Tag Archives: The Grand Social

Event News : The Grand Social presents – “Social Connections”

The Grand Social presents:

“Social Connections” 

A series of 16 live performances, recorded and broadcast on the internet. 

December 15th- December 30th 

Tickets are all FREE – Available from Tuesday, Dec 1st 

Please Register www.thegrandsocial.ie

This project has been part-funded by the Department of Tourism, Culture, Arts, Gaeltacht Sport and Media from the Live Performance Support Scheme.

 

Social Connections is a series of 16 recorded live performances by a wonderful multi genre collection of Irish based artists. The Grand Social is delighted to open it’s doors with this fresh mixture of showcases by some of Ireland’s most iconic artists and a chance to explore the new breed of songwriters who are taking the scene by storm. The Grand Social has teamed up with collectives, booking agents, other venues and a multiple of friends to create Social Connections. 

The Grand Social is also delighted to be a part of the Live Music Venue Collective which has created numerous days of work for the live entertainment industry during the pandemic by working together across the country. Find out more here.https://www.livevenuecollective.ie/who-we-are

The Grand Social : Please join us this December for any or even all of these amazing performances that will embrace you in the magic of music. Invite your friends and families from anywhere to the Grand Social. All tickets are free of charge and a live link will be mailed to you once you have registered. www.thegrandsocial.ie

The Grand Social have put together a diverse and talented selection of artists for an event which is sure to be enjoyable and brimming with good tunes and wonderful music.

Line up and date is here. 

Dec 15th N.C. Lawlor 9pm 

Dec 16th Jem Mitchel 9pm 

Dec 17th Oliver Cole + Friends 

Dec 18th Aoife Nessa Frances 9pm 

Dec 19th  Leila Jane 9pm 

Dec 20th A.Smyth 9pm

Dec 21st The X Collective w/ Toshin, Shiv, Shy Mascot 9pm

Dec 22nd The Young Folk ( Elgin) 9pm 

Dec 23rd Mongoose 9pm 

Dec 24th Lemoncello  9pm 

Dec 25th Liam Ó Maonlaí 9pm 

Dec 26th MUNDY 9pm 

Dec 27th SACK 9pm 

Dec 28th SON 9pm 

Dec 29th The Zen Arcade (former members from the Strypes) 9pm 

Dec 30th Ryan O’Shaughnessy 9pm 

Each performance will be accompanied by the work of Douglas O’Connor, a Dublin based photojournalist, who has spent a life time walking the streets of Dublin, camera in hand. Since the lockdowns began in 2020 he has continued to document the city in all of it’s nakedness, shy of people. Walk the quiet streets of Dublin through the eyes of O’Connor. 

This series of images is taken from his book “Eat Yer Rent, Dublin Lockdown 2020” and can be seen at:https://www.blurb.com/b/10071236-lockdown-dublin-2020


Author : Danu

Black Honey Live At The Grand Social Dublin With Support From Chappaqua Wrestling

It was a Brighton take over Thursday night in The Grand Social Dublin. With sparkles at the ready, swagger in tow and Guinness ready to guzzle. Indie rock, rising deity, Black Honey took the venue by storm equipped with everything to make the night memorable.

One of those was fellow Brighton gems Chappaqua Wrestling who flooded the venue with the sweetest, most delicious tunes as their musical prowess pleasantly wafted delicately about our ears. Each tune brought their sound to a new delightful level. Both Jake Mac and Charlie Woods take turns on vocals as they coo and softly lull through tracks like ‘False/Blue’ and ‘Wait To Form My Head’ while ‘Football’ blows our minds with blistering instrumentation. Their tracks are laid back, sun soaked and infectiously groovy. The duo are accompanied  by Jude Lilley and Josh Cassidy-Stone who maintained the joyous buoyant foundation and rhythmic bliss superbly. Their breezy tracks melt exquisitely into the ears with ease as the honey drizzled melodies float upon their edgy indie backdrop. Each track was tight and utterly mesmerising with a 50’s melodic hue floating about them. You can’t fault their slinky solos and thrilling riffs as they flesh out the bands intricately weaved sound beautifully.This duo’s easy going charm is infectious as they banter with the crowd  “ I tried my first Guinness today …. I love it so much” as well as jokingly haggling on the price of their EP as members of the crowd try to create a bit of currency exchange confusion. The band are talented and down to earth with some really infectious tracks . They even hug each other after their set, it was pretty moving. Chappaqua Wrestling are definitely ones to see live.

Black Honey take to the stage triumphantly as the crowd’s cheers resound through the venue. The ever so spellbinding frontwoman Izzy B Phillips parades in a sparkly pink dress and flashy sunglasses which she presents to a thrilled fan at the front with a wink and greeting smile before belting straight into ‘ I Only Hurt The Ones I Love‘. Flamboyant and sassy she struts about the stage executing every pose, stride and wiggle with a precision that leaves the crowd in awe. She has a mesmerising effect on the audience as they gaze upon her in all her glittering glory. The band is brimming with charisma, guitarist Chris Ostler prances about as he performs those sublime, ornate and golden soaked spaghetti western melodies and refined solos with finesse and grandeur. His smiling face a joy to see as he bops and hops along to their lavish tunes. The band give us a sneaky listen to the cinematic James Bond – esque new “not on the internet yet” single ‘ I Don’t Ever Wanna Love’.

“Girls come close, come in, lads step aside, girls at the back come up…. Cos this song is for you ” Izzy calls as she moves closer to the crowd hugging her stunned fans while they sing the chorus for the beloved ‘Corrine’. This is something she regularly does throughout the set, she stays with the crowd embraces and dances with them before returning to the stage to wiggle and shimmy to the bands infectious tasty tunes. The tracks take a new dimension live, the disco funk speckled delight ‘Midnight’ becomes more gritty and raw within the live setting while a slower start to the exhilarating ‘Spinning Wheel’ teases the fiery frenzy to come. Drummer Tom Dewhurst lays down that all important meaty foundation and punchy beat that keeps tracks like  ‘All My Pride’ pounding through your soul as he grins to the coolly composed Bassist Tommy Taylor who’s slinky bass lines make tracks like ‘Teenager’ and ‘Midnight’ swelter their way to epic status.

A beautiful rendition of ‘Baby’ allows Izzy to showcase her flawless vocals while ‘Bad Friends’ and ‘Into The Nightmare’ wallop through with attitude and fiery instrumentation. Their setlist powers through at an unstoppable speed, it almost feels like no time has passed when the band announce their final track of the night ‘Somebody Better ‘ as the crowd cheer and dance along.

Black Honey put on one heck of a performance. One of the best live shows of the year so far.


Munky ‘Un, Deux, Trois, Cat’ EP launch in the Grand Social Dublin With Support From The Family Dog and Skinner

Munky pulled out all the stops for their debut EP, ‘Un, Deux, Trois, Cat’ launch in the Grand Social Dublin on Friday Night. Setting the crowd up for a night of dancing, hugs and funky tunes the quartet had their swaggering shirts on and their slick tunes ready.

Luscious French tunes played through speakers welcoming the crowd into the venue setting a sweet calming ambiance before the frenzied mayhem began.

Skinner take to the stage to kick things off. Skinner is the solo recording project of Aaron Corcoran playing live as a band with members Jack Tobin (drums) and Daniel Butler (bass). Their punk/ grunge tunes resonate through the room… seeping into our ears with biting sweet shrills of youthful adrenaline. The band didn’t waste their time ranting and raving on stage. They walloped straight into their rambunctious tracks. Sweet toned guitar melodies weave tasty threads of glistening delight between the punchy drum assaults and groove infested bass lines as Skinner whack out a professional and thrilling set of tracks. Corcoran spits out his lyrics with attitude and panache between the slick guitar refrains and solos. There is impressive skill with this trio – with catchy tracks and blistering instrumentation Skinner is one to keep an eye on.

Next up were The Family Dog. A band of five brothers, these guys know how to put on a show. Their frontman role is taken by the ever eccentric youngest of the pack Hector Dogliani who is at the tender age of 12/13. He struts about the stage with ‘James Brown – esque’ scorched swagger. Although he is quite mesmerising to watch he also sings the sweetest harmonies and vocal leads while stomping and strutting about. However Hector is not the only charismatic member of the band, each brother exude their own charm while showcasing their sleek instrumental prowess.They even manage to get the crowd to roar as they shout “let me hear a Dublin roar”. But all the pizzazz aside, these guys can play some soulful groovy tunes.The Dogliani brothers lay down a scorching set of raw blues-hued fluid tunes that get the crowd riled up and eager to dance. Each track follows its predecessor with grace while displaying slick instrumentation and infectious melodies.The Family Dog’s sound is tight. The vaporous guitar lines entwine the elastic bass grooves and meaty drum foundation with finesse and grandeur while the jazzy keys provide a playful bounce and classy element to the tracks. I highly recommend you see them live.

Finally Dublin’s Munky take to the stage as members of the crowd chant “Munky!, Munky!, Munky!”. The bands funky, grungy disco with some psychedelic rock translates superbly live. Munky are a prime example of a band who put their all into their live shows and the result is magnificent. Mesmerising characters onstage, guitarist Conor Lawlor and vocalist Zachary Stephenson playfully interact with the crowd as Lawlor implements every guitar pose known to man to heroic cheers while Stephenson prances about the stage.The band open with searing guitars, a thrilling drum roll and passionate vocals. They ferment the atmosphere with little banter to start allowing the crowd to lap up their gritty tunes. Not letting a few sound issues ruin their moment – they tighten their grip on the audience with the blitzing ‘Zordon’ and the high-speed hammering of ‘Cuck Rock’ which provokes cheers from the crowd. Niall Donnelly appears to wander in and out of consciousness as his bass groove consumes his attention. He wiggles to each track, happily laying down that all important elastic bass that loosens the crowds hips and entrances their minds into the depths of each tune. ‘You’ve Got Male’ sparks a mass sing-along but not as much as the notorious  ‘Ms. Communication’. Donnelly and Sam Russell lay down one hell of a rhythmic backbone. Russell smashes the drums like a man possessed and together their groove consumed wall of sound is fully immersive and utterly mind-blowing.

Lights dim as the band leave the stage. Only Stephenson and Munky’s glorious backing singers Edwina Van Kyuk and Sinead McConville remain for a stripped back rendition of  ‘Just Can’t Quit’.Bathed in a soft spotlight hue,Stephenson pines out the track in this new refreshing manner before the rest of the band return to blast out the passionate crescendo. ‘One In Five’ brings us to the intense and emotional finale of the bands set as they perform an immaculate version of this gripping track. However, the crowd refused to allow the quartet to leave it there. They demanded “one more tune!” and Munky did not disappoint. Lawlor takes the vocals on a jubilant cover of Bill Withers ‘Lovely Day’ while Stephenson encourages the crowd to part – readying for a circle pit ( with a difference! ) ….he beckons the crowd to part and on his say so, run into each other and hug….and of course they did. It was a special moment,even  onlookers hugged the person nearest them. ‘Hunter Gatherer Blues’ brings the bands triumphant set to an end as Stephenson shouts “let me see y’all square dance”.

Munky squeezed mayhem and elation into one set of fiery enjoyable tunes while maintaining and balancing their professionalism and fun attitude. It was a fantastic start to the weekend. All the acts were thoroughly entertaining and are definitely worth checking out live.


Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch at The Grand Social Dublin with support from The Thrash Blues

Nestled in the heart of a rainy Dublin city The Grand Social Dublin host psychedelic band Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch. A projected mirage of kaleidoscopic colours, swirls and patterns decorated the stage wall creating a prismatic dreamy atmosphere as we eagerly waited for the nights music to begin.

Rock n’ roll duo The Thrash Blues cooly take to the stage to ignite the night with their burly grooves and slick riffs. Not one’s for banter they whack into each track with surety and vigor loosening up the crowd’s hips with their swagger steeped richly developed tunes. Liz and Ro have finely chiseled their sound for maximum impact. The beefy riffs, slick guitar licks and melodic purrs weave their way suavely through the punchy drums superbly to create a thrilling contrast. Their raw yet refined sound is perfect to dance to. The Black Keys – esque ‘Wicked Man’ blasts out the energised and playful loose musicianship of this band with an edgy punk whack that hits you in the mouth half way through. There are lush guitar twangs, riveting drum rumbles and warm smooth vocals throughout the set filling each track with its own unique and vibrant character. For bluesy tinged, punk slapped rock n’ roll The Thrash Blues are the ones to call.

Poised on stage amidst the purple hued smoke of dry ice, Sun Mahshene stand ready to melt our mind with their glorious psychedelic drenched tunes. The dim lighting causes their silhouettes to haunt through the smoke providing a spooky, eerie atmosphere.Their set is brimming with malleable elastic soundscapes weaving their way through sharp slinky guitars, elastic bass grooves and chiming keys as Nathan Henderson coos and warmly caresses the euphoric melodies with his velvety vocals. The distorted whines introduce opening track  ‘Making The Call’ as the band peer through the shadowing mist. These guys bend their shredding raw rock and delightful sweet psychedelia seamlessly making for a gritty and diverse listening experience. Sun Mahshene are musical guru’s who leave a trail of sugary sprinkles throughout their tracks which lead you down a delicious rabbit hole craving for more. ‘The World Will Grind You Down’ and ‘This Girl I Know’ are mesmerising live as the band entwine each track in glorious layers adding rich depth to each component. There are three guitarist on stage Ryan Daffy, Ian McGinn and vocalist Henderson – this brings a new dimension and thrilling intensity to each track. These guys are also fun to watch on stage bassist Darren Hughes dances, executes all the suave guitar poses and hair flicks known to man while hopping, bopping and wiggling along to the tunes – he only stops to place a can to his brow to cool himself down while Dave Murray’s proficient drumming is a joy to watch and listen to. Backing vocals and percussion were provided by Ray Burke while Rob Crosbie took to the keys to help flesh out and adequately translate Sun Mahshene’s stunning sound.

‘The Righteous One’ is one beautiful 60’s – esque gem. Distortion on guitars fizz and bubble over a dreamy vocal and euphoric melody while punchy drums and enchanting soundscape create a dizzying sweet wall of sound to encapsulate your mind, soothing, sedating and enlightening you all at once. It’s pretty magnificent. I forgot where I was for a brief moment – the tracks are so luscious and consuming. The new single ‘Come Alive (Leave This City)’ was equally as gripping. Its anthemic chorus had members of the crowd jumping and throwing their arms in the air while that defiant beat thumped through our chests invading and controlling every bounce and bop. There was no lag or cavity in their set. Every track was engaging and blissful on the ears. These guys are growing and flourishing beautifully and with a sound that leaves you thirsty to hear more their live show is the perfect medium to guzzle up their dazzling sound and refreshing tunes.

The band closed their set with the effervescent ‘When The Bomb Drops’. However the crowd refused to allow that be the end, they demanded the band return for an encore. As they shouted for “No Control”  Henderson shrugs and timidly obliges “Right we’ll do it”. ‘No Control’ takes the roll of the final track in its stride. Sulky and brooding it swarms in with dark tones, shrilling guitars, reverb vocals and a magnificent wall of sound that rushes adrenaline and fiery intensity into your veins. This exhilarating track was the perfect closing tune.

‘Come Alive (Leave This City)’ is released on 15/02/19 make sure to check it out. These guys have something special.


Event News: Gallops at The Grand Social, Dublin

Gallops at The Grand Social on March 30th for a LATE SHOW!

Math trio Gallops, will be hitting The Grand Social on March 30th for a LATE SHOW!. Gallops bring industrious composition to the “post” scene. Meandering through noises that bring you a digital Tron esc sound that has been smoothened out with your mothers brand new iron but upholds everything digitalising drool-worthy of 8 Bit sound. These guys have tracks that are so electronically charged and sci-fi tinged it will have you in seizures frothing from the mouth yet craving for more.

Support on the night comes from local post-punk noisemakers Tribal Dance. They come packing a strange concoction of math, aggression, punk, noise and manage to keep it all danceable. Alongside CHANCER who are a cinematic post-rock band made up of some of Dublin’s finest musicians from an array of bands which include Overhead, The Albatross, Val Normal, Punch Face Champions and Not Monsters. And So I Watch You From Afar will also be joining them on the night for a DJ set.

It’s a jam-packed night of brain melting ear crushing sounds that’s sure to make it one dizzing swirling Good Friday to remember. Its going to be heavy and rowdy with some sweetness blended in. One not to be missed.

Doors 11pm till late

You can get tickets here https://secure.tickets.ie/Listing/EventInformation/37627/gallops-the-grand-social-3-March-2018


Isaac Gracie With Support From Wildes at The Grand Social Dublin

Isaac Gracie’s debut Dublin show was on Tuesday night in The Grand Social Dublin with support from Wildes. We are big fans of Gracie so naturally there we were to see the magic happen in the flesh.

Wildes which is the performance name of Ella Walker walks timidly on stage picks up her guitar and begins to sing. The crowd swiftly stop their chatting and absorb this deeply touching performance. Her stance is simple as she delicately stands with just her guitar overwhelming us with the power, depth and rich emotion in her vocals. Beautiful melodies drowned in melancholic emotions run throughout her performance while her vocals express the rawness in such a crisp clear yet haunting manner. There is such silence during her set you could hear a pin drop as the audience are captivate by her voice and moving lyrics. She gingerly introduces her songs with a hint of nervousness that appears to disappear when she begins to sing. ‘Bare’ displays a sorrowful heart-breaking quality to her vocals. Walkers performance is an enchanting display of vulnerability and vocal fortitude. She dips into her lower register while the sweet guitar accompaniment dolefully mourns along. Her tracks display a sense of refinement and elegance with gorgeous melodies and a sway like wistfulness. Walker tells the crowd about her family from Waterford and her sister who went to Trinity bridging any gap between herself and the crowd. After each track the audience whoop and clap enjoying the sweet toned breath of fresh air her tracks tend to bring. She takes to the keyboard for the celestial ‘Illuminate’ “I always feel a bit sassy when I do this” she giggles before beginning an enthralling pure version of her track. Evoking a peaceful silence and longing throughout the room, it’s hair raising and captivating. She closes her set with the chilling and haunting ‘Ghost’ after trying to convince us she didn’t nick the name Wilds from Oscar Wild.

Isaac Gracie and his band take to the stage with a sweet shy little “hello” he thanks the audience for turning up to his first headline show in Dublin. ‘All In My Mind’ kicks off his set, the addition of a bassist and drummer add a bit of punch to his live set. One thing that becomes apparent is Gracie is fantastic live, his voice so clear with a sublime depth and maturity beyond his years. If you enjoy his tracks then live he will just blow you away. His drummer Alex is probably the most enthusiastic drummer I’ve seen in a long time from his facial expressions to every bounce and bop he oozes energy. Bassist Jamie is Gracie’s “guardian angel” running about the stage plugging in Gracie’s guitar and giving him little tips like talking through the tune up. Gracie’s musical poise is simple he lets his heart wrenching tunes speak for themselves his eyes drift into the meaning of the track and that is where the magic in the performance happens. It’s all in the emotion and melodies. One audience member is so taken with his set he shouts, “I Love You” Gracie reply’s “I love you too.. I hope you said I love you, I can’t really hear properly if you didn’t it’s ok I still love you” before the most beautiful rendition of ‘Silhouettes Of You’. The spellbound audience sway dumbfounded by the passion exuding from this shy young chap. The sorrow and despair flooding through every note and hitting you bang smack in the middle of your chest. It’s heart breaking and graceful. It’s my favourite track on the New EP and it was as tear jerking and tender if not more so than I expected. It’s the second show performing with his band and it’s a working progress as they stumble over blunders with the audience barely noticing. With a show like this all the hiccups and bashfulness makes it special it’s raw and fresh. ‘Running on Empty’ takes a different heavier persona with the band. Personally, I prefer the solitary version it’s more striking and personal however, with the band it takes on a danceable wiggle vibe. Gracie’s vocals still shine and the lyrics still pierce but it’s just a little more fun and less heart breaking. “The second guitar solo of my life” Gracie announces at the end of the track it feels like we’ve experienced a pillar moment for Gracie. Struggling to open his bear bottle he introduces the agonising ‘Terrified’. The band retire from the stage for the encore leaving just Gracie and his guitar for the affectionate ‘Last Words’. The maturely written tender track that made him an artist to watch. The audience sway and sing the lyrics along with Gracie, everyone’s heart breaking in that beautiful moment, his eyes closed, his brow creased with deep sorrow, we feel every emotion and painful quiver. The perfect way to end his set.

Gracie is like an unpolished diamond in the rough. The “Padwan rockstar’s” undeniable talent sparkles and glimmers as each and every track touches the soul of every person in the room creating a unique beautiful experience each time. The small flashes of goofiness and bashfulness just makes the show all the sweeter. His songs alone are refined and passionate he blends soft tender soundscapes with heavier reverb laden soundscapes seamlessly. With smokey delicate poetic lyrics and beautiful melodies simply portrayed it’s a magnificent experience. Go see him live you won’t regret it. And he is actually a nice guy, we met him after the show and he took a picture with our logo, sound chap.