Tag Archives: Live Show Review

Indie, Live Music, Live Music Review, New Music

The Riptide Movement Live At The Olympia Theatre Dublin With Support From Adam Weafer ,Midnight Wayne and ELLYD

The Riptide Movement headlined The Olympia Dublin last night. Promising us a set brimming with tracks from their rich and exhilarating repertoire the band created a show that was buzzing with adrenaline and vigor without fail.

Dublin’s Adam Weafer kicks off the night with his rich and warm tunes accompanied on keys by the beautiful and strikingly powerful vocals of Amy Penston. Their vocals blend perfectly – sweetly cooing the glorious catchy melodies with passion and gusto. Weafer has an extremely expressive tone and velvety texture to his voice. His tracks charm and coax the crowd to the front as they sway along while the pair banter and laugh between songs. Weafer is an enthralling performer and he brings a lighthearted and charismatic approach to his riveting tracks. Charming on stage they both settle the crowd in nicely. 

Midnight Wayne, the solo project of Wayne Soper the front-man of Dublin rockers The Hot Sprockets follows. His style is perhaps a little different to what you might expect. After time travelling from the 70’s he brings a brown flared trousers suit and some sweet luscious melodies to the stage. His falsetto coo’s through each track with a candied delicacy. With acoustic guitar and loops he creates the perfect, simple yet lush soundscape for his retro rose-tinted tunes. He proves himself quite the proficient musician creating wonderful psychedelic hues and rich sounds with a simple yet effective set up. A must see. 

ELLYD (Elaine Doyle) is the next act to grace the stage. With rich depth in her voice she is mesmerising to hear through the wonderful acoustics of The Olympia. With real heartbreaking emotion conveyed beautifully through her voice there is no denying the power behind every track she performs. The mighty and expressive choruses could break or heal your heart while her more tender tones create a warmth within you. With simple acoustic accompaniment its the outstanding vocals and wonderful melodies that hit you in the chest and confirms Doyle’s firm grip on your ears… potentially forever.

The Riptide Movement take the stage while the crowd cheer and scream. As the harmonica whines the band leap into ‘What About The Tip Jars’. The crowd are set alight. There is not a word, guitar riff or bass rumble that this crowd doesn’t know and the band pack in as much as they can of their exciting five album long back catalog. There are members of this crowd that adore and worship this band. They are on their knees in adoration, head banging to the more animated ‘Reno’ while holding each other and swaying for the slower Americana swing of ‘Skin and Bones’ and jumping, clapping and stomping for all the tracks between. Malachy Tuohy gives shout outs to the many familiar faces they have seen throughout their 13 years as a band.

The lighting was a dazzling display with strip lighting and a disco ball. The band flash lights on the crowd to see them singing along to beloved tracks like ‘Keep On Keepin’ On’. Each song the band plays empowers the audience more, causing mass jumping and singing. Tracks from the new EP ‘Something Special’ are greeted with as much enthusiasm as ‘Changeling’ from the 2016 album ‘Ghosts’ and ‘Getting Through’ from the 2013 album of the same name. The band have oodles of tracks ready for mass sing-along’s – the audience is hooked on their infectious sound. One guy from the crowd on the balcony rushes to the front – dancing and wiggling uncontrollably to ‘Getting Through’ as he shouts the lyrics and points to the band before thumping his chest while others in the balcony and the pit are standing flailing their limbs and dancing. Its manic but good humored fun that only a band as beloved in Dublin as The Riptide Movement could bring.

Guitarist John Dalton appears to go into his own world on stage – his hair streaming over his face while he blazes through shredding guitar lines with finesse and a majestic quality that is to be admired while Gerry McGarry prances about springing from the raised drummers platform where Aaron O’Grady stands in for Gar Byrne. The crowd love and cherish every member of the band as if they are their own kin and that creates such a wonderful and vibrant atmosphere for a live show. The band play ‘Fall A Little More In Love’ taken  from the vinyl version of the new EP ‘Something Special’ and boy is it a spectacular reason to buy the vinyl! That sweet melody is a dairy milk chocolate box on Valentines Day and a lot more. A real treat, the track jangles on warm acoustic guitar and a radiant Americana-hued indie backdrop with a touch of Roy Orbison flickering through the melody.

This audience will not leave without an encore from The Riptide Movement, they shout for the band singing the lyrics to ‘Elephant In The Room’ until they return to play a few more tracks. Tuohy sits by the keyboard under an immaculate spotlight for the Christmas- y  ‘All I Ever Wanted’ and they finish the night with a standing ovation as the crowd sing, jump and dance to ‘All Works Out’ as Gar Byrne triumphantly takes to the drum kit. What a spectacle.

The Riptide Movement have been around for 13 years and their show in The Olympia last night was a blistering first rate experience. They are a fantastic, primed band that are thrillingly raw and vital with their finger on the pulse of musical melody brilliance . 


Author : Danu

Check out some more images from the show below

Indie, Live Music, Live Music Review, New Music

Munky Live At Lost Lane With Support From Toshín and Shaky Shack

It’s no secret that Dublin’s Munky know how to put on a show. Not only do they perform with vigor and energy, they always pull in support acts that equally keep the animated dance vibe going with tasty tunes and wonderful characters on stage. Sunday Night in Lost Lane Dublin was a prime night to see these guys. 

