We sat down to have a chat with Scott Bellew and Kyle Bellew from Dublin alternative rock band Emily 7 in The Button Factory Dublin. We talked about their recently released EP ‘Minty’s Indie Club’, their relentless gigging and what it’s like being a new band in Ireland.
Watch The Interview Below
Author : Danu
We sat down to have a spontaneous chat with Claire Miskimmin and Lyndsey McDougall from Belfast band New Pagans before their set supporting Palaye Royale at The Button Factory Dublin. We talked about the band’s sound, their influences and their new single ‘Admire’.
Watch the interview below
Author : Danu
We sat down to have a chat with Josh Jenkinson , Eli Hewson, Robert Keating and Ryan McMahon from Inhaler before their sold out shows in The Button Factory Dublin. We talked about how they form their tracks, the pressure on bands and artists now and what advice they would give new artists based on their experience.
Watch the interview below
Author : Danu
Author : Danu
Security move the eager front line back from the stage as the crowd in The Button Factory, Dublin gush about how many times they have seen new risers Inhaler and why “these guys are the best band out there at the moment”. There is a varied fan base for these young rock stars, a healthy crowd of all ages throng the venue to see what Inhaler have in store for their second sold out night. Many had seen them the night before, some traveled from the UK and farther afield to see the Dublin quartet. One fan in particular told me she had seen them the previous week in London and had tickets to see them again two more times in the UK next year. There is a buzz about Inhaler that is the envy of many artists on the circuit. They have even been long-listed for BBC Music Sound of 2020. I thought to myself, could this fresh faced quartet live up to the hype and deliver a great live show? Well …yes, actually they can deliver… with oodles of swagger and explosive onstage persona. The Button Factory witnessed something special Thursday night – a budding band which is destined to go far.
But first we are treated to one of the most impressive support slots of the year. Kilkenny’s The Wha embrace with ease the task of warming up the crowd. The band provide tantalizing tunes laced in psychedelic indie bliss with dreamy, moody, melodic undertones. ‘Innocents’ introduced the crowd to their melodically lush sound. The band’s modest stance and simple stage presence make them instantly charming however their musical prowess is not to be underestimated. These guys are a talented bunch of musicians. They had more control over our swaying bodies than we did. The Wha’s songs will make you bop and move before you even realise you want to. Bassist Marek Lech and drummer Abe G. Harris provide a solid, driving groove that is impeccably elastic and malleable. ‘Blue For You’, ‘40 Odd Years’ and ‘She Won’t Believe Her Eyes’ all exude wonderful hazy melodies with heavy blasts. The refined, precise guitar melodies executed ever so coolly by dual vocalists Finn Cusack and Sam Cullen had the crowd in the palm of their hands.
These guys are prime quality indie and sure to skyrocket due to their clever musicianship and delicious melodies. They are cool, competent musicians. The Wha are a band you need to know and listen to.
Inhaler triumphantly take to the stage to a mass of cheers. The rock ‘n’ roll band’s lively energy distinguishes their live performance from other acts. They are inimitable onstage, each members larger than life persona oozed confidence and skill beyond their years.
The band blast full speed into their set. Another proficient bassist, Robert Keating provides the infectious groove throughout their tracks with an effortless attitude. His serious stance charms some members of the audience to gush about his stern smoulder while his sublime and intricate bass lines impress the masses. The quartet have the crowd eating out of the palm of their hands from the get go. Everyone wanted a picture/ video of this young band in action. Ryan McMahon tackles the drums, raised on a drum riser his hair flops in time with the rapid powerful beat. His rhythmic thumping commands the crowd to dance. The bands sound is blazing as they weave psychedelic hues into their pummeling rock ‘n’ roll. “This one is the slow one so if you wanna go take a piss do that now” frontman Eli Hewson announces before the sultry ‘A Night On The Floor’. Quite the dynamic frontman he prances about the stage each flick, strut and pose praised with whoops from the crowd. Hewson’s charming personality is infectious. He moves to the front of the stage, reaching out to fans while executing a sweet little shuffle/wiggle with his feet. He holds everyone’s attention while his warm rasped vocals drape over the bands pop-drizzled melodies with a velvety croon.
‘Ice Cream Sundae’ ignites one of the most excitable reactions from the crowd as they bellow back the lyrics wholeheartedly and lovingly. It’s a non stop party. ‘Falling In’ continues the kinetic energy with its scorching rush of intensity and swagger. This band have an impressive first rate lineup of musicians. Josh Jenkinson is one class act guitarist. He meanders beautifully through intricate, lush guitar lines. His adept skill is majestic and a joy to watch.
It’s easy to see why Inhaler have an audience ranging from all ages. From the clapping stomp of ‘My King Will Be Kind’ to the glistening ‘Cheer Up Baby’ the band seamlessly drift through multi tones and genres providing something everyone can enjoy. ‘My Honest Face’ closes the bands set with the crowd going absolutely crazy. It’s a dark enigmatic track laced in explosive, thrilling and glorious instrumentation. No one wants Inhaler’s set to end. However the band don’t appear to stand on ceremony and they leave the stage with a bow.
Inhaler are a slick, well primed machine that are cultivating their sound and brand superbly. They are creating something truly captivating and relevant. It is easy to realise what all the hype is about and how they have garnered such a loyal adoring fanbase. They are an act to get excited about. They are mesmerising to watch onstage and with such a great sound, if they keep doing what they are doing these proficient musicians will be very big indeed.
Devoted fans is something every band and artist dreams of. The sort of fans that have tattoos of the band’s logo, know every word to their songs, discuss who their favourite band member is before the show and queue in the cold to see them. This is the devotion that Dublin’s Fangclub have garnered. I heard compelling arguments for why Steven King, Kevin Keane and Dara Coleman are the best as the eager fans stood waiting to enter the Button Factory on Friday night for Fangclub’s headline show. The fans dissected their favourite tracks from the bands EP’s and albums while discussing the amount of times they have seen the trio. The crowd were sure the show was going to be one to remember….. it was.
Derry three piece pop rock band Cherym kick started the night. A feisty trio the band blast out their fierce tunes with relentless stamina. With a crashing wall of sound saturated in gritty riffs, fiery bass lines and pounding drums provided by Alannagh Doherty – it’s a speedy neck snapping set. Hannah Richardson howls and spits out the lyrics with attitude as she struts back and forth on stage. There isn’t a lot of banter from this trio they allow their brawling riffs and pulverising lean mean wall of sound do the talking for them. The pop sensibilities smoothen the razor sharp assault the trio execute so precisely. Members of the crowd mosh and jump to each tune while others are singing along to the lyrics.A threat to do an Irish dance on stage and a “wee prayer” causes cheers from the crowd while a witty asthma quip and “wake the f*ck up do we look like we do Irish dancing” remark creates a humorous tune-up distraction before the band speedball into new single ‘Abigail’. There is something compelling about this trio. Their tunes exude gut-punching punk rock with a pop smattering melody that drifts effortlessly into the ears. Bassist Nyree Porter is extremely charismatic on stage as she engages playfully with the crowd sparking clap-alongs and even jumps off the stage to allow the audience to strum the bass. They made quite an impression.
With Led Zeppelin’s ‘Immigrant Song’ blasting through the speakers while a smoky red hue glows onstage Fangclub triumphantly stroll on stage to a mass of cheering. A band who are honest, raw and incredibly talented these guys don’t hold anything back. The setlist travels at full speed as the band pack in as many tracks as they can with high fives, fist bumps and hand shakes from the crowd in between. “Go on Stevo” members of the crowd shout as Steven King (his face buried in a mass of hair) explodes into ‘Vulture Culture’. The pit erupts immediately, as the crowd once again fall under the bands spell. ‘All Fall Down’ truly grabbed the crowd by the throat as a riot of drums, bass and shrilling roar on guitars thrill the moshing fans to the core. Kevin Keane swishes, jumps and executes his raging bass lines with rampant vigor. There is one track in particular where his finesse excels, ‘ Hesitations ‘. The demon summoning bass rumble resounds throughout the venue as King’s spine chilling vocals entice and seduce against this riveting wall of sound. Dara Coleman resides on a raised platform, shrouded in an enigmatic cloud of dry ice. He pummels through the crunching, ferocious and downright dominant drum rolls and rhythms with precision and relentless stamina while members of the crowd try to air drum along . The trio are joined onstage by guitarist Ed Scanlan who provided those slick licks, riffs and rich guitar melodies that pepper the bands tracks in swagger and spice.He has his own fans in the crowd who shout “go on Ed” and “love you Ed”.
“Everyone ready for Christmas?” King asks before he introduces the blistering ‘Kingdumb’. Members of the crowd reply with a half cheer/half moan while another shouts “Hail Satan!”
The show is a special moment for both the band and their fans. An almost solo performance of the note to King’s girlfriend ‘Last Time’ leaves King in tears as he tries to finish the song. His fingers shake as he forms the chords on the fret-board. He coo’s the tender lyrics with nothing but guitar accompaniment. The crowd cheer in support as Coleman and Keane return to the stage embracing him before the expressive and emotional crescendo. It’s a striking reminder of all this band have been through, almost calling it a day before the ‘Vulture Culture’ album and the stress and emotional turmoil they have been through. It made me realise just how lucky we were to be there that night watching them perform their largest Dublin headline to date. King thanks his family, friends and fans for helping him get through everything. Most people don’t think of the person beneath the larger than life rock-star persona but that glimmer into frontman King’s emotional mindset at the time made all the difference and earned more respect and love from adoring fans. Refusing to allow that tender moment define the night King turns to face the drums, wipes his eye and rebounds with the searing ‘Bad Words’…. the crowd goes insane. The band leave the stage as King lip sinks to Whitney Houston’s ‘I Will Always Love You’ while the crowd bellow back the lyrics dramatically sprawling their arms out to him before Coleman, Keane and Scanlan carry King off stage to the resounding sound of the crowd’s cheering.
It was a fantastic show of sweat, adrenaline, massive tunes and tears as Fangclub were welcomed home by their adoring, never faltering fans. Fangclub are getting bigger and better. They have grown into accomplished proficient musicians. They shattered through The Button Factory in style with unbridled energy, graciousness and a performance that their fans will never forget. Their riot-inducing sound is hypnotic and encourages anyone within ear shot to begin head banging and moshing. I believe one fan from the crowd summed up the nights antics well – as he left the venue he said to his friend ” my neck is fucked”.
Author : Danu
Passionate, time stopping performances of a wholesome nature is the perfect recipe for a chilly December night. Belgian singer Tamino along with Kitt Philippa as support thawed our iced souls with warm dark toned, balmy tunes. The mesmerised audience were in good hands last night, as The Button Factory was shielded from the icy cold and wrapped in the comfort and emotive daze of singer songwriter bliss
Belfast singer Kitt Philippa began the defrost. Their quirky yet shy and sweet persona charmed all within the venue. Philippa’s voice drifts between captivating tones and hair-raising richness as they pour themselves into the songs, leaving the audience stunned. The crowd cheer and encourage Philippa , shouting “that was unreal”. Philippa sits at the keys swaying back and forth while the graceful melodies and elegant, raw musicianship blends with their superb vocals. There is a vulnerability to Philippa’s set and an innocence through the tracks that they rein and bridle with awe-inspiring confidence.
Philippa ventures from the keys to guitar. Playing mostly tracks from their newly released album ‘Human’ Philippa warmed our hearts with a spine-tingling voice and intensely rich musicianship. A cover of Jeff Buckleys ‘So Real‘ is a hit with the crowd as they encourage Philippa -whooping from the first gentle strum. An anecdote about Philippa’s brand of tea ‘Humanitea’ ( which actually sounds lovely and soothing) and the random sighting of a button on stage at The Button Factory before title track ‘Human’ brought a light-hearted end to Kitt Philippa’s wonderful set.
Philippa left the crowd touched and enthralled by their beautiful blend of melancholic depth and sweet optimism. It was quite a special performance.
Tamino takes a very casual approach to his set. Perhaps it’s the laid back banter from the crowd or maybe the chilled and relaxed vibes from Kitt Philippa’s set but he chats and jokes with the crowd between his performance. He stands simply with his guitar, a 6 foot something, slim young man adorned in dark attire. He wows everyone in the room with his maturity, rich vocals and the dreamy haze of his tunes. From a first listen you would be forgiven to describe Tamino’s sound as dark and sombre however like all good things, there is much more beneath the surface. There is something special about this young performer. His sound is unique and completely his own, in every way passionate, immense and naive all at once. He is becoming somewhat of a “ rock-star “. Much to his surprise members of the crowd are shouting “ I love you Mr. Tamino” – to which he just smiles replying “ I love you too, we just met though but I like your straightforwardness” while others are throwing roses on-stage and someone even threw their knickers.
Within the live setting Tamino’s tracks take on a richer more tantalising dimension. Even without his band at his side he confidently plays straight into ‘Persephone’ – just him and his guitar as he holds everyone’s hearts within his grasp. His rich velvety vocals slip between sweet falsetto and creamy depths that summon silence in the room allowing the beauty of his voice to lull and enchant at will. The crowd adore him singing every line to ‘Cigar’, ‘Tummy’ and ‘Sun May Shine’. Tamino stands, basked in warm golden or red lightning which ventures into blue tones as the dry ice creates a celestial quality to his silhouette. Not even a broken guitar string’s intrusive demand for attention hinders the show. Tamino simply explains that the string is broken, that he needs a moment to re-tune and the crowd wait patiently.
There are people from all over the world at this show as they take the opportunity between songs to ask him to do a gig in their country. The crowd remain silent as he begins to sing again. His deft, crisp… yet warm voice and sweet falsetto caress the atmosphere with tones of longing and tales of life. Tamino depicts romance, love, vulnerability and strength throughout his tracks and it’s his sublime timeless and unique delivery of these themes that grip the audience and submerges them in a magical dreamy haze. ‘Indigo Night’ in particular was outstanding live and ‘Habibi’ couldn’t have been more perfect. The crowd stood in suspense for that acrobatic falsetto. Tamino finished his set with an impeccable cover of Mac DeMarco’s ‘My Kind Of Woman’.
Tamino is in a league of his own. There is no denying his talent and vivid, poetic musicianship. His ability to create and weave fantastic melodies with rich exotic undertones shimmering throughout is outstanding. Tamino’s composition’s possess the potential to stir something within your very soul and in a live setting this ability is even more raw and potent. There were members of the crowd weeping from the emotion within his music. Tamino is an artist not to be missed.
Author : Danu
On Tuesday night TiLT began its debut showcase event in The Button Factory Dublin in association with Totally Irish 98FM, Sound Training Productions and The Button Factory. This first edition featured four exciting Irish acts – Bullet Girl, Synk, TOY GIRL and MUNKY.
Alternative five piece TOY GIRL kick started the event. Hannah Worrall’s mesmerising vocals echoed around the venue with powerful sweet tones and rich depths of captivating proportions. She punctures the rooms atmosphere with haunting crisp clarity leaving the crowd stunned in her presence. TOY GIRL’s chilled indie fluidly oozes with an R&B quality as the band, unnerved, command the stage. Their darkly coated tracks create a smoky atmosphere as Worrall’s vocals coo and haunt over the rumbling drums and eerie, piercing guitar. With their tightly layered sound of twinkling keys and rooted bass grooves the band slowly seep their enchanting tunes into the venue- mesmerising the crowd. After a small request from Worrall to move closer the crowd rush to the front of the stage to sway to the bands hypnotic tunes. The hushed atmospherics of their songs flood with rich vitality and deep intricacies that can only be truly adored in the live setting. Utterly majestic and soul fulfilling TOY GIRL were superb.
Post Punk four piece Bullet Girl follow, tearing the venue to shreds with their raucous set and blistering instrumentation. Pulverising drums, crashing guitars and relentless bass hammer and pierce the atmosphere, consuming the audience in the band’s ferocious soundscape and battering punk assault. Aaron Doyle is the ever charismatic frontman as he prances about screaming, wailing and yelping into the mic. The tense sweltering bass and shrilling whines on guitar gash through your skull as Bullet Girl masterfully display their raw savage wall of sound. It’s an acute chaotic set brimming with tracks to set a mosh pit alight and the head banding and bopping from the crowd was a pleasant sight. This band is designed for blood thirsty moshing and utter anarchy. Bullet Girl are a fantastic raw live act. A must see.
Electronic rock band Synk are up next. These guys bring an intense set to The Button Factory but on a different level to the previous act. The audience are swirled up in a psychedelic prism of rock with light indie facets and mellow glimmers to create a wholly submerging experience. These guys could melt your mind, frazzle the remains and solidify it again all in one rich tune. There are lush warm guitar moments wrapped delicately in laid back sweet melodies and dreamy soundscapes as well as crashing harsh rock moments throughout this bands set. The deeply nourishing melodies create a wholesome atmosphere while the lush harmonies and vibrant keys lift the tracks to ethereal heights. The rhythm throughout each song is mesmerising and pounds through your chest as this band weave between genres to create a sound all of their own. Very professional and proficient Synk’s sound is a bottomless pool of magical depth and the passionate powerful vocals are spine chilling. Synk are an outstanding and refined band that take you into a whole new universe with their sound and in a live setting they are enthralling to watch.
The fourth and final band to take to the stage are disco grunge group Munky. A band of vibrant charismatic characters these guys know how to put on a show. They steamroll through their funky infectious tracks with relentless stamina. With Taylor Maslanka and Sinead McConville on backing vocals and Andrea Louise Jones on saxophone the band were set and ready to create their dance-able setting. Stage presence and swagger-dipped persona’s in tow they jump, dance and wiggle around the stage as their tracks fluctuate from crashing grunge rawness to light disco funk with ease. The crowd dance and execute some very snazzy moves to the bands catchy tunes. Munky always put on a fantastic show. Their set is always vibrant and rich while exuding fun and energy. Bassist Niall Donnelly and guitarist Conor Lawlor have guitar poses down to a tee. The sharp guitar lines and intricate melodies are performed with precision while that hip grooving bass and pummeling drums keeps the crowd dancing. It’s not often there is a band as much fun to watch and listen to but these guys have it all. You will never be disappointed at a Munky live set.
TiLT chose four outstanding bands for their first showcase. There was something for everyone and more. Each band performed their set to a polished and professional standard however there was enough edge to keep them refreshing and interesting to watch. They all put on an exhilarating show. Versatile in their on right and greatly entertaining all four acts showcase the immense talent we have in Ireland. The sound on the night provided by the ninja’s at Sound Training Productions was flawless and of course The Button Factory is one sleek venue so it was sure to be one heck of a night and it was. I’m looking forward to who will play TiLT next month.
Author : Danu
‘TiLT’ – (Totally Irish Live Tuesdays)
In Association with Totally Irish on 98fm, The Sound Training College and The Button Factory.
The first ‘TiLT’ takes place on Tuesday Oct 29th featuring Munky, Bullet Girl, Synk and TOYGIRL. Admission is free and doors are at 7.30pm.
What is ‘TiLT’?
Every month 4 acts are invited to perform at the event which takes place in The Button Factory. Each act gets a day of pre-production before the event takes place / a professional video of one of their songs from their performance on the night / a day’s recording in Sun Studios, Temple Bar / a chance to be featured on Totally Irish on 98fm / and, of course, the opportunity to play at The Button Factory.
With Munky, Bullet Girl, Synk and TOYGIRL performing this is going to be one hell of a show.
Alternative band Bullet Girl are one exciting band to check out. Not only were they featured on one of our Indie Buddie Introducing articles their groove laced sound and invigorating tunes are sure to ignite the wiggle worms within you.
Check out Bullet Girls’s debut single ‘The Rush’ below
Future Electronic Rock band Synk are one sleek smooth machine. Their live performance is known for being densely textured, and turbulently dynamic in it’s scope.
Check out Synk’s single ‘Out of The Storm’ below
Alternative band TOYGIRL have also been featured on Indie Buddie. These guys present a deep passionate and slinky sound with soul and some wonderful jazz elements. Seeing these guys live will be a special moment
Check out TOYGIRL’s track ‘Reign’ below
Disco grunge band Munky have been regular offenders on Indie Buddie and we just can’t get enough of their shows, They are fun, insane and their tunes utterly outstanding.
Check out Munky’s track ‘Megaton’ below
All round it’s going to be an exciting night filled with dancing, moshing, grooving and lush tunes. A fantastic start to ‘TiLT’ – (Totally Irish Live Tuesdays)
If any acts want to get in touch about performing at future ‘TiLT’s they can email John Barker at john.barker@98fm.com.
Author : Danu
Vernon Jane are set to bring their explosive live show to The Button Factory on Wednesday the 12th of December with support from Junior Brother, and special guest TBA.
The new single ‘Push Me’ displays Vernon Jane at their most visceral. The final single from their 2018 EP ‘The Dark Place’, ‘Push Me’ is an emotionally dense exploration of acceptance beyond betrayal, featuring a constant push and pull of tension and release to mirror that theme.
Vernon Jane once again join forces with video producer DOCK for a striking and visually rich accompanying music video.
The show will see Vernon Jane incorporating striking visual elements, working with ‘Imagery By Ro’ to express the emotions explored throughout the set.
This will be Vernon Jane’s most immersive and intense performance since their inception.
This band know how to put on a mind melting show so make sure to check it out.
Doors: 7:30pm
Ticket Information: €15 book here https://www.eventbrite.ie/e/button-factory-presents-vernon-jane-tickets-50168913571
Watch the video for their previous single ‘Fragile’ here
