A native of Castleblayney Co Monaghan Ireland, Jim McHugh’s music is rooted in the worlds of Atmospheric Folk and Melodic Indie. The roots of this original music stretch back to Jim’s time performing and writing for many years with his band The Mandalas, previously known as Unaware.
Jim McHugh’s buoyant and foot tapping tunes are filled with warmth and heartfelt passion and his blend of rock, indie and traditional styles is sure to make for a vibrant live stream.
Check out Jim McHugh’s recent single ‘Should Have Lied’ below
Having spent the last five years touring the world’s most iconic stages from the Sydney Opera House to Radio City New York, Dublin based musician Brian McGrane takes to the zoom platform to perform this week’s Virtual, an online event organised by Fluttertone and DootDoot Records.
McGrane’s set was brimming with heartfelt emotive tunes and light hearted banter. His warm vocals incorporate ample nuance and expression into his performance. However it’s the quirky moments between the emotive tunes that make his show so charming for example he laughs about forgetting the lyrics to his newly written ‘Just Like You’. He gives thoughtful anecdotes and introductions to his tracks as well as reads out the commentsfrom the audience, explaining “sure it’s the same as people heckling me onstage”.
From the soothing tenderness of ‘Miracle’ to the ethereal ‘Take Your Time’ McGranedemonstrates his ability to write sweet pop songs with catchy melodies which drift into the listeners ears with ease. He plays guitar and keys for this performance as the viewers sway and bop to his beautifully crafted tracks clapping and waving between them to show their support and flooding the comment section with compliments.
The audience last night was treated to songs which are freshly written. ‘Inside Out’ (co written with Roseanna Brown and Hannah Avison) is a beautiful example of the magic created within McGrane’s collaborative writing sessions. This romantic gem wonderfully builds into a cinematic delight as McGrane’s soulful vocals do a fine job of creating a welcoming, warm atmosphere. Not even his dad walking past and knocking at his window affects his performance of this track. The Coldplay -esque ‘Bubbles’ brings the show to a powerful end – a beautifully uplifting track which is just as intimate as it is anthemic. I for one enjoyed his set so much it felt as if time flew by.
A Q&A follows the performance with fans asking McGrane about his favourite piece of gear, advice for a songwriter going into a session for the first time and what one album he would bring if he was stranded on an island. McGrane answers every question honestly and in great detail.
McGrane put on a professional and entertaining show. His performance was clean, passionate and earnest and his tunes hold their own charm and grace. It’s difficult to see how anyone wouldn’t be blown away by his ambition and talent.
Brian McGrane is set to headline Whelan’s on Friday, November 6th he hopes he can do this in some shape or form so keep an eye out for more details. Until then stream his new single ‘Out Of Control’ below
Fluttertone and dootdoot Records have come together to create an online live music venue, called Virtual using the Zoom platform to host a series of intimate evenings of exclusively live and interactive performances and this week’s Virtual saw Tony Villiers take to the platform for an exclusive performance.
Together with his band ‘The Villains’, Tony Villiers has released three studio albums, receiving ‘Honourable Mentions’ in The International Song Writing Competition, judged by Tom Waits, Robert Smith, Jerry Lee Lewis and Black Francis amongst others as well as a ‘Daily Discovery’ feature by American Songwriter Magazine. On the road with ‘The Villains’ he has played many festivals in Ireland including Kilkenny Roots, Electric Picnic and Stendhal as well as radio plays by Ricky Ross on BBC Radio Scotland, Fiachna Ó Braonáin on RTE Radio and BBC Radio Ulster with Ralph McLean. With an artist like Villier this week’s Virtual was sure to be one heck of a show.
Villiers’ soothing vocals delight the swaying viewers as his warm croons drift through enigmatic tracks like ‘Mexico’. He dedicates songs to friends as he banters about The “Old” American Bar in Belfast, reminiscing on a time someone bravely danced barefoot there as well as discussing the memories he has of jamming with his band.