Toshín kick started the night. Front woman Tosin Bankole spirals on stage, twirling in her dress as her welcoming smile and cheery dramatic gestures beckon the crowd closer. The band begin their vibrant, rich, soul-infused, pop-funk with gusto changing the atmosphere to one of fun, friendly and groove-filled bliss. Bankole’s vocals kick in and she slaps you in the face with her vocal control, power and sheer soul. With blends of Motown creating a classic chicness to the compelling sass and RnB peppering this band are mesmerising to watch but also their tunes are utterly luscious on the ears. Each track features sublime bass grooves, slick guitar maneuvers, warm Sax blasts and chiming keys as the band build and progressively blend their tracks into a pure rich musical concoction brimming with attitude. The harmonies are crisp and sweet and the vibrant percussion had the crowd bopping and dancing along. Backing vocalist Shannon Doyle is a ray of sunshine. She dances and blends sublimely with Bankole’s vocals while providing another strong and commanding soulful element to the band. Songs about cheating boyfriends and daddy issues has the crowd eating out of the palm of their hands. Not even a broken guitar string stops this band. They laugh off its rude interruption grab another guitar and play on. These guys have it all – showmanship, charismatic persona and proficient musicians to tie it all together in one joyful melodious bow. Toshín are a must see. 

The blissfully chilled and charming Shaky Shack follow. Their jazz dipped alternative pop creates a narcotic and soothing groove that submerges the venue in luxurious sounds. Although frontman Alex Winter has the flu it is not noticeable until he apologizes for hoarse tones and the odd cough. They cruise through their set with mellowed-out ease. Mateusz Kosnik swooshes through the slinky, funk-dipped guitar lines – his hair covering his face as he submerges himself in their tunes ethereal vibes. With Andrea Louise Jones on sax the band’s sweet and exquisite sound becomes warm and cosy within the psychedelic haze. Drummer Sam Russell taps and chimes carefully providing the perfect sway-able tempo and intricate beat to the sweet cooing melodies. The crowd engage with Winter’s 1,2 mic check halfway through the set. They shout back 1,2 as he laughs and banters with them. Winter displays his cheeky rebellious side when he points out a guard in the crowd while he hushes the crowd for the sing along “sucking on a blunt with the boys” lyric. The crowd jeer and happily play along. It was a brilliant end to their set list that had the crowd laughing, belting out the lyrics and dancing uncontrollably. Shaky Shack displayed slick proficient musicianship on the night. They were a joy to watch. The band are releasing a new track ‘In Honey’  in November and that is going to be one sweet treat. Make sure to check it out.

The crowd shout “we love you” and cheer as Munky triumphantly take to the stage. Bassist Niall Donnelly shouts “hello we’re called Munky and we play lots of songs and this is one of many of them” before the powerful ‘One In Five’ kicks in. The room erupts immediately as the crowd fall under Munky’s spell. Conor Lawlor’s precise guitar work pierces and pines through the mighty backdrop while the tight groove on bass weaves and wiggles with a dark undertone throughout. Straight away the crowd are moshing, jumping and singing back the lyrics. The band has gone all out. They have a dazzling light display and their tunes sound fresh robust and slick. As always Zachary Stephenson’s rasped, powerful vocals are full of conviction. These guys were born showmen and they pour every fibre of their being into their shows adding humor and fun into everything they do while maintaining a precise and polished display. Lawlor adds little flurries of extra finesse in his guitar work as he strides, poses and flicks his hair in a very suave manner while Donnelly provides the panache-soaked poses on the right of the stage. Their fans are dedicated for sure. They dance the night away grabbing each other to wiggle and group together for moshing mania. One member of the crowd willingly allows the flashing lights to blind him. Even after Stephenson warns him “no no don’t blind yourself”  he refuses to move as if the sight of these guys on stage was the perfect last image he ever wanted. Unfazed from his previous stint on drums with Shaky Shack Sam Russell provides the all important rhythmic foundation with ease. Spinning his drumsticks he confidently paves the way for ‘You’ve Got Male’ as the tracks take a more raw, kinetic dimension live. When you think these guys can’t get any better they play new single ‘Megaton’. Lawlor’s guitar squeals between the thick muggy, crashing wall of sound as the eerie lighting gives a breathtaking visual element to the song in a live setting. It’s a well executed set as the band balance their heavy first half with the fun disco second half with the help of Andrea Louise Jones on sax. Munky always have amazing backing vocalists on their live shows and on Sunday that was provided by the incredibly talented Sinead McConville and Lauren Murphy. Crowd favourite ‘Ms Communication’ and ‘Cuck Rock’ spark mass sing-alongs while an emotional rendition of  ‘I Can’t Quit’ is performed by Stephenson. Basked in a dim light he sings the track with tender, sweet emotion before the band join him for the blistering crescendo. The crowd knew every word and guitar riff – some did air guitar while others executed an air drum display. The crowd dance non stop for the entire set as shredding guitar solos, intricate infectious bass lines and brawn-filled drumming adorn the venue with the band’s signature funky sound.

Munky put on a frantic, vibrant show filled with fun, dancing and first rate musicianship on Sunday night. They have refined their set to a blast of energetic delicious tunes. It was a charismatic explosive and oh so funky night as Munky brought a sensational set to Lost Lane.


