Virtual is a series of intimate evenings with exclusive live performances from the best emerging and established artists initiated by AER Music, Fluttertone and dootdoot Records
Last night’s show was a special treat featuring the mesmerising Rachel Grace ( nicknamed by one fan as “The Beanie Queen”). Grace is a diverse and engaging performer as she blends genres to suit her wonderful emotive style. Guitars adorn the wall behind her as she sits with a yellow beanie on her head ready to blow us away with her immaculate performance. The beanie becomes a hot topic of discussion – one viewer comments “the beanie is the only way to contain her talent from getting too much for us to handle“. From the upbeat pop gem ‘To Love Somebody Else’ to the warm cosy ‘Home’ and sassy, powerful upcoming single ‘Cry Me an Ocean’ she cruises through her set with a cheerful stride and soulful flair.
Her sterling voice and empathic songwriting are far beyond her years ( she has just turned 18 ). Whether she is singing about the pain of heartbreak, sweet love or a wistful lullaby, Grace beautifully translates those feelings into intimate moments of soulful tones and tender dreamy melodies. Time stops when Grace sings as the viewers are swept up in her luxuriant tones swaying and singing along. The comments section fills with compliments for the young starlet almost instantly as she shyly thanks the viewers and chats between tracks.
Grace could make the most brawny man weep like a baby with just one simple vocal coo but its the power and emotion within her songwriting in tracks such as ‘Love Will Come’ that will summon ocean-sized water wells in your eyes. There are R&B elements glimmering through the soulful and jazzy- like tunes even within the more attitude soaked ‘Quite Like You’ and bluesy country ‘Nice Knowin’ Ya’ as Grace’s delivery holds a professional entrancing poise. The simple setting of Virtual allows the viewers to truly appreciate the breathtaking ability of this singer songwriter
Rachel Grace put on a sensational passionate performance. Her impressive evocative voice is a joy to listen to and the perfect accompaniment to her emotive songwriting. I can’t wait to see more of this artist.
Last night indie folk pop artist Owen Denvir performed this week’s live stream on Virtual, A series of intimate evenings of exclusive live performances from the best emerging and established artists organised by AER Music, Fluttertone and dootdoot Records. An intriguing thought was implanted into the audience’s heads by Denvir as he wondered if the people with their cameras turned off were on the toilet – with that thought, Denvir began his set.
Another outstanding singer songwriter, Denvir takes the second show of the series in his stride. His passionate warm vocals delight the bopping heads and cheery faces of his audience. Once again we are joined by charismatic fans who clap and engage with warm encouragement as Denvir switches between guitar and piano for his heartfelt tunes. With a wall adorned with a lego image of the Beatles, Denvir confesses he was “debating wearing shorts” as the camera would hide it but thankfully he decided against it as “it’s a paid gig, better put on a shirt”. Denvir’s tunes revolve around his velvety warm vocals ‘This Could Be Love’,’I want You So Bad’ and ‘Stones from Paris’ all frequent the set list while the audience sit in their sitting rooms and kitchens with a cuppa or glass of wine, swaying and singing along.
The stripped back version of each track is quite refreshing and shows exactly how talented Denvir is as an artist. It’s starting to feel like a weekly gathering as some familiar faces appear on the screen. A little girl lines up lego figurines along her table to join the audience for Denvir as he greets and acknowledges as many of the viewers as he can. Denvir doesn’t clutter his tracks with over production, instead he slowly simmers them with raw emotion and this translates beautifully through the Virtual medium. ‘Stay’ in particular is quite the time stopping piece.The lonely guitar accompaniment laments with a Spanish tone around Denvir’s emotive vocals creating a pinnacle moment. Each track is beautifully created and if you weren’t aware of Denvir’s songwriting; live streams like this are a fantastic way to become totally enamored with an artist’s style. There is majesty and a rich complexity to his songs; the melodies elegantly and sweetly interplay with the soft piano or guitar. It feels like they don’t need anymore production than just this raw live setting to be truly enjoyed.
It’s an easy going soulful set. Denvir’s quirky banter has a cheesy charm to it. He buys time due to the heat “playing the The Hokey Cokey with my tuning” however he appears at ease with the peculiarity of the live streams. Small hiccups aside, Denvir presents a lush tapestry of songs, he treads very lightly into soul territory with his indie folk-pop providing a wholesome warmth and earnest quality to his tunes. Denvir is definitely an artist to check out.
A Q&A with the audience ends Denvir’s breathtaking set. It was a relaxed knockout performance from Denvir showcasing his moving, wonderfully crafted musicianship. Check out Owen Denvir, his emotive wholesome music won’t disappoint.
Fintan McKahey performed the first ever show on the new platform that is, Virtual. AER Music, Fluttertone and dootdoot Records have come together to create this opportunity on the Zoom platform where everything is focused on the artist and we can financially support them by buying tickets to the show. This streaming makes the whole live scene feel very weird at the start; seeing fans in the comfort of their own homes with cups of tea and wine, some snuggled beneath cosy blankets while others potter about in kitchens while watching the live stream. However the banter in the comments sections and the wonderful music from Fintan McKahey swiftly puts everything at ease.
