Tag Archives: trance

Hypnotic, Indie Psychedelic, New Music, psychedelic, Trance

Modern Crowds ‘Eye Of The Storm’

Jersey Shore-based band Modern Crowds have released their new single ‘Eye Of The Storm’. The four piece have crafted a diverse alt-rock sound that’s as huge as their arena dreams. Formed in early 2016 when Joseph Pellegrinelli (lead vocals, rhythm guitar) and Charlie Kupilik (drums) started jamming together the lineup would be rounded out by Adam Baczkowski (backing vocals, lead guitar) and Doug Gatta (bassist). With a debut EP ‘Go’ already under their belts, Modern Crowds are now gearing up to release their debut, self-titled full-length out this summer via self-release.
‘Eye Of The Storm’ is a hypnotic sparkling prism with flashing sonic flecks between speckles of glistening chimes and twinkling guitars. Soft soothing vocals place your mind in a narcotic daze and state of calming ecstasy. This track is a mesmerising trance-inducing state of swirling trippy bliss. With mild distortion and lush harmonies it’s mind melting-ly chill and mellow. Sticky beats keep a constant hypnotic elasticity to the track while everything else consumes you in a soft swirling marshmallow of sweet psychedelia.

Stream ‘Eye Of The Storm’ below


Hypnotic, Indie Psychedelic, New Music, psychedelic

Future Lover ‘Dead Soul Dagger’

Future Lover has released a new single ‘Dead Soul Dagger’ Colin Lime is Future Lover, He writes, records, and produces all the music, with occasional contributions from far-out friends. Originally hailing from Indianapolis, and having spent more than a decade touring the country and living in New York, the sound of Future Lover reflects that journey. It evokes a psychedelic trip through inner and outer space, lighting up the darkness and rocketing out into the universe. He calls his sound “Psych-Wave”. ‘Dead Soul Dagger’ is taken from ‘Reverb Tales’, the forthcoming LP out May 2017 on Crystal Cave Records.
‘Dead Soul Dagger’ is a fuzzed kaleidoscopic prism of psychedelic rock swirling with trippy confusion. Opiate vocals sooth with a narcotic numbing effect while weaving electronics act as a wobbly wave like mirage causing a blissful daydream head trip. Razor sharp fuzzed guitar becomes the constant, keeping you from dangerously slipping into the enticing enigma. The shredding guitar riff is gritty and hypnotic with steamy flashes of disorientation. Strong punchy drums give the track a heavy sound that will cause your glazed head to mosh messily and uncontrollably while you become consumed in the dark bewitchment of this fascinating track. Haunting falsetto vocals echo in the background while the track swirls and weaves with liquid blurred fluidity. Let Future Lover dissolve your brain in trippy ecstasy.
Stream ‘Dead Soul Dagger’ below

Baroque Pop, Cinamatic, Hypnotic, Indie, Indie Folk, Indie Psychedelic, New Music, Psych-Pop, psychedelic, Psychedelic/Folk

Dia ‘Gambling Girl’

Dia is the stunning project of composer and performer, Danielle Birrittella. The Indie folk/baroque pop artist has released the beautiful, cinematic music video for her latest single, ‘Gambling Girl’ off her debut EP ‘Tiny Ocean’, which was released with Manimal Records and features songs produced by Joey Waronker (Beck, REM, Atoms for Peace), Tim Carr (The Americans, HAIM) and Frankie Siragusa (theLAB). Raised on a Hindu ashram, Dia sang ceremonial ragas as a child, which led to training and performing as an opera singer throughout the U.S. and Europe. Along these travels, she began experimenting with music and writing song fragments on a ukulele, which was gifted to her by her brother. Dia’s practice as a classically trained opera singer induced an incredibly critical ear. Her influences of classical music, such as Baroque and French Romantics are beautifully infused with modern experimental cinematic folk on her debut EP. A native of New England, and graduate of New York University (BA) and California Institute of the Arts (MFA), she has lived and worked as an artist in New York, France, and Italy. Highlighted performances have included Disney Hall’s REDCAT – Los Angeles, La Musica Lirica – Italy, The Chautauqua Institute – New York, La Main d’Or – Paris, and The Ludwig Foundation – Cuba.
‘Gambling Girl’ is a moody cinematic dream pop swirl that is more sticky than honey. The dark stuffy atmosphere suffocates you in a spiralling dreamy haze. The steady thump beat teamed with sultry bewitching lull on vocals give a narcotic hypnotic effect that draws you further and further into the calming opiate illusion. Dia’s vocals act as a sedative or tranquilliser cooing with soft mind numbing qualities. Driven by a seductive sway-like flow ‘Gambling Girl’ lures and entices with graceful delicate charm and daydream obscurity.
Watch the video for ‘Gambling Girl’ which portrays Dia and a cowboy beneath a sunset, riding horses and dancing in the desert below.

Acid, electro- pop, Electronic, EP Review, Hypnotic, Indie, Indie Electro, New Music, psychedelic, Synth-pop

The Fin.’Through The Deep’ Remix EP

Japanese masters of shimmering ethereal pop, The Fin. have announced an exclusive remix EP, featuring versions remixed by The Field, Ten Fé and All We Are. The ‘Through The Deep’ remix EP features four adventurous reworkings of tracks from their ocean-inspired dream-pop nugget ‘Through The Deep’ which was released in the summer. The remix EP will also serve as a key component of the launch of Spotify in Japan. Hailing from the vibrant Japanese port city of Kobe, The Fin. elected to temporarily relocate to England’s equally bustling capital in autumn 2016 to explore the impact that life in London might bring to bear on their new material. Having signed to Lost In The Manor Records the previous year, the band’s growing renown on these shores has led to a surge of media interest and prime headline slots such as this year’s Great Escape Festival. The Fin. have performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before signing to Lost In The Manor and releasing their debut UK EP, ‘Night Time’.
All We Are step up to the plate first with their exceptional rework of ‘Anchorless Ship’. Guro and Luis convert the sparse funk of the original into a haunting cut of anthemic techno, upping the tempo, bottoming out the bass end and decorating the track with dissonant acid stabs. True to All We Are’s psych-disco leanings, their ‘Anchorless Ship’ evolves into a second act with a ferocious tribal edge, and psychedelic stinging acid trip that livens up the original dream pop and introduces an invitation to dance that can’t be refused.
London’s blissful electro-indie pairing Ten Fé follow next artfully crafting their mix around the melodic synth washes of The Fin.’s 60-second ‘Heat’, originally the track shimmers with a chillwave and beautiful ocean lit glittering synths. Ten Fé expand the groove via a punchy bassline set to a motorik pulse, adding a kick and edge to the track. Phasing the original sine-wave oscillations and warping frontman Yuto’s vocal into an alien drawl. This singular piece of extra-terrestrial kraut-funk builds to a euphoric climax, as horn stabs and sustained harmonics add colour to an irresistible clubland vibe.
Stockholm-born, Berlin-based ambient techno producer Axel Willner, aka The Field, transcends the rapturous dream-pop of the EP’s title track ‘Through The Deep ‘ with an extraordinary 12-minute canvas of electro-minimalism. A hypnotic raga for our time, ‘Through The Deep’ here becomes an unusual jewel of rich, breathy experimentalism, almost imperceptibly peaking and trudging along luring and drawing you onto its mesmerising sonic path.
Finally ‘White Breath’ a remix by The Fin.’s vocalist Yuto Uchino takes us to the end of our psychedelic trance with soft electronic waves weaving and swirling in a blissful mind-bending kaleidoscope. Removing the delicate vocals of the original and becoming completely consumed in thick electronic experimental psychedelia. Beautiful warm tones on guitar give us a strong melody to hold onto keeping us afloat from the pulling and swirling abyss of the track.
The ‘Through The Deep’ remix EP is a Pandora box delight, full of mesmerising waves of synths interweaving and washing with acid elements and sonic depths with reverb weighty guitars on top of blissful melodies. The guys did a fantastic job with the remixes however I will say check out the originals first, you will fall in love with them and will only then appreciate the true talent of The Fin. and the effort and craft that went into creating the remixes.

Stream both the original and the ‘Through The Deep’ remix EP below

Alt Rock, Grunge, Hypnotic, Indie, Indie Psychedelic, indie rock, New Music, psychedelic, Rock, Trance

The Grey Merchant ‘Spotless’

the-grey-merchant

The Grey Merchant are an alternative indie band from Cork. Their debut single ‘Spotless’ is set for release via Demeanour Records on November 8th. The Grey Merchant introduce us to their swirling concoction of psychedelic experimental rock that will blow your mind. Its a labyrinth of pulsating bass and distorted guitars swirling in an intoxicating brew of hallucinatory narcotic rock. This thick ecstasy of eye- popping exhilarating psychedelia resounds and winds around a vocal line sampled from Charlie Chaplin’s speech from ‘The Great Dictator’. With rapid punch and repetitive striking drums ‘Spotless’ lures you into a darkened  hair- raisingly thrilling atmosphere where there is no returning. Once you let yourself succumb to the crisp edgy sting and moody undertone you become swallowed and consumed in the tireless relentless onslaught of the meandering entwining coil of The Grey Merchant’s unique and fantastic masterpiece. These guys are ones to watch.
Stream ‘Spotless’ below

 

Album Review, Alt Rock, Hypnotic, Indie, indie rock, New Music, psychedelic, Rock

Ghost Robots Album Review

Five piece Ghost Robots are an alternative rock band from Waterford. Band members Michael Doyle (Vocals), Dael O’Brien (Drums), Evan Hayes (Bass), David Hearne (Rhythm Guitar) and David Rudden (Lead Guitar) will be releasing their self titled album early next year and we had a little listen to it. As expected Ghost Robots sucker punch you into their unique sticky indie rock with flashes of epileptic psychedelia. This high intensity album is jam packed with catchy melodies and body pounding instrumentation that will have you completely immersed and engulfed in their darkened entrancing sound.
The album kicks things off with ‘Bad Habit’ this gritty riff ear worm is the perfect track to reel you in with pounding drums and dynamic soaring vocals. Strident blazes of guitar and blissful pop melodies make it a fiery anthem ablaze with motivational fist pump attitude and spirit. ‘Hollow Thoughts’ is a hungry razor sharp composition of nimble acute guitar and a snappy forceful beat. It is gravelly rough and ready frenzy, coated in swirling psychedelia and mind bending aggression. ‘Invader’ is an attack of euphoric rock. The edgy shrill of earsplitting guitars on top of hard pummelling drums give the sound of headbangingly good rock. Its a hyped intense track exuding aggressive swagger and a forceful characteristic. It is a “tour de force” with mesmerising electric power driven vocals. ‘Louder Louder’ , ‘Lights Out’ and ‘Richer Than Kings’ continue the five pieces’s unique, energetic whip lash rock with sizzling riffs and flexible rhythms all while maintaining a smooth refreshing cool tone. ‘Geronimo’ gives us a sensual almost strut- like punchy swagger. With fuzzed steamy guitar and sticky beat this track oozes stuffy attitude and gluey textures. ‘Razor Blades and Ashtrays’ is a rush of hair raising eerie tones and mystery. With an infectious piercing guitar riff and whisper vocals for the bridge its a spooky warning of dangerous occurrences with outburst of frustration. The album concludes with ‘I Am Not Contagious’ a swirling brew of spiralling psychedelia and chilling haunting vocals teamed with a heavy sturdy beat that remains the foundation and a solid to hold on to as the rest of the track swirls and intoxicatingly weaves around pulling you into its deep pit of trance-inducing danger. The coaxing velvety vocals bewitch and charm you into its spellbinding entrapment leaving you dizzy, confused and wanting to hear more.
An incredible album from Ghost Robots these guys have a bright future ahead looking forward to the release next year.
Ghost Robots will be playing at Whelan’s on OCT 15th make sure you check them out they are brilliant live.
While you are waiting for the album release watch the video for ‘Under Fire’ taken from Ghost Robots EP ‘Sell It To Me’ below

Electronic, Flex Wave, Indie, New Music, psychedelic, Trance

Heez ‘Dancing’

tumblr_o8knv0Vmyy1qm45jmo1_1280

Born in Mexico City, 22 year old Heez grew up in Dallas, Texas and now resides in Downtown Los Angeles. The first story he wants to tell is about codependency and having such a strong connection with someone that both identities begin to blur into one. He achieves this through his debut single ‘Dancing’. Heez embarked on this musical journey from his Los Angeles dorm room while studying music industry at the University of Southern California, finding inspiration from his past heartbreaks.
 ‘Dancing’ was released earlier this year. Its a catchy flex wave track with a snappy beat interweaving electronics glazed in shadowy melancholy tones. The heavy hearted vocals add emotion to the track while the rap adds rhythm and gives an edge. The track is richly textured and portrays Heez’ lyrics poetically while holding a grit and darkened atmosphere. The quick synth stabs give the track an elastic bendable quality while providing a strong sharp whack beat that has a trance effect. ‘Dancing’ presents us with an airy hazy vibe you can loose yourself in while maintaining a bite and grit that gives this track substance and attitude.
Stream ‘Dancing’ below

https://soundcloud.com/heezdepaula/dancing

Hypnotic, Indie, New Music, Psych-Pop, psychedelic, Trance

Fauna Twin ‘Water on Mars’