Author : Danu

Check out more images of the show below

Indie, Live Music, Live Music Review, New Music

Local Natives Live At The Academy Dublin With Support From One True Pairing

It’s been 6 years since Los Angeles’ Local Natives played Dublin so the crowd that packed into The Academy Dublin were thirsty and long overdue a show from the five piece. The pressure was on for the band to deliver and they didn’t disappoint. 

Support came from One True Pairing the alias of former Wild Beasts songwriter, vocalist and multi-instrumentalist Thomas Fleming. Laced in choppy synths with a sticky beat provided by drum machines Fleming lays out his moody passionate tunes as his deep baritone resounds throughout. His stance is simple as his striking jangles on guitar pulsate and jaggedly maneuver throughout. He ventures from wild indie hued electronic with a pinch of country peppering in tracks like ‘I’m not Afraid’  to more beat heavy psychedelic dance – esque tunes like ‘Down At The Factory’ with ease giving the crowd something to dance and mosh to. The shredding guitar solo in ‘Down At The Factory’ is something to be admired and is unforgettable live. He keeps everything simple allowing his tracks talk for themselves. His music is intense and filled with anguish and emotion – intriguing and wholly consuming. An enjoyable start to the night.

Local Natives take to the stage. The crowd cheer as they blast straight into their infectious passionate tunes. These guys are known for their indie rock sound and wonderful harmonies but, on stage they take things to another level. Their tunes become more rich and vibrant as if this is what they were created for – the raw energy of the live scene. The timeless gems from their new album ‘Violet Street’ adorn the set list. The embellishments with vivid beats and blood rushing adrenaline on guitar add to the live experience. Very cool and energetic on stage the band command attention especially Taylor Rice who wiggles and bops continuously. He springs into the crowd for ‘Sun Hands’ jumping among them as they bellow the lyrics “And when I can feel with my sun hands, I promise not to lose her again” while forming a circle around him. The band of multi instrumentalists swap between guitar, bass, keys and vocals regularly keeping the set fresh as they showcase their mesmerising skills and wonderful vocal tones while the crowd cheer for each of them. They don’t waste too much time chatting they try to pack in as much of their tasty luscious tunes as possible. Couples in the crowd sway, embraced in each others arms for ‘You & I’ and twist and mosh through the heavier tunes. The night travels at a fast pace as the time flies with each exhilarating track. It was a smooth and vibrant show with tracks from their back catalog (four album’s long) making a welcome appearance such as ‘Black Balloons’ which Rice explains “ we haven’t played this one in years”.

Rice’s attempt to flatter the crowd with a speech about how much he loves Dublin turns slightly sour as he includes Dublin in “our UK tour” the crowd boo at this statement while, now on guitar Ryan Hahn places his head in his hands. The explanation that he didn’t get to finish his sentence and he was going to say UK and Irish tour didn’t quite sit well with the crowd but a quick save with ‘Megaton Mile‘ won them over. The band play ‘When am I Gonna Lose You’ which calls for celebration as Rice announces his first child is due in one month. The harmonies in this bands tracks are luscious and Kelcey Ayer’s mesmerising vocal range is immaculate as he confidently executes his sweet falsetto on ‘Coins’ and ‘Airplanes’.

Local Natives put on a memorable and fantastic show complete with a stunning and dazzling light display. Their confidence oozed from the stage creating a fun and vibrant atmosphere and their tunes are so groove-filled, crashing, energetic and refined you can’t help but dance along. The band finish their set on a massive high with ‘Who Knows Who Cares’ as the crowd sing the last part for the band. These guys have been around since their debut album ‘Gorilla Manor’ in 2009 yet their sound is so fresh, compelling and enjoyable. I’ll be looking forward to their next show. 


Author : Danu

Indie, Live Music, Live Music Review, New Music

Brand New Friend Live Show With Support From Felonies At Whelan’s Dublin

When your ears are ringing after a show it’s either one of two things –  one, your ears hurt from unbearable noise that you wish to forget as soon as your hearing returns, or two, they are buzzing from one intoxicating, loud and invigorating show of fantastic music. Lucky for me I experienced the latter on Wednesday night. Castlerock’s Brand New Friend were headlining Whelan’s upstairs venue with support from Felonies.

Wicklow band Felonies kicked off the night commanding the stage with their blistering alternative punk rock. It’s a band of singers as Aaron Meagher, Andrew Connaughton, Ryan Mortell and Tom Brady all take a turn on vocals. Hair flailing over their faces they blast into ‘Berlin Blues’, ‘Welcome’ and ‘Small Town Syndrome’. They have an intriguing stage presence. Aaron Meagher ventures close to the edge of the stage laughing and engaging with the crowd while Tom Brady thumps his chest vigorously before the band steam roll into ‘S.A.P’. Shrilling guitars pierce through our skulls as the masterful drumming keeps the crowd bouncing. These guys have the crowd in the palm of their hands. Their fun approach radiates charm and swagger-filled persona as they shred through slick guitar solos and mosh smacked wall of sound. Extremely energetic and intricate Felonies meld raw acute punk and infectious indie rock with some pop sensibilities. They perform with magnetic adrenaline that creates frenzy among the audience. These guys are ones to go see live. Their presence alone is pretty mesmerising but those tunes are sure to frazzle your brain and leave you dazed, exhilarated and craving for more.