McKahey performed his mesmerising set from the refuge of his own home studio in Cork. Unlike a venue show everything was punctual and smooth sailing. With signs held up by fans saying ‘’Fintan You Rock’’ the show began. McKahey’s tracks are laced with passion and warmth, it’s difficult not to bop and sway to his tunes. His setlist is the perfect soundtrack for a chilled evening. McKahey’s warm rasped vocals melt upon his heartfelt, luscious melodies like butter on toast while fans head bang, hold up images of lighters on their phones and sway with lighters in their hands. The most unusual part of this show is the clapping after a song. You can see the clapping but can’t hear it as all the mics are muted.
‘Lost Balloons’, ‘Innocent’ and new single ‘Platinum’ present McKahey’s chilled and effortlessly laid back sound perfectly. He uses rich blends of pop, indie folk and alternative to create a downtempo vibe that is calming and instantly pacifying.It’s refreshing to see tracks like ‘The Rebound Effect’ which is usually bewitching with a full band sound, stripped back to just McKahey’s moving vocals and slick guitar work.
‘Outro’ from ‘God Games’ EP is the special moment within the set.The soft pacing, immaculate guitar and beautiful ambient vibes created within this track is phenomenal and I really enjoyed just being able to listen to the music without being disturbed by yapping people or any other noise which is the norm in a live venue setting. This Zoom platform suited the calm pace of McKahey’s songs perfectly.
McKahey is a charismatic artist, he banters about his girlfriend’s pear diet ( 20 pears a day! that is dedication) and longing for his band to meet up and play in live venues again.Some fans hold up images of his spotify to help with promotion and encourage onlookers to check it out while others dramatically clap and display thumbs up in support as if attempting to make up for the lack of audience noise.Too often in live shows the theatrics and lighting are allowed to dominate at the expense of the artist’s songs. However here, where the tracks are stripped back the heart of the songs emit beautiful tones and vibes. With a crowd of all ages gathered from a little girl dancing with her teddy right up, it’s easy to see that McKahey has a sound that reaches a wide audience.
Once the set draws to its finale the audio mics are tuned on and the whoops and clapping can be heard. Maybe there is something to be said for keeping the jubilant cheer to the end. Fintan McKahey put on a wonderful, professional and tight performance. The entire event was well handled and seamless which is saying something, live streams such as this are difficult to organise and put on. A short Q&A session brought the show to an end as fans asked questions about McKahey’s inspiration for tracks, his thoughts on live streams, what covers he does and his love of oat milk as well as his inability to grow a beard.
This intimate style is an impressive and fun way of quenching fans thirst for live music. It is certainly a different feel to a live venue but McKahey took it in his stride. He is a mesmerising artist who writes wholesome passionate tunes. I enjoyed his set and can not wait to see him in a live venue soon.
Stream Fintan McKahey’s new single ‘Platinum’ below
On Friday night, Dublin based TOYGIRL had their ‘Moonlight Velvet’ single launch in The Sound House Dublin. A night of time stopping tunes, musical poise and fun this young band set the bar high. With only two released tracks so far they took The Sound House by storm and characterised themselves as a band to keep an eye on.
Nicetry kick started the night. This band is utterly mesmerising. They create beautiful tunes that lull with sweet melodies and earthy qualities. Eunice Saraiva’s vocals soothe with calming tones as her vocals coo and caress the soft wispy melodies with elegance and passion. The backdrop exudes wonderful prismatic hues of scintillation, distortion and psychedelia – it’s amazing how this band provides such chaos and calm all at once. Danilo Ward’s bass weaves and rumbles with intricate grooves while Cian McDaid lets it all go on guitar – shrilling, dazing and crashing between the lush delicate vocal melodies and constant rhythmic pulse provided by Cam Teehan’s rich drumming. The contrast is so thrilling and superb. The band’s heavy moments are intense, vibrant and all consuming yet they maintain a noir-pop stillness throughout as they stealthily groove and weave between these moments of utter musical splendour. With tight spine chilling harmonies Nicetry are a joy to listen to.
The crowd rush forward as TOYGIRL take to the stage. The bands soulful alternative pop reverbs through the venue creating a groove laced atmosphere that has the crowd dancing from the very start. TOYGIRL are a dark horse. Their vivid multi-genre blending, creates a sound truly unique which comes to life in the live setting. They ignite the crowd with funky grooves, R&B elements and a rich full bodied sound. Hannah Worrall’s vocals are truly spectacular; her ability to coo with warm depths and emotional tones as well as surge with soulful power is what ties the band’s compelling sound together. Her vocals puncture the atmosphere with sheer clarity. Yes the band have tracks that haunt, lull and stop time in an instant but boy! can they dance, groove and party as well. There is an effortless swagger about this band and a maturity on stage that is to be admired. If I wasn’t aware how new this band is I would claim their maturity is due to years of experience. They banter with the jubilant crowd between songs and jam through a pause in their set as Ciaran Whelband runs for his capo ( which was left in the green room). We even experience a bass mishap that requires Aran Hopkinson to borrow a bass from Nicetry, but this doesn’t really disrupt the night, the band jam and banter through it and within moments they are back into the set list.
