Harbouring Oceans are an alternative Pop, Art Rock band from Kilkenny. The band consist of Dan Pearson (Guitar/Lead Vocals), Geoff Warner-Clayton (Keys/Vocals), Benedict Warner-Clayton (Drums), Ken Farrell (Bass) and Thomas Donoghue (Lead Guitar). The five-piece released their debut single, ‘Enso’ in May this year. It is the first release from a band who’s members have been playing together in different projects for over a decade and finally after years of experimenting with their sound across Ireland in some of the country’s biggest venues and festivals, Harbouring Oceans was born in December 2015.
‘Enso’ is a tender emotive track tightly packed in a soulful stirring melody and bound with deep rhythmic grooves. Pearson’s vocals are clear and exude raw passionate emotion with lush close harmony in backing vocals that adds a delicate and dainty quality to the track. ‘Enso’ begins in a soft ambient manner that builds as the song progresses. The light piano feature adds grace and elegance to this beautiful track. The guitars interweave through the music and teamed with the groove of the bass give elasticity to track which adds a flexible sway -like quality. Harbouring Oceans have found a blend of soulful, sensual, raw emotional music that evokes your senses and touches your soul.
Watch out for these guys.
Stream ‘Enso’ below
Tag Archives: New Music
Delamere ‘Black & White Space’
Delamere are an alternative band from Stoke-on-Trent, band members James Fitchford (guitar, keys & vocals), Ashley Egerton (guitar), Richard Dawson (bass) and Will Mason (drums & electronics) signed to Scruff of the Neck Records in the Summer of 2014 after their first singles earned early airplay and acclaim from the likes of Amazing Radio and BBC Introducing in Stoke, with later releases ‘Bright Young Things’ and ‘Heart’ being aired on National Television on Channel 4’s Made in Chelsea and Sky Sports’ Soccer AM. The band have also supported acts such as Peace and Palma Violets. Last year saw the band play festivals such as Dot to Dot and Tramlines, while 2016 saw them make appearances at renowned industry showcase festivals The Great Escape, Live At Leeds and International Music Summit in Ibiza. The four piece are set to release their self-titled debut album which was recorded at Liverpool’s Parr Street Studios (Blossoms, The Coral) with producer Rich Turvey. Their lead single ‘Kill It’ was met with rapturous response from fans and critics alike and they have just released their second single from the album ‘Black & White Space’.
‘Black & White Space’ is a richly textured melodic track that acts as a labyrinth tightly layered and twisted in intricate instrumentation. Its soft percussion gives a steady foundation to the track while the sparkling swirling synths give us that circular aerial feel. Fitchford’s vocals are soft and velvety and add a delicate quality to the track while the guitars twinkle with a gentle melody that illuminates the track and lifts it into a new dimension.
You can catch Delamere on their third UK tour at
SAT 13/08/16 | THE BODEGA | NOTTINGHAM
FRI 19/08/16 | ALL SAINTS CHURCH | LEEK
TUE 23/08/16 | THE POLAR BEAR | HULL
FRI 26/08/16 | ALSO KNOWN AS | BANBURY
SAT 27/08/16 | ASHCOMBURY FESTIVAL
SUN 28/08/16 | ACTRESS & BISHOP | BIRMINGHAM
TUE 30/08/16 | SOFAR SOUNDS | LEEDS
WED 31/08/16 | OLD BLUE LAST | LONDON
FRI 02/09/16 | THE ANVIL | BOURNEMOUTH
THU 08/09/16 | BUSKERS | DUNDEE
FRI 09/09/16 | MASH HOUSE | EDINBURGH
SAT 10/09/16 | ACADEMY 3 | MANCHESTER
FRI 16/09/16 | THE UNDERGROUND | BRADFORD
SAT 17/09/16 | RAMSBOTTOM FESTIVAL
SAT 17/09/16 | EIGER STUDIOS | LEEDS
Stream ‘Black & White Space’ below
Money For My Teeth ‘Komodo’
Money For My Teeth is an alternative rock, indie pop British/American Songwriter. He released his debut track ‘Komodo’ this summer which introduces us to a blissful psychedelic indie trip glowing in sunny vibes and cool tones. ‘Komodo’ is a dreamy, summer-scented track with soft swooning melody and delicate harmony in backing vocals teamed with soft spongy beats and tightly marshalled bursts of guitar which adds a refreshing edge to the track. The vocals are dreamy and give a heat-filled haze to the song resulting in a delirious heat-stroke feel that is disrupted by the refreshing drench of zesty guitar. ‘Komodo’ is a dazzling track soaked in psychedelic vibes. We are looking forward to hearing more from Money For My Teeth.