Accompanied by his trusty old Spanish guitar ( which was made in 1983 and Villiers claims is “temperamental, doesn’t like the Irish weather” ) teamed with his busted harmonica the show is relaxed and effortlessly fun. Villiers is a passionate and professional performer. His buoyant blues-hued folk songs will charm your foot to tap along or entice you to get up and sway around the room. He bewitches with his smooth melodies, witty lyrics and majestic musical display. Once Villiers begins to play, a cloak of good times nostalgia hides and covers everything hectic that could have happened that day and leaves you in a state of elated jubilation.
With blues elements coupled with indie folk undertones and country twangs along with glorious blasts on harmonica he provides a wonderful and relaxed atmosphere. There is something enthralling about his performance style; maybe it’s the uplifting cruising tunes or the laid back soundscapes of his acoustic set up but Villiers set was a special moment for sure.
He occasionally sips red wine as he greets and gives shout-outs to the viewers while playing recently written tracks such as ‘The End of The World Blues’ and old favourites ‘Rock Salt’ as well as a smashing rendition of Bob Dylans ‘Dream’.
Villiers has a knack for presenting relatable themes through his charming songwriting however it’s his likable character and effortless persona which ignites his tracks and makes them so enjoyable. The new music he is jamming and working on at the moment is an exciting glimpse of what is next from Tony Villiers.
An intimate Q&A follows the performance with Villiers talking about his biggest obstacles, his new album and how he got through lockdown as well as some wonderful anecdotes about his life. This is an invaluable aspect of Virtual, for fans to get to talk to the artist and have a personal chat in a relaxed environment. Virtual is proving to be an excellent opportunity for both fans and artists alike.
Since his debut EP ‘Sunset’ Irish alternative rap/pop artist, Darce has offered a fresh perspective to the Irish music scene by showcasing his rural upbringing and it’s characters in the form pop/Hip-Hop shattering stereotypes and expectations in the process. Darce has played a number of shows from Hipster Cafés in Los Angeles and London (Kulak’s Shed, Café 1001) to Music Showcases to Ireland’s top venues numerous times (Whelans, Cyprus Avenue, Lost Lane) to support slots for some of the biggest acts (Sean Kingston, Example, Le Boom).
Darce is an artist to keep an eye on. His ambition and creative flair creates infectious dynamic tunes with lyrical depth. With his effortless charm and swagger as well as sublime guest vocalists there is never a dull moment within his songs. This live stream is going to be a real treat for sure.
Fluttertone and Dublin Concerts have come together to present LIVE. A special interactive intimate show on the zoom platform. Dublin singer-songwriter and busker Saibh Skelly headlined last night’s show. Blending sensitive acoustic vibes and irresistible melodies with sweet passionate songwriting along with a healthy sprinkling of covers, it was a tight and enjoyable set. She performs pristine covers of Ed Sheeran’s ‘Best Part of Me’, ‘Tenerife Sea’ and a hair-raising rendition of Miley Cyrus’ ‘The Climb’, however, it’s the mesmerising effect of Skelly’s warm emotive vocals and calm persona which catches the audiences attention.
Last night we witnessed a budding artist’s growth as Skelly performed her original songs and even some she has not fully finished or named yet. Her own songs are of course the highlight of the show. Skelly displays maturity and tenderness with ease through her charming lyrics and wispy ballads, ‘Be Mine’ a new “mom approved” song and ‘What If’ all flow with grace and subtle pop sensibilities.
At such a young age she is quite the impressive artist. Displaying such confidence, charm and knack with ear worm melodies, it’s easy to imagine Skelly’s songs bellowed back by a swaying arena crowd as she holds the same melodic prowess and emotion as one of her influences, Ed Sheeran. Her tunes are a hit among the viewers, they comment with praise and adoration for her and her songs. Some said they could listen to her all night and that “someday when she is playing stadiums we will be able to say we were fans when she was performing on zoom” and “ we were fans even when she had a pink guitar”.