There are a number of special moments in the set. Guitarist Fiachra O’Mahony taking to vocals was a pleasant surprise as Worrall’s haunting harmonies blend perfectly with his velvety lilt. TOYGIRL flesh out their sound with sublime bass lines intricate, vibrant drums and sharp, sweet guitar elements and within the live setting their tracks are mesmerising. The crowd knew every word and went crazy for the band’s debut single ‘Reign’. The magnificent new track that brought us all to this celebration ‘Moonlight Velvet’ (which was released only a few hours before the show) was bellowed back by the crowd while an impressive rendition of Estelle’s ‘American Boy’ had the crowd eating out of the palm of the bands hand. TOYGIRL succeeded in sending chills around the audience as well as bringing some infectious alternative pop and slinky grooves. Not only do they make strikingly beautiful music with their unique sound, they can switch between tenderness and intensity with such ease and fill a room with a warming radiance.
By the time the last strum on guitar had faded, I was already hungry for more, Worrall’s vocals and the band’s hypnotic alternative neo-soul is highly addictive. They have some bangers in their repertoire which display powerful emotive musicianship and striking lyricism. Their music evokes a myriad of emotions while thrilling and tantalisng the imagination and senses of the listener which is a rare gift to possess. I should warn you once you see them live you will be hooked. This band have a lot more to offer and judging from the unreleased tracks the band played TOYGIRL are a band to get excited about.
David Keenan graced the hallowed halls of The Olympia Theatre last night. A singer songwriter with poetic lyrics and powerful vocals – you might think his set would be quiet and poised with brief hand claps from a drowsy lethargic gathering however that’s not how Keenan rolls … nor his followers for that matter. Exuding mesmerising rock ‘n’ roll charisma, Keenan brought the roof down as he filled The Olympia Theatre with his vibrant, emotive and passionate tunes. The crowd hung onto every word bellowing out the lyrics, each syllable meaning the world to them and all of this was met with humble gratitude from the headliner.
Keenan stands behind a white screen with just his silhouette visible to the crowd. The audience cheer in anticipation. Many of them gushing “ I love him… he’s really pretty” as he poses ready for the canvas to lift and relieve the suspense. Of course Keenan maintained the solo stripped back intimacy that has gathered this dedicated following over the years, performing ‘Big Boys Must Cry’ and ‘Full Stop’ with no band and just his guitar. He is comfortable in the picturesque setting of The Olympia. His larger than life persona and poetic lyrics resound throughout the venue touching every single person who was there as the crowd bellow back his lyrics in worship.
“We made it to the Olympia Theatre, we did this together let’s celebrate together tonight as one“ and that was certainly what it felt like – a massive celebration of an artists well deserved, stellar climb to a sold out show in one of Ireland’s most prestigious and sought after venues. Keenan holds the audiences attention with ease as they await with bated breath to clap, sway or sing along. He stands majestically onstage – prancing, spiraling and jumping creating entertainment with every dramatic hand flail or stride. Like all the best shows a lot of planning went into this performance. There was a joyous gradual beginning, an intermission of sorts with a wonderfully talented Aerial Hoop performer, a thrilling second half and phenomenal encore which saw Keenan return to the stage being cheered like a hero. Members of the crowd were embracing, shouting “go on lad!” and “love you Dave!” as he belted out powerful favourites ‘Lawrence Of Arcadia’ and ‘Postcards From Catalonia’.
Live, Keenan’s tracks ignite into beautiful flairs of wonderful colour and vibrant textures as he fashions the audience into a circle of friendship and comradery. With a band behind him Keenan is unstoppable.
As the first half of the set swings into ebullient motion we see the familiar side to Keenan’s musicianship, the folky-hued, more traditional-tinged aspect. A lush and utterly mesmerising rendition of ‘Two Kids’ sees Keenan duet with Laura Burke. Their sweet, warm tones melt into one another, gently drifting the track to a new, exciting and beautiful dimension. This time stopping arrangement is a special moment within the set list and members of the crowd hug and sway while others weep. Keenan writes tracks that evoke a multitude of emotions but this specific moment took the crowd from dancing and singing to embracing and swaying in teary joy while electric bulbs and flashing lights illuminate the stage.There is a professional yet passionate approach to Keenan’s live shows that is quite admirable. He knows what gets his audience hyped up but there is an authentic and heartfelt backbone to his polished performance that leaves a raw and honest residue.