Stream ‘Komodo’ below
https://soundcloud.com/moneyformyteeth/komodo
Lost Dawn ‘Rasputin’
Lost Dawn are three piece Stanley Duke, Benjamin Woods and Joel McConkey from Falmouth, UK. They released a mini album ‘Fever’ earlier this year which is packed full of hip swinging rock and roll teamed with psychedelia sprinkled with grunge.
‘Rasputin’ is our favourite track from the album. It is saturated in 70s funk influences and embroidered with psychedelia. Duke’s vocals are luring and coaxing for the sensual verse and become more swagger filled as the track progresses in to a funky strut worthy anthem. Exuding confidence and cool smooth tones this track moves with such grace and fluidity that is swoon worthy. The psychedelic guitar adds a trippy vibe that is intoxicating and exhilarating, as the rhythm and percussion give a dance- like shimmy to the track that is infectious.
Enjoy the trippy invigorating journey that Lost Dawn take you on and put ‘Rasputin’ on repeat.
Stream ‘Rasputin’ below
Blossoms ‘Honey Sweet’
Stockports five piece Blossoms have released their new single ‘Honey Sweet’ taken from their self titled debut album which is due for release next week. Blossoms are Tom Ogden (Voice/Guitar), Charlie Salt (Bass/BV’s.), Josh Dewhurst (Lead Guitar), Joe Donovan (Drums) and Myles Kellock (Keyboards/BV’s). The band have become one of the hottest live bands on the circuit, performing at festivals including SXSW, The Great Escape, T in the Park, Latitude, Reading & Leeds and are creating quite a hype around their highly anticipated album.
‘Honey Sweet’ is our first taste of what is to come from their album and as the name suggests its a sugar coated toothache-sweet track. Its soft spongy beats and syrupy shimmering synths keep the track light and creamy smooth. Ogden’s vocals remain tender and gentle with a lull-like tone that is easing to the mind. The guitar which is sharp and vibrant freshens things up and adds a bright and refreshing edge to the track. ‘Honey Sweet’ holds a nostalgic tone throughout, set to a beautiful melody that is catchy and comforting for the mind.
‘Honey Sweet’ is a candied track saturated in luscious synths and supple beats with velvety vocals, silky bass and zesty guitar. Its a great appetiser for the album, well maybe its the desert.
Stream ‘Honey Sweet’ below
Four ‘Take Something’
Four are Annabel Allum (vocals, guitar), Jake Edwards (lead guitar, backing vocals), Oli Edwards (bass, backing vocals) and Alex Andrews (drums) from Bristol. Two members of the band Jake and Oli Edwards, were previously with The Jacques and they have used their experience with The Jacques to mould the musical relationship between Four. Their debut single ‘Take Something’ was released earlier this year and it without a doubt moves all others aside as it creates a pocket for their raw indie rock alt-pop sound.
‘Take Something’ is an edgy indie rock track that has all you want and more. It is bursting with vigorous driven guitars for the chorus and pounding drums which all ease for the verses where Allum’s luring and coaxing vocals take the limelight. The vocals become powerful and dynamic for the chorus as the track builds to an impressive mighty brief mosh effect. The added sharp guitar squeal after the chorus is thrilling and adds a distinctive edge to the track. ‘Take Something’ oozes energy while remaining cool, holding back for the intense verses and leaving you craving the full bodied chorus while you wait in anticipation for the explosive sound. Four know exactly how to reel you in and keep you wanting more.