Skelly has established herself as a intelligent storyteller. ‘Do You Love Me’ in particular broods with a wistful melody while the raw emotion in Skelly’s vocals hits the listener to their core. There is innocence and maturity within this simple acoustic performance as Skelly holds herself without fuss or fanfare, allowing her songs and voice to speak for her. Skelly planned to close her set with ’Mistakes We Make’ however the viewers had other plans, they surge the comment section with requests for “one more tune!” so she sweetly obliges with another not yet finished, un-named and heartbreaking original track. This un-named and not yet finished gem is a wonderful example of Skelly evolving her craft and songwriting into something very special. Last night Saibh Skelly proved she is an artist to keep an eye on.
An exclusive Q&A followed the performance where viewers could purchase VIP tickets to enter another zoom session after the show to ask questions and have a chat with Saibh Skelly. She answers the questions with ease, from when did she start playing music to how she subtly encrypts her songs so it’s not obvious who they are written about. She explains how helpful and valuable her parents are to her as well as how often she practices for busking. It is through this special Q&A we get a glimpse of her bubbly character and persona. In my opinion this part of the show is a great way to get to know the artist performing on the platform. Topics such as overcoming writer’s block, dealing with nerves as well as the honest details about getting songs on Spotify all come up on the Q&A making it an invaluable platform and community for both fans and artists alike.
To get an idea of how talented Saibh Skelly is check out her track ‘Do You Love Her’ below
Up and coming unsigned Irish singer-songwriter Jack Joyce has released his new single ‘56 Roadster’. Jack first embarked on his music career at the age of sixteen when he began performing and booking gigs in local pubs and clubs. Jack released his debut demo EP, Get Down, in October 2018 and spent the summer of 2019 busking through Europe. Following his return he sold out The Vintage Room in the Workman’s Club and the Whale Theatre. He followed this by opening for Cassia in Whelan’s and playing a slot at the New Year’s Festival in Dublin. ‘56 Roadster’ is taken from his upcoming EP ‘Big Sexy EP which is set for release early September.
Joyce has a knack for writing catchy melodies and witty tunes. His vocals ooze warmth and a charming persona while his mature songwriting makes him an artist to keep an eye on. He is one not to be missed.
Jack Joyce has just released his new single ‘56 Roadster’ check it out below
Belfast alternative pop singer/songwriter Rebekah Fitch was the star of last night’s Virtual show organised by Fluttertone and dootdoot Records. With her merch strategically placed on the wall behind her and basked in golden-hued lighting the multi-instrumentalist takes her place ready to perform. The first bars of ‘Another Show’ which opens her set, displays her soulful R&B voice which is a shock to the system – pitch-perfect and masterfully balanced between angel-like sweetness and powerfully demanding. She weaves a few lines from Gnarls Barkley’s ‘Crazy’ into the crescendo before bringing the track to a hair-raising finale. It is a fantastic opening song, and the rest of Fitch’s set only gets better and better.
Utilizing loops, drum machine and keys Fitch provides a knockout set with a full uncompromising sound. Virtual once again pulls in another outstanding tech genius to perform and boy does it make a difference. There is something special about an acoustic set but it’s these engaging live performances filled with a full bodied sound that ignite the platform.
Fitch makes music composition look easy as she wonderfully blends flute melodies into alternative pop and R&B tracks.This clash of earthy almost classical pop with contemporary allows Fitch to create a collection of compelling music to delight listeners with. ‘Guns With Guns’ is the most acoustic we see Fitch. A simple emotive piano ballad, the track showcases her voice in all its beauty and glory.