The second half of the set brings drums, guitars (with some shredding solo’s) and a hint of grit into the show. Here Keenan tries his hand at being somewhat of a rockstar of sorts. He succeeds.A shout of “ haon, dó, trí, ” from Keenan rumbles above the drum thuds as ‘Unholy Ghosts’ initiates the more dynamic aspect of the show. There doesn’t appear to be a soul in the venue who doesn’t know all the lyrics to every track on the recently released ‘A Beginner’s Guide To Bravery’ album. ’The Healing’ and ‘Good Old Days’ have the crowd in a flurry of adored mania. ‘Alter Wine’ is utterly enthralling live – Keenan delivers the track with intense, earnest vigor as his strong vocals ricochet over the intoxicating melodic riff on guitars and strings.”Join hands with the person next to you.. lift them up” Keenan shouts as the entire venue sings the “Rain, rain, go away, I’ll come down another day” lyrics of ’Love in a Snug’. He doesn’t compromise quality as his striking vocal range refuses to falter while being met with mass applause for the lengthy notes in ‘ Tin Pan Alley‘.
The encore brings more tears as a woman near me announces “Oh my god i’m going to cry” for ‘A Corner Boy’s Lament’ and yes she absolutely did. As she sobbed in the audience, on stage Keenan is giving it his all with his acoustic guitar. He tenderly presents this emotive song, perhaps unknowingly, creating or connecting to a special and personal moment with a lot of his audience. ‘James Dean’ and ‘Badlands’ continues the ecstatic sing and clap along while ‘Subliminal Dublinia’ aptly brings the show to an explosive finale as Keenan shouts “this is the end of the beginning not the beginning of the end”.
There is no denying that Keenan deserved to be headlining The Olympia last night. His musical prowess is inspiring. He has the ability to rally and passionately ignite the audience through his powerful, emotive tracks and meaningful lyrics. As the confetti cannon erupted into the venue the lights illuminated the crowd’s smiling, proud faces.They cheered and applauded this young man who has worked relentlessly to craft and carve his sound without compromise. Keenan has created something unique that binds strangers together and provides an atmosphere of elation. His tracks are his medium of release, a therapy of sorts but they are perhaps so much more to the crowd of fans gathered in that venue last night.. ready to celebrate this milestone with him.
Security move the eager front line back from the stage as the crowd in The Button Factory, Dublin gush about how many times they have seen new risers Inhaler and why “these guys are the best band out there at the moment”. There is a varied fan base for these young rock stars, a healthy crowd of all ages throng the venue to see what Inhaler have in store for their second sold out night. Many had seen them the night before, some traveled from the UK and farther afield to see the Dublin quartet. One fan in particular told me she had seen them the previous week in London and had tickets to see them again two more times in the UK next year. There is a buzz about Inhaler that is the envy of many artists on the circuit. They have even been long-listed for BBC Music Sound of 2020. I thought to myself, could this fresh faced quartet live up to the hype and deliver a great live show? Well …yes, actually they can deliver… with oodles of swagger and explosive onstage persona. The Button Factory witnessed something special Thursday night – a budding band which is destined to go far.
But first we are treated to one of the most impressive support slots of the year. Kilkenny’s The Wha embrace with ease the task of warming up the crowd. The band provide tantalizing tunes laced in psychedelic indie bliss with dreamy, moody, melodic undertones. ‘Innocents’ introduced the crowd to their melodically lush sound. The band’s modest stance and simple stage presence make them instantly charming however their musical prowess is not to be underestimated. These guys are a talented bunch of musicians. They had more control over our swaying bodies than we did. The Wha’s songs will make you bop and move before you even realise you want to. Bassist Marek Lech and drummer Abe G. Harris provide a solid, driving groove that is impeccably elastic and malleable. ‘Blue For You’, ‘40 Odd Years’ and ‘She Won’t Believe Her Eyes’ all exude wonderful hazy melodies with heavy blasts. The refined, precise guitar melodies executed ever so coolly by dual vocalists Finn Cusack and Sam Cullen had the crowd in the palm of their hands.
These guys are prime quality indie and sure to skyrocket due to their clever musicianship and delicious melodies. They are cool, competent musicians. The Wha are a band you need to know and listen to.
Inhaler triumphantly take to the stage to a mass of cheers. The rock ‘n’ roll band’s lively energy distinguishes their live performance from other acts. They are inimitable onstage, each members larger than life persona oozed confidence and skill beyond their years.
The band blast full speed into their set. Another proficient bassist, Robert Keating provides the infectious groove throughout their tracks with an effortless attitude. His serious stance charms some members of the audience to gush about his stern smoulder while his sublime and intricate bass lines impress the masses. The quartet have the crowd eating out of the palm of their hands from the get go. Everyone wanted a picture/ video of this young band in action. Ryan McMahon tackles the drums, raised on a drum riser his hair flops in time with the rapid powerful beat. His rhythmic thumping commands the crowd to dance. The bands sound is blazing as they weave psychedelic hues into their pummeling rock ‘n’ roll. “This one is the slow one so if you wanna go take a piss do that now” frontman Eli Hewson announces before the sultry ‘A Night On The Floor’. Quite the dynamic frontman he prances about the stage each flick, strut and pose praised with whoops from the crowd. Hewson’s charming personality is infectious. He moves to the front of the stage, reaching out to fans while executing a sweet little shuffle/wiggle with his feet. He holds everyone’s attention while his warm rasped vocals drape over the bands pop-drizzled melodies with a velvety croon.
