Following their acclaimed debut single, ‘Them’, Irish post-punk/electronic 3-piece Chalk have released their new single, ‘Velodrome’.Recorded with producer Chris W Ryan (Just Mustard, Enola Gay, NewDad), Velodrome is the second track from their upcoming EP. Their debut single, ‘Them,’ won Steve Lamacq’s 6 Music Roundtable Record of the Week in April this year. Already selected as part of the First Fifty for The Great Escape Festival 2023, Chalk has become one to watch within the Irl/UK music scene.
Gushing with angst and the thrilling musicianship of Chalk, ‘Velodrome’ is a mammoth-sounding blast to the ears. The tune spirals in an intoxicating soundscape of shrilling guitars pummeling drums and acid-baked fury. The expressive soundscape mangled within the anthemic blasts and frenzied techno elements makes for a wholly consuming listening experience. Shredding guitars gnash over mighty drum strikes and groove-infested basslines while Ross Cullen’s primal gritty vocals howl throughout as the band take hypnotic lyrics and wrap them in a manic whirlwind of instrumentation to create a relentless onslaught that is harrowingly frantic yet euphoric at the same time. ‘Velodrome’ is an impressive song that roars with the incomparable talent of Chalk.
STRICKLAND makes his debut with his first album ‘Superficial Chaos’. The album will help a good cause, as the artist plans to donate 20% of any royalties to Macmillan Cancer Support and the Teenage Cancer Trust.
‘Superficial Chaos’ is a diverse album that oozes indie and classic rock tones with some retro flirtations and pop melodies glimmering throughout. The songs are filled with easy-on-the-ears melodies with driving guitars and steady beats that create a nostalgic 90’s vibe within tracks ‘Time of Your Life’ and ‘Brothers Sisters’ while the bluesy ‘The Rolling Stone’ and ’70s filtered ‘Tonight’ add a dash of sass and edge into the albums aesthetic. Throughout ‘Superficial Chaos’ STRICKLAND displays his knack for melody and witty lyrics. The artist’s tunes are an enjoyable listen from start to finish.
Irish electronic producer Gavin MacDermott, better known as Dashoda, returns with his new single, ‘Looking For You’. The track was written and produced by Dashoda with London-based Ross Fortune (A.K.A. Benny Smiles), who has worked with Jonas Blue, Clean Bandit, Hotline Miami Soundtrack, on additional production. I caught up with MacDermott to chat about his upcoming stripped-back video, his exciting plans for new releases and how this infectious retro-hued bop was created.
“Originally the track started as something a little bit more Lo-Fi than the final version which I worked on with a mate called Ross Fortune he makes music actually as Benny Smiles and a lot of his music is quite synth wave. I was a fan of his years ago when I started making music. So it was really nice to get to work with him years later on this. So I’d say in terms of inspiration, I bought this keyboard a while ago off a friend called a Korg SV- 1, and it has like a Lo Fi sound, its quite analog. I was just playing some chords and they went over to a guy called Richey McCourt’s house, who is a writer. He invited me over. We just started working on and I think I was listening to a bit of Caribou at the time, kind of the older stuff and I was coming out with a little bit of that in mind. But then when I was working with Ross, on the co production, he said I’m going to try a shot in the dark here. I’m gonna try something a bit different, feel free to tell me no, don’t talk to me again if you don’t like it. But what he came back with was what you heard like the much more upbeat almost French indie thing. I just really liked it because it brought it in another direction and taught me to be more open-minded about other avenues and yeah, that’s where it came from. Yeah I gotta give a lot of credit to Ross as well for guiding the sound there.”
MacDermott is releasing a live video for ‘Looking For You’ in the coming weeks. It’s a slower and stripped-back version of the song that allows the melody and lyrics to shine throughout.