Her tracks flourish live and for the first time we get to hear ‘Take Me Apart’ played on piano. This passionate and tender track discussing her feelings during lockdown is a real treat. Fitch possesses all the criteria for major alternative pop stardom, her ability to write songs ( which hit you hard in the chest, exposing feelings you never knew you even had ) is mesmerising while her ear worm melodies, expressive vocals and rich compositions leave all her contemporaries behind. The maturity and understanding in her songwriting is such a soothing and beautiful comfort while the refined layering and instrumentation displays her creative genius.
Fitch is an intense performer sprawling her arms out while soaring through her perfect falsetto and sultry lower range. From the power of ‘Fake Smiles’ to the haunting ‘Not Myself’ we get to see Fitch multi task between loops, flute and big drum and synth builds.This set list is a reminder of the fantastic tunes she has in her arsenal and the new unreleased track ‘Dust’ is an impressive display of her songwriting prowess. Words cannot express how special this song is. It floored me. It’s a moving track about losing someone you thought you would always have and almost hurts to hear. Each word feels fresh and painful for Fitch as she lays emotion over a bittersweet melody while a building piano graces the backdrop in an equal measure of strength and tenderness.
‘A Love So Crazy’ brings the set to an epic end, leaving us craving for more. This was a professional, fun and engaging performance from a remarkable artist.
In true Virtual manner a Q&A follows the performance allowing fans to ask questions and get into the details of tracks. Fitch’s bubbly persona makes this a seamless and fun engagement as she discusses all from how she creates her tracks, the biggest obstacle she’s had to overcome and how she got into music as well as some technical intricacies about her set up for the live performance. Rebekah Fitch is an amazing artist and one everyone should check out.
For a taste of the compelling songwriting of Rebekah Fitch check out her track ‘A Love So Crazy’ below
AER Music, Fluttertone and dootdoot Records have come together to create a series of intimate evenings of exclusive live performances from the best emerging and established artists.Last night they had the music sensation that is Sam Wickens.
Sam Wickens enchanted the viewers of Virtual last night.There is nothing more special than a performance from Wickens. We saw him in his home studio all geared up and tech savvy. He ventures through tunes with acoustic guitar, synths and reverb as well as some haunting effects. He has become known as the “tech wizard of Oz”, for he has been helping other artists that have performed on Virtual making sure their sound is crisp and clear. However tonight it’s all about the beauty in his songs and majesty of his voice.
Wickens is a passionate performer and exceptional instrumentalist ( he made his synth himself) however it’s the moments of heightened emotion and depth within his songs that takes your breath away – tracks such as ‘I Was’ breaks your heart in a swift, raw and striking instant.His performance is wholly consuming as he ventures between country, soul and folk with ease while subtly adding delicate textures in the background. While having a cheeky little vape during the set as well, Wickens explains he is “mathematically challenged when it comes to song length times “ and planning his time for shows.
Wickens shows the tenderness and emotion in his voice through the immaculate ‘Winter’ while ‘Oh Mother’ displays the rich and soulful marvel of his vocal range. He uses synths and effects to create a haunting atmosphere and reverb. The synths fill out the sound while at the same time emphasising the purest form of his music. Wickens treats us to some new tracks from an EP he will be releasing later this year.Yet to be released ‘Murky Waters’ in particular is perfection.The lush falsetto, foot tapping tempo and soothing melody creates a heavenly melodic ambience while ‘Cliff Side’ is a folk-hued number that has Wickens “trying to be a didgeridoo”. The set continues with fans asking him to do four more… five more songs, Wickens jokingly replies “I’ll do none, I’ll feck off now” before delving into the latter half of his set.
There is real serenity to the performance, a great relaxation that’s beautiful to witness as Wickens plays guitar and keys with ease. Not only can Wickens present moving and lyrically poetic songs he can drift through some pretty slick covers as well. A time stopping cover of Tom Petty’s ‘Crawling Back To You’ graces the setlist however it is the much sought after ‘Jericho’ which leads to revered appreciation and adoration from the viewers.
Sam Wickens is an artist to treasure. His songs form their own universe, primed for the listener to dive in and find their own little corner to indulge and delight in. His technical virtuosity and moving vocals are incomparable and this Virtual medium gives a real frisson of excitement and thrill to Wickens performance creating the space, silence and mood to truly appreciate his beautiful songs.
A Q&A follows the performance which satisfies the insatiable need of the viewers to ask and connect with Wickens. Questions from what’s your favourite fruit, favourite burger joint to how does he get into the head space for his songs, inspirations as well as more personal topics such as him being a “sober little pickle”.He has fans in Canada and America watching. Unfortunately “Sammy” is “too cool to say it back” to fans declaring their love for him however this does not halt the flood of compliments and love for Wickens from pouring in.This Q&A in particular is lively and Wickens banters and chats honestly to his fans providing them with a more personal one to one conversation approach which is a special feature of this Virtual medium. Another mind blowing performance on our weekly fix of Virtual.
AER Music, Fluttertone and dootdoot Records have come together to create live streams on the Zoom platform and last night was another outstanding evening of music as they hosted Belfast singer songwriter Brian Houston.
Deciding to play his new unreleased album Brian Houston provided a night of relaxed country rock. His warm, rasped vocals reverb with a velvety soothing quality. He could sing anything and it would comfort and soothe your soul.This glimpse into the new album was a real treat and showcased just how good a singer songwriter Houston is. The lamenting guitar accompaniment in ‘I Let Her Go’, ‘Good News Junkie’ and ‘The Angel On The Corner’ is emotive and powerful yet delicate and tender all at once.
Houston puts on a full and consuming show. His anecdotes and stories between tracks about opening for Elvis Costello, how he wrote his songs and even a rendition on Mandolin of Happy Birthday for one of his friends was a joy to listen to. They provided some light hearted relief from the emotional heavy hitting tracks. Houston has a wonderful ability to break your heart and stir emotion within the listener and the striped back acoustic version of his songs last night cut deep with passion and thrived within the live acoustic setting. Oozing spellbinding and spine-tingling charm Houston sings about religion, love and the people he has met through the years. His witty lyrics and calming tone lulled us into a world of folk/country rock.
For me the bright and charming ‘She Got That From Me’ was a highlight in the set along with Houston’s sweet falsetto in the delicate ballad ‘If’. However it is ‘Spanish’ which is the pinnacle moment of the show. Houston’s harmonica slices through a haze of melancholia while the lyrics depict the lives and sorrow of the people who lived in residential schools in towns such as Spanish, Ontario, Canada. It’s a beautiful, touching and melodically magnificent number which stirs hopelessness, fear and sorrowful remorse in the hearts of anyone who hears this song. The wonderful advantage of these Virtual shows is the audience’s silence. The silence allows songs like ‘Spanish’ to really hit home as you can hear every emotive word with such piercing clarity.
A Q&A follows the show with Houston answering questions about how he writes his songs, what he is doing in lockdown and what a ghillie weeper bird is ( ‘a wee bird that at the end of its life cycle goes round and round in ever decreasing circles until it disappears up its own backside’ ).
Brian Houston performed an outstanding set last night. His clear, deep vocals provide moments of sweet tenderness alongside subtle gravel-hued coos and sweet highs which evoke raw passion and emotion. There is no fuss or extravagance with Houston’s set – its honest, pure good tunes. Last night featured another knockout performance on Virtual. I have to hand it to AER Music, Fluttertone and dootdoot Records, these guys are highlighting some serious talent every week.
Since forming in 2015 Liverpool’s POLAR STATES have had strong support from Radio 1 including a feature on the best of BBC introducing playlist, entered Spotify’s Viral 50 Chart, and have played a number of major UK festivals, supporting Wolf Alice, The Japanese House, and Clean Cut Kid. The band have an anthemic sound of vibrant indie rock that is sure to make for an amazing show
You can stream their new single ‘2020’ below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