Brand New Friend take to the stage with a new addition to the band, Lauren and Taylor Johnson’s younger brother Logan Johnson. Overwhelmed with the attendance the band are in good form and ready to rock. They burst straight into their exuberant youthful wall of sound as the crowd joyously bops and bounces along. Lauren and Taylor Johnson’s vocals blend and contrast superbly as they smile at each other. These guys are having fun on stage and that radiates throughout the room. Their humble yet confident stage presence is charming and quite refreshing. Though their sound is tight, refined and professional Brand New Friend are not pompous or arrogant Taylor sweetly and regularly thanks the crowd for their attendance he shouts “This is F*cking mental… genuinely don’t know what to say…thank you so much for being here this is ridiculous.. We didn’t expect this… this is class “. They hop and jump about the stage encouraging the crowd to go wild. Luke Harris’ drumming rumbles through the venue. The floor creaks from people jumping and moshing as Harris’ flexible roll and rumbles pound through their bodies. The band dedicate songs to members of the audience such as ‘Settle Down’ “ this ones for Eoghan ”. The sweet keys jingle and glisten between their vibrant wall of sound creating refreshing little melodies to blissfully lilt along to. Their tunes hold an air of nostalgia with emo hues and punk foundations against an indie rock backdrop. From mass sing-alongs, a lot of excited swearing (from Taylor ) and people from the crowd shouting “we love you!” to a cheeky Blondie intro to the ‘Maria’- esque start of track ‘Girl’ these guys don’t take themselves too seriously and it makes their live shows more enjoyable. Aaron Milligan wrestles those playful guitar lines with a cheeky grin while newest member Logan Johnson fits in perfectly singing every line enthusiastically as he creates that all important bass groove with confidence and prowess. They are a tidy band brimming with fun and exhilarating tunes.The happiness is infectious and the kinetic and elated atmosphere impossible to fight off. Everyone was dancing, moshing and enjoying themselves helping each other so no one hurt themselves throughout the mania. It’s the promotion of fun, the innocence and sheer charm of this band that is utterly compelling and their skill and talent is the icing on the cake. 

Felonies and Brand New Friend are two spirited bands with powerful commanding tunes and both bands are enthralling to watch live. I highly recommend going to their live shows. You won’t regret it.


Author : Danu

Indie, indie rock, Live Music, Live Music Review, New Music

Mini Mansions Live At Whelan’s Dublin With Support From Sons Of Raphael

“Loud generous and mysterious” is what LA’s Mini Mansions promised for their show last night in Whelan’s Dublin and the trio plus guest drummer Jon Theodore (Queens Of The Stone Age) didn’t disappoint. Blushed cheeks and giggles came from the queue of fans waiting to enter the venue as they talked about Theodore’s appearance (he has that effect on people), their favourite Mini Mansion’s song, many fans saying it was ” impossible to choose just one song as they are all just brilliant” and who was the coolest member of the band. The Mini Mansion’s trio have made a big impact on the indie scene. Their charm causing many (both male and female fans alike ) to gush “I love them” as they stand in anticipation for the show to start. There is a change in the air… Mini Mansions have returned to Dublin more confident and proficient than ever, ready to take the venue by storm.

But first, London duo Sons Of Raphael swagger on stage to warm up the crowd. Ambitious, relentless and fierce these guys exude energy as they prance about, spring-boarding from one song to the next with little breath between. Their energy and charisma pours onto the stage as they douse their shrilling guitar refrains and melodies in distortion and reverb. They fill out their sound with a backing track played on a reel-to-reel tape player behind them creating the most unique and thrilling listening experience. The two brothers, comprised of Loral and Ronnel Raphael bash into and ricochet off each other as they bounce about the stage. At first the crowd are bewildered by what their eyes behold until the band showcase their raw psychedelic tunes with incredible enthusiasm and chaotic control. ‘Rio’ kicks the mania off, the razor sharp guitar lacerating through the thick air with refined precision while the quirky sharp vocals yelp and coo through the retro melodies. The tracks travel full throttle as the crowd bop and mosh between entranced sways for tracks like ‘A Nation Of Bloodsuckers’. There is something quite mesmerising about this young band and with their drive, blistering tunes and eccentric stage presence they are ones to keep an eye on.

The crowd stand in dimmed lighting awaiting their exalted trio to arrive while still recuperating from the trance-like daze they were under just moments before, courtesy of Sons Of Raphael. Suddenly they hear the blazing intro and psychedelic whirl of ‘This Bullet’ before the sweet tone of Tyler Parkford’s voice sparks whoops and cheers from the crowd. The band tease the audience allowing them to only hear them before calmly walking on stage to play it out in true, fierce Mini Mansions manner. With Theodore behind the drum kit the band is unstoppable. The tracks take a new lease of life, blossoming under the strong drum foundation allowing the immaculate guitar flurries, athletic key progression and elastic bass to flourish beautifully on stage. Michael Shuman no longer shackled behind a cocktail drum kit spins, kicks and prances about the stage showcasing his compelling front man persona in all its glory. He interacts with the crowd venturing to the edge of the stage as they gaze upon him enthralled. ‘Death Is A Girl’, ‘Creeps’ and  ‘Midnight In Tokyo’ all have the crowd eating deliriously out of the palm of the bands hands as the trio exude and seep swagger into the venue. Zach Dawes is exceptionally light on his feet, as he flutters and almost pirouettes about the stage with refined elegance and grandeur while executing some pretty snazzy guitar poses. The trio treat us to a cheeky listen to a new track ‘I’m In Love’ as a member of the crowd shouts “thank you”. This thumping dynamic track bounces upon a nectarous melody and has the crowd excited for what’s to come on their upcoming album ‘Guy Walks Into A Bar’ on July 26th.Their sound translates superbly live and the band appear comfortable and suave – executing their rich sound as chiming keys twinkle between sharp guitar shards and fuzzed bass flirtations seamlessly. They keep their fans hyper with tracks like ‘Monk’. To the crowd’s shock Parkford takes on Alison Mosshart’s part for the steamy single ‘Hey Lover’. His sweet falsetto blending perfectly as always with Shuman’s smoky deep whispers. Beloved ‘Any Emotions’ and ‘Vertigo’ go down a treat with the crowd as they bellow back the lyrics singing the riffs and keyboard melodies .