‘Ice Cream Sundae’ ignites one of the most excitable reactions from the crowd as they bellow back the lyrics wholeheartedly and lovingly. It’s a non stop party. ‘Falling In’ continues the kinetic energy with its scorching rush of intensity and swagger. This band have an impressive first rate lineup of musicians. Josh Jenkinson is one class act guitarist. He meanders beautifully through intricate, lush guitar lines. His adept skill is majestic and a joy to watch.
It’s easy to see why Inhaler have an audience ranging from all ages. From the clapping stomp of ‘My King Will Be Kind’ to the glistening ‘Cheer Up Baby’ the band seamlessly drift through multi tones and genres providing something everyone can enjoy. ‘My Honest Face’ closes the bands set with the crowd going absolutely crazy. It’s a dark enigmatic track laced in explosive, thrilling and glorious instrumentation. No one wants Inhaler’s set to end. However the band don’t appear to stand on ceremony and they leave the stage with a bow.
Inhaler are a slick, well primed machine that are cultivating their sound and brand superbly. They are creating something truly captivating and relevant. It is easy to realise what all the hype is about and how they have garnered such a loyal adoring fanbase. They are an act to get excited about. They are mesmerising to watch onstage and with such a great sound, if they keep doing what they are doing these proficient musicians will be very big indeed.
Devoted fans is something every band and artist dreams of. The sort of fans that have tattoos of the band’s logo, know every word to their songs, discuss who their favourite band member is before the show and queue in the cold to see them. This is the devotion that Dublin’s Fangclub have garnered. I heard compelling arguments for why Steven King, Kevin Keane and Dara Coleman are the best as the eager fans stood waiting to enter the Button Factory on Friday night for Fangclub’s headline show. The fans dissected their favourite tracks from the bands EP’s and albums while discussing the amount of times they have seen the trio. The crowd were sure the show was going to be one to remember….. it was.
Derry three piece pop rock band Cherym kick started the night. A feisty trio the band blast out their fierce tunes with relentless stamina. With a crashing wall of sound saturated in gritty riffs, fiery bass lines and pounding drums provided by Alannagh Doherty – it’s a speedy neck snapping set. Hannah Richardson howls and spits out the lyrics with attitude as she struts back and forth on stage. There isn’t a lot of banter from this trio they allow their brawling riffs and pulverising lean mean wall of sound do the talking for them. The pop sensibilities smoothen the razor sharp assault the trio execute so precisely. Members of the crowd mosh and jump to each tune while others are singing along to the lyrics.A threat to do an Irish dance on stage and a “wee prayer” causes cheers from the crowd while a witty asthma quip and “wake the f*ck up do we look like we do Irish dancing” remark creates a humorous tune-up distraction before the band speedball into new single ‘Abigail’. There is something compelling about this trio. Their tunes exude gut-punching punk rock with a pop smattering melody that drifts effortlessly into the ears. Bassist Nyree Porter is extremely charismatic on stage as she engages playfully with the crowd sparking clap-alongs and even jumps off the stage to allow the audience to strum the bass. They made quite an impression.
With Led Zeppelin’s ‘Immigrant Song’ blasting through the speakers while a smoky red hue glows onstage Fangclub triumphantly stroll on stage to a mass of cheering. A band who are honest, raw and incredibly talented these guys don’t hold anything back. The setlist travels at full speed as the band pack in as many tracks as they can with high fives, fist bumps and hand shakes from the crowd in between. “Go on Stevo” members of the crowd shout as Steven King (his face buried in a mass of hair) explodes into ‘Vulture Culture’. The pit erupts immediately, as the crowd once again fall under the bands spell. ‘All Fall Down’ truly grabbed the crowd by the throat as a riot of drums, bass and shrilling roar on guitars thrill the moshing fans to the core. Kevin Keane swishes, jumps and executes his raging bass lines with rampant vigor. There is one track in particular where his finesse excels, ‘ Hesitations ‘. The demon summoning bass rumble resounds throughout the venue as King’s spine chilling vocals entice and seduce against this riveting wall of sound. Dara Coleman resides on a raised platform, shrouded in an enigmatic cloud of dry ice. He pummels through the crunching, ferocious and downright dominant drum rolls and rhythms with precision and relentless stamina while members of the crowd try to air drum along . The trio are joined onstage by guitarist Ed Scanlan who provided those slick licks, riffs and rich guitar melodies that pepper the bands tracks in swagger and spice.He has his own fans in the crowd who shout “go on Ed” and “love you Ed”.