Keep and eye out for these guys.
Stream ‘Take Something’ below
Worth A Listen
Our Worth A Listen Track This Week Comes From Dream Wife
London based musicians, Alice Go (guitar, vocals), Bella Podpadec (bass, vocals) and Icelandic singer Rakel Mjöll (lead vocals) formed at art school in Brighton where the project began as a performance art piece. They formed Dream Wife (named after the 1953 romantic comedy) and began a musical journey of edgy pop and feminine empowering attitude.
Their track ‘Hey Heartbreaker’ taken from their self -titled EP is an infectious pop track that exudes girl power to the tune of razor sharp grunge. This track is ridiculously catchy with a 60’s swing like effect. The vocals seamlessly slide between a luscious smooth cooing with dreamy backing harmonies to a sharpened scream. Oozing attitude and swagger the track has a strutting confident effect and feminine strength. Its simple pop hook, bouncy beats and zealous guitar riff makes this track unforgettable. Dream Wife show their delicate femininity while giving us a fantastic slap in the face “dont mess with me” attitude. They manage to keep the playful atmosphere while showcasing their undoubted capability and skill.
Put it on repeat and let the girl pop/ grunge mayhem consume you.
Stream ‘Hey Heartbreaker’ below
Early Hours ‘Into the Wilderness’
South Africa’s Early Hours have just premiered their new single ‘Into the Wilderness’. The three 19-year-old musicians of Early Hours hail from Cape Town, South Africa. The band is made up of Jake Bennett (Vocals) born and bred in London, Adam Rothschild (Guitar) and Benson Joubert (Bass). They met in high school, and since forming in 2012 they have amassed a loyal worldwide following with vibrant music and energetic live shows. Their single ,’ Smells Like Summer’, put them on the international map after reaching #1 on the SoundCloud Indie Rock chart. The track’s viral success led to Early Hours becoming the first South African band ever to reach one million plays on a single track on the internet platform. Early Hours won the prestigious Converse ‘Get Out Of The Garage’ competition in 2014 and since then have gigged in Paris, the rest of France and around South Africa performing at some of the country’s premier venues and festivals.
‘Into the Wilderness’ is taken off the band’s soon to be released debut EP ‘First Light’ which is set for release this August. It is a slow, hip-hop influenced track that still manages to pull in Early Hours unique blend of Britpop and Afrorock. Its a smooth melodic track that swallows you up in gentle beats, soft velvety vocals and a dreamy airy atmosphere. The guitar is tender but manages to make its presents known by giving us a refreshing bite and zesty melody. The track is bursting with cool sunny vibes and bright tones teamed with a luscious melody. The lyrics hold the idea of heading into the unknown, whether that be a place, a relationship or any other form of extraordinary is in the listener’s hands this adds to the free aerial effect the track has.
Sit back listening to ‘Into the Wilderness’ and imagine the place you want to go and this track will take you there.
Stream ‘Into the Wilderness’ below
A Chat With : Tameca Jones
Photo by Dan Winters
We Caught up with the the “Queen of Austin Soul,” Tameca Jones to chat about her highly anticipated debut EP and to get to know her a little better and see what makes her tick.
What was it like growing up in Austin, TX and how did Austin influence you in your pursuit of a music career?
Growing up in Austin made me a colorful and eccentric person who embraces all genres of music. I like country, rock, alternative, blues, etc. I can usually find the groove and goodness of most songs. There was so much music going on when I grew up that you couldn’t help becoming a sponge.
What inspired you to make music?
I always sang around the house and wrote quirky songs when I was young. I didn’t start taking it seriously until I had my twins. My twins inspired me to launch a career in music.
What can you tell me about the process of making your new EP?
The process was very frustrating and time consuming. It was my first solo project so I made a lot of mistakes that cost me time and money. It has to feel right for me to be able to sell it. If I can’t feel it, I damn sure can’t put my name on it.