Many tasty guitar embellishments, delicious melodies and sugar soaked bass lines later – which has fans crowd surfing and a rogue fan standing on the stage (for some reason he just looks back at the crowd and does nothing else) the band come to their final track ‘Bad Things (That Make You Feel Good)’. This fizzing shimmy-ready infectious gem is exhilarating live. The gritty guitar riff slices boldly through the track while the driving beat, fuzzed bass and dynamic keys create the perfect backdrop to lose your mind to and lets not forget the clap along feature – who wouldn’t love that.

The crowd plead for one more song chanting “Olé, Olé, Olé” until the band return for their triumphant encore of ‘Freakout ‘, ‘Honey I’m Home‘ and ‘Mirror Mountain‘ which sees the trio and audience go absolutely nuts. Shuman and Dawes flaunt about the stage kicking and spiraling. Dawes even bends his back in some sort of an impressive contortion as Shuman ventures into the moshing crowd while onstage Parkford goes all crazy ”Phantom Of The Opera” on us. They always deliver a brain fermenting finale to their shows and last night didn’t disappoint.

Mini Mansion’s are the crème de la crème, there is no band like them and their talent, sheer skill and magnetic aura is astonishing. However, there was something different about the band last night, a glint in their eyes and a different confidence and suaveness than before that I can only hope means these melody-connoisseurs have big things to come. Perhaps the release of the new album ‘Guy Walks Into A Bar’ will reveal more.

Mini Mansions
Mini Mansions
Mini Mansions
Mini Mansions
Mini Mansions
Sons Of Raphael


Indie, Live Music, Live Music Review, New Music

Black Honey Live At The Grand Social Dublin With Support From Chappaqua Wrestling

It was a Brighton take over Thursday night in The Grand Social Dublin. With sparkles at the ready, swagger in tow and Guinness ready to guzzle. Indie rock, rising deity, Black Honey took the venue by storm equipped with everything to make the night memorable.

One of those was fellow Brighton gems Chappaqua Wrestling who flooded the venue with the sweetest, most delicious tunes as their musical prowess pleasantly wafted delicately about our ears. Each tune brought their sound to a new delightful level. Both Jake Mac and Charlie Woods take turns on vocals as they coo and softly lull through tracks like ‘False/Blue’ and ‘Wait To Form My Head’ while ‘Football’ blows our minds with blistering instrumentation. Their tracks are laid back, sun soaked and infectiously groovy. The duo are accompanied  by Jude Lilley and Josh Cassidy-Stone who maintained the joyous buoyant foundation and rhythmic bliss superbly. Their breezy tracks melt exquisitely into the ears with ease as the honey drizzled melodies float upon their edgy indie backdrop. Each track was tight and utterly mesmerising with a 50’s melodic hue floating about them. You can’t fault their slinky solos and thrilling riffs as they flesh out the bands intricately weaved sound beautifully.This duo’s easy going charm is infectious as they banter with the crowd  “ I tried my first Guinness today …. I love it so much” as well as jokingly haggling on the price of their EP as members of the crowd try to create a bit of currency exchange confusion. The band are talented and down to earth with some really infectious tracks . They even hug each other after their set, it was pretty moving. Chappaqua Wrestling are definitely ones to see live.

Black Honey take to the stage triumphantly as the crowd’s cheers resound through the venue. The ever so spellbinding frontwoman Izzy B Phillips parades in a sparkly pink dress and flashy sunglasses which she presents to a thrilled fan at the front with a wink and greeting smile before belting straight into ‘ I Only Hurt The Ones I Love‘. Flamboyant and sassy she struts about the stage executing every pose, stride and wiggle with a precision that leaves the crowd in awe. She has a mesmerising effect on the audience as they gaze upon her in all her glittering glory. The band is brimming with charisma, guitarist Chris Ostler prances about as he performs those sublime, ornate and golden soaked spaghetti western melodies and refined solos with finesse and grandeur. His smiling face a joy to see as he bops and hops along to their lavish tunes. The band give us a sneaky listen to the cinematic James Bond – esque new “not on the internet yet” single ‘ I Don’t Ever Wanna Love’.

“Girls come close, come in, lads step aside, girls at the back come up…. Cos this song is for you ” Izzy calls as she moves closer to the crowd hugging her stunned fans while they sing the chorus for the beloved ‘Corrine’. This is something she regularly does throughout the set, she stays with the crowd embraces and dances with them before returning to the stage to wiggle and shimmy to the bands infectious tasty tunes. The tracks take a new dimension live, the disco funk speckled delight ‘Midnight’ becomes more gritty and raw within the live setting while a slower start to the exhilarating ‘Spinning Wheel’ teases the fiery frenzy to come. Drummer Tom Dewhurst lays down that all important meaty foundation and punchy beat that keeps tracks like  ‘All My Pride’ pounding through your soul as he grins to the coolly composed Bassist Tommy Taylor who’s slinky bass lines make tracks like ‘Teenager’ and ‘Midnight’ swelter their way to epic status.