“Everyone ready for Christmas?” King asks before he introduces the blistering ‘Kingdumb’. Members of the crowd reply with a half cheer/half moan while another shouts “Hail Satan!”
The show is a special moment for both the band and their fans. An almost solo performance of the note to King’s girlfriend ‘Last Time’ leaves King in tears as he tries to finish the song. His fingers shake as he forms the chords on the fret-board. He coo’s the tender lyrics with nothing but guitar accompaniment. The crowd cheer in support as Coleman and Keane return to the stage embracing him before the expressive and emotional crescendo. It’s a striking reminder of all this band have been through, almost calling it a day before the ‘Vulture Culture’ album and the stress and emotional turmoil they have been through. It made me realise just how lucky we were to be there that night watching them perform their largest Dublin headline to date. King thanks his family, friends and fans for helping him get through everything. Most people don’t think of the person beneath the larger than life rock-star persona but that glimmer into frontman King’s emotional mindset at the time made all the difference and earned more respect and love from adoring fans. Refusing to allow that tender moment define the night King turns to face the drums, wipes his eye and rebounds with the searing ‘Bad Words’…. the crowd goes insane. The band leave the stage as King lip sinks to Whitney Houston’s ‘I Will Always Love You’ while the crowd bellow back the lyrics dramatically sprawling their arms out to him before Coleman, Keane and Scanlan carry King off stage to the resounding sound of the crowd’s cheering.
It was a fantastic show of sweat, adrenaline, massive tunes and tears as Fangclub were welcomed home by their adoring, never faltering fans. Fangclub are getting bigger and better. They have grown into accomplished proficient musicians. They shattered through The Button Factory in style with unbridled energy, graciousness and a performance that their fans will never forget. Their riot-inducing sound is hypnotic and encourages anyone within ear shot to begin head banging and moshing. I believe one fan from the crowd summed up the nights antics well – as he left the venue he said to his friend ” my neck is fucked”.
Dutch five piece De Staat took The Academy, Dublin by storm last night. A band renowned for their high energy, intoxicating live shows brought their trademark fun, shredding tunes and dancing to the Irish crowd who went utterly bonkers for the band. It was an incredible sight to behold.
Dublin’s rock ‘n’ roll duo New Valley Wolves took the task of warming up the crowd in their stride. ‘Shake Your Bones’ aptly kick starts their set loosening up the crowds hips. This band are a raw rock duo that produce no nonsense tracks saturated in steamy blues and gritty riffs. Their lusty sound filled the venue with razor sharp guitar lines and pulverising drum progressions that could shake the floor of hell. Their set is a battering assault of crashing rock at its purest. ‘Animal’, ‘Eyes On Me’ and ‘All You Do Is Talk’ wrestle the ears and command you to dance and mosh and the crowd gladly obliged – headbanging and bouncing to the duo’s infectious rock. There is little banter with the crowd – Jonny and Baz are there to rock our socks off and boy! they did. The duo were as tight as ever, musically impeccable and their sound dropped into the venue like a heavy atom bomb. Jonny’s vocals howl out the sharp spitting lyrics while he nimbly maneuvers through slick swagger-filled riffs with ease. There is a coolness to this band that oozes out of everything they play – well, that is until Baz describes them as “dad rockers” to which Jonny replies “ don’t say that we will look un-cool”. The band play their new single which is due for release tomorrow ‘Snake Spit Venom’ – a catchy, acid drizzled slithery number laced in the neck breaking drums and fiery riffs that New Valley Wolves are known for. This band are professionals and are unfazed by the task of warming up the crowd. They sprawl their scorching tunes into the atmosphere consuming all with ears. I’ve seen these guys perform to a packed venue of their devoted fans moshing and jumping in unison a few times now so it’s refreshing to see the band perform to a new fresh-faced audience and see them win them over one by one until the crowd are moshing and wiggling by the final ballsy track ‘Fire In The Blood’. There is never a lagging moment in this duo’s set and they put on a whopping, fantastic show no matter the setting.
De Staat enter, casually taking up their instruments as the crowd cheer in excited anticipation. Torre Florim the ever flamboyant and entertaining frontman dressed in a silver suit begins to wiggle and dance while he spits out the lyrics to ‘Me Time’. The five piece are an increasingly eccentric and energetic band and their show even more so. Last night De Staat’s set traveled between genres. Wobbly, piercing and intricate guitar maneuvers come from Vedran Mircetic, who is perhaps the most calm and collected person in the venue. His stance is simple and his guitar pedals are almost uncountable as he steps and strides his way between different combinations while producing the most exhilarating and unique sounds. ‘Down Town’ creates stomping frenzy among the audience. The rapid gallop of the track is a hyperactive infection that causes limbs to flail in every direction imaginable. Rocco Hueting multi-tasks between synths, percussion and guitar but it’s that ‘Pikachu’ dance he performs with Florim that is the icing on the cake. These guys create fun, dance-able tunes that bend your mind in many delicious ways. From the techno tones, the hip hop R&B elements of ‘Fake It Till You Make It’ and swag of ‘Peptalk’ and the psychedelic brain trampling of ‘Make Way For The Passenger ‘ these guys create an atmosphere for you to let everything go and dance. Tim van Delft on drums creates those infectious grooves with finesse while occasionally standing to encourage the crowd’s frenzy and showcase his chic golden embossed shirt. The set goes from one high point to another as the mass sing along’s and Florim’s dance-filled antics continue. Florim ventures towards the crowd commanding them like his worshiping congregation. I don’t think there is even one person who didn’t know every word of the lyrics. Everyone knows when to clap and when to shout as Florim passes the mic to members of the crowd to sing the “You gotta help yourself” lyric of ‘Help Yourself’. However it is ‘Witch Doctor’ that is the most wonderful sight to behold. I’ve heard of it and always wanted to witness it first hand – anyone who has seen the ‘Best Animation in a Video UK Music Video Awards 2016′ winning video will be aware of the concept of Florim standing in the middle of a mass of people like some wicked circus ring-leader and commanding them into a circle of death. Well, last night when the band performed ‘Witch Doctor’ the crowd began this circle themselves as Florim stood at the front of the stage swirling his hands like a master puppeteer as if he was churning the crowd round while they jumped and moved in a circular motion. It was a whole room filled with a sea of bodies moving in one moshing mush. However, the fun did not end there. No way were the crowd going to let the show end there. The audience shouted for “one more tune” until the band returned for their electrifying encore. Jop van Summeren operates the bass with majesty creating unique and wacky sounds while laying down slinky grooves especially for closing track ‘KITTY KITTY’. ‘KITTY KITTY’ is one outstanding piece of work but I wondered how would it measure up live. Well…. pretty damn fantastic. That bass intro is brilliant live. It has the mystery and luring power that could introduce the main character in a Quentin Tarantino movie while also adding a sweet sleek quality to this adrenaline building track. The crowd erupted – singing, dancing and screaming throughout the song, A fantastic end to a riveting night.
I was aware that De Staat put on a good show but last night it was from a whole other world. The five piece put on a whirlwind show and had the audience eating out of the palm of their hands, drooling for more. Once you see these guys live you will wonder what you have been doing with your life up to now. Maybe it’s the raw ecstasy of their tracks or the hyper rhythms, slinky guitar and psychedelic hues, but once you see them live De Staat become the drug you just can’t quit.
Macclesfield trio Cassia performed their debut Dublin headline show in Whelan’s last night.The last stop on their UK and European tour the trio gave it their all. They must have been absolutely shattered, in fact when I spoke to them beforehand they admitted they were tired. However the band were not going to let that stop them and like a ball of radiant energy the trio – illuminated Whelan’s.
Support on the night came from Irish singer/songwriter Jack Joyce.Unfortunately I missed his set however I looked him up on spotify after the show and he has some delightful, heartfelt tracks.With intriguing track titles like The Darth Vader of Teenage Romance’ and ‘Grumpy Boots’ his home grown tunes sparkle with a quirky sense of humour and passion to create something truly special.
Cassia strolled onstage and launched into show opener ‘Loosen Up’ as the crowd bounced and bopped along. One thing that is immediately noticeable is their tunes are more punchy and dynamic within the live setting.Jacob Leff’s nimble drumming provides an Afro -esque beat. Immersed in his drumming he occasionally looks at the crowd to smile between the rapid ebullient foundation he creates.It’s his rich drumming that coaxes the crowds hips to wiggle and shimmy. Rob Ellis coos the catchy lyrics between beckoning sing-alongs and sublime slinky calypso guitar lines. To see this guy execute those smooth rippling riffs and licks with such precision is quite mesmerising. ‘Weekender’, ‘Under The Sun’ and ‘Small Spaces’ create a fun and chilled atmosphere as the band become a wonderful catalyst to an enjoyable night. With flashing lights that dazzle through the heavy instrumental breaks the trio display their proficient and clean performance with a dash of edgy pizzazz glimmering throughout. The band don’t mess about too much on stage they don’t need crazy gimmicks or dramatic poses they perform with a chilled persona that puts the audience at ease. ‘Replica’ is particularly a joy to watch. The band are bathed in gold hued lighting as they present the balmy tropical tune with a glint in their eyes. It’s rare for a band to have such a soothing yet fun effect on the atmosphere of a room; however their smiling faces and the infectious tunes they produced elevated the venue lifting it into a world created entirely by the band. Lou Cotterill was a hit with the fans as some of them giggled in shyness at a glance from him as he wiggled while laying down those deep-rooted bass grooves. ‘Get Up Tight’ and ‘Out Of Her Mind’ have the crowd singing and cheering but its ‘100 Times Over ‘ that causes one of the most energetic reactions of the night. Some of the crowd mimicked the actions to the “get up sit down “ lyrics while ‘Moana’ sparks Hawaiian hula-type dancing. The band announce that they are coming to their final two songs and the crowd moan and complain shouting “one more song”. Ellis tries to explain they will play two more so naturally the crowd demand five more. It’s a haggling ordeal that results in the band playing one extra track for the encore – their fantastic cover of Martin Solveig and Dragonette’s ‘Hello’ .
There is no denying these guys are talented. With depth through their lyrics and sublime sweet harmonies blended throughout Cassia deliver a show of pure refined indie goodness.The audience left the venue beaming and singing lyrics from the songs. It was a joy to witness and for such a young band to have this effect on a crowd is wonderful.
On Tuesday night TiLT began its debut showcase event in The Button Factory Dublin in association with Totally Irish 98FM, Sound Training Productions and The Button Factory. This first edition featured four exciting Irish acts – Bullet Girl, Synk, TOY GIRL and MUNKY.
Alternative five piece TOY GIRL kick started the event. Hannah Worrall’s mesmerising vocals echoed around the venue with powerful sweet tones and rich depths of captivating proportions. She punctures the rooms atmosphere with haunting crisp clarity leaving the crowd stunned in her presence. TOY GIRL’s chilled indie fluidly oozes with an R&B quality as the band, unnerved, command the stage. Their darkly coated tracks create a smoky atmosphere as Worrall’s vocals coo and haunt over the rumbling drums and eerie, piercing guitar. With their tightly layered sound of twinkling keys and rooted bass grooves the band slowly seep their enchanting tunes into the venue- mesmerising the crowd. After a small request from Worrall to move closer the crowd rush to the front of the stage to sway to the bands hypnotic tunes. The hushed atmospherics of their songs flood with rich vitality and deep intricacies that can only be truly adored in the live setting. Utterly majestic and soul fulfilling TOY GIRL were superb.
Post Punk four piece Bullet Girl follow, tearing the venue to shreds with their raucous set and blistering instrumentation. Pulverising drums, crashing guitars and relentless bass hammer and pierce the atmosphere, consuming the audience in the band’s ferocious soundscape and battering punk assault. Aaron Doyle is the ever charismatic frontman as he prances about screaming, wailing and yelping into the mic. The tense sweltering bass and shrilling whines on guitar gash through your skull as Bullet Girl masterfully display their raw savage wall of sound. It’s an acute chaotic set brimming with tracks to set a mosh pit alight and the head banding and bopping from the crowd was a pleasant sight. This band is designed for blood thirsty moshing and utter anarchy. Bullet Girl are a fantastic raw live act. A must see.
Electronic rock band Synk are up next. These guys bring an intense set to The Button Factory but on a different level to the previous act. The audience are swirled up in a psychedelic prism of rock with light indie facets and mellow glimmers to create a wholly submerging experience. These guys could melt your mind, frazzle the remains and solidify it again all in one rich tune. There are lush warm guitar moments wrapped delicately in laid back sweet melodies and dreamy soundscapes as well as crashing harsh rock moments throughout this bands set. The deeply nourishing melodies create a wholesome atmosphere while the lush harmonies and vibrant keys lift the tracks to ethereal heights. The rhythm throughout each song is mesmerising and pounds through your chest as this band weave between genres to create a sound all of their own. Very professional and proficient Synk’s sound is a bottomless pool of magical depth and the passionate powerful vocals are spine chilling. Synk are an outstanding and refined band that take you into a whole new universe with their sound and in a live setting they are enthralling to watch.
The fourth and final band to take to the stage are disco grunge group Munky. A band of vibrant charismatic characters these guys know how to put on a show. They steamroll through their funky infectious tracks with relentless stamina. With Taylor Maslanka and Sinead McConville on backing vocals and Andrea Louise Jones on saxophone the band were set and ready to create their dance-able setting. Stage presence and swagger-dipped persona’s in tow they jump, dance and wiggle around the stage as their tracks fluctuate from crashing grunge rawness to light disco funk with ease. The crowd dance and execute some very snazzy moves to the bands catchy tunes. Munky always put on a fantastic show. Their set is always vibrant and rich while exuding fun and energy. Bassist Niall Donnelly and guitarist Conor Lawlor have guitar poses down to a tee. The sharp guitar lines and intricate melodies are performed with precision while that hip grooving bass and pummeling drums keeps the crowd dancing. It’s not often there is a band as much fun to watch and listen to but these guys have it all. You will never be disappointed at a Munky live set.
TiLT chose four outstanding bands for their first showcase. There was something for everyone and more. Each band performed their set to a polished and professional standard however there was enough edge to keep them refreshing and interesting to watch. They all put on an exhilarating show. Versatile in their on right and greatly entertaining all four acts showcase the immense talent we have in Ireland. The sound on the night provided by the ninja’s at Sound Training Productions was flawless and of course The Button Factory is one sleek venue so it was sure to be one heck of a night and it was. I’m looking forward to who will play TiLT next month.
Author : Danu
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Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