Your single ‘Hot and Bothered’ is full of sass and swagger and is confidence building and fun for the listener was this your intention when you were writing the track and was this song fun to write?
Absolutely. I’m a very sassy and assertive person when it comes to getting what I want. I intimidate most men so I’m usually the one making the moves. This track was a blast to write because it came so quickly and easily.
Your track ‘Head over Heals’ is a raw emotional track that has the ability to make the listener feel every word and emotion, you portray the heartbreak beautifully through your vocals, was that an effect you intended to have or did it come organically?
I usually want effects to come as organically as possible. I can’t fake anything. This song was written about my kids growing up and pulling away from me, which was a very sad time in my life. So every note I sang was organically sentimental.
What has been your biggest challenge as an artist so far? Have you been able to overcome that challenge? If so, how?
Biggest challenge has been trying to hold down the business side of music. My mind is not wired for wheels and deals. It just sucks to have to wear a million hats just because you don’t have the capital to have people helping you manage your career. I’ve overcome this challenge by seeking counsel of other successful artists and organizing my time better. The business side is like seeing a dirty sink full of dishes. You know you don’t want to do them, but eventually you have to or you aren’t going to eat.
You have opened for stars such as Gary Clark Jr., Max Frost and Bob Schneider. You have also performed at the 2015 Austin Music Awards, but what do you feel has been your most defining moment as an artist so far ?
I had a show at a venue called The Parish once. I opened there for Max a few months before I headlined. It was just a great feeling to go from opener to headliner and have people come out to support my art.
You got the opportunity to work with Gary Clark Jr on one of his tracks how did this come about and what was it like?
Gary and I are old friends. We would go to each other’s shows around town before he got famous. We always planned to work together, but couldn’t ever connect. He came by my show one night and asked me if I could could record the hook on one of his new songs. I jumped at the invitation of course. I love me some Gare Bear.
Which of your songs are you most proud of and why?
I’m most proud of Head Over Heels because it is the best song I’ve written, melodically and lyrically.
Any Plans to come to Ireland in the future?
Boy that would be awesome. I haven’t toured very much, but I would love to see that beautiful luscious country. I LOVE Irish accents. Oh my goodness. I’d probably fall in love with someone with an accent and red hair and never return to America.
What advice do you have for people who want to pursue a career in music?
The business model has changed so much. My advice is to write with as many people as you can and make as much content as you can so you can sell your work to other artists, TV shows, and movies. You have to diversify your income stream to survive as an artist.
Whats next for Tameca Jones?
I plan on touring and collaborating with other writers so I can diversify MY income stream and take my own advice. ?
An Irish accent and red hair …… yeah that would be enough to keep anyone from returning to America.
Stream Tameca Jones new single ‘Sandman’ below
NGOD ‘Blue’
NGOD are an alternative indie band from Bradford. Band members Samuel Augustine (Lead Vocals & Guitar),Luke Fielding (Guitar),Lewis Dutton-Taylor (Backing Vocals & Bass) and Alex Dutton-Taylor (Backing Vocals & Drums) first made a name for themselves with their debut ‘Are You Satisfied’ followed by a bunch of live dates around the U.K.
Their new single ‘Blue’ is a slap in the face of feel good indie rock that is electrifying. It is upbeat and dynamic with ornate guitar that drives the track in a rush of buzz fuelled frenzy. The elastic bass adds a flexible texture to this energetic track while the punchy drums tops things off with a brawn and power giving us that supercharged bolt of alt-rock. The vocals are animated but simple making every word clear until the irresistible sing a long chorus kicks in. The track builds to a fantastic, dramatic sound blasting crescendo.
A must listen.
You can catch NGOD live at
JUL 30 Y Not Festival, Pikehall, Matlock
AUG 20 Glass Butter Beach , Abersoch Beach
SEP 1, Festival No.6 – Portmeirion
SEP 24 Underground Festival ,Gloucester
Watch the video for ‘Blue’ below