A beautiful rendition of ‘Baby’ allows Izzy to showcase her flawless vocals while ‘Bad Friends’ and ‘Into The Nightmare’ wallop through with attitude and fiery instrumentation. Their setlist powers through at an unstoppable speed, it almost feels like no time has passed when the band announce their final track of the night ‘Somebody Better ‘ as the crowd cheer and dance along.

Black Honey put on one heck of a performance. One of the best live shows of the year so far.


Live Music, Live Music Review, New Music, Punk Rock

Vulpynes With Support From I AM A Car Crash & The Lord Reverend Mongo Joans and the Coat Hanger Solution In The Academy Dublin

A night of blistering cutthroat alternative punk rock pounded through our ears on Saturday night as Dublin’s Vulpynes headlined The Academy 2 with support from I AM A Car Crash and The Lord Reverend Mongo Joans and the Coat Hanger Solution.

Punk band The Lord Reverend Mongo Joans and the Coat Hanger Solution kick started the night. A comical bunch on stage these guys whack straight into their riotous tunes with crashing guitars, pummeling drums and feisty growlish vocals. Each track travels at neck breaking spreed as they blend their feisty punk with fiery mosh pit ready rock. One particular crowd member was really enthusiastic. He took selfies with the band while they played on stage. Their set was brimming with numerous shredding guitar blasts and rooted bass grooves which set the crowd alight as they bopped along to the “fu*ck you” lyrics of ‘Best Worst Thing’. Their tunes have a bop factor that can coax your hips to wiggle while their gritty ferocious exterior packs some serious punch. A fully entertaining band to watch live.

I AM A Car Crash follow the punk vibe. Taking a darker twist on the genre their distorted guitars, gripping wall of sound and mesmerising drumming has the crowd utterly entranced. The majestic guitar work is impressive and builds their sound perfectly with a sophisticated flurry of finesse over the rambunctious drumming gliding through the air and slapping into our ears with blissful intensity. These guys know how to make an impression. Attitude soaked vocals smoothly drift through the melody while the lyrics are spat out at a brisk expressive pace. The banter is minimal so the band can pack in as many tunes as possible. ‘Eric’ in particular is a blinder. Shrilling guitars pierce and soar elegantly over the fantastic drum rumble as the track builds to its explosive crescendo. Final track ‘Carnival Ride’ a track dedicated to  “any would be rapists …. We are coming for you mother f**kers” is absolutely captivating and gripping. The gentle vocal melody seeps and bleeds with tender emotion. It’s a striking and heartbreaking track superbly crafted to extract, display and expose the raw harsh emotion and turmoil within, while icy guitars flicker between the brewing and bubbling drums creating a striking backdrop for the affectionate vocals. The track builds to a shredding dazzling crescendo filled with distortion and expressive guitar whines. It’s a mind blowing end to their exquisite set.

The fiery duo Vulpynes take to the stage to the ominous whistle of the x files theme song. Not ones for banter they belt straight into their vicious battering tunes with relentless stamina and swagger. Vocalist and guitarist Maeve Molly’s stance is cool, composed and fierce as she executes the shredding riffs and gritty licks with effortless panache. She has really grown into her frontwoman role.Though she doesn’t move or prance about the stage often her simple stance commands awe as she bellows out the lyrics. Kaz’s powerful drumming pounds deep through your very soul, ‘2 Cents’ and ‘Silica’ resounds through the Academy. The crowd stand and watch the duo blast through their bloodthirsty tunes as if hypnotised. I was expecting total anarchy and moshing however each member of the crowd stood rooted to their spot soaking up the savage tunes as if in a trance. Maeve Molly calls the crowd to move about “start rocking out now… stop f*cking standing there … that’s an order” snapping them out of their blissful daze. They begin to mosh and dance creating a sea of bopping movement and mania at the front. Vulpynes have created a delicious recipe for a thrilling live show with their catchy tunes, driving adrenaline, whirling scuzzy riffs and alternative punk anthems – this duo are a lean mean force to be reckoned with.

Vulpynes closed their set with the explosive ‘OCD’. However, the crowd demanded more and the  duo obliged returning to mass cheers for a vigorous encore. Vulpynes have proven they can create frenzied barbarous tunes that stick in your head for days and Saturday night proved they can deliver one hell of a live show to accompany these savage tunes.


Live Music, Live Music Review, New Music

Munky ‘Un, Deux, Trois, Cat’ EP launch in the Grand Social Dublin With Support From The Family Dog and Skinner

Munky pulled out all the stops for their debut EP, ‘Un, Deux, Trois, Cat’ launch in the Grand Social Dublin on Friday Night. Setting the crowd up for a night of dancing, hugs and funky tunes the quartet had their swaggering shirts on and their slick tunes ready.

Luscious French tunes played through speakers welcoming the crowd into the venue setting a sweet calming ambiance before the frenzied mayhem began.