“Actually, funny you mentioned that.The keyboard part that’s played in the video by Alma Kelliher who’s a great player. That is the original part from my original demo, and I’d asked her, I thought it would be nice to show that because the song kind of worked on its own just as a keys part. There’s very little of that sound actually in the recorded track version. So yeah, it would have sounded like that and a much more obvious drum machine and the bass part I think was the same. Then there’s a bit more chorusy kind of 80s electric guitar. I actually think I might at some point bring out that version maybe further down the road if I ever get to the point where I can do you know rarities and B-sides that will be nice to show and certainly when I get to do the song live I’d like to do that version. So yeah, the one on the live video, at least the structure and the timbre of the sound is similar to the original demo”
This song comes after a 3-year hiatus and MacDermott explained how the break gave him a new perspective on how he writes and crafts his songs.
“Yeah, I definitely think differently about music and art in general now [it] has taken on a very different meaning for me, I see it as all sort of connected. I’m a musician and this is what I do and what I know but I watch a lot of film and I love film and I would love to get into it a bit more and the guy who shot that video actually is Ror Conaty, the live video and it was really great working with him because it awakened me to how everything is connected in the art world. When you talk about the stripped-back version of the song it actually required me to meditate a bit on what am I doing and why am I doing this and what’s the meaning of it and often you don’t really know the meaning or significance of things until you put a distance between you and them, you know, in terms of time. So, yeah, I’ve leaned more into the cathartic aspect of creating art. You’re trying to understand something about yourself and the world that you’re in and art is sort of a psychoanalytic Freudian thing. When you put something out in the world, you don’t know what’s going to happen with it and you have no control over that in many ways. So if you just focus on what is within your control, then it’s the pursuit of the art. I think it’s made me a lot happier about making music and art as well because I realized I could go on and do this forever, you know, until I’m dead”.
I wondered if this more artistic view on releasing music eased the nerves that come with releasing music.
“No, I’m still really nervous. I was trying a lot of self-talk and trying to frame it that way and it’s just fine, but whatever way you frame it, it’s still a huge investment of time and there are a small number of people who are close to me and care about what I do, even if I’m not necessarily feeling it so there are actually people that want to hear this because they’ve been invested in the journey I’ve been on as well. That helps me relax a bit about it and try not to be too worried. But yeah, absolutely. You worry have you done enough to give it the platform it deserves. Have you presented it in the best way possible. [I] definitely think about things like that and probably preoccupy about them. But I think most people I know that are into this sort of thing they worry as well. Actually my friend Ror who shot the video, he had an exhibition in Cork in August and up to the last minute he was thinking have I done all this correctly and right and of course it was very well received and I was very proud of him. So hopefully I get the same, who knows.”
‘Looking For You’ is a chic number that struts on a slinky bassline and swanky guitars presenting the tight and refined sound of Dashoda in all it’s glory. With a sweet melody teamed with smooth vocals and chiming keys, the track is sure to have you dancing and singing along in no time. This lush sound isn’t set to stop any time soon, MacDermott told me that he has some exciting plans for next year to delight fans with.
“I have a couple of releases in the pipeline and I worked a bit with Ror on some video accompaniment so even though I was quiet for three years I was chipping away at a lot of different stuff and eventually a pattern of songs started to emerge. So yeah, there’s gonna be a few more releases in the new year and into spring and I’m really excited about that because I’ve been sitting on this for a while and it can take so long for things to actually come together and then the actual release process is another thing. So yeah, I’m hoping that because we approached it thematically, myself and Ror and Mark O’Brien was involved in that. He performs as Royal Yellow, and some other people close to me. They helped me put together the visual stuff with the music, and come up with a central idea which I’d never done before. You know, try to think that deeply about what I’m doing. So hopefully thematically people will see something like that emerge. So there will be a few more of these. I suppose that’s the best way I could put it.”
Xcean has released his new single, ‘Final Lullaby’.Xcean brings his own stylish blend of emo, pop-punk, metal-core and post-hardcore music to the forefront, this sound can be heard on tracks like ‘Late October’, which has amassed over 3 thousand streams on Spotify. The origins of this artist actually began in a wrestling ring, where he worked as a professional ‘death-match’ wrestler named ‘Alex Ocean’. An obviously impactful era of his life, aspects of this scene have even transferred into his music career, with fellow wrestler ‘Top Dollar’ featuring as Fran¢ on his most recent track, titled ‘Daddy Issues’.