Fauna Twin are Parisian singer-songwriter Claire Jacquemard Ginsberg (leader of Hippies Vs Ghosts) and North Wales’ Owain Ginsberg (We Are Animal). The duo have recently signed to Crammed Discs Records and they released their new single ‘Water on Mars’ taken from their debut ‘The HYDRA EP’, which will be released in October followed by a string of shows around Europe.
‘Water on Mars’ is a dark intoxicating swirling concoction of alternative synth pop. The track lures you into its bewitching atmosphere from the very start with meandering instrumentation that draws you into a psychedelic labyrinth of complexity and confusion while enticing and coaxing you into its rich interweaving textures. Jacquemard’s vocals are haunting and gently coo and soothe the listener while giving a mysterious eerie tone to the track. The guitar adds grit and gives that final pull, drawing the listener in and trapping them in an enthralling brooding atmosphere. The track is coated in mesmerising rhythm and shadowy hints of tribal beats that give this track a fantastic bounce and multi texture.
Put ‘Water on Mars’ on repeat and let yourself become consumed and enraptured by this fantastic dark enchanting track.
Watch ‘Water on Mars’ below

Hypnotic, Indie, indie rock, New Music, Psych-Pop, psychedelic, Trance

Mucklo ‘Double Dealing’

Hailing from Frankfort, Indiana, the man behind Mucklo, Michael J. Hall, started writing music at a young age. In High School, Michael played many punk rock shows as the guitarist and vocalist for a progressive, genre-clashing four piece psych rock band called, Split Lips and Lemons. After departing from Split Lips and Lemons, Michael began meeting a lot of phenomenal local musicians and commenced to playing bass for both an original blues rock band, The Down Low Kickers, and a Grateful Dead cover band, The Graciously Departed (formally known as Band And Dave). Hall has taken his experience and has been perfecting the lyrics and sound of the project he now calls Mucklo. The name Mucklo stems from a bolt-making artist who worked out of the same local factory Hall and his family worked at for a time. Hall fully composes, writes and produces his music. He has a passion for home recording and a knack for instruments, Hall can play the guitar, mandolin, drums, harmonica and autoharp, to name a few.
Mucklo released the track ‘Double Dealing’ earlier this year. It is an alluring and enticing song with entrancing shadowy tones that lure you into the darkest depths of the track. Mucklo traps you in this intoxicating atmosphere while seducing you with his bass- driven bobbing groove. The track develops into a sticky gooey head bopping trip with bouncy guitars and a soft pop punch beat. The shredding guitar solo freshes up the track and adds to the psychedelic trip while the vocals are dismal and draw the listener in giving a narcotic hypnotic effect that is eerie yet soothing.
Stream ‘Double Dealing’ below

Acid Rock, Hypnotic, Indie, indie rock, New Music, Post Punk, Psych-Pop, psychedelic, Rock, Trance

The Only Ocean ‘CUL-DE-SAC’

Lompoc, California born four-piece, The Only Ocean, bring a fresh new edge to indie rock. Band members Wesley Hill (Vocals, Guitar), Dustin Whalen (Guitar), Alex Burdess (Bass) and Shae Kakos-(Drums) are childhood friends who have pulled together a wide range of sub-genres from Psych-Pop and Post-Punk to Acid Rock to create their unique sound.
‘CUL-DE-SAC’ is the first single off  their soon to be released EP, ‘TOO’ which was produced by Graham Ginsburg and Rick Mabery of The Barn Music Studio, and Jonathan DeBaun (The Mars Volta, Le Butcherettes, Antemasque). The track begins with a dark aggressive tone blasting us with heavy flashing vigorous guitars and a psychedelic delirious vibe. The verse cools things down with light beats and cool sedated vocals. The track is drenched in reverb adding to the psychedelic vibe. With swirling melodies that hypnotise and pull you into the intensity of the track teamed with cynical snarky lyrics that adequately portray that this track is an “anthem for anyone who has ever tasted the sweet angst in desolation”. The churning surge of instrumentation is enticing and leads the listener into the acid trip explosive crescendo.
‘CUL-DE-SAC’ is a well written and crafted track full of dark tones and confusing mystery that is perfectly conveyed through a blend of Psych/Acid Rock.
Stream ‘CUL-DE-SAC’ below