Tag Archives: Master of None

Alt Rock, electro - rock, Electronic, EP Review, Indie, indie rock, New Music

Master of None ‘You Will Get What You Deserve’ EP

Little Red’s Ian Mitchell (AKA Master of None) has released ‘You Will Get What You Deserve’ EP by All Will Be Well Records.The EP features three brand-new tracks that tell stories of murder and vengeance.

‘You Will Get What You Deserve’ EP saturates and gushes with Master of None’s dark eerie sound and coiling musicianship. Title track ‘You Will Get What You Deserve’ introduces distortion, sharp guitar and a steady beat, kicking off the EP with chilling tones and a slick rock hued backing. The reverb laden vocals is what brings this track to goosebump inducing status. The instrumental backdrop meanders from gritty guitar to an electronic fused spasm as the track develops. ‘Call Me Jack’ follows suit with slick, jagged guitars with a country undertone that is suffocated by the razor sharp rock background while Mitchell’s vocal melody has a Johnny Cash – esque quality to it. This twisted,beguiling blending of genres is what makes this track so mesmerising. ‘Hunt You Down’ brings us to the end of the EP. More dark,ominous and heavier than the other tracks this catchy number lacerates with acute sultry guitars while the electronics pulse and slap between the haunting sinister vocals as Master of None creates a chilling western- esque brawny track with flashing soundscapes and an utterly creepy atmosphere.

Master of None has developed and crafted his unique sound to create something perilous within ‘You Will Get What You Deserve’ while stewing each track in sultry dark instrumentation and sublime genre blending.

Stream ‘You Will Get What You Deserve’ below


EP Review, New Music

Master of None ‘Great White Shark’ EP

Following his self-titled debut album released in October, Ian Mitchell (aka Master of None) has now released a five track EP, entitled ‘Great White Shark’ on All Will Be Well Records.Written, performed and produced by Ian alone, this is him developing as a solo artist to help feed Little Red’s third studio album due out in 2020.

‘Great White Shark’ is another unique highly intense EP. Brimming with sharp textures, ominous soundscapes deep vocals and menacing themes while subtle soft tones swirl and twinkle throughout creating a sublime rich contrast. Mitchell fleshes out his dark synth pop with gritty guitars ruggedly chopping through snappy beats and deep eerie vocals.‘Tsunami’ takes this backdrop and blends it with skittish electronics and dizzy swirling soundscapes and ‘This Animal’ takes this format and raises it to an acid soaked frenzied level with melancholic lonely tones mangled throughout. ‘Head Down’ strips back the frenzy with a steady beat adding an almost tribal thud to the start before Mitchell slowly builds the tension with flashing electronics and raw synths. There is a catchy pop element blended through the melody but overall the track spreads out the darkly hued haunting sound of Master of None. The tracks tell tales of murder, guilt, loss and raw visceral hatred- ‘Wolf and Ram’ depicts this perfectly with murky fuzzed guitars lacerating through ominous soundscapes and chilling synths. Only the closing track ‘Open Loop’ provides some respite from the sinister mayhem. The track glistens like a breath of fresh air with wispy electronics twinkling through a sticky beat and gentle keys. It’s a delicate little gem to lull out the EP and relax you from the mind melting dazzling mania of its predecessors.

Stream ‘Great White Shark’ below


Album Review, Electronic, New Music

Master of None Album

Little Red songwriter Ian Mitchell has released his debut solo album under the nom de guerre Master of None. The eponymous 10 track album takes influence from artists such as Ween, PJ Harvey, Tom Waits and Nick  Cave. Although some of these artists also inspire Ian’s Little Red work, these influences are displayed  more fiercely on Master of None. However this album doesn’t adhere to one genre, the common thread is the songs’ lyrical  darkness, dealing explicitly with alcoholism, substance abuse, sex, debt, death and mental illness.

From the electronic slapping opening track ‘S.R.I.’ Mitchell takes us on a unique journey into his world which is quite the step away from Little Red’s style. ‘Let’s get fucked up’ and ‘Hunter’s Quarry’  twinkle through with delicate acoustic guitar, or piano for ‘Hunter’s Quarry’ and eerie vocals. His stripped back approach is chilling and quite ominous with some tender tones swirled throughout. It’s an experimental album with a lot of vocal personalities weaving between each track as Mitchell ventures down the Lo-fi avenue with his production. ‘Fluffy Bunnies and Unicorns’ makes good use of sticky electronics and pulsing beats concocting dark atmospheres between the obscure lyrics and spoken vocals. This electronic flow builds and progresses with each track on the album sometimes appearing tribal like in ‘Big Boots’ which also feature a traditional string element giving a Celtic jingle of warmth to the track .’Francis Bacon’s Bae’ and ‘Master of Nones’ are perhaps the most melodic tracks on the album with a waltz like string in the former and an elegant piano feature between trip hop beats and sorrowful vocals featuring in both tracks. The album takes a menacing turn with ‘Prick’. This heavy track is head-bang ready and a bit of a rush. With distorted guitars crashing and slicing through flashing electronics as repetitive lyrics attempt to hypnotize you through spoken vocals. There is a Marilyn Manson feel about ‘Husk’ while ‘The Gallows’ closes the album on a contrasting melancholic, bittersweet tone of delicacy.

It’s an obscure album which blends the eclectic, erratic and often sinister side of Mitchell’s musicianship. From elegant to mind crushing, each track takes you on a unique journey into the dark. With most of the tracks coming in at around the 2 minute mark they are brief haunting encounters filled with mystery, sinister themes and boozy ballads. Fantastic.

Stream ‘Francis Bacon’s Bae’ below 

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