Melding alternative rock with metal elements while tender emotion pours from every note ‘Final Lullaby’ is a compelling new tune from Xcean. Icy keys chill between steady beats, dark soundscapes and driving guitars as Xcean creates a dynamic wall of sound while painful lyrics provide substance and deep meaning; “You do not know the tears I’ve cried, I can accept that it’s my time and now it’s time to say goodbye, this is my final lullaby”. Filled with emotive vocals and harrowing growl backing vocals ‘Final Lullaby’ balances dark sinister tones with raw emotion and refined musicianship to create a satisfying listening experience.
Cuban/Irish singer-songwriter Qbanaa has released her debut single ‘Truth and Desire’. Based in Dublin, Qbanaa grew up travelling back and forth from Cuba where music and salsa dancing were integral parts of her childhood. A dancer for 10 years, she also sang in school choirs and with her grandmother in Spanish Mass, where she grew up in North Frederick Street Flats, D1.
“‘Qbanaa is Cubana with a Q, it’s supposed to integrate the way Irish people would pronounceCubana, so it sort of brings my two homes together in a lighthearted way.’’ – Qbanaa.
‘Truth and Desire’ is a neo-soul tune wrapped in soft hues of jazz to create a luxurious listening experience and sublime introduction to Qbanaa’s sound. With mellow guitar encasing a velvety melody, elastic bass and vaporous soundscapes Qbanaa crafts a soothing and sultry tune that is simply irresistible. As supple jazz elements wisp the song in a chic smoky embrace, subtle punctuated beats induce an R&B radiance while the soothing soft vocals venture between English and Spanish lyrics. Balmy and richly textured ‘Truth and Desire’ is a mesmerising new tune to indulge in.
About the song, Qbanna said: “The song was inspired by 1989 and 2008 movie ‘The Little Mermaid’ – I’m sure people will think ‘oh that’s a bit weird’. But if you look into it, there’s some insane soul and beautiful ethereal sounds in there that I took inspiration from. The movie is all about the unconditional nature of pure love, and the universal power of music, which really resonated with me growing up and carries the theme of Truth and Desire, it was the first thing I thought of when I opened the track.”
The Immaculate Crows have released their new album ‘And Then There Were Two’. The Immaculate Crows were originally an Australian Brisbane-based Alternative band that played from late 1981 to early 1985. They were named and founded by Bruce Neilsen (songwriter, lead guitarist). Former member David Page was the first Australian to get a contract with Tamla Motown when he was a teenage pop star. Bruce reunited with former member Mark Hocknell in 2019. Mark co-produced 11 tracks for this album and played with Bruce on these songs. Carolyn Neilsen co-produced and fully produced ‘Bird In The Sky’.These songs have been well-received by Community Radio Stations throughout the country, such as Raw Radio, Tribe FM 91.1, Triple H 96.5 FM Horsham, 4ZZZ 102.1 FM.
‘And Then There Were Two’ uses alternative, country and indie to showcase a diverse display of The Immaculate Crows’ sound. From warm country twangs between mellow jazz-like flirtations in ‘Can’t You Hear Me Crying’ to the moody ‘New Girl’ and jaunty rock and roll swagger of ‘Love Is Perverse’, the band present a satisfying listening experience. Each song pivots around intricate and evocative guitar melodies that ooze character and emotion throughout, mirroring the lyrical themes of youth suicide, bullying, loneliness, alienation and unrequited love. With psychedelic moments weaved between pop, sweet slow bops and rock bravado ‘And Then There Were Two’ is a solid new album from The Immaculate Crows.
Irish alt-pop band HamsandwicH have released their fourth studio album ‘Magnify’. HamsandwicH have been one of Ireland’s most steady indie bands over the years. Their previous album ‘Stories From the Surface’ debuted at #1 on Ireland’s official album chart (the first time an unsigned Irish act accomplished this feat) and the band have opened for heavyweight international artists such as Arcade Fire and Pixies. Having sold out Dublin’s prestigious Olympia Theatre 3 times, they have also played on the main stages at the Electric Picnic and Longitude Festival. Additionally, they have performed at the legendary Slane Castle with Bon Jovi, and were personally invited by Mumford & Sons to support them in Phoenix Park.