Skinner take to the stage to kick things off. Skinner is the solo recording project of Aaron Corcoran playing live as a band with members Jack Tobin (drums) and Daniel Butler (bass). Their punk/ grunge tunes resonate through the room… seeping into our ears with biting sweet shrills of youthful adrenaline. The band didn’t waste their time ranting and raving on stage. They walloped straight into their rambunctious tracks. Sweet toned guitar melodies weave tasty threads of glistening delight between the punchy drum assaults and groove infested bass lines as Skinner whack out a professional and thrilling set of tracks. Corcoran spits out his lyrics with attitude and panache between the slick guitar refrains and solos. There is impressive skill with this trio – with catchy tracks and blistering instrumentation Skinner is one to keep an eye on.

Next up were The Family Dog. A band of five brothers, these guys know how to put on a show. Their frontman role is taken by the ever eccentric youngest of the pack Hector Dogliani who is at the tender age of 12/13. He struts about the stage with ‘James Brown – esque’ scorched swagger. Although he is quite mesmerising to watch he also sings the sweetest harmonies and vocal leads while stomping and strutting about. However Hector is not the only charismatic member of the band, each brother exude their own charm while showcasing their sleek instrumental prowess.They even manage to get the crowd to roar as they shout “let me hear a Dublin roar”. But all the pizzazz aside, these guys can play some soulful groovy tunes.The Dogliani brothers lay down a scorching set of raw blues-hued fluid tunes that get the crowd riled up and eager to dance. Each track follows its predecessor with grace while displaying slick instrumentation and infectious melodies.The Family Dog’s sound is tight. The vaporous guitar lines entwine the elastic bass grooves and meaty drum foundation with finesse and grandeur while the jazzy keys provide a playful bounce and classy element to the tracks. I highly recommend you see them live.

Finally Dublin’s Munky take to the stage as members of the crowd chant “Munky!, Munky!, Munky!”. The bands funky, grungy disco with some psychedelic rock translates superbly live. Munky are a prime example of a band who put their all into their live shows and the result is magnificent. Mesmerising characters onstage, guitarist Conor Lawlor and vocalist Zachary Stephenson playfully interact with the crowd as Lawlor implements every guitar pose known to man to heroic cheers while Stephenson prances about the stage.The band open with searing guitars, a thrilling drum roll and passionate vocals. They ferment the atmosphere with little banter to start allowing the crowd to lap up their gritty tunes. Not letting a few sound issues ruin their moment – they tighten their grip on the audience with the blitzing ‘Zordon’ and the high-speed hammering of ‘Cuck Rock’ which provokes cheers from the crowd. Niall Donnelly appears to wander in and out of consciousness as his bass groove consumes his attention. He wiggles to each track, happily laying down that all important elastic bass that loosens the crowds hips and entrances their minds into the depths of each tune. ‘You’ve Got Male’ sparks a mass sing-along but not as much as the notorious  ‘Ms. Communication’. Donnelly and Sam Russell lay down one hell of a rhythmic backbone. Russell smashes the drums like a man possessed and together their groove consumed wall of sound is fully immersive and utterly mind-blowing.

Lights dim as the band leave the stage. Only Stephenson and Munky’s glorious backing singers Edwina Van Kyuk and Sinead McConville remain for a stripped back rendition of  ‘Just Can’t Quit’.Bathed in a soft spotlight hue,Stephenson pines out the track in this new refreshing manner before the rest of the band return to blast out the passionate crescendo. ‘One In Five’ brings us to the intense and emotional finale of the bands set as they perform an immaculate version of this gripping track. However, the crowd refused to allow the quartet to leave it there. They demanded “one more tune!” and Munky did not disappoint. Lawlor takes the vocals on a jubilant cover of Bill Withers ‘Lovely Day’ while Stephenson encourages the crowd to part – readying for a circle pit ( with a difference! ) ….he beckons the crowd to part and on his say so, run into each other and hug….and of course they did. It was a special moment,even  onlookers hugged the person nearest them. ‘Hunter Gatherer Blues’ brings the bands triumphant set to an end as Stephenson shouts “let me see y’all square dance”.

Munky squeezed mayhem and elation into one set of fiery enjoyable tunes while maintaining and balancing their professionalism and fun attitude. It was a fantastic start to the weekend. All the acts were thoroughly entertaining and are definitely worth checking out live.


Live Music, Live Music Review, New Music

Barefoot Magicians’ ‘I’m Hooked’ and ‘ It’s all take’ singles launch in SIN É Dublin

“I’ve just got out of hospital after having an operation, had a bad accident on Saturday so  I’m pretty high on morphine…. so it’s all good times” Dave Greene announces before thanking the crowd for their attendance at Barefoot Magicians’ ‘I’m Hooked’ and ‘ It’s All Take’ singles launch in Sin E, Dublin on Friday night. But he needn’t have apologized. Except for a vocal break in ‘The Awakening’ the band sounded on point with lush grooves, tasty guitar lines and blues tones filling the room with the most delectable dance-able aroma. What Greene may have lacked in physical energetic display ( understandably ) they made up for with their proficient delivery of their groovy tunes.

