Our favourite new garage-rock duo Tammo Dehn and Jascha Kreft from Odd Couple have released their new single Am I Evil’. This follows their previous banger ‘Gone Solid’ which we featured on Indie Buddie last month. Both tracks feature on their debut album ‘Flügge’ which is due for release later this month.
‘Am I Evil’ is a fatal blast of ruthlessly sleek infectious garage rock that effortlessly drifts from slinky and groovy to head banging mania. Mind blowing and blissfully obscure this duo know what they are doing as they present us with a septic jaunt back to a time when things weren’t so mercilessly sanitised and lobotomised. Dirty gritty riffs forcefully hook you into their villainous prowl while Odd Couple question their unhealthiest and most intrusive thoughts. Mighty pulverising drums bring the track to that powerful brawny punch and mosh worthy frenzy. With western cowboy-like guitar interjections and incredibly slick guitar licks, Odd Couple gives you mind numbing thrilling opaque fierceness that holds a slithery retro sleekness. It’s sultry silky and packs a mighty punch all while having a retro tint and brutish swagger. These guys are ones to watch.
Maker are a four piece rock n roll band from Kent. They deliver psychedelic bluesy punch stirred with a fist full of soul. Band members Alessandro Marinelli (Vocals), Andrew Donaldson (Guitar), Gavin Donaldson (Drums) & John Austin (Bass) have just played to a sold out crowd at Rebellion Manchester as main support for ‘The Slydigs’ who have recently returned from touring North America and Europe with ‘The Who’. Maker have also supported ‘Ocean Colour Scene’, ‘Pete Doherty’ and shared the festival bills and main stages with the likes of ‘Dizzee Rascal’, ‘The Cribs’, ‘Mark Ronson’ and ‘Supergrass’. Maker have recently released their new five track EP ‘Move Your Feet’ through Kidda Records. The EP was recorded at the famous Rockfield studio and produced by the band themselves along with Nick Brine, whose previous production and engineering credits include, Oasis, Stone Roses, The Darkness, and Seasick Steve. ‘Move Your Feet’ EP drips with old school slick swagger and fine musicianship. Maker cruise between genres effortlessly bringing their own fresh sound that is polished and so smooth you could slip on it while maintaining an edge and gritty rawness. Title track ‘Move You Feet’ kicks the EP off with a gritty bluesy guitar riff, its swagger infused funky rock. With sensual bass, soaring backing vocals and strut like bravado this track exudes attitude and infectious groove. Luring you to the dance floor with cheeky charm this track will have you dancing in seconds. Raspy dynamic vocals add warmth with punchy drums adding brawn and power to this mighty track. ‘Dead Ends & Avenues’ is a dirty riff driven snappy track smothered with slick guitar licks and prancing smoulder. Sensually cool this track boasts phenomenal musicianship, wait for the shredding guitar solo its steamy and spine tingling good. ‘Happening’ gives us a splash of 60’s groovy shimmy. Once again amazing guitar features mixed with sassy vocals its attitude drenched and insanely catchy leaving you dancing all night. ‘Quick Getaway’ features heavy lusty riffs that gives swagger and panache while powerful meaty drums pound adding brawn to the sultry track. Blistering guitars spice up the track building to a fever inducing mosh worthy instrumental. ‘Get Me Through’ brings us to a twanging end of the EP. This track jingles and clangs with country elements. With a jazzy piano feature and soaked in country its straw rolling, hay bailing, boots and banjos fun. Smoother vocals and softer guitar teamed with rapid rhythm its cowboy in a desert mixed with rock and roll. A solid EP from Maker.
Future Lover has released a new single ‘Dead Soul Dagger’ Colin Lime is Future Lover, He writes, records, and produces all the music, with occasional contributions from far-out friends. Originally hailing from Indianapolis, and having spent more than a decade touring the country and living in New York, the sound of Future Lover reflects that journey. It evokes a psychedelic trip through inner and outer space, lighting up the darkness and rocketing out into the universe. He calls his sound “Psych-Wave”. ‘Dead Soul Dagger’ is taken from ‘Reverb Tales’, the forthcoming LP out May 2017 on Crystal Cave Records. ‘Dead Soul Dagger’ is a fuzzed kaleidoscopic prism of psychedelic rock swirling with trippy confusion. Opiate vocals sooth with a narcotic numbing effect while weaving electronics act as a wobbly wave like mirage causing a blissful daydream head trip. Razor sharp fuzzed guitar becomes the constant, keeping you from dangerously slipping into the enticing enigma. The shredding guitar riff is gritty and hypnotic with steamy flashes of disorientation. Strong punchy drums give the track a heavy sound that will cause your glazed head to mosh messily and uncontrollably while you become consumed in the dark bewitchment of this fascinating track. Haunting falsetto vocals echo in the background while the track swirls and weaves with liquid blurred fluidity. Let Future Lover dissolve your brain in trippy ecstasy.
Stream ‘Dead Soul Dagger’ below
MUX, a brand new electro-stoner band from London is to release at the end of March their EP entitled ‘Can you see who?’. MUX blend elements of electronica, stoner, trip-hop and punk leaving you in a twisted knot of thrilling euphoric disorientation. Comprised of members Tiz, Paul, and Jonas, MUX present an EP that is a gripping electrifying enigma fuzzed and gritty and smothered in obscure darkness. The band officially started in the summer of 2016 when Tiz and Paul (drums) met in Brighton, while shopping for souvenirs. They started fighting over a seashell ashtray and ended talking about Kendrick Lamar’s latest album. A couple of months later, the pair met Jonas (Guitar) at a Mac DeMarco concert in Camden. Jonas was headbanging harder than everyone else. ‘MDMA’ kicks off the EP with a creepy sinister shadowy tone. Raspy whisper-like vocals are hair-raisingly chilling while the gritty distorted guitar adds a rough round the edges sharpness. Its like a psychedelic trip that’s freaked you out but still feels good. A rapid elastic rhythm gives a sticky gooey glooping effect. The track becomes more dynamic as it progress with the intense electronics becoming more frantic while the shredding guitar pierces with shrilling ferocity. The electronic woodblock-like feature is a recurring element in the EP’s tracks and it adds a plump texture and unusual refreshing contrast to the dark psychedelic swirling surround. It acts like a conscious anchor keeping your mind from becoming completely engulfed by the musical whirlwind. ‘Gold and Prozac’ follows with shivering fuzzed guitar against a tapping rhythm. The track oozes lurid gloppy liquid- like electronics that seep throughout the track, broken only by hypnotic trance inducing psychedelia. Eerie dark vocals are ghostly with a theatrical tint of evil. Epic basslines travel through each track providing a weighty beefy foundation to sink your teeth into. ‘Teenage Father’ begins with the sweet request “Kill Me” building into a thunderous mighty headbanger. This frenzy causing hysteria is sticky mosh pit neck-breaking head banging ready. Snapping bass is teamed with a fantastic driving guitar that shrills with blissful ear-piercing capability. Its a blood pumping smashing monster of a track that is convulsion causing derangement but so good. ‘Stray’ finishes the EP with a sensual riveting all absorbing guitar feature, lusty crescendo and pounding rhythm mixed with electronic blurring perplexity, all bashed out and liquored up leaving you in a glazed mind boggled mush. Blending heavy turmoil with sensual steamy red hot piercing guitar and luring vocals, this track penetrates your skull with relentless soundscapes and acute powerful momentum.
Each track flows fluidly into the next as MUX take you on a riveting complex journey through their proficient composition and exquisite craftsmanship. Its dark, its gritty and fuzzed with narcotic effects. ‘Can you see who?’ is a swirling invasion into your mind showing you a shadowy kaleidoscope of abstruseness.
Watch a snippet of what you can expect below
Toronto-based garage psych trio Crazy Bones have released their new video for the single ‘Melting’, taken off their forthcoming debut EP ‘Cosmic Drips’. ‘Melting’ is a fuzz drenched mind liquefying heavy mosh worthy track. Easing us into their sound Crazy Bones begin with a psychedelic trippy gentle verse which leads into pulverising frantic heavy rock. Hefty drums pound through your skull with weighty abolishing force while shredding crushing guitar solos shrill with earsplitting intensity. Smooth sensual raspy vocals coax throughout the mania of this psychotic acid trip. Its foaming at the mouth bombardment that is deliriously good and thrilling to listen to.
Watch the swirling kaleidoscope colours of the video for ‘Melting’ below
Birmingham-based garage-psych-rockers The Good Water have released their new single ‘Mansaid’. The track comes hot on the heels of their previous single ‘See Your Light’ which received airplay with Steve Lamacq, Mary-Anne Hobbes and Shaun Keaveny at BBC 6Music as well as tastemakers at Amazing Radio and influential LA stations KROQ and Indie 1031). Since forming in early 2015, The Good Water have been busy. The boys quickly picked up loyal support from Brum Radio with their drone-rock debut single ‘Everything Is’, They have gained new fans at raucous shows around the Midlands and blew away audiences supporting Mercury Rev, Super Furry Animals and Bill Ryder-Jones at Lunar Festival. The duo’s brand of psychedelic rock grooves, obscure lyrics and nimble riffs is streamlined into tight garage-pop frameworks and press has been quick to spot their talents, with rave reviews from Soundsphere Magazine, Ear To The Ground Music, Slap Magazine, Diamond Deposits, Born Music Online and Mytacism Music amongst many others. ‘Mansaid’ is red hot fiery garage rock smothered in a gritty fuzzed mind trip of psych-pop. Its a strutting frantic rush of effortless cool puzzlement that exudes swagger and blistering slick flamboyance. Blazing riffs give the track a scorching intensity while the psychedelic pop harmonies soothe and cool the track down before it kicks into the shredding frenzied mosh worthy chorus. With verses that glide in with liquid fluidity backed by feverish flaming guitar riffs and a driving punch on drums its insanely addictive. These guys are ones to watch.
Val Cale are a four piece psyche-blues band from Leeds. The band has quickly made progress through the Leeds city gig scene, and are gaining a reputation for enthralling, atmospheric and groovy live performances. Band members Tom Lister (Lead Vocals / Lead Guitar), Henry Smith (Rhythm Guitar / Backing Vocals), Shafiq Dufrene (Bass Guitar / Keys / Backing Vocals) and Sam Hamer ( Drums / Backing Vocals) have released their new track ‘Docile’ the fifth track from their upcoming EP ‘Black Stuff’ which will be released on the 1st February. ‘Docile’ is a dark eerie swirling mixture of thick sticky tar that lures you into its grip until you are stuck tight in its grasp. Raspy vocals coax with soft velvety textures while the seductive guitar licks entice like bait guiding you gently into the intoxicating psychedelic sound. Deep rooted bass slaps with a sensual slick quality adding a dark mysterious vibe to the track that is goosebump evoking.
You can download the EP ‘Black Stuff’ from 1st February at http://valcale.bandcamp.com/
Stream ‘Docile’ below
Carnivals are a four-piece psychedelic band from South East London. Band members Joe Hannen (Lead Guitar & Synth), Harry Wood (Drums), Cal Green (Lead Vocals/Guitar) and George Brimble (Bass/Backing Vocals) have developed a sound that embraces the odd psychedelia of the unknown, whilst keeping themselves tightly gripped to their roots of indie-pop. 2016 saw them release the single ‘Shadows’ which was recorded at Liverpool’s legendary Parr Street Studios, gain Radio play from the likes of Radio X whilst recruiting a budding fanbase on the road playing UK festival slots including Isle Of Wight Festival.
The Psych-Pop quartet have released their latest demo ‘City of Skulls’. This kaleidoscopic of darkened gritty hallucinogenic rock shows the band delving further into the realm of 60’s Psychedelia. The mind bending guitar glitters and flashes with narcotic effects that shimmer like glass facets catching your eye. The track races through at a frantic pace taking time out for the slick shredding kick ass guitar solo. Punchy drums drives the track into this rapid pace adding a heavy manic mosh effect that is perfect for the pit at a live show. Flexible sensual bass slaps with a malleable elastic texture adding an enticing luring quality to the track. The Joy Division- esque vocals exude swagger and charisma. ‘City of Skulls’ takes you on the most thrilling opiate trip of 60s psychedelia mixed with gritty frenzied rock that I can imagine is insane live. When asked about the track the band said “our intentions were to channel a frantic pace with an insight into the live experience, with the lyrics we tried to release the strain of the daily grind”.
Can’t wait to hear more from these guys keep an eye out for Carnivals in 2017.
If you want to catch the lads live you can see them at
January 27th- The Rocksteady, London (Independent venue week)
February 4th- Paper Dress Vintage, London
Follow the band on social media here
Facebook – https://www.facebook.com/carnivalsofficial/
Twitter – https://twitter.com/CarnivalsBand?lang=en
Instagram – https://www.instagram.com/carnivalsofficial/
https://musicglue.com/carnivalsofficial/about
Our Worth A Listen Track This Week Comes From Temples
Psychedelic indie rock band Temples have made their triumphant return with their new single ‘Certainty’. This is their first new music since 2014’s Sun Structures. The single was produced by frontman James Bagshaw and is taken from their much anticipated second album ‘Volcano’ which will be released on Friday 3rd March, 2017. ‘Certainty’ features a floaty “castles in the air” dreamlike vibe smothered in a playful feathery light harmonious melody. Sweet honeyed vocals soothe and coax you down a path of dancing toys and joyous shimmering synths. With darkened eerie and unsettling undertones, Temples give you that candy coated flighty euphoria with a darkened twist. Fuzzed guitar lines and thumping bass adds a bite and edge to this syrupy trip. The infectious melody and elevated sugar rush keeps you craving more and more of this fantastically composed track.
Watch the video for ‘Certainty’ below
The Grey Merchant are an alternative indie band from Cork. Their debut single ‘Spotless’ is set for release via Demeanour Records on November 8th. The Grey Merchant introduce us to their swirling concoction of psychedelic experimental rock that will blow your mind. Its a labyrinth of pulsating bass and distorted guitars swirling in an intoxicating brew of hallucinatory narcotic rock. This thick ecstasy of eye- popping exhilarating psychedelia resounds and winds around a vocal line sampled from Charlie Chaplin’s speech from ‘The Great Dictator’. With rapid punch and repetitive striking drums ‘Spotless’ lures you into a darkened hair- raisingly thrilling atmosphere where there is no returning. Once you let yourself succumb to the crisp edgy sting and moody undertone you become swallowed and consumed in the tireless relentless onslaught of the meandering entwining coil of The Grey Merchant’s unique and fantastic masterpiece. These guys are ones to watch.
Stream ‘Spotless’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