Filled with rich textures, sublime melodies and intriguing instrumental arrangements ‘Magnify’ is a glorious display of HamsandwicH’s musicianship. The band blend indie, dance and pop elements to create a sound that is refreshing, laidback and ecstasy to the ears.
‘Electro Wave’ begins the experience. Oozing exuberant 80’s soundscapes from the very first note ( enhanced by disco tones and slick bass grooves), the band kick-starts the album with a sound that is simply irresistible. The sprightly beats and shimmering synths give this track a bright upbeat vibe while the interplay between Niamh Farrell’s vocal lulls and Podge McNamee’s rich baritone creates a refreshing contrast throughout. ‘Julian’ continues the synth-driven vibe while ‘Run Run’ takes a darker undertone and moves towards a more indie aesthetic.
Within ‘Magnify’ the band’s musical prowess is on full display. They blend a lush concoction of musical genres throughout while keeping a tight leash on their sound, never allowing it to spin out of control. The result is expressive soundscapes that allow the listener to experience and enjoy different complementary musical elements with each listen. ‘Next Contender’ is a fine example of this. The track is impressive in its composition and execution. The song appears minimalist, jaunty, and light at first glance but on closer inspection, the listener is treated to rich textures, exciting musical undertones and deft production skills. For example within the track, classical tones on keys slip into arpeggios which lead the way through tempo shifts and transitions that occasionally intertwine with sprightly sharp guitar embellishments. The result is an intriguing display of musicianship that is a joy to listen to.
The undeniable talent of each member is on full display throughout the album. From the feet shuffling blues hues of ‘Fired Up’ to the beautiful ‘Good Friday’ ( which acts as a nod to the band’s former manager Derek Nally, who sadly passed away in 2010) there is no shortage of first-rate musicianship. The exquisite guitar riffs soar over lush melodic flows and rhythmic pulses while Farrell’s compelling vocals express tender lyrics with sweetness and power that is goosebump-inducing.
‘Magnify’ is a musical marvel from HamsandwicH. The album is a showcase of eloquent songwriting and expressive musicianship that is full of rich melodies, exciting musical twists and electronic flourishments.
Berlin-based Irish singer-songwriter Danny O Connor is set to release his new album, ‘WISDOM & GRAFT’ on September 30th. Like most musicians around the globe, Berlin-based Irish singer-songwriter Danny O Connor found himself at home with no live gigs to play in the foreseeable future with Murphy’s Law, his beloved and normally busy Irish Folk Band, in March 2020. Between making a living as a Graphic Designer and keeping then three-year-old daughter Roxy entertained, he took to the guitar and a notebook. O Connor used the involuntary break from live music during the Covid-pandemic well: Together with long-term friend, producer and musical collaborator Moe Jaksch, he spent many studio sessions writing, arranging and recording new songs, resulting in the album WISDOM & GRAFT
Awash with wholesome melodies, country twangs and a plethora of energetic instrumentation ‘WISDOM & GRAFT’ is an impressive and compelling collection of tracks. ‘New Life’, ‘Closed Doors’ and ‘Empty’ all surge with hearty anthemic musicianship that captures a sense of adrenaline while O Connor showcases his diversity by blending indie elements, folk tones and wonderful melodic progressions together to create unique soundscapes throughout.
Within ‘‘WISDOM & GRAFT’ each song flows into the next with ease, subtly revealing different aspects of O’Connor’s musicianship making for a thoroughly enjoyable listening experience. This is best shown within swooning slow burners ‘Rain Maker’, ‘The Winner’ and ‘The Lullaby’ which drift along sweet infectious melodies while ‘Northern Lights’, which features Berlin-based gospel/soul legends Ingrid Arthur and Tracey Duncan on backing vocals melds indie rock swagger with elements of gospel power.
Brimming with radiance, traditional tones and musical refinement, ‘WISDOM & GRAFT’ is a wonderful new album from O Connor and marks him as an artist to keep an eye on.
Pauric O’ Meara has released his new single ‘Lately’. Pauric O’ Meara is an independent Pop/Rock singer-songwriter from Co. Tipperary, based in Dublin. Over the last few years, O’ Meara has seen his headline shows sell out all over Ireland, including venues such as The Workmans Club, The Grand Social, Monroes, Dolans and Cyprus Avenue, as well as supporting major acts such as Hermitage Green and Hudson Taylor, and stand out performances at festivals such as Electric Picnic, Sounds of Summer and Kaleidoscope.
‘Lately’ is a shimmering indie pop tune that boasts Pauric O’ Meara’s catchy and vibrant musicianship. Driven by a bubbling beat, bright funky guitars, and luscious synth embellishments, the track has an expressive soundscape that simmers for the verses before becoming more energetic for the chorus. With soft tropical elements wisping about the radiant instrumentation O’Meara creates an upbeat gem that oozes a sense of euphoria while honest lyrics deal with themes of relationships, friendships and the importance of the time spent and how we spend it. O’ Meara’s music is a joy to listen to and ‘Lately’ is a fine display of how diverse and exciting this artist is.
Damian McGinty has released his new single ‘Like Moments Do’ alongside announcing his upcoming album “Moments” which is out on the 25th November. I spoke to the singer-songwriter about what inspired the song, how this new album is a new creative facet to his songwriting and a new cycle to his sound and the prospect of an Irish show.
“This is the start of a new cycle for me and a cycle I’m really excited about. It’s been such a fun creative experience writing this album and the theme and the feelings behind it are very important to me. I stand strongly behind what the album represents and what the new single represents. I’m genuinely proud of it. Yes, this is what my music looks like right now. It’s common knowledge that as an artist, the hardest thing to do is, find your sound and hone in on that. ‘Moments Do’ is just a perfect representation of where I am as an artist and I just think it’s an uplifting song that I’m excited for people to hear and enjoy in their own time.”
“Honestly, it wasn’t even something that I was searching for. It’s a period of time that I went through where last autumn myself and my wife moved from California to Nashville. We bought our first home, moved across the country and what I didn’t expect, was just shortly after the very harsh covid period, in the industry and it had fully reopened I was just so slammed with work, and with the personal life and moving across the country and setting up a home. So it was the first time ever in my life that I was waking up every day and just felt like I was suffocating. It just felt like I couldn’t catch a breath. Like I was on a hamster wheel and I couldn’t stop it. I couldn’t get off. No matter what I did. It just wasn’t working and my brain was going 1 million miles an hour every day and it felt very overwhelming for a fairly long period of time. Then I just started having some conversations about how to fix it like how to slow things down a little, how to be more present and that’s just where ‘Moments Do’ was born. It’s about appreciating small moments. It’s about appreciating moments that don’t get the notoriety or the recognition. You know life isn’t always about bright lights and limousines in the magazines and the billboards and as the song says, it can be something as simple as having a coffee in the morning or having a conversation with your family or just the really simple stuff that doesn’t get recognition. It was about being present and appreciating those moments. That’s just where the single was born. That’s where the whole album grew from.”
‘Like Moments Do’ is a bright upbeat song filled with warm guitar and light piano twinkles between a powerful uplifting soundscape. There is something soothing about the song that creates a wholesome atmosphere throughout.
“Yeah, you’re spot on. I think we started out the session and I was very clear that I wanted something upbeat. But I wanted, it not just upbeat. I wanted it to be hopeful. I think hopeful is the keyword. So you know whenever you go into a writing session, you sometimes throw things on a page or you’ve been messing around with a few chords on the guitar and the piano, whatever it might look like, but just hoping that you can find something and for this particular song, I really knew what I wanted. I’ve been writing all week at this point in Nashville and it was the last session of the week and I just want to write something hopeful. I want to write something that feels like it’s gonna inspire people. I want people to feel simultaneously like they’re getting a hug but also like they’re being told that your life is as normal as my life and that’s great. You don’t need big lights. You don’t need your name on billboards, on magazines. You don’t need all that to live a fantastic life, social media truly is a highlight reel and that’s all we see and therefore that’s a problem of our generation. You compare yourself to what you see on your phone. But yet the moments of the song talks about the in between moments that I think actually have the most beauty. When you are present in those moments, you learn to appreciate them a little more. So it’s definitely like a tip of the hat to all of that.”
The single comes alongside the announcement of McGinty’s upcoming album “Moments” which is out on the 25th November and the singer explained to me the concept behind this album.
“This is the first single and it is the concept of the album. So the whole album dives into these moments that I’m talking about, these moments of the in-between. Different moments in our lives where we feel happiness, where we feel sadness, where we feel contentment, where we’ve been challenged. It’s an album that goes on a journey of all of that and what I like to call you know the journey of the in-between because it really is about normal life and because I just felt there wasn’t a lot of representation for that and I think that a lot of people will hopefully relate. So the album really goes on a journey of all of that and ‘Moments Do’ is the lead single. It’s the perfect song I think to represent the first track and to give the flavour of the album. Then the album takes you on a journey through the in-between.”
In 2021 McGinty released a pandemic project, where he released a new single every month. This album takes a different approach. We discussed how differently he approached this album.
“Initially whenever you’re starting out a project or a record and you’ve got a blank canvas sometimes the only way to start filling that canvas is to just naturally start writing and start creating and see what comes out. That was the really fun thing about this project. I did start writing and start essentially, like painting on the canvas for the lack of another analogy, I started painting on the canvas, and the album and the idea started presenting itself very early on. So I was able to hone in on what boxes I wanted ticked on the album because the album is all about being present and recognizing little moments that never get the recognition because life so fast-paced. Because the album is about that I was reminded on a daily basis to be present. I was reminded on a daily basis to slow down. So it happened to be the record cycle that I’ve enjoyed the most just because I was so present and just because it didn’t feel overwhelming. The entire process has not felt overwhelming. It’s felt well timed, well-paced, so much so that the last song on the album is a song I was able to write whenever the other 10 tracks were already finished. I was like, I want to write a song that really wraps up this theme and I was able to do that which is not like any other writing experience I’ve ever had. So that felt really nice as well.”
To celebrate the release of his new album, Damian McGinty will be hitting the road this autumn for his ‘Live in the Moment’ tour across the US, with dates in eastern Canada as well. With a lot of artists approaching touring differently since the pandemic, I wondered if McGinty was going to take touring at a slower pace and if a show in Ireland would be a possibility.
“Yeah, I’m really excited to get on the road. I’m really excited to perform this music. Obviously, I’ve never performed it live yet. It’s gonna be great. Live music looks a lot different now. It just feels different in a very weird way and I think almost in a healthy way live music for the artist doesn’t feel like it’s 100% necessary anymore. I’m trying to explain that because I’ve seen a lot of artists being like I don’t want to tour right now. It’s not good for my health. It’s not good. So I think we’re entering a really healthy period for music, where people are not letting it define them. Which is really important because touring, sometimes can feel like the be-all and end all and how many shows you do in a year, defines how successful your year is. Whereas now, people are just learning a little more to look after themselves and the music and the performance will then benefit from that. So it’s almost like a partnership. It’s like if you take care of your health, and if you’re in a good place, then the performances don’t feel like a chore. They just feel like something that you enjoy, and that you happen to do and you’re lucky enough to do. So that’s where I’m at. I’ve been just trying to be present, be steady look after myself and then I just feel very fortunate that I get going and do six weeks of live shows in the autumn. That just feels really exciting to me to get to see people on a face to face basis. So I’m really excited.”
“It’s something that I’m very interested in [ a show in Ireland]. I’m heavily considering so I’ve had a couple of conversations about it. At the moment, it’s most certainly a watch this space thing so yeah, that’s definitely something I’m gonna keep my eye on.”
Filled with wonderfully expressive instrumentation, sweeping melodies and warm lyrical content ‘Like Moments Do’ is a compelling glimpse into the joyous musicianship of Damian McGinty. This song is a fantastic appetizer for his upcoming album.
Stream ‘Like Moments Do’ below
Author: Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