The crowd pack to the floor to wiggle to ‘Shakey Ground’ “we’re here till after midnight so come and go as you please” Greene assures. There is definitely that vibe about their set- as if we are here not exactly to see them. They are the perks, those melting melodies, shrilling thrills of guitar and jazz infused piano jingles are the delightful soundtrack to a night of friendly chatter,  drinking and spontaneous dancing as the crowd wander in and out as they please. A set filled with mostly original music goes down well with the crowd and the sweet twang of harmonica sounds are enchanting within the live setting. The band regularly blast into heart-pounding blues instrumentals that linger with slick guitar solos, dramatic drum pops and animated keys playfully meandering through the elastic bass grooves while the harmonica whacks out riff worthy refrains. This is where the band showcases their prowess.

A sweet cover of Cage The Elephant’s  ‘Ain’t No Rest For The Wicked’ sparked the audience to get up and dance as Barefoot Magicians cruise through a swagger drenched rendition of the steamy track loosening up the crowds hips. This cleverly placed track and a cover of Fatboy Slim’s ‘Praise You’ (which was dedicated to the women for International Women’s Day) are the final ice breakers that pulled the crowd to the dance floor. New single ‘I’m Hooked’ translates superbly live. The band themselves become more playful and energetic for their shiny new single and that vaporous break in the track causes the perfect shift for those getting close on the dance floor. Greene wiggles back and forth to each track. He is the bands metronome ticking left to right- keeping their groove filled time in check as Graham Stewart on Guitar, Brian Steemers on drums & percussion, Fergal Mulligan on bass and Hugh Caren on keys remain immersed in their performance. Another play of ‘I’m Hooked’ provokes twerking, thrusting, bopping and feet shuffling as audience members swarm from all corners of the venue to join the mass dancing. Those hiding in the corners, among the shadows and hovering around the bar are coaxed to the dance floor as the band play the sought after one more tune….  a shredding cover of Chuck Berry’s Johnny B. Goode.

It was an energetic, professional show from Barefoot Magicians. They are growing nicely and have ace tunes that hook you into their infectious sound. The only downside was ‘Cruel Mistress’ didn’t make the set list … i’m gutted.



Alt Rock, Indie, indie rock, Live Music, Live Music Review, New Music

Gorilla Troubadour ‘Tom Cruise Does all his own stunts’ single launch in Whelan’s Dublin

Funk flavoured sounds, hefty rich rhythms and lush guitar refrains fill the room for Gorilla Troubadour’s ‘Tom Cruise Does All His Own Stunts’ single launch in Whelan’s Dublin. I entered the venue as their second song ‘Hey Hey’ wafted around my ears. Its charming strut quality and swagger drenched bass groove walked me through the bopping crowd. The tasty guitar lines, tight presentation and punchy drums were a delightful welcome. These guys have a fun approach to their live show as banter with the crowd is plentiful. The band played through their set creating a soothing sense of mellowed out hysteria through the crowd. They build their tracks perfectly providing something for every music lover from swoony melodies, intricate guitar lines and lush wails to a sublime hip moving rhythmic section.These guys are tight. They smother their songs in a wispy smoke of darkness – ‘Ophelia’ in particular is one hair raising gem. For such a young band their sound is sophisticated and mature. There are no holes, no lapses, just solid rich tunes ready to mosh, wiggle and sway to. To get a band this tight with a sound this compelling is a special find but then for them to be great live as well- that’s pretty fantastic.

A few well known covers pepper the bands set list – a bass slicked rendition of Royal Blood’s ‘Figure It Out’ goes down particularly well with the crowd while a refreshing cover of Joy Division’s ‘Love Will Tear Us Apart‘ (which sees frontman Dylan Kearns take to the keys) also graces the set list. The band are all impressive performers, Dylan Kearns plays the frontman role well. His smiley persona comes across bubbly yet relaxed as he tackles the crowds song requests for ‘Esmeralda’.Eamon Ganley lead Guitarist has some shredding solo’s and boy does he execute them well, (perhaps playing up to the crowds enthusiasm) he strikes and wiggles with precision and panache while bassist James O’ Connor is immersed in his grooves as he majestically and nimbly swoops and glides through the bass lines. With a slightly deflated “confetti cannon” pop (more like a glorified party popper) the band introduce the most mesmerising artist to sing with them, Cat Doran. Her soulful vocals are hair raising, chilling and utterly enthralling as she ever so coolly blends with Kearns sweet falsetto.There is a mystical,enchanting yet haunting quality to her voice that lures and entices you into every note. Kearns’ vocals are pretty outstanding for ‘We Drove For Miles’ which was my favourite track of the night. This smoky gem features a sultry guitar solo, a spellbinding melody and oodles of passion.

‘Tom Cruise Does All His Own Stunts’ translates magnificently live. Drummer Eric Walsh puts on a gorilla mask and the track whacks into fruition. This track coils and uncoils itself ever so confidently live- it feels like it could be the work of a band with twice the experience.Walsh is quite the proficient drummer. He lays down their meaty foundation and executes it with a fluidity that is first rate, showcasing he can maneuver a pounding assault or a sweltering lighter tap-tap-tap with finesse and gusto. ‘The Apple Truck’ is the final track of the night and Kearns introduces this before he takes a memorable and lasting picture on his disposable camera – “your looking well” he glints at the crowd before they cruise into the sizzling track which once again shows the bands striking musical talent.

Gorilla Troubadour are definitely a band to keep an eye on. They have their heads screwed on. They know what they are doing, what works, what sounds good and then they turn that up a notch and make it theirs. The cool swagger with which they dispatch their meat-cleaver riffs, slick musicianship and catchy choruses is what makes these guys pretty special.