttertone and dootdoot Records

Last night’s show was a special treat featuring the mesmerising Rachel Grace ( nicknamed by one fan as “The Beanie Queen”). Grace is a diverse and engaging performer as she blends genres to suit her wonderful emotive style. Guitars adorn the wall behind her as she sits with a yellow beanie on her head ready to blow us away with her immaculate performance. The beanie becomes a hot topic of discussion – one viewer comments “the beanie is the only way to contain her talent from getting too much for us to handle“. From the upbeat pop gem ‘To Love Somebody Else’ to the warm cosy ‘Home’ and sassy, powerful upcoming single ‘Cry Me an Ocean’ she cruises through her set with a cheerful stride and soulful flair.

Her sterling voice and empathic songwriting are far beyond her years ( she has just turned 18 ). Whether she is singing about the pain of heartbreak, sweet love or a wistful lullaby, Grace beautifully translates those feelings into intimate moments of soulful tones and tender dreamy melodies. Time stops when Grace sings as the viewers are swept up in her luxuriant tones swaying and singing along. The comments section fills with compliments for the young starlet almost instantly as she shyly thanks the viewers and chats between tracks.

Grace could make the most brawny man weep like a baby with just one simple vocal coo but its the power and emotion within her songwriting in tracks such as ‘Love Will Come’ that will summon ocean-sized water wells in your eyes. There are R&B elements glimmering through the soulful and jazzy- like tunes even within the more attitude soaked ‘Quite Like You’ and bluesy country ‘Nice Knowin’ Ya’ as Grace’s delivery holds a professional entrancing poise. The simple setting of Virtual allows the viewers to truly appreciate the breathtaking ability of this singer songwriter

Rachel Grace put on a sensational passionate performance. Her impressive evocative voice is a joy to listen to and the perfect accompaniment to her emotive songwriting. I can’t wait to see more of this artist.

Stream ‘You Don’t Know’ below


Author : Danu

Live Music, Live Music Review, New Music, Singer/Songwriter

Lucy Robinson Live On Virtual

AER Music, Fluttertone and dootdoot Records have come together to create an opportunity on the Zoom platform for artists to perform. They have called it Virtual and this week’s event hosted the amazing talents of Lucy Robinson. 

I sit with many others (who are in their kitchen and various rooms in their houses) ready to watch Lucy Robinson live on Virtual. The last gig she will do as Lucy Robinson as she has changed her moniker to Nicha. It’s becoming a regular gathering on a Wednesday night and livestreams becoming the “norm” as members of the audience watch while doing the dishes, preparing their dinner, chilling on the beach or just sitting down relaxing.  

Lucy Robinson is an outstanding performer. Her warm rich and rasped tone has a deeper more resounding depth than most of her singer songwriter counterparts and her songs are fun nuggets of delight. Sitting in her room adorned with green foliage, a lava lamp and soft tropical colour scheme the setting is perfect for a sunny summer’s evening. Lucy takes time to say hello to the viewers and banter with them showing her fun humour and charming bubbly persona.

Lucy didn’t disappoint. She served up a live performance interspersing raw musical talent with thought-provoking lyrics and beautiful vocals. She manages to mesmerise even within this acoustic setting. Her melodies wrap around the intricate strums and picks on guitar with ease adding to the golden radiance she emits. ‘Mustard’, ‘Poison’  and ‘Chess’  have the viewers bopping and swaying with cheery smiles on their faces. A little girl watching dances with her kitten teddy while the muted clapping and thumbs up manage to create a cosy and warm setting. 

Lucy took the crowd away from the stress of the world outside to indulge in an evening of storytelling and song-craft. Her tunes are intimate and melodious as each song made the platform feel personal and comfortable. She treats the viewers to a few new songs – ‘Red and Blue’ is quite the sultry delight. With jaunty guitar striking between the smoky rich tones of her voice, it’s definitely a track to look forward to. Gearing up to release a new single ‘Devices’ on the 9th July Lucy gives us a glimpse of what we can look forward to. This golden ditty drifts upon a sweet as honey melody while the lilts through the chorus are earworm worthy. I actually woke up the next morning singing it in my head and I only heard it once. Lucy has quite the knack for crafting simple vocal hooks and her equally sweet personality is so warm and inviting it’s difficult not to be charmed by her. 

A brief Q&A brings the session to an end as viewers ask Lucy questions about her influences, who she would like to collaborate with and how she deals with pre-show anxiety – I think she gave the best advice I’ve ever heard, don’t picture the crowd naked!. 

Lucy Robinson is a unique artist and a wonderful singer. I’m certain the livesteam experience is nerve-racking for an artist however all the behind the scenes work with sound checks etc paid off. The end result was an entertaining, emotive show boasting an abundance of musical precision, originality and the enticing talent of Lucy Robinson. 

Check her out under her new moniker Nicha on Facebook here https://www.facebook.com/nichaamusic/


Author : Danu

Live Music, Live Music Review, New Music, Singer/Songwriter

Fintan McKahey Virtual Show IN Association with AER Music, Fluttertone and dootdoot Records

Fintan McKahey performed the first ever show on the new platform that is, Virtual. AER Music, Fluttertone and dootdoot Records have come together to create this opportunity on the Zoom platform where everything is focused on the artist and we can financially support them by buying tickets to the show. This streaming makes the whole live scene feel very weird at the start; seeing fans in the comfort of their own homes with cups of tea and wine, some snuggled beneath cosy blankets while others potter about in kitchens while watching the live stream. However the banter in the comments sections and the wonderful music from Fintan McKahey swiftly puts everything at ease. 

McKahey performed his mesmerising set from the refuge of his own home studio in Cork. Unlike a venue show everything was punctual and smooth sailing. With signs held up by fans saying ‘’Fintan You Rock’’ the show began. McKahey’s tracks are laced with passion and warmth, it’s difficult not to bop and sway to his tunes. His setlist is the perfect soundtrack for a chilled evening. McKahey’s warm rasped vocals melt upon his heartfelt, luscious melodies like butter on toast while fans head bang, hold up images of lighters on their phones and sway with lighters in their hands. The most unusual part of this show is the clapping after a song. You can see the clapping but can’t hear it as all the mics are muted.

‘Lost Balloons’, ‘Innocent’ and new single ‘Platinum’ present McKahey’s chilled and effortlessly laid back sound perfectly. He uses rich blends of pop, indie folk and alternative to create a downtempo vibe that is calming and instantly pacifying.It’s refreshing to see tracks like ‘The Rebound Effect’ which is usually bewitching with a full band sound, stripped back to just McKahey’s moving vocals and slick guitar work.

‘Outro’ from ‘God Games’ EP is the special moment within the set.The soft pacing, immaculate guitar and beautiful ambient vibes created within this track is phenomenal and I really enjoyed just being able to listen to the music without being disturbed by yapping people or any other noise which is the norm in a live venue setting. This Zoom platform suited the calm pace of McKahey’s songs perfectly.

McKahey is a charismatic artist, he banters about his girlfriend’s pear diet ( 20 pears a day! that is dedication) and longing for his band to meet up and play in live venues again.Some fans hold up images of his spotify to help with promotion and encourage onlookers to check it out while others dramatically clap and display thumbs up in support as if attempting to make up for the lack of audience noise.Too often in live shows the theatrics and lighting are allowed to dominate at the expense of the artist’s songs. However here, where the tracks are stripped back the heart of the songs emit beautiful tones and vibes. With a crowd of all ages gathered from a little girl dancing with her teddy right up, it’s easy to see that McKahey has a sound that reaches a wide audience.

Once the set draws to its finale the audio mics are tuned on and the whoops and clapping can be heard. Maybe there is something to be said for keeping the jubilant cheer to the end. Fintan McKahey put on a wonderful, professional and tight performance. The entire event was well handled and seamless which is saying something, live streams such as this are difficult to organise and put on. A short Q&A session brought the show to an end as fans asked questions about McKahey’s inspiration for tracks, his thoughts on live streams, what covers he does and his love of oat milk as well as his inability to grow a beard.

This intimate style is an impressive and fun way of quenching fans thirst for live music. It is certainly a different feel to a live venue but McKahey took it in his stride. He is a mesmerising artist who writes wholesome passionate tunes. I enjoyed his set and can not wait to see him in a live venue soon.

Stream Fintan McKahey’s new single ‘Platinum’ below 


Author : Danu

Alt- Pop, Indie, Live Music, Live Music Review, New Music

TOYGIRL ‘Moonlight Velvet’ single launch in The Sound House Dublin With Support From Nicetry

On Friday night, Dublin based TOYGIRL had their ‘Moonlight Velvet’ single launch in The Sound House Dublin. A night of time stopping tunes, musical poise and fun this young band set the bar high. With only two released tracks so far they took The Sound House by storm and characterised themselves as a band to keep an eye on. 

Nicetry kick started the night. This band is utterly mesmerising. They create beautiful tunes that lull with sweet melodies and earthy qualities. Eunice Saraiva’s vocals soothe with calming tones as her vocals coo and caress the soft wispy melodies with elegance and passion. The backdrop exudes wonderful prismatic hues of scintillation, distortion and psychedelia – it’s amazing how this band provides such chaos and calm all at once. Danilo Ward’s bass weaves and rumbles with intricate grooves while Cian McDaid lets it all go on guitar – shrilling, dazing and crashing between the lush delicate vocal melodies and constant rhythmic pulse provided by Cam Teehan’s rich drumming. The contrast is so thrilling and superb. The band’s heavy moments are intense, vibrant and all consuming yet they maintain a noir-pop stillness throughout as they stealthily groove and weave between these moments of utter musical splendour. With tight spine chilling harmonies Nicetry are a joy to listen to. 

The crowd rush forward as TOYGIRL take to the stage. The bands soulful alternative pop reverbs through the venue creating a groove laced atmosphere that has the crowd dancing from the very start. TOYGIRL are a dark horse. Their vivid multi-genre blending, creates a sound truly unique which comes to life in the live setting. They ignite the crowd with funky grooves, R&B elements and a rich full bodied sound. Hannah Worrall’s vocals are truly spectacular; her ability to coo with warm depths and emotional tones as well as surge with soulful power is what ties the band’s compelling sound together. Her vocals puncture the atmosphere with sheer clarity. Yes the band have tracks that haunt, lull and stop time in an instant but boy! can they dance, groove and party as well. There is an effortless swagger about this band and a maturity on stage that is to be admired. If I wasn’t aware how new this band is I would claim their maturity is due to years of experience. They banter with the jubilant crowd between songs and jam through a pause in their set as Ciaran Whelband runs for his capo ( which was left in the green room). We even experience a bass mishap that requires Aran Hopkinson to borrow a bass from Nicetry, but this doesn’t really disrupt the night, the band jam and banter through it and within moments they are back into the set list.

There are a number of special moments in the set. Guitarist Fiachra O’Mahony taking to vocals was a pleasant surprise as Worrall’s haunting harmonies blend perfectly with his velvety lilt. TOYGIRL flesh out their sound with sublime bass lines intricate, vibrant drums and sharp, sweet guitar elements and within the live setting their tracks are mesmerising. The crowd knew every word and went crazy for the band’s debut single ‘Reign’. The magnificent new track that brought us all to this celebration ‘Moonlight Velvet’ (which was released only a few hours before the show) was bellowed back by the crowd while an impressive rendition of Estelle’s ‘American Boy’ had the crowd eating out of the palm of the bands hand. TOYGIRL succeeded in sending chills around the audience as well as bringing some infectious alternative pop and slinky grooves. Not only do they make strikingly beautiful music with their unique sound, they can switch between tenderness and intensity with such ease and fill a room with a warming radiance. 

By the time the last strum on guitar had faded, I was already hungry for more, Worrall’s vocals and the band’s hypnotic alternative neo-soul is highly addictive. They have some bangers in their repertoire which display powerful emotive musicianship and striking lyricism. Their music evokes a myriad of emotions while thrilling and tantalisng the imagination and senses of the listener which is a rare gift to possess. I should warn you once you see them live you will be hooked. This band have a lot more to offer and judging from the unreleased tracks the band played TOYGIRL are a band to get excited about.


Author : Danu

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Alt Rock, Alt- Pop, Indie, Indie Pop, indie rock, Live Music, Live Music Review, New Music

modernlove. At The Sound house Dublin With Support From TOYGIRL and BRIDGES

Indie pop quartet modernlove. had their first headline show with Aiken Promotions last Friday with support from TOY GIRL and BRIDGES.The band presented a firecracker of a show filled with synth pop anthems, R&B elements and jazz flavourings. 

Dublin based alternative band TOY GIRL kick start the night.Wholly mesmerising this band provides a sound filled with delicate intricacies and rich rhythms that submerge the listener in an endless pool of psychedelic hues and rippling undercurrents.With fragmented guitar pines that venture between crashing moments and funk elements to sweet lush indie tones the band layer their set meticulously, gradually bringing you further into a lulled stage of trance.These guys are fine musicians, the gentle and harsh biting elements are perfectly blended to drift and elegantly slip into each other with a majestic tonality that is utterly compelling. Exuding oodles of passion in each track, Hannah Worrall’s emotive crisp vocals are perhaps the most fascinating constant throughout the set. She lulls and broods with soulful tones as the wispy soundscapes caress and flutter around her immaculate voice. With their extremely tight sound, fine musicianship and calming stage presence TOY GIRL are a must see. 

Bridgwater / London band BRIDGES follow. I have a lot of respect for these guys. They provided warm powerful tunes with vigor while battling some frustrating sound issues and rude feedback interruptions coming through the speakers on the night. A set brimming with earnestness and passion the band flood the room with warmth. Ethan Proctor’s vocals glide effortlessly over cosy melodies with a soft rasp and powerful drive as the band flesh out rich bass lines, sweet guitar twinkles and chiming keys between the meaty drum foundation.Members of the crowd dance and request songs as the band play their hearty tunes with charming smiles and a cheerful radiance.With ebullient sing along ready choruses and pretty slick guitar work BRIDGES put on one dynamic and enthusiastic set.

As the crowd rush forward modernlove. take to the stage.This young band is becoming known for their infectious mature indie pop and catchy songs. I wondered how they would hold up in the live setting. As it turns out … pretty damn well. Barry Lally’s vocals never falter through their longest set so far, his vocals manage to become stronger and more potent as the set progresses. The four piece feed off the crowds enthusiasm delivering a vibrant show of bubbling tunes, massive sing along moments and a little banter. ‘Us’ and ‘Bop’ have the audience dancing as the bands illustrious indie pop shimmers and sparkles into the crowd, igniting them almost instantly.The bands sound is at its best live- more edgy and punchy the music surges into the body compelling you to bop along. Cian McCluskey deftly belts those drums like his life depends on it and perhaps he is the puppeteer making us all dance. The wonderful contrast between the fruity sweet guitar jingles and brawny pull on drums creates the perfect fluctuant soundscape to pull anyone up to dance. Their fans are perhaps just as jubilant as the band’s songs pulling strangers from the side of the stage to dance with them as the venue’s floor becomes buoyant and spongy from all the jumping and dancing. The band glance at each other with cheeky smiles confirming the night’s success as Graham Fagan executes glossy guitar riffs and licks with ease while nodding in acknowledgement to members of the crowd shouting his name. Half-way through the set the dancing hasn’t faulted one iota and neither has the singing along. The crowd knew every word, even the rapid tongue twister in ‘Liquorice’ was shouted back to the band with such passion and excitement. Bassist Daniel Rooney lays down that all important fluid elasticity that truly moves the soul with the body. He injects funky elements into their tracks with fruity stings on guitar as the synth elements and honeyed melodies create a candy-floss sweetness that wisps the venue into an ethereal cloud of delight. With each chorus there is an eruption from the audience as their eyes glisten through the glitzy indie pop atmosphere. modernlove. end their set with new single ‘Hard to Tell You’ leaving the crowd shouting for one more tune to which due to curfew the band could not oblige but hey it left us all craving to see another modernlove. show.

For a young band, moderlove. have a compelling stage presence. Their heartfelt, infectious tunes exceed all expectations within the live setting. The Sound House witnessed something special last Friday. These guys have a bright future ahead.   


Author ; Danu

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Indie, Live Music, Live Music Review, New Music, Singer/Songwriter

David Keenan Live At The Olympia Theatre Dublin

David Keenan graced the hallowed halls of The Olympia Theatre last night. A singer songwriter with poetic lyrics and powerful vocals – you might think his set would be quiet and poised with brief hand claps from a drowsy lethargic gathering however that’s not how Keenan rolls … nor his followers for that matter. Exuding mesmerising rock ‘n’ roll charisma, Keenan brought the roof down as he filled The Olympia Theatre with his vibrant, emotive and passionate tunes. The crowd hung onto every word bellowing out the lyrics, each syllable meaning the world to them and all of this was met with humble gratitude from the headliner.

Keenan stands behind a white screen with just his silhouette visible to the crowd. The audience cheer in anticipation. Many of them gushing “ I love him… he’s really pretty” as he poses ready for the canvas to lift and relieve the suspense. Of course Keenan maintained the solo stripped back intimacy that has gathered this dedicated following over the years, performing ‘Big Boys Must Cry’ and ‘Full Stop’ with no band and just his guitar. He is comfortable in the picturesque setting of The Olympia. His larger than life persona and poetic lyrics resound throughout the venue touching every single person who was there as the crowd bellow back his lyrics in worship.

“We made it to the Olympia Theatre, we did this together let’s celebrate together tonight as one“ and that was certainly what it felt like – a massive celebration of an artists well deserved, stellar climb to a sold out show in one of Ireland’s most prestigious and sought after venues. Keenan holds the audiences attention with ease as they await with bated breath to clap, sway or sing along. He stands majestically onstage – prancing, spiraling and jumping creating entertainment with every dramatic hand flail or stride. Like all the best shows a lot of planning went into this performance. There was a  joyous gradual beginning, an intermission of sorts with a wonderfully talented Aerial Hoop performer, a thrilling second half and phenomenal encore which saw Keenan return to the stage being cheered like a hero. Members of the crowd were embracing, shouting “go on lad!” and “love you Dave!” as he belted out powerful favourites  ‘Lawrence Of Arcadia’ and ‘Postcards From Catalonia’. 

Live, Keenan’s tracks ignite into beautiful flairs of wonderful colour and vibrant textures as he fashions the audience into a circle of friendship and comradery. With a band behind him Keenan is unstoppable.  

As the first half of the set swings into ebullient motion we see the familiar side to Keenan’s musicianship, the folky-hued, more traditional-tinged aspect. A lush and utterly mesmerising rendition of ‘Two Kids’ sees Keenan duet with Laura Burke. Their sweet, warm tones melt into one another, gently drifting the track to a new, exciting and beautiful dimension. This time stopping arrangement is a special moment within the set list and members of the crowd hug and sway while others weep. Keenan writes tracks that evoke a multitude of emotions but this specific moment took the crowd from dancing and singing to embracing and swaying in teary joy while electric bulbs and flashing lights illuminate the stage.There is a professional yet passionate approach to Keenan’s live shows that is quite admirable. He knows what gets his audience hyped up but there is an authentic and heartfelt backbone to his polished performance that leaves a raw and honest residue. 

The second half of the set brings drums, guitars (with some shredding solo’s) and a hint of grit into the show. Here Keenan tries his hand at being somewhat of a rockstar of sorts. He succeeds. A shout of “ haon, dó, trí, ” from Keenan rumbles above the drum thuds as ‘Unholy Ghosts’ initiates the more dynamic aspect of the show. There doesn’t appear to be a soul in the venue who doesn’t know all the lyrics to every track on the recently released ‘A Beginner’s Guide To Bravery’ album. ’The Healing’ and ‘Good Old Days’ have the crowd in a flurry of adored mania. ‘Alter Wine’ is utterly enthralling live – Keenan delivers the track with intense, earnest vigor as his strong vocals ricochet over the intoxicating melodic riff on guitars and strings.”Join hands with the person next to you.. lift them up” Keenan shouts as the entire venue sings the “Rain, rain, go away, I’ll come down another day” lyrics of ’Love in a Snug’. He doesn’t compromise quality as his striking vocal range refuses to falter while being met with mass applause for the lengthy notes in ‘ Tin Pan Alley‘. 

The encore brings more tears as a woman near me announces “Oh my god i’m going to cry” for ‘A Corner Boy’s Lament’ and yes she absolutely did. As she sobbed in the audience, on stage Keenan is giving it his all with his acoustic guitar. He tenderly presents this emotive song, perhaps unknowingly, creating or connecting to a special and personal moment with a lot of his audience. ‘James Dean’ and ‘Badlands’ continues the ecstatic sing and clap along while ‘Subliminal Dublinia’ aptly brings the show to an explosive finale as Keenan shouts “this is the end of the beginning not the beginning of the end”. 

There is no denying that Keenan deserved to be headlining The Olympia last night. His musical prowess is inspiring. He has the ability to rally and passionately ignite the audience through his powerful, emotive tracks and meaningful lyrics. As the confetti cannon erupted into the venue the lights illuminated the crowd’s smiling, proud faces.They cheered and applauded this young man who has worked relentlessly to craft and carve his sound without compromise. Keenan has created something unique that binds strangers together and provides an atmosphere of elation. His tracks are his medium of release, a therapy of sorts but they are perhaps so much more to the crowd of fans gathered in that venue last night.. ready to celebrate this milestone with him.  


Author : Danu

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Indie, Live Music, Live Music Review, New Music

Donal Quinn Live With Support From The Collective At Whelan’s Dublin

January has a reputation for being a dull, cold and uninteresting month however Whelans refused to allow it to dampen their punters mood. With Donal Quinn playing Whelan’s Midnight hour with support from The Collective and The Bowie Ball night featuring tribute act Heroes From Mars to wander into after… they made sure we forgot all our January blues.  

Dublin five piece The Collective kick started the show. The band embrace the task of warming up the crowd with ease. Their pop sprinkled indie tunes which are saturated in sun-kissed tones had a warm and glorious effect on our ears as their honeyed melodies melt upon the effervescent instrumental backdrop.  Even with their bassist Cian Moran missing, the band had the crowd in the palm of their hands from the get go. Their cheeky banter and wonderful indie tunes had the crowd dancing and bopping happily. For a young band about to do their leaving cert they certainly have a charismatic and charming stage presence.Guitarist/vocalists Daniel Clarke and Taylor Byrne constantly engaged with the crowd creating a friendly and fun atmosphere “we want you to sing along even if you think its shite..sing along”. One woman in particular spiraled round the dance floor to every tune hopping, wiggling and twirling to their infectious tunes. They allow her to name one of their songs before they played it so i guess now it’s called “ love your face”.

With songs laced in tasty guitar melodies, groove infested drums and chiming keys the band sprinkle some joyous radiance into the venue. Their tracks are catchy from the unforgettable ‘’la la la la “ of ‘Forgettable’ to the sweet melodies in ‘Friends’ and ‘Love On The Streets’ – they have a solid set list. With quirky guitar moves, slick sweet licks and a charismatic presence the band keep everyone on their toes. Ogylle Salvador lays down the body moving beat while Stefan Isbanda tackles the keys to complete their vibrant vigorous sound. This bands musical talent and youthful energetic sound make them ones to keep an eye on . 

Donal Quinn strolls on stage. His chilled presence slices through the  wild atmosphere created by The Collective. He saunters off the stage to rally the crowd to the front, the crowd happily move forward in anticipation as Quinn begins ‘Do You Like Spicy Food?… ‘. This rapid number re-induces the hyper crowd as they bop along and whoop to his cheeky lyrics. He is alone on stage with just his acoustic guitar which should feel cold and isolating however his presence exudes warmth. He commands the stage..the crowd is enamored by Quinn’s vocal prowess especially for the “ the roof, the roof, the roof is on fire” lyric. Quinn chats between songs and tune ups while galloping through his set list. Dressed all in black there isn’t much fuss.. just good tunes. ‘Twat’, ‘3am’ (which Quinn’s integrates James’ ‘Sit Down’ into the crescendo) and a slick cover of ‘That’s Entertainment’ by The Jam and Arctic Monkeys’ ‘When The Sun Goes Down’ cause subtle swaying and bopping among the crowd as his rasped Drogheda-twanged tonality warms the tracks vibrant melodies. A quirky anecdote about his hair being ruined by rain and wind while filming the video for ‘ Bubble’ has the crowd chuckling as he charms them into the second half of his performance.

Quinn puts oodles of passion and emotion into his tracks and it sometimes translates into, an eyes closed performance, however his emotive and passionate lyrics enthrall the hearts of the audience. A quick exchange of info about his brand of guitar ( it’s a Martin ) and a crowd members Harry Potter scarf lead the way into a sleek medley of Oasis ‘Wonderwall’ and ‘Golden Touch’ by Razorlight. It’s a precise, well executed, enjoyable performance and a fantastic end to a night filled with talented Irish artists

Quinn presents his sublime tunes in an acoustic setting with ease and panache. In a live setting his music takes on a new dimension and aesthetic, becoming more intimate and personal. It was a fantastic Friday night in Whelans. Keep an eye on both Donal Quinn and The Collective. They have great potential and give us an indisputable reason to support Irish artists. 


Author : Danu

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Indie, Live Music, Live Music Review, New Music

Inhaler Live At The Button Factory Dublin With Support From The Wha

Author : Danu

Security move the eager front line back from the stage as the crowd in The Button Factory, Dublin gush about how many times they have seen new risers Inhaler and why “these guys are the best band out there at the moment”. There is a varied fan base for these young rock stars, a healthy crowd of all ages throng the venue to see what Inhaler have in store for their second sold out night. Many had seen them the night before, some traveled from the UK and farther afield to see the Dublin quartet. One fan in particular told me she had seen them the previous week in London and had tickets to see them again two more times in the UK next year. There is a buzz about Inhaler that is the envy of many artists on the circuit. They have even been long-listed for BBC Music Sound of 2020. I thought to myself, could this fresh faced quartet live up to the hype and deliver a great live show? Well …yes, actually they can deliver… with oodles of swagger and explosive onstage persona. The Button Factory witnessed something special Thursday night – a budding band which is destined to go far.

But first we are treated to one of the most impressive support slots of the year. Kilkenny’s The Wha embrace with ease the task of warming up the crowd. The band provide tantalizing tunes laced in psychedelic indie bliss with dreamy, moody, melodic undertones. ‘Innocents’ introduced the crowd to their melodically lush sound. The band’s modest stance and simple stage presence make them instantly charming however their musical prowess is not to be underestimated. These guys are a talented bunch of musicians. They had more control over our swaying bodies than we did. The Wha’s songs will make you bop and move before you even realise you want to. Bassist Marek Lech and drummer Abe G. Harris provide a solid, driving groove that is impeccably elastic and malleable. ‘Blue For You’, ‘40 Odd Years’ and ‘She Won’t Believe Her Eyes’ all exude wonderful hazy melodies with heavy blasts. The refined, precise guitar melodies executed ever so coolly by dual vocalists Finn Cusack and Sam Cullen had the crowd in the palm of their hands.

These guys are prime quality indie and sure to skyrocket due to their clever musicianship and delicious melodies. They are cool, competent musicians. The Wha are a band you need to know and listen to.

Inhaler triumphantly take to the stage to a mass of cheers. The rock ‘n’ roll band’s lively energy distinguishes their live performance from other acts. They are inimitable onstage, each members larger than life persona oozed confidence and skill beyond their years.

The band blast full speed into their set. Another proficient bassist, Robert Keating provides the infectious groove throughout their tracks with an effortless attitude. His serious stance charms some members of the audience to gush about his stern smoulder while his sublime and intricate bass lines impress the masses. The quartet have the crowd eating out of the palm of their hands from the get go. Everyone wanted a picture/ video of this young band in action. Ryan McMahon tackles the drums, raised on a drum riser his hair flops in time with the rapid powerful beat. His rhythmic thumping commands the crowd to dance. The bands sound is blazing as they weave psychedelic hues into their pummeling rock ‘n’ roll. “This one is the slow one so if you wanna go take a piss do that now”  frontman Eli Hewson announces before the sultry ‘A Night On The Floor’. Quite the dynamic frontman he prances about the stage each flick, strut and pose praised with whoops from the crowd. Hewson’s charming personality is infectious. He moves to the front of the stage, reaching out to fans while executing a sweet little shuffle/wiggle with his feet. He holds everyone’s attention while his warm rasped vocals drape over the bands pop-drizzled melodies with a velvety croon.

‘Ice Cream Sundae’ ignites one of the most excitable reactions from the crowd as they bellow back the lyrics wholeheartedly and lovingly. It’s a non stop party. ‘Falling In’ continues the kinetic energy with its scorching rush of intensity and swagger. This band have an impressive first rate lineup of musicians. Josh Jenkinson is one class act guitarist. He meanders beautifully through intricate, lush guitar lines. His adept skill is majestic and a joy to watch. 

It’s easy to see why Inhaler have an audience ranging from all ages. From the clapping stomp of ‘My King Will Be Kind’ to the glistening ‘Cheer Up Baby’ the band seamlessly drift through multi tones and genres providing something everyone can enjoy. ‘My Honest Face’ closes the bands set with the crowd going absolutely crazy. It’s a dark enigmatic track laced in explosive, thrilling and glorious instrumentation. No one wants Inhaler’s set to end. However the band don’t appear to stand on ceremony and they leave the stage with a bow. 

Inhaler are a slick, well primed machine that are cultivating their sound and brand superbly. They are creating something truly captivating and relevant. It is easy to realise what all the hype is about and how they have garnered such a loyal adoring fanbase. They are an act to get excited about. They are mesmerising to watch onstage and with such a great sound, if they keep doing what they are doing these proficient musicians will be very big indeed. 


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Indie, Live Music, Live Music Review, New Music

Fangclub At The Button Factory Dublin With Support From Cherym

Devoted fans is something every band and artist dreams of. The sort of fans that have tattoos of the band’s logo, know every word to their songs, discuss who their favourite band member is before the show and queue in the cold to see them. This is the devotion that Dublin’s Fangclub have garnered. I heard compelling arguments for why Steven King, Kevin Keane and Dara Coleman are the best as the eager fans stood waiting to enter the Button Factory on Friday night for Fangclub’s headline show. The fans dissected their favourite tracks from the bands EP’s and albums while discussing the amount of times they have seen the trio. The crowd were sure the show was going to be one to remember….. it was.

Derry three piece pop rock band Cherym kick started the night. A feisty trio the band blast out their fierce tunes with relentless stamina. With a crashing wall of sound saturated in gritty riffs, fiery bass lines and pounding drums provided by Alannagh Doherty – it’s a speedy neck snapping set. Hannah Richardson howls and spits out the lyrics with attitude as she struts back and forth on stage. There isn’t a lot of banter from this trio they allow their brawling riffs and pulverising lean mean wall of sound do the talking for them. The pop sensibilities smoothen the razor sharp assault the trio execute so precisely. Members of the crowd mosh and jump to each tune while others are singing along to the lyrics.A threat to do an Irish dance on stage and a “wee prayer” causes cheers from the crowd while a witty asthma quip and “wake the f*ck up do we look like we do Irish dancing” remark creates a humorous tune-up distraction before the band speedball into new single ‘Abigail’. There is something compelling about this trio. Their tunes exude gut-punching punk rock with a pop smattering melody that drifts effortlessly into the ears. Bassist Nyree Porter is extremely charismatic on stage as she engages playfully with the crowd sparking clap-alongs and even jumps off the stage to allow the audience to strum the bass. They made quite an impression.

With Led Zeppelin’s ‘Immigrant Song’ blasting through the speakers while a smoky red hue glows onstage Fangclub triumphantly stroll on stage to a mass of cheering. A band who are honest, raw and incredibly talented these guys don’t hold anything back. The setlist travels at full speed as the band pack in as many tracks as they can with high fives, fist bumps and hand shakes from the crowd in between. “Go on Stevo” members of the crowd shout as Steven King (his face buried in a mass of hair) explodes into ‘Vulture Culture’. The pit erupts immediately, as the crowd once again fall under the bands spell. ‘All Fall Down’ truly grabbed the crowd by the throat as a riot of drums, bass and shrilling roar on guitars thrill the moshing fans to the core. Kevin Keane swishes, jumps and executes his raging bass lines with rampant vigor. There is one track in particular where his finesse excels, ‘ Hesitations ‘. The demon summoning bass rumble resounds throughout the venue as King’s spine chilling vocals entice and seduce against this riveting wall of sound. Dara Coleman resides on a raised platform, shrouded in an enigmatic cloud of dry ice. He pummels through the crunching, ferocious and downright dominant drum rolls and rhythms with precision and relentless stamina while members of the crowd try to air drum along . The trio are joined onstage by guitarist Ed Scanlan who provided those slick licks, riffs and rich guitar melodies that pepper the bands tracks in swagger and spice.He has his own fans in the crowd who shout “go on Ed” and “love you Ed”. 

“Everyone ready for Christmas?” King asks before he introduces the blistering ‘Kingdumb’. Members of the crowd reply with a half cheer/half moan while another shouts “Hail Satan!” 

The show is a special moment for both the band and their fans. An almost solo performance of the note to King’s girlfriend ‘Last Time’ leaves King in tears as he tries to finish the song. His fingers shake as he forms the chords on the fret-board. He coo’s the tender lyrics with nothing but guitar accompaniment. The crowd cheer in support as Coleman and Keane return to the stage embracing him before the expressive and emotional crescendo. It’s a striking reminder of all this band have been through, almost calling it a day before the ‘Vulture Culture’ album and the stress and emotional turmoil they have been through. It made me realise just how lucky we were to be there that night watching them perform their largest Dublin headline to date. King thanks his family, friends and fans for helping him get through everything. Most people don’t think of the person beneath the larger than life rock-star persona but that glimmer into frontman King’s emotional mindset at the time made all the difference and earned more respect and love from adoring fans. Refusing to allow that tender moment define the night King turns to face the drums, wipes his eye and rebounds with the searing ‘Bad Words’…. the crowd goes insane. The band leave the stage as King lip sinks to Whitney Houston’s ‘I Will Always Love You’ while the crowd bellow back the lyrics dramatically sprawling their arms out to him before Coleman, Keane and Scanlan carry King off stage to the resounding sound of the crowd’s cheering. 

It was a fantastic show of sweat, adrenaline, massive tunes and tears as Fangclub were welcomed home by their adoring, never faltering fans. Fangclub are getting bigger and better. They have grown into accomplished proficient musicians. They shattered through The Button Factory in style with unbridled energy, graciousness and a performance that their fans will never forget. Their riot-inducing sound is hypnotic and encourages anyone within ear shot to begin head banging and moshing. I believe one fan from the crowd summed up the nights antics well – as he left the venue he said to his friend ” my neck is fucked”.


Author : Danu